Show notes
Richard Reinsch (00:19): Welcome to Liberty Law Talk, I’m Richard Reinsch. Today we’re with Benjamin Storey, talking about a new book he has co-authored with Jenna Silber Storey entitled Why We Are Restless: On the Modern Quest for Contentment. His co-author, also his wife, Jenna Silber Storey couldn’t be with us, but Ben will do a great job talking about the book. Ben is the Jane Gage Hipp Professor of Politics and International Affairs and is the director of the Tocqueville Program at Furman. Jenna Silber Storey is Assistant Professor of Politics and International Affairs, and Executive Director of the Tocqueville Program at Furman University. Ben, we’re glad to have you on the program. Benjamin Storey (01:00): It’s an honor to be here and talk with you, Richard. Thanks so much for having me on. Richard Reinsch (01:04): Excellent. So, I’ll just ask you a straightforward question here: why are we restless? Benjamin Storey (01:10): Well, thanks for the question. It’s obviously prompted by the title of the book. Your question requires a two-pronged answer. In the first place, human beings are naturally restless. Saint Augustine famously remarks at the outset of the confessions, that our hearts are restless until they rest in God. And so in some ways, restlessness is a permanent part of the human condition. But the restlessness that we’re trying to trace in this book is more specifically a modern kind of restlessness that is a restlessness that springs from trying and failing to make one’s self content within the confines of imminence, that is trying to make one’s self content in the here and now. And we think that one of the things that defines modern life, is the widespread attempt to find happiness in an imminent way, an attempt that we keep trying to consummate, but that’s a project in which we continually fail. And so those failures to find happiness in this imminent way, that failure gives rise to the kind of restlessness that we’re describing in this book. Richard Reinsch (02:32): You mentioned, or you’ve discuss at length I should say, four figures: Montaigne, Pascal, Rousseau and Tocqueville. Maybe we’ll just try Montaigne here. Who was he, and how does he contribute to this sort of predicament? Benjamin Storey (02:47): Yeah. Montaigne is the first figure that we deal with in the book. And Michel de Montaigne is a 16th century French essayist, he’s the father of the literary form known as the essay. That is, nobody ever called a piece of writing an essay until Montaigne did so. He lived in the midst of France’s wars of religion, which lasted for most of his adult life, second half of the 16th century. And he looked around him, at his contemporaries who were ready to kill one another over the meaning of pronouns, different pronouns in their time than the pronouns that we get worked up over in our time. They were worked up over the pronoun “hoc,” that is used in the Catholic mass at the elevation of the host. They were worked up over the question of whether that “hoc” was to be taken literally. The [inaudible 00:03:43] was at the heart of the quarrel over transubstantiation. That is so much a part of the Catholic Protestant divide. So, Montaigne’s contemporaries were ready to kill one another over these kinds of questions about the transcendent. And he looked around and said, we need to lower the temperature a bit. And so, Montaigne made a very powerful case for skepticism, and particularly for skepticism about the question of the summum bonum, of the highest good, of that good which would make a human life worth living. He said philosophers have been arguing about this for centuries, they haven’t come up with any consensus answers, and so we should just stop asking. That is, Montaigne makes the case that it is possible to live a good human life with a kind of indifference to the question of the highest good. And that that way of seeking happiness, is what we call the quest for imminent contentment. And the happiness Montaigne celebrates, is a dabbling kind of happiness. That is, instead of asking is philosophy going to make me happy, or is religion going to make me happy, or is citizenship going to make me happy? Montaigne does a little of everything, but he does it all with a light touch. So for example, he reads, but he tells us that he doesn’t like the heavy stuff, Plato and Aristotle. He prefers lighter authors like Plutarch and Ovid, his version of light might be a little different than ours. He travels, but when he travels he doesn’t go with the ambitions of an explorer, or the aspirations, the piety of a pilgrim, he’s just taking a look around. And Montaigne says this kind of nonchalant existence, in which we enjoy all the pleasures and pursuits available to us, but don’t make too much out of any of them, this is the true way to happiness. Richard Reinsch (05:41): It’s interesting you mention Plato and Aristotle, he didn’t like reading them. As I read your chapter on Montaigne, it seemed to me it’s not just he’s rejecting Christianity of his period, he seems to be rejecting the bulk of the Western tradition. Insofar as the classical philosophical tradition, and also biblical religion, calls you out of yourself, calls you after a third principle, something that transcends you, that’s before you, that lives on after you. And