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    Education

    Fenzi Dog Sports Podcast

    Published every Friday, the Fenzi Dog Sports Podcast is brought to you by the Fenzi Dog Sports Academy. Each episode of the Fenzi Dog Sports Podcast will feature an interview with a leading name in the competitive dog sports training world, talking in depth about issues that often get overlooked by traditional training methods.

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    Latest Episodes:
    E69: Julie Symons - Trialing in Nosework Jun 29, 2018
    Show notes

    SUMMARY: Julie Symons is owner and head dog trainer at Savvy Dog Sports and she joined to break down what it's like to compete in a nose work trial, plus we talk introducing handler scent to your nose work dog. Next Episode: To be released 7/06/2018, featuring Donna Hill, talking about owner-handler trained service dogs and what it takes to get a fantastic recall. TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we have Julie Symons, owner and head dog trainer at Savvy Dog Sports, to talk about scentwork. Welcome back to the podcast Julie! Julie Symons: Hi Melissa. It's great to be here again. Melissa Breau: I'm excited to chat. Just to refresh everyone's memories, can you share a little bit about who you are and the dogs that you share your life with? Julie Symons: I've been training since the early to mid-1990s. Started out, I think, obedience, like most people probably did, and then agility came on the scene, and then I got my first purebred dog. What I was really drawn to from the very beginning was the versatile sports that I got into with my dog and how much I enjoyed the cross-training. I've stayed with the Belgian breed so far and really enjoyed that journey, and starting to look at some other breeds as well. I also incorporated my Savvy Dog Sports training, I have my own training center now, and I just very recently, haven't really gone public with it, gave my notice at my corporate day job that I've been at for 30 years, and my last day is July 6, so that's pretty exciting for me. A lot of change going on. Melissa Breau: That's awesome. Congrats. That's so exciting. Julie Symons: My two dogs that I have, Savvy, who I can't believe is 10-and-a-half. She's done everything I wanted her to do. She is a breed champion, she has her MACH 2, she has her TDX, she has her UD, and she has her Elite 1 nosework trial. Right there it shows my love of versatility, and how well dogs enjoy and that we can train across different sports. Obviously all this occurred over her lifespan up to now. I didn't do it all in one year, obviously. But we're focusing on nosework now and enjoying trialing her at the Elite level, and just want to see how far I can go with that before she's just not able to trial. And then I have my baby dog, who's not really a baby anymore, Drac, who's a Belgian Malinois. I got him because I thought having two different genders would work out better in the household, and it really does. They get along great. He's 2-and-a-half, and he's out of most of his hormonal peak. He was a late bloomer, I think, and I think with boy dogs they mature a little slower. I'm really, really seeing the days of adolescence in our past, and really see the potential in how I can get a little bit more … not that I wasn't serious, but more serious and formal with his training coming up, so I'm really excited about that. We trialed in nosework and confirmation so far with him. Melissa Breau: Awesome, and that's reassuring to hear, considering I have a year-and-change puppy, a boy, still definitely maturing. Julie Symons: I wrote a blog about that, I believe, and I saw somebody recently asking and I haven't had time to reply, but I am experiencing the first time for myself having an intact male. The last year I've been busy with other stuff, I'm still training him, but I didn't put any pressure on him or myself, and he's really come along. For example, in agility classes I couldn't get his nose off the ground. Now he stays in the whole class without sniffing the ground. It just was waiting that out and working with him, letting him acclimate, and not putting the pressure on either one of us. Melissa Breau: So, I wanted to talk about trialing in nosework. I know you have this webinar coming up on achieving nosework trial day success, so I was hoping you might start us out by walking us through what a nosework trial looks like. I know it's super-different than some of the other sports that are out there. What that looks like, how it works, and when everything goes well. Julie Symons: Absolutely. One thing that's interesting about it, at least in the Nosework Association, which is the main venue that most of us got involved with, is you get maybe 30 to 40 dogs, total, at a trial, and you are staying in your parking lot with the dogs inside because they usually are in locations where it's not like a training building and you can't crate anywhere else. So you have to get used to working out of the car, and your dog does have to get used to hanging out in the car all day long. You have to deal with, handle the different temperatures and weather concerns you may have, and when you get there, especially with the Nosework Association, they don't want a lot of dogs hanging out and wandering around because, as many people know who do nosework, a lot of it is geared toward supportive reactive dogs. In the AKC venue it's just like a regular AKC trial, but most people are still very courteous of that. A little bit different situation in their locations, but for the most part you're at a school or maybe a Boys Club of America or something that you're just going to be waiting outside with your dog. They have a running order, and there's a briefing, so you meet with maybe the host, the judges, and they talk about some of the logistics and the situations of how the day is going to run. They tell you if there are back-to-back searches, are you going to run and then go back to your car, and then they take you on a walkthrough. So you go on a walkthrough — most trials you get a walkthrough, some of them you don't, depending on the level — you get a look at your search areas, and then you come back and ask questions about the areas, if you have them. And then the judge or the certifying official, depending on what venue, will go over how many hides you have, if it's a level of known hides, and your time limit that you have to search. Except for AKC, where they do a lot of spectators if there's room, you are generally in there searching, nobody else can watch. There's a few people in the room that are timing and judging and videoing and things like that. It can be a very low-key situation. For some dogs it can be a little worrisome, when you go into this empty room with one or two people can actually be more concerning for a dog, versus having people around all the time, and then you're just working in that environment. Those are some of the "how a typical day goes," and you end up sitting outside your car and you meet your parking lot neighbors, because you usually don't know a lot of people, especially if you go out of town. Of course I know a lot more, and everybody does as you go to more and more trials, but it's not like you go with your friend who also entered, because the odds of two people getting in, most of it's a lottery system, is not likely, so you're usually traveling by yourself and meeting new people. It's a good question you asked, because it is a very different trial day compared to other sports. Melissa Breau: You