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Pantheon – Home of Music Podcasts

Welcome Music fans!
Find all the shows in our main feed here: Rock N Roll Archaeology, History in Five Songs with Martin Popoff, Decibel Geek, Tunes & Tumblers, Crime in Music, Tripping on My Roots, Mistress Carrie Podcast, The Hook Rocks!, Rock n Roll Librarian, Art of Rock, JBTV, Into the Banjoverse, Is It Rolling Bob? Talking Dylan, Rock’s Backpages, Goldmine, Pamela Des Barres’ Pajama Party, Who Cares About the Rock Hall?, You’re Not Listening, Stephanie & Stephanie Talk Tunes, The Career Musician, Cobras & Fire, The Band: A History, No Filler, Make It Stop!, Shout it Out Loudcast, Deeper Digs, Side Jams, I’m in Love with That Song, See Hear, Feels Like Weezer, Ditty TV, Strange Phenomena, The Devil’s Music with Pleasant Gehman, Sample Excavator, Colorado Music Experience, Audio Judo, invisible arts with Richard Gibbs, ImmaLetYouFinish, What Difference Does It Make?, Ready to Record, Songfacts, Story Song Podcast, The Age Old Question, Stroll Down Penny Lane, Vintage Rock Pod, The Punk Tree, Long May You Young, Bob Dylan: About Man and God and Law, Music Buzzz, Backstage Chats with Women in Music, and more!
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Copyright: © 2015-2019 Pantheon Media

Latest Episodes:

Highway Hi-Fi: The Music of Cults- Part 2 (Episode 80) Jul 07, 2020

Show notes

Today’s episode is a continuing examination of the strange bedfellows of cults and music. Last time, we discussed some of the more academic reasons why leaders and their minions utilize music to recruit, indoctrinate, isolate, and elevate their group, so today we are going to dive right into the fringiest of the fringe groups. The absurd ashrams. The Kookiest communes. The flakiest faiths. The goofiest gurus. The screwiest sects. And the zaniest zealots. So go ahead and plaster your best “Up with People” smile on that face, schedule tomorrow’s deprogramming session, and hunker in your bunker as we prepare to astrally project the second installment of the fascinating world of cult music.

One of the main resources we used for this episode was WFMU's Music of Mind Control with Micah

Highway Hi-Fi is a proud member of the Pantheon Music Podcast Network - Home of the Finest Music Podcasts

No FIller: Mae - Destination: Beautiful Jul 07, 2020

Show notes

As we've covered heavily over the past few weeks, emo bands were a dime a dozen in the early aughts. Mae's debut record, Destination: Beautiful, was the exception to the rule. Dave Elkin's beautiful vocals layered over textures of acoustic guitar and lush piano make this record beautifully varied through its 11 tracks, with lyrics that flirt with emo cliches yet feel refreshing and sincere. If you missed it the first time around, Destination: Beautiful is a must-listen for fans of emo music from this era.

Tracklist

Mae - Embers and Envelopes
Mae - All Deliberate Speed
Mae - This Time Is The Last Time
Mae - Sun
Tigers Jaw - Warn Me
Gleemer - Gauze
Schematic - Outside

This show is part of the Pantheon Podcast network.

Let It Roll: The Pre-Punk Seventies - Ed Ward's History Of Rock & Roll Jul 07, 2020

Show notes

Ed Ward and host Nate Wilcox talk about the bloating of the music biz in the early 70s and the feeling that everyone was waiting on something to happen, Bob Dylan vs David Geffen, the New York Dolls at the Mercer Arts Center and the collapse of Stax Records.

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This show is part of Pantheon Podcasts.

The Imbalanced History Of Rock And Roll: Brother Robert-Truth Behind A Blues Legend Jul 06, 2020

Show notes

This episode could be a ground breaker! The new book, "Brother Robert: Growing Up With Robert Johnson" is the family's story about the Blues legend, written by his half-sister, Annye C. Anderson and author Preston Lauderbach. It's a side of his story that we have never heard: his family, his travels, his real path to guitar god status, all revealed! The basis for this episode is an interview with Preston, who shares our reverence for the one and only Mr. J.!

This show is part of Pantheon Podcasts

Shout It Out Loudcast: 'OU812' by Van Halen Jul 05, 2020

Show notes

On the 3rd Bonus Episode of Shout It Out Loudcast, Tom, Zeus & Sonny "Hollywood" Pooni, review the 1988 Van Halen album, "OU812." This is the 8th album by Van Halen and very polarizing. The guys breakdown the songs, discuss the "Van Hagar" vs "Van Halen" argument and rank all the tracks. As usual the opinions differ and the insults fly. So don't be a Sucker In A 3 Piece Suit or you'll end up Black and Blue and won't be saying this "Feels So Good!"