it’s just real, and you are supposed to understand it, participate in it, perhaps conform to it, and he’s rejecting all of that. So what then, help us understand what does he really think that these motives we have, these desires, quests, thoughts, where are they going to go? Benjamin Storey (06:30): That’s a terrific question. I want to concentrate on the first part of what you’re saying. And I think you’re right to sense in Montaigne a rejection of the whole classical and Christian tradition. At the same time, he of course inherits and transforms elements of those traditions. And one element that he inherits and transforms, is the quest for self-knowledge, which Socrates so famously dedicated his life to. But Montaigne does this fascinating thing. For Socrates, the quest to know one’s self is a quest to understand human nature, and the deepest aspirations of the human soul. And Montaigne says, “I’m not really interested in the question of man. I’m interested in the question of me.” And Montaigne lived in an era in which there was still a taboo weighing on writing in the first person, and writing about one’s self. And in the course of Montaigne essays, he violates that taboo about 8,000 times, which is roughly the number of first person pronouns that he uses in the course of this book. So, he writes as he says, entirely about himself. And so, he thereby transforms the classical quest for self knowledge. It’s no longer knowledge of man, it’s knowledge of me. And Montaigne makes this into an act of a kind of modesty, “I’m no longer to ask the pretentious question, what would make a human life worth living? I’m going to ask, who am I, Michel de Montaigne, in my distinctive individuality?” And so, the modern focus on distinctive individuality is very visible in Montaigne. And so, I think with respect to the second part of your question, the question of where these longings for transcendence, for things that are real and outside of ourselves, where that goes, Montaigne seeks… I think he had that longing in himself, but he seeks to bring it back around to himself. He seeks to attain it, to circumscribe himself is the language that he uses for this. And so instead of imagining that, for example, erotic desire should take us off to contemplate the form of the beautiful, as it does in Plato, Montaigne says why can’t it just be what it is? Why can’t a desire for a beautiful body just be a desire for a beautiful body? And so in this sense, Montaigne is trying to tame, or block every entrance you might say, to the concern with transcendence as it shows up in human life. He says what we need to learn to do is be at home, be at home in this world, and he thinks we can do that. The great literary, literary critic Sainte-Beuve, commented about Montaigne that what this book, his essays is really all about, is a presentation of nature complete without grace. He thinks if we learn to tame these longings, to bring them back to ourselves, we can be content in the natural world without any help from anything above or beyond it. What is common to Montaigne and the bourgeois existence is that this is somebody who makes the self centered life that we associate with contemporary bourgeois existence, he makes that kind of life attractive. So in this sense, I think you’re right that Montaigne is the precursor of the modern bourgeois. Richard Reinsch (09:38): You guys argue in the book, he seems to have invented the self. And I thought that as I’m listening to you, I’m thinking, he said that he’s not into human nature, he said just me. He would also, I think, assume then that he is just endlessly interesting and fascinating, and should write about himself and we should learn from him. Benjamin Storey (09:55): A couple of points there. One, the self in French is le moi. And Montaigne, he hates abstractions, and so he’s not going to coin an abstraction like that, le moi, the me. It’s a strange thing to say. But by talking so much about me and not moi, he helps legitimate it as a subject. And Blaise Pascal will come along after Montaigne, he doesn’t object to abstractions, and he will stick the le in front of the moi, and he’ll talk about the self. And he seems to be the first person in French to have joined these two terms, le and moi in this way, to create this French version of this notion of the self. And so yes, I think it’s fair to say that that Montaigne by talking about moi, about himself so extensively, helped legitimate that, helped invent the self or at least make it a legitimate object of study. And I think most readers of Montaigne who encounter this guy, do find him endlessly fascinating. He had a rich and varied experience of life, although he doesn’t encourage us to read the classics, he read them all. And he can draw from that stock of learning with an extraordinary facility, to create a book that is endlessly engaging and charming. And so, if you want to see what the appeal of the modern self is all about, Montaigne is a great place to look, and he’s attracted a long train of readers for precisely this reason. That his, Montaigne’s essays are thought to have been one of the most widely read books in Europe, over the course of the 17th and 18th century. Everybody from Shakespeare, Francis Bacon, Rene Descartes, Jean-Jacques Rousseau, Friedrich Nietzsche, Virginia