mentioned in there how hard it is to get into trials, and looking through some of the webinar description and some other stuff, it seems like maybe that leads people to sign up for a chance to compete even if they're not sure they're really entirely ready. How can a handler ensure their team is truly ready to trial? What advice do you have there? Julie Symons: I would say luckily at least I know my students are prepared to enter. I'm always happy when some of them are even unsure if they're ready, and I assure them that they are in most cases. They have the skills, they may be concerned about the level of difficulty or the differences, and I'm also proud of some of my students who realized, I shouldn't move up in AKC, because you can get your novice title on the weekend and move up in the Sunday afternoon trial, but you might not have taught multiple hides or the second odor. So I really admire my students who realize, Why would I move up? I'm just going to run bumper legs and go home early because I don't have those skills. Why would I put my dog in there? But I do see the occasional teams, now that I can spectate in AKC, I hate to see the teams that aren't prepared, either the handlers or the dogs, and I'm hoping it's less of an issue. I think more of it is, as you said, getting into trials is challenging, so when you can only get into maybe two trials a year — and that's changing, so I don't want to scare people off with that type of cadence — but you can't make the same mistakes in those two trials a year that you have. Back to being ready for trialing, if you have a good foundation and you know the skills that are required at that level, I would say that you're ready to enter. We all run into something that we haven't expected, or just not had a good trial day, but it's mostly just know what's expected and make sure you have trialed in those novel situations that can prepare you, because all of the trial situations you're going to be in are novel and new, with new people around. Melissa Breau: I know you've also talked about the importance of taking inventory of training gaps and handling mistakes. How can a team do that before the actual trial, especially if, like you said, there's maybe two trials a year that they're going to compete in? Julie Symons: You definitely see your training gaps. They usually surface when you're trialing, because that's when we're nervous and so we're acting a little different, or the place is novel and we just aren't our normal selves. That's something that we do have to, as best we can, combat that, like, develop good mental strategies and just realize that everybody's nervous. If you go there with the idea of, depending on what your goals are, if you just go there and do your thing and not worry about passing or whatever, you actually usually do pass when you take that pressure off of yourself. When you do trial and some of these training gaps surface, you know that by purchasing the trial video. So how you can inventory your gaps is either videoing your blind training searches, if you're in classes or whatever, or definitely your trial video. What you can do, and this is what we did in my Shoulda Woulda class, is we had people review some trial videos that didn't go as well. A trial I would say doesn't go as well is if you don't find all the hides, or if you get a no from the judge — you called an alert and the judge said no. And that's the worst thing to hear at a nosework trial. So you watch those videos of those experiences, and you take inventory. You say, "Oh, I was crowding my dog, I talked my dog into a hide," or "You know, I never taught my dog to search over 4 feet, and that's why that's a gap I have." By watching your trial video is where you're going to really see those gaps, and then you literally want to write them out, list them out. One of the neat things about that class that I didn't really anticipate was it kind of … not forced people, but it had them go back and kind of organize their trial videos. They went back and re-watched them with a fresh set of eyes, and they said, "Wow, I sometimes don't watch them a second time," or "I haven't watched all these." It was eye-opening to them to go back and not just watch them to watch them, but to watch them with a purpose of saying, "What didn't go well here?" We also of course in the class go over what goes well, because we want to stay positive and be aware of how well we're doing. But since we're focusing on trialing better, you have to know what didn't work when you trialed and how to not do that mistake again when you go to your next trial that you got into. I just was reading something on Facebook that somebody said. We were like, "We always remember that one mess-up that we had, and we can't let go of it." And somebody said, "You know, I drove eight hours, I didn't sleep the night before, I was busy at work, the first one in my day I just blurred an alert, and all that stress and tiredness and everything, it was over." So we need to be in a better state, go there with the right, I guess, tools and strategies to start off the trial well. Sometimes it's that first search that is the most stressful, definitely, and maybe we're going to make some mistakes. So if we just can hold it together and learn to be in that moment and having a plan, and that's what we did in the class is people had trials coming up, it was really cool, and we said, "What are your goals? What are your goals for your next trial? What are you going to do differently? What are you going to do the same?" These people are going to trials and passing and placing, and I'm getting goose bumps talking about it, and it was such a rewarding experience because we were looking at the trial experience not in a different way but just in a specific way to inventory and to just know it's OK. We need to own our mistakes. Somebody actually shared with me that it was so refreshing to have this topic in the class, because every time they talked to somebody who went to a trial, they would always blame the trial site, the hide placements, the people, the dogs. Sometimes we need to own where we have training gaps and how we can improve our handling instead of blaming other things. Melissa Breau: What were some of the common "holes," or some examples of the holes that people discovered? Maybe if you'd just walk us through a little bit of problem-solving? Julie Symons: Yeah — this is neat. I had a guest, a lecturer, Holly Bushard. From a judge's perspective, she listed what she believed were the common handler mistakes. But these are my list, so if you want to know what Holly thinks, there's definitely some overlap. I also just had a recent judging assignment, as my first AKC judging assignment, in North Dakota. It was fun. You're in the best seat in the house, and I was nervous because I was, like, I want my high placements to be good, and I want the dogs to be able to find them. So this is what I saw there, as well as I see when I'm teaching. I think the number one hole that we have is not covering the search area. Just to back up a little bit, sometimes your gaps are your handling. Our handling is the problem. If you cleaned up some of your handling, then that's going to go better. Some of the other, and I can get to those later, are actually your dog's skills. Those are the types of gaps that we would find: our handling and our dog's skills. The number one hole is not covering the search area. What happens is our dog shows interest in an area, and it could be pulling odor, which means odor has blown, maybe you even found that hide, but then it also collected further down into an area. Or you say, "This would be such a great place for a hide," and your dog maybe showed a little bit of interest, maybe it wasn't because of picking up some odor there, and you're sure there's something there, so we stay there and we stay there and we stay there. I just did a class recently, and most of the people in the class stayed about a minute and a h…