This show is part of Pantheon Podcasts.

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Who Cares About The Rock Hall?: Say It Loud 'I'm Black and I'm Proud' Jul 03, 2020

Show notes

James Brown, Rock Hall Class of 1986

Dad Bod Rap Pod Ep. 125: Apollo's Creed with guest Apollo Brown Jul 03, 2020

Show notes

This week the guys review of Bloo & Spanish Ran's MF Bloo album on the yah/meh/nah scale and then interview producer Apollo Brown. Apollo is a prolific and gifted producer, an engaging interviewee, and most importantly, a person of integrity. The main thing that came across in this interview was that he knows who he is, how he wants to work, and has used those principles to build an impressive careers. He shares stories of working with Skyzoo, Ghostface, Che Noir, and basically every single MC from his hometown of Detroit.

The Punk Tree: American Arson 'A Line in the Sand' Jul 03, 2020

Show notes

We hang out with the band American Arson & discuss their new album "A Line in the Sand". Evan Baker & Jesse Gentry share about songwriting, shifting ideology, creating a "wall of sound" & English Soccer.

Including tracks:

American Arson-Drop Your Daggers

Dragged Under-The Real You

Old Solar-Spring Equinox…

Coheed and Cambria-Wake Up

American Arson-Drop Your Daggers

Dayseeker-The Earth Will Turn

Gaslight Anthem-Dark Places

Ash Soan

Sleeping Giant-Finished People

Dens-Even

American Arson-Forever

Wolves at the Gate-A Voice in the Violence

American Arson-Unbreakable

Who Cares About The Rock Hall?: Lift Every Voice and Sing Jul 03, 2020

Show notes

Ray Charles, Rock Hall Class of 1986

Deeper Digs: Leland Sklar Jul 02, 2020

Show notes

Christian sits down with Immediate Family member, bassist Leland Sklar! This is the first in a series of interviews that will highlight all the members of the band (Legends to a man), we will be releasing over the Summer.

Lee Sklar has been a prominent figure among Hollywood session bassists dating back to the 1970s and ever since. Sklar (born Leland Bruce Sklar, May 28, 1947, Milwaukee, WI) has more than 2000 albums to his credit (and still counting), and is considered to be one of the "A" players in the highly selective L.A. rock music community where the competition for recording dates is fierce, and where only the strongest will survive. His very recognizable bass playing style has been heard on hits by Linda Ronstadt, James Taylor, Hall & Oates, Jackson Browne, Phil Collins, Clint Black, Reba McEntire, and George Strait, to name just a few. And never one to remain idle, Sklar has entered the new millennium with a vengeance, taking on new projects with Willie Nelson, Steven Curtis Chapman, Nils Lofgren, Lisa Loeb, and many more.

The reputation of a fine session player is not held exclusively to the record industry. Television and motion picture musical directors have called upon Sklar for his expertise countless times. He has played on TV shows such as Hill Street Blues, Knight Rider, Simon and Simon, and also on many motion pictures, including Forrest Gump, Ghost, Kindergarten Cop, and My Best Friend's Wedding. The list is virtually endless.

Sklar moved from Wisconsin to Southern California when he was very young and started playing piano at age four. When he entered Birmingham Junior High in Van Nuys he fully intended to continue as a pianist in the school music program but found that there was an overabundance of piano students, but no string bass players. His instructor, Mr. Ted Lynn, asked Sklar if he would consider playing bass and, if so, he would teach him. As Sklar stated it, "...my life changed. Piano took a back seat and bass was it!"

It was toward the end of the '60s and after completing his education at California State University, Northridge, as a music/art major that Sklar met James Taylor and they started doing some gigs. They thought they might be playing together for about a month, but then Taylor's "Fire and Rain" became a huge hit record and Sklar's career began to gain steam. Sklar's first sessions were with Taylor. The buzz surrounding this new bass player didn't take long to spread around Hollywood, and suddenly there was an icon in the making.

Over the years Sklar has worked with nearly all of the top session players in Hollywood, but on the backs of album covers his name seems to pop up more frequently alongside drummer Russ Kunkel, guitarist Dan Kortchmar, and keyboardist Craig Doerge. This quartet would come to be known as the Section and they would record three of their own albums between 1972 and 1977 with the participation of additional select side personnel. Occasionally the Section would give a subtly announced live performance, much to the delight of their esoteric followers who would seek them out and feast on their mastery.

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