Woolf, all these people are steeped in Montaigne. And a little time spent with him will tell just about any reader why. Richard Reinsch (11:50): Do you think, so as we move through the book, one way to think about Montaigne is he’s actually, to my mind he’s sort of preparing us… I’m putting a lot into this, but he’s sort of preparing us for a very horizontal, bourgeois, consumer-driven society. That is, maybe the extent of your self reflection is in the mirror in the morning, but then you go off to work and that’s really where all your energy goes. And then you come home, and you kind of sink and rest in leisure of a certain kind. Not necessarily reading or thinking deeply, but just you’re so tired and you just sink into some diversion. Is there a connection there, the way Montaigne’s writing about don’t let your motives go vertical, just keep them horizontal? Benjamin Storey (12:32): Your sense that this is a horizontal portrait of existence is very right, and it’s something that we see also in the later thinker, Jean-Jacques Rousseau. The one thing that I would say is different about the Montaigne-ian of existence from the bourgeois existence that you just described, is that Montaigne was of course an aristocrat. And so he didn’t have to work, and so he spent lots of time reflecting on himself. But what is common to Montaigne and the bourgeois existence that you just described, and you’re right that Montaigne has been described as the first bourgeois, that this is somebody who makes the self centered life that we associate with cotemporary bourgeois existence, he makes that kind of life attractive. So in this sense, I think you’re right that Montaigne is the precursor of the modern bourgeois. And we see that this combination that I think you’re describing shows up in our texts, when we get to Alexis de Tocqueville, who sees what happens to Montaigne-ism when democratic peoples who have to work for a living try to find their happiness in this way. It’s very much like the rhythm that you just described, except that it is haunted by a kind of existential anxiety that Montaigne at least tries to write out of his portrait of himself. Richard Reinsch (13:49): It seems to me too, you mentioned he’s an aristocrat and also incredibly learned, he’s drawing on a lot of thick traditions that come before him, and that have accumulated over centuries, Christianity, classical philosophy, also just do various aspects of being French, of a civilization that’s pretty rich, that’s going to give him a lot to reflect upon as he thinks about whittling in a way, or whittling it down to some concept of the self. That is to say, he doesn’t find himself in say, at a time like maybe our own, where there really isn’t a lot. There’s a lot of thin traditions around, and maybe there’s a desire to reconstitute things. Benjamin Storey (14:34): I think that’s right, Richard. And Montaigne’s text has been described, and there’s a book about Montaigne that describes it as a cornucopian text. There seems to be an endless amount there, in all of his reading, and all of his travels and all the experiences, that he can relate to us. One of the things that’s interesting about Montaigne’s way of talking about everything that shows up in his book, from people like Epimenides and Alexander the Great, to stories about his peasant neighbors. He tells us that he tells us everything that he tells us, so as to reveal something about himself. That is, he’s less interested in things outside of him, than he is in the reactions they stir up inside of him. And that’s the way in which this book that seems to be about everything, is ultimately all about Montaigne. Richard Reinsch (15:23): Let’s move on. The next thinker discussed in the book is Pascal. How does he answer Montaigne? Benjamin Storey (15:30): Well, Pascal’s a fascinating figure, I think in the world of political philosophy that you and I both to some extent inhabit, I think the two later thinkers that we deal with, Rousseau and Tocqueville are pretty well-known. Montaigne and Pascal are less so, and Pascal perhaps the least studied of all. And one of the things that we hope this book can help do, is make his genius something that is more commonly recognized and studied. Pascal was a astonishing polymath, who made world historical contributions in geometry with his work on conic sections and another problem called the cycloid, in mathematics by elaborating modern probability theory on the basis of what is this numeric sequence, it’s called Pascal’s triangle, in technology by inventing one of the world’s first working calculators back in the 17th century, which could add, subtract, multiply, and divide numbers of up to eight digits. He was a great physicist, who demonstrated the existence of the phenomenon of atmospheric pressure, to this day units of pressure are called Pascals. Then Pascal jumped into literary and theological controversy with his provincial letters, which are these fantastic satires of the Jesuits who were at the time, the most powerful churchmen in France, and one of the greatest bestsellers of the 17th century. Then he wrote his Pensées, which are on the one hand one of the greatest works of Christian apologetics of the modern era, and perhaps of Christian history as such, and also gen…
Full show notes at the publisher