    Full show notes at the publisher

    E68: Sue Yanoff - "Sports Medicine" Jun 22, 2018
    Show notes

    SUMMARY: Sue Yanoff graduated from Cornell University College of Veterinary Medicine in Ithaca, N.Y, in 1980. After three years in private practice, she joined the U.S. Army Veterinary Corps. While on active duty, she completed a 3-year residency in small-animal surgery at Texas A&M University and became board certified by the American College of Veterinary Surgeons. She retired from the Army in 2004, after almost 21 years on active duty. After working for a year on a horse farm in Idaho, she returned to Ithaca to join the staff at the Colonial Veterinary Hospital as their second surgeon. She then retired from there in December 2009 — her on-call schedule was interfering with those dog show weekends! The following month, she started working for Shelter Outreach Services, a high-quality, high-volume spay-neuter organization. About the same time, Sue joined her colleague, a physical therapist and licensed veterinary technician, to start a canine sports medicine practice at the Animal Performance and Therapy Center, in Genoa, N.Y. The practice is limited to performance dogs. That means that's basically all she does these days, performance dogs, so she knows her stuff. She also teaches a class on Canine Sports Medicine for Performance Dog Handlers here at FDSA. Next Episode: To be released 6/29/2018, featuring Julie Symons, talking introducing handler scent discrimination. TRANSCRIPTION: Melissa Breau: This is Melissa Breau, and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Sue Yanoff. Sue graduated from Cornell University College of Veterinary Medicine in Ithaca, N.Y, in 1980. After three years in private practice, she joined the U.S. Army Veterinary Corps. While on active duty, she completed a 3-year residency in small-animal surgery at Texas A&M University and became board certified by the American College of Veterinary Surgeons. She retired from the Army in 2004, after almost 21 years on active duty. After working for a year on a horse farm in Idaho, she returned to Ithaca to join the staff at the Colonial Veterinary Hospital as their second surgeon. She then retired from there in December 2009 — her on-call schedule was interfering with those dog show weekends! The following month, she started working for Shelter Outreach Services, a high-quality, high-volume spay-neuter organization. About the same time, Sue joined her colleague, a physical therapist and licensed veterinary technician, to start a canine sports medicine practice at the Animal Performance and Therapy Center, in Genoa, N.Y. The practice is limited to performance dogs. That means that's basically all she does these days, performance dogs, so she knows her stuff. She also teaches a class on Canine Sports Medicine for Performance Dog Handlers here at FDSA. Hi Sue, welcome back to the podcast! Sue Yanoff: Hi Melissa, it's good to be back. Melissa Breau: I'm excited to chat. To start us out and refresh our memories a little bit, can you share a bit about the dogs that you have at home now? Sue Yanoff: Yes. I have two Beagles. The older Beagle is almost 13, and she's retired from everything except hiking and having fun. She's a breed champion, she has her UD, her Rally Excellent MX MXJ and TD. My younger Beagle, Ivy, is 6. Most people know her from FDSA classes. She's also a breed champion. She has her MACH. She recently finished her CDX and we're working on Utility. She has her Rally Novice and a TD. Melissa Breau: That's a lot of titles there, lady. Congrats. Sue Yanoff: Thank you. Melissa Breau: So we went back and forth a bit before this call on topics to talk about today, and I want to start out by just talking about some of the basics. What is the difference between a sports specialist and a regular vet? Sue Yanoff: In veterinary medicine, in order to call yourself a specialist, you have to meet certain requirements, and that includes completing a residency in whatever area you're a specialist in, passing a very long and difficult certifying examination, and being board-certified by the specialty board that oversees your specialty. So if you're a specialist in internal medicine, it's the American College of Veterinary and Internal Medicine. If you're a specialist in surgery, it's the American College of Veterinary surgeons. So to call yourself a specialist, you have to be certified, board certified, by one of these specialty organizations. Now, a lot of people can be very good at something and not have gone through all the requirements of being able to call themselves a specialist. But a sports specialist basically is somebody that has extra training and experience in that particular area. Regular veterinarians might be very good at sports medicine, but they can't call themselves a specialist. But, in general, regular veterinarians are general practitioners and they have to be good at everything, so it's very hard to be good at everything and specialize in any one area. I used to be a general practitioner, I have a lot of respect for general practitioners, I couldn't do what they do, but that's the difference between a regular vet, a general practitioner, and a specialist. Melissa Breau: One of the things I've heard you talk about a little bit before is this idea of a good sports medicine exam. What's really involved in that? What does that look like? Sue Yanoff: A good sports medicine exam, like any good exam, starts with a patient's history. It's very important to get a good history because a lot of times we don't have a history that a dog is lame. We have a history that the dog's performance is deteriorating. Their times are little slower, they might be knocking bars or popping weaves. Sometimes they might be a little reluctant to jump into the car. So it all starts with a good history, which takes time. And then a sports medicine exam involves examining the whole dog and not just one leg. When I was an orthopedic surgeon, I often would just examine the leg that the dog was lame on. We knew which leg was a problem, I'd examine that leg, say, "Here's the problem, here's what we need to do," and that was the extent of the exam. With a sports medicine exam, I examine the whole dog — the neck, the back, all four legs, even if I know which leg the dog is lame in, which oftentimes we don't know which leg the dog is lame in, so I examine the entire dog. As an orthopedic surgeon, I would mostly concentrate on bones and joints. For a sports medicine exam, it's really important to look at the muscles and tendons and ligaments, which often are injured. So it's just a different way of doing the exam. It's much more complete, it takes more time, and to do a good sports medicine exam I think you need more than a 20-minute office visit, which is often difficult for general practitioners to do. Melissa Breau: A lot of the time, people have a dog that comes up lame or has an ongoing issue and they aren't really sure what the cause is. We talked a little about regular vets, they might even take their dog to that regular vet, and the vet does what they normally do, they get an "all clear," but they're still seeing signs of pain. I guess what stood out to me from your last answer was this idea that maybe it's a little more subtle when we're talking about a performance dog. Handlers may notice the more subtle signs of pain. What should they do in that kind of situation? How can they find out what's actually going on? Sue Yanoff: There's two ways to handle that. Oftentimes the regular vet doesn't find anything because, it's as you say, it's very subtle, or they're actually not looking in the right place. And oftentimes dogs will get better with what I call "the standard conservative treatment," which involves restricted activity, no running, no jumping, no playing with other dogs, no training, leash walks only. When I say "restricted activity," I usually mean a lot more restriction than most people think. And then put them on some type of pain medicine, anti-inflammatory medicine. I like to use NSAIDs; non-steroidal anti-inflammatory drugs are a good first start. Oftentimes with a minor injury, if you treat them with restricted activity and NSAIDs, they will often get better, so there's nothing wrong with handling the situation that way. But if they're still seeing signs of pain after doing that, then they really need to seek out a specialist to find out what's going on. When I say "a specialist," I usually mean somebody who is either a board-certified surgeon that does a lot of orthopedics, or a board-certified sports medicine vet — and we'll talk about what that means later — or somebody that has some advanced certification and training in sports medicine and rehab. We would like to hope that one of those specialists can do a good exam and try to pinpoint what the problem is, because, as you know, you've also heard me say, we need a diagnosis. Again, there's nothing wrong with treating generically for a minor injury, and a lot of dogs will get better if you do that. But if they don't, we really need to have a better idea of what's going on, what's the diagnosis, what are we treating, and are we treating it appropriately. Melissa Breau: What if the dog is given a diagnosis and a treatment plan, and the treatment plan just doesn't seem to be doing the trick? The dog doesn't seem to be getting any better. Sue Yanoff: In that case, if the diagnosis is not correct, which happens — it even happens to me, and I could give you an example of a case that I sent for referral a few weeks ago — or the treatment plan is not appropriate … I find what's more common is the clients that I see, if they have been to another vet, or even another specialist, they have not been given a diagnosis. I often will ask a client, "What did your vet say is wrong?" and they say, "Well, they didn't really say." So that's a problem right there. If they're given a diagnosis, that's great. Oftentimes my clients aren't even given a diagnosis. And if the treatment plan doesn't seem to be helping, either we're not treating them appropriately, or — and this happens much more commonly with pet owners — they're not following instructions. So if I ask you to rest the dog and restrict them, and you're not really doing that, then the problem might not get better. Melissa Breau: Do most dogs recover from sports-related injuries? What does that kind of "recovery" usually look like? You just talked a little bit about what you mean when you say "rest a dog." Do you usually recommend rehab of some sort? Can you talk a little bit about how all that works? Sue Yanoff: Sure. That's a good question, several good questions. In my practice, yes, most dogs recover from sports-related injuries. Now, there are some things, like if it's a chronic degenerative disease like arthritis or lumbosacral disease, then the dog is not ever going to recover fully. We can only manage the symptoms. But for muscle and tendon injuries, and even for fractures and some things like torn cranial cruciate ligaments, yes, dogs absolutely can recover from sports-related injuries. In our practice there's three phases of recovery. The first is rest and restricted activity. We need to allow the injury to get better. We need to allow the injury to heal. During this phase of healing, we basically don't do anything more than have the owners do short leash walks a couple of times a day. So there's minimum stretching and minimum p.t. and not a lot of strengthening activities. And then we will recheck the dog, and if the owner thinks the dog is doing better, and we don't find as much pain as we felt on the first exam, then we will go to the second phase of treatment, which is rehab. This is where you put in your stretching and your strengthening exercises and your increased activity to build up the dog's endurance again, and that progresses as the dog progresses, and that's tailored to each dog. I should say, during the initial stage of treatment we will do modalities like ultrasound, if necessary, or more commonly laser or massage and mobilization and things like that. So the first phase is treatment, which is basically restricted activity, the second phase is conditioning, where we start to increase the dog's activity with the goal to get them back to normal activity, and then the third stage is what we call retraining, and this is where we give the owner a program to get the dog back to competition in their sport of choice. That can take anywhere from three to twelve weeks, depending on what the injury is and how long the dog has been restricted and other things like that. Melissa Breau: For that three to twelve weeks, you're just talking about that last phase, right? Might take three to twelve weeks for training. Sue Yanoff: Yes. The last phase might take three to twelve weeks. So if you have a dog with an injury like medial shoulder syndrome, the post-operative recovery period is twelve weeks, and then probably another eight to ten to twelve weeks of conditioning and rehab to get them back to normal activity, and then another ten to twelve weeks of retraining to get them back to competition. That is one of the injuries that takes a long time to get back to competition, but certainly it's possible. A lot of the dogs that we treat, when they get back to competition, they're better than they ever have been because they are in excellent condition, they're very well trained, the owner knows a lot about warming up and cooling down, and a lot of them go back to very long, successful careers. Melissa Breau: That's awesome. I want to shift gears a little bit. I know that I've heard you say on numerous occasions that pain in general is undertreated in dogs. Why do you think that is? Why does that happen? Sue Yanoff: I think it's because dogs can't whine and complain like people can. And a lot of dogs don't show strong, overt signs of pain. There are ways they can tell us subtly, but a lot of people don't know what these signs are and don't really think that they're causing pain. I've had a lot of clients say, when they bring the dog to me, "Well, I don't think he's in pain," and I can tell you right off that if your dog is limping, 99.9 percent of the time it's because of pain. It interests me that people know that their dog is limping but don't think they're in pain, because I can tell you from experience with me, when I bang my knee or stub a toe, I limp because it hurts, and when it doesn't hurt anymore, then I stop limping. So if the dog's limping, it's because of pain. But oftentimes the dogs that I see are not limping, but there are other, more subtle signs, and we often find pain when I examine the dog. I'll move a joint in a certain way and the dog will react, or I'll push on a certain place on the spine and the dog will react, and the reaction can be anything from something very subtle, like if they're panting, they stop panting, or they'll lick their lips, or they'll look back at me. Occasionally I'll have a dog that will yelp or whine or try to bite me, which is great, because then I know for sure that they're in pain. Melissa Breau: There aren't many people who would follow "try to bite…

    Full show notes at the publisher

    E67: Denise Fenzi - "Facing Your Fears" Jun 15, 2018
    Show notes

    SUMMARY: This week we talked to Denise Fenzi about FDSA Training Camp 2018! In previous years, we've shared the audio from Denise's opening talk, but unfortunately the camera this year didn't do a great job picking up her voice, so instead we're just going to talk through all the themes from camp. Next Episode: To be released 6/22/2018, featuring Sue Yanoff, talking canine sports medicine! TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Denise Fenzi about FDSA Training Camp 2018! In previous years, we've shared the audio from Denise's opening talk, but unfortunately the camera this year didn't do a great job picking up her voice, so instead we're just going to talk through all the themes from camp. Hi Denise. Welcome back to the podcast! Denise Fenzi: Hi Melissa. It's always nice to be here. Melissa Breau: For anyone who is new to the podcast or to FDSA, can you share a little bit about camp? What is it? Why is it awesome? Denise Fenzi: Well, camp is probably the highlight of my year in relation to FDSA. For starters, we have so much going on at any given time. I think we had 15 or 16 instructors this year, and we run six sessions at a time. So if you come, you have a whole lot of opportunity to see pretty much anything, and we cover a lot of dog sports now, you know, nosework and obedience and behavior, and it goes on and on. Probably the thing that stands out for me is how consistent all of the instructors are with things we really care about, the wellbeing of the dog, and at the same time how different we all are in what we care about and where we choose to put our energy. So it's a pretty amazing experience for me and I think for most of our participants as well. Melissa Breau: I definitely agree. I feel like a lot of seminars and things, as an attendee you go and at the end you feel, OK, I've got some stuff to work on. Whereas I feel like the biggest takeaway for me from camp was the end of it I heard over and over and over again, "I'm so proud of my dog. They did awesome this weekend." And I really think that can be attributed to the staff and the way the instructors work with the students. I think it just makes them feel good about their relationship with their dog. Denise Fenzi: Yeah. I think the corollary to that is that the instructors spend a lot of time saying, "I'm just so proud of my students." Because the dogs got that from somewhere. Those dogs didn't just show up being amazing. They're amazing because the people who work with them have spent so much energy making training a wonderful experience. I'm so proud of my instructors because my instructors give so much to their students, and I'm so proud of my students because they give so much to their dogs. So it's an amazing cycle for all of us. Melissa Breau: This was the fourth annual FDSA Training Camp, and each year, camp has a theme. Do you mind sharing what the theme was for this year? Denise Fenzi: This year we did Face Your Fears. So many students, they want to do it right, they care so much, and that's amazing, but sometimes it's also a little paralyzing, and what if? What if my dog pees in the ring? What if … you can fill in any blank you want, people are all over the map. And so I think that is something that is holding us back. So our theme this year was Face Your Fears. What can we do to allow us to succeed? Melissa Breau: Do you mind … can you share the story of the dream that inspired all of that? Denise Fenzi: That was not our original theme. We changed it. What tends to happen each year is something happens during the year that sparks a topic. So, for example, the first year was The Red Dress. That was because one of the students drew a picture of me which is often associated with the school, it's our logo. But she put me in a red dress with heels, and it was kind of cute and fun and a lot of people talked about it, so what the hell, I dressed up in that outfit, which was actually quite hard, but it was fun. The second year, we did a lot of conversation about the idea of ripples and bubbles, so the idea that you want to go out in the world and make change, and at the same time you've really got to have a safe space, so that's a bubble that you hide in, and so I dressed up as a mermaid and represented that theme. The third year, we had talked a lot about advocating for your dog, which is very much a focal point at FDSA, as we just talked about, and so I dressed up as a superhero, Wonder Woman. This year, I'm not going to tell you the original theme because, who knows, we might come back to it. But I had a dream, not an amazing dream, just a regular dream, but it was something of a nightmare. What happened was at first I showed up for camp and there was some fellow teaching a lecture, a lab, and everybody was there, and he was somebody I did not know, and all of the students were riveted by him and he was teaching them about football. I remember being a little bit like, Wow, that's different. I didn't expect somebody I don't know to be here teaching football, but I'll figure it out later. And then I went outside and I saw all of these lions in cages, and I thought, I really have to talk to my instructors about telling me if they're going to do something like that. But I was kind of OK with that too. I'm pretty easygoing. Then I came back in and looked at the clock and I realized I was about to teach, and I looked down and I was wearing a towel. I hadn't gotten dressed yet. Of those events, a stranger teaching at camp football to the students and lions in cages outside, those didn't particularly bother me. But being in a towel bothered me very much. And I did teach, by the way. I think in my dream I went ahead and taught. I don't remember how it went beyond that. But as I brought that up on the alumni list and I talked to the students about that dream and said, "Oh, I must be anxious about camp," and that led to an amazing discussion where people talked about things that had happened to them for real at dog shows. Funny things, mostly. Well, it depends — funny is from your point of view. It's not funny when your skirt falls off. It is funny when somebody else's falls off. But the thing that came back to me is that people overcame those experiences and did continue to show, because they're on the alumni list. They're still in the community. That led to my thinking about how is it that some people are able to face the fears that have happened, the clothing failures, and how other people are really more worried about what might happen, and how much of that is centered around the issue of being embarrassed. It's not physical harm that most people were worried about. It's emotional harm. So that was the dream that inspired our theme, and that was where we went with our discussion. Melissa Breau: I think it's funny that you say of the three things, the thing that bothered you most is talking in a towel, so you actually made that happen. For anybody that wasn't there, Denise came out in a Pac-Man towel. Denise Fenzi: I did, yeah. I think next year I'm going to go for a lot of clothing. It's a little easier. Melissa Breau: Fair enough. During your opening talk, you had three tips for helping to deal with embarrassment. Can you rehash those for us? Denise Fenzi: Sure. The first one is a little bit of an understanding of biology. When you are anxious, your body releases a variety of hormones that tells you, "Oh my goodness, you're having an emotion." But what's interesting is those hormonal experiences are the same if you're excited or anxious. It's your brain that tells you, "I'm really excited because this amazing thing is going to happen," or "I'm really anxious because this horrible thing might happen." That's actually a fascinating and powerful thing to know, because if you know that, then you actually have a lot of control over the situation. So rather than saying, 'I'm really anxious about showing my dog. She might pee in the ring," you have the option of saying, "I'm really excited about showing my dog. I've never done this before. This is going to be new." And admittedly you have to do a little mental gymnastics, because our natural tendency, I think in particular for women, is to assume anxiety maybe when it really isn't anxiety. Maybe we really are excited. They've done some really interesting research on that topic that you can tell yourself "I'm excited," and that will help you become excited as opposed to anxious. So that would be one thing I would recommend is an awareness of that, and then just keep telling yourself, "I'm so excited to be at the dog show. This is going to be amazing," rather than "I'm so scared." The second thing I talked about was preparation. When you're afraid, instead of hiding it and smushing it down in your head, pull it out. What are you concerned about? And then prepare to make those incidences less likely. So if you are afraid that your dog is going to pee in the ring, teach your dog to go to the bathroom on cue, if that's important to you, if that will give you comfort, so that when you go in the ring that is less likely to happen. Or if you think that you might go in the ring and your dog is going to have a meltdown of whatever type, ask yourself where that is coming from and is it a legitimate concern, because if it is, there are things you can do to prepare your dog and yourself to make that less likely. Don't turn away from the things that concern you. Address them. The final thing I suggested was train yourself and treat yourself with the kindness that we treat our dogs. We talk a lot about criteria with our dogs. Don't put your dogs in circumstances that will over-faze them and make them uncomfortable. Don't put yourself in circumstances that are above your readiness. Your first dog show does not have to be a great big show with six rings and a lot of activity. Maybe start with some video competitions or a smaller local trial or a fun match. Ease into the dog show world or the world of competition. You may never go to a dog show, but I guarantee you will be just as nervous at your first video competition when you turn on that video camera as you will at a show. So treat yourself with some kindness and set yourself up for success, because success really does breed success. That is absolutely well researched. We know this is true for dogs and people, that when people have many successful experiences they build confidence in themselves and they are willing to keep trying and moving forward. Failure, it's wonderful to say "Well, just get back up," but the fact is failure has a tendency to beat people down and they don't keep getting back up. They stop trying. So those were my three suggestions: a little understanding of biology, prepare yourself well so that you can feel like you've done everything in your power, and set some criteria that will set you up for likelihood of success. Melissa Breau: You also shared some advice on what to do if it DOES all go to hell. How would you recommend people handle that? Denise Fenzi: I'm a pretty big fan of preparing for everything, because I find that if I have a plan for how I'm going to handle it if it doesn't go right, so just in a very straight training sense, I have asked my dog to do something, I have asked my dog to spin, and my dog just looks at me, has never heard that in her life or his life, it's actually important to me to already know exactly what I will do. I asked you to spin, you didn't do it, I am going to move my hand in a way that is going to cause you to spin and make it more likely. When I do that, what I find is two things happen. One, I am more likely to recover quickly because I've already made a decision about what I'm going to do. But the second thing is, in a very subtle way you send off signals to your dog that tell them you have a plan and you are in control. So if I think it is possible that my dog might run amuck in the ring and take off, I've already worked on an emergency recall and I know what I'm going to do. I'm going to kneel down and call my dog to me, because standing and looking paralyzed, not only is that very, very hard on you emotionally, and your dog, it creates long-term issues. Often if I give someone a plan for when things don't go wrong, I've noticed that they have this instant change in their demeanor and then they never have a chance to practice their emergency situation because the dog reads their confidence. So I absolutely believe that you should have some ideas for everything if it's going to go right. You can't pick every possibility, but the ones that are biggest in your head you can pick some strategies in advance. Melissa Breau: Our shirts this year all said, "Game on," and they had a Pac-Man theme. I'd love to hear how you came up with that, and obviously it connects to the "eating your fears" concept. So I'd love to hear where all the awesome designs come from and where the thought process occurs for that. Denise Fenzi: Well, the school, FDSA, is quite a bit more than me. It's many, many, many people. Teri Martin is sort of, well, she's kind of everything, you know, she's always right there supporting me in many ways. She is the one that came up with the idea of the Pac-Man creature eating up your fears. And then Rebecca Aube is my designer, and she's designed all of the T-shirts for camp. She took Teri's ideas and said, "I can run with that." There's always a process of back and forth, so we had power-ups. Eating the fruits in the real game of Pac-Man gives you power, so for us, eating up your fear, your anxiety, your worries. So it's a cumulative process and effort of many people on our team to come up with these ideas. Melissa Breau: That was all for the welcome talk or the intro talk, but you also gave a short closing talk, and your focus for that was on the importance of being happy in order to learn. I'd love to have you elaborate a bit more on that, why it's important, and what made you talk about that. Denise Fenzi: Well, I think most of us are aware that when we are embarrassed or afraid, we do not learn well. If something happens in a circumstance and we find ourselves embarrassed, most of us lose the next 15 or 20 minutes of the talk or the event or whatever it is, because we're stewing. I mean, some of us lose days or months or years, even, over embarrassment. And fear is the same. When you are uncomfortable and nervous, really, fear dominates everything and we tend to focus on that. Now, if you think about it, camp can be a very high-pressure situation for both the human and the dog. You're standing in front of maybe a hundred people, you're about to be taught and directed, and that's stressful, so it's so important that we have people as comfortable as we can possibly make them. As a result, everyone — the instructors and the students and the dogs — we all think so much about the importance of maintaining happiness, and I know our students think about it a lot in relation to their dogs because we talk about it so much. That's called a CER: a conditioned emoti…

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    E66: Amanda Nelson - "Introducing Distance" Jun 08, 2018
    Show notes

    SUMMARY: Amanda has been traveling the country and teaching seminars for 20+ years, teaching all levels of agility with nearly all dog breeds. She focuses on teaching teamwork and how to create a strong connection between dog and handler. She works with all styles of handling, from running with your dog to distance handling, and tailors each training session, large or small, to the dog and handler. She's always looking to help bring out the best in each team. Amanda's handling system, "Cues for Q's," works off her three base cues: Upper Body Cues, Lower Body Cues, and Verbal Cues. This system was derived from the natural cues that most dogs read and pick up quickly. Amanda teaches handlers how to use all of these cues together to create a customized handling system that can be tailored to their unique dog. All of these techniques have resulted in Amanda earning numerous top agility titles on her own dogs. Next Episode: To be released 6/15/2018, featuring Denise Fenzi, talking about camp this year! TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Amanda Nelson. Amanda has been traveling the country and teaching seminars for 20+ years, teaching all levels of agility with nearly all dog breeds. She focuses on teaching teamwork and how to create a strong connection between dog and handler. She works with all styles of handling, from running with your dog to distance handling, and tailors each training session, large or small, to the dog and handler. She's always looking to help bring out the best in each team. Amanda's handling system, "Cues for Q's," works off her three base cues: Upper Body Cues, Lower Body Cues, and Verbal Cues. This system was derived from the natural cues that most dogs read and pick up quickly. Amanda teaches handlers how to use all of these cues together to create a customized handling system that can be tailored to their unique dog. All of these techniques have resulted in Amanda earning numerous top agility titles on her own dogs. Hi Amanda! Welcome back to the podcast. Amanda Nelson: Hi, it's so great to be back again. Melissa Breau: Awesome. To start us out, can you just refresh our listeners' memories by telling us a little bit about your dogs and what you're working on with them? Amanda Nelson: Technically three dogs, although one of them is my boyfriend's. My older dog, Nargles, is 9 years old, and I'm spending most of this year getting her ready to go to the NADAC championships in the Stakes Division, which is a distance class, basically. My young dog, Ally, is 5 years old, and this will be her first year going to championships, again hopefully in the Stakes Division. So I've been practicing a lot of distance stuff with them, really trying to fine-tune Nargles and build up Ally's confidence and all that good stuff for her pushing out and doing all that good distance stuff. And then my boyfriend, Jimmy, has Tripp that I've trained with him. He, too, is going in Stakes, hopefully, so it's a whole group of them all going together, so that's a lot of fun. Melissa Breau: I don't train agility with my dogs — at least not yet. I do know that most competitors who do have a lot of foundation skills they work on with dogs for jumps and tunnels and contacts. How common is it to include foundation skills for distance specifically in that "beginner" work? Amanda Nelson: I think it's fairly common, especially if that's something that you're wanting to do in the future, it's a goal or something that you're looking towards. I think it's fairly easy to go ahead and incorporate those distance skills in with the foundation skills. I do it a lot with my young dogs. With that being said, I listen to the dog quite a bit, and I don't want to push them too much or ask for too much distance work right off the bat. But I do start incorporating some of that confidence work and some of those skills to help build up that confidence and build up that drive to want to work away from me, especially with those younger dogs, and get them used to that kind of work and that kind of distance right from the get-go. Melissa Breau: When you're training your own dogs, at what point do you start that, do you begin working on those distance skills? Amanda Nelson: It really depends on the dog. Nargles, right from the very beginning, was very much into … she liked moving away from me, she liked doing the distance work. So I started incorporating it pretty much right from the start. When I started doing even my groundwork skills with her, my targeting and working with cone work and things like that, I started asking for quite a bit of distance from her because that's really what she wanted and really what she liked. Ally, on the other hand, who I said was 5, she is just now this year really wanting to get into that distance work. She's just now coming into her own and thinking that maybe she would like to do something like that. So her foundation I did incorporate distance work and distance skills, but I definitely didn't push for it or ask too much of her, just because she just wasn't mentally quite ready. So with her, I let her tell me when she was ready to start adding more and more distance. But I still incorporate it, I guess, in her training. I just didn't push it, I guess would be the best way to explain it. Melissa Breau: You mentioned cones a little bit in there. What do those early steps in training look like, for those that are out there and interested? Amanda Nelson: I start with the cones, and pretty much the early steps when I start doing foundation work, with my distance training even, the cones are great, even if your eye is not looking towards distance, you're just looking at handling and commitment skills. I start teaching my dogs to work with the cones — when I say "out," that means go to the outside of the cone, "here" means come to the inside of the cone — I developed working with the cones and working my dogs on those because I didn't have a lot of space and I still don't, and I travel extensively without equipment. Using the cones, I can set them up at campgrounds, or I can set them up just about anywhere, and I can work my young dogs on all their distance and directional skills with four to six cones, depending on how much space I have. So when I'm beginning with them, it basically is just, "Here, we're going to send you out around a couple of cones," build their confidence to go out away from me to get around those cones, and then I can also work on my handling timing, because my dog's definitely going faster just going around a cone, as opposed to going over a jump and things like that. So it improves my timing quite a bit by using the cones, and I can also work on not only their distance skills but their directional skills as well. Melissa Breau: How do you then take those and build on them? What are some of the intermediate steps between go around a cone, and sending to an obstacle that may be a few yards away? Amanda Nelson: What I usually do — it's what I did with Ally, I think again is what really helped build her confidence and build her drive to want to work away from me — is once I have my dogs doing what I call cone work, so they're doing six cones and we're doing a bunch of directional changes, distance work, and things like that, I'll take the cones and I'll place them next to jumps or hoops. They can be placed next to the wing of a jump, and because I've done so much foundation and value-building for those cones, when I give my dog an "out" cue, or whatever directional cue I want to use, they're going to see that cone and go, "Oh, OK, I know that cone, I know that," and be able to push out around that jump wing and start applying the cones to obstacles. I can also use them in sequences. What I really like to use them for is in-between, say, a contact tunnel discrimination, so when I say "out," they can go out tunnel, or here into the contact walk-it. I like to start blending them in with my equipment, and it gives my dogs something that is a visual. So when I say "out," they see that cone and like, "OK, yes, I need to go out around that cone," and then I can start fading that cone back a little bit. I've also brought them back in for my older dogs. As an example, Nargles, for some reason she's having a brain fart on her discriminations. In her old age she's forgotten what that means. Melissa Breau: It happens to the best of us. Amanda Nelson: That's right. So in her training sessions I've actually brought the cones back, and I've put them in-between the contact and the tunnel and just helping her remember that "out tunnel" really truly does mean "out tunnel." So they're great for that too — to help those bring older dogs, if they need a little tuning up or something like that, to bring it back into perspective for them. Melissa Breau: I know you mentioned "out" and "here." Do you mind repeating which ones which way again? I know people are always interested in cues. Amanda Nelson: My basic cues, "out" means for my dog to move out away from me, "here" means for my dog to move in towards me, just like a discrimination "out" would be out to the outside obstacle, which is usually a tunnel, and "here" would be to come to the inside obstacle. A "switch" means for my dog to turn away from me, so if they're on my left side, they're going to turn away from that left side. And then I have a "tight," which is basically just my wing wrap cue when I want them to wrap a hoop, or wrap a jump, or something similar, and I need them to turn very tightly back towards me. Those are my base cues, and I tend to blend them together. For instance, today I'm at an agility competition, and Ally needed to change directions, so I needed to give her a "switch," which meant I needed her to turn away from me, and then I needed her to wrap the jumps. So I would say "switch," which meant for her to turn away, and then I would say "tight," which meant for her to wrap the jump towards me. Melissa Breau: That's awesome, because it really helps communicate all those different spatial things, the different directionals. Amanda Nelson: Yeah, yeah. Melissa Breau: I know distance is a pretty big element in the competition venue you usually compete in. Is it beneficial for dogs in other venues too? What advantages does training for distance really give an agility team? Amanda Nelson: I definitely think it's beneficial. A lot of venues now, I think, are all asking for more and more distance, and I think it's beneficial no matter what agility venue you want to do with your dog, especially for the distance classes — NADAC, Chances, or Gamblers, Fast, any of that, it's great to have those skills. Each venue asks for just a little bit of a … they're all a little different in the distance skills they ask. But the core quality or core skill that you're looking for is for your dog to move away from you, and so I truly think distance is great for that. And distance is great to be able to use to get where you need to be as a handler. To be able to send your dog out away from you to go do that jump so you can get somewhere else — that, I think, is the biggest benefit of distance. Especially for me, I'm not perhaps the speediest handler in the world, so I like to use that to my advantage that I can send my dog out and away, and then I can get to where I need to go to help them on a piece of the course where they really need me to be there as a handler. So I love using distance for that. Melissa Breau: Is this something that all teams can learn? Is it something that all teams can at least work on? Amanda Nelson: I definitely think so. Between teaching online and teaching in person, I feel like I've dealt with just about every breed in the whole wide world, mixed breeds, it just feels like I've seen them all, which is fantastic because I love going to seminars and seeing all these different breeds. At one seminar I taught last year, in the same session I had a Great Dane and a Chihuahua and it was fantastic. It made my whole year. But each dog is going to be a little different in how they learn. Each dog is going to be a little different in how much distance they can give. I have three Border Collies, and all three of them are vastly different in what they're comfortable with, what distances are comfortable. I really tend to listen to the dog, and I do believe all handler and dog teams are capable of distance. It's just a matter of, in my opinion, confidence is the biggest thing with distance. Being clear in your cues and your dog having the confidence to perform those cues away from you is huge, and I think once you've crossed that bridge, once you've taught your dog that "When I say 'out,' I really mean 'out,'" and you've built so much value for moving out away from you, whether it's with the cones or whatever system you would like to use. But once you've built all that confidence, and built that drive to move away from you, I think dogs really like it. I loved watching, for instance, the little Chihuahua I worked with. She just lit up. Every time her owner said "out," she was like, "I can, I can, I can," and her little legs were going a hundred miles an hour, and she was so excited because she got to do something all by herself sort of thing. She was so happy to go show that she really could do that. It was very cool. Melissa Breau: I was waiting for that c-word to come up, because I know what we talked about heavily last time was the fact that confidence is such a huge component of good distance skills, and so I knew it was going to come up sooner or later. Your class on Intro to Distance — I know you're teaching that this session, so it starts on June 1st. I can't remember if this is coming out right before this or right after that, but would you be willing to share a little more about the class itself, what you'll cover, maybe who would be a good fit? Amanda Nelson: Yeah, definitely. I love this class. It's definitely one of my favorites. I love the beginning stages of teaching distance. I love watching dogs light up when they start putting pieces together. So this class is going to be … it covers all of my foundation work, so it's very minimal equipment. I do think towards about Week 5, Week 6, we start using jumps and hoops, but it's very minimal. A lot of it is focusing on the handlers, making sure that our handlers are all using the feet in the right direction, the arms in the right direction, that the verbals match what all that should be saying, and teaching the dog to really … a lot of it, again, is confidence — building that confidence to go out around that cone, building value for the body language and the verbal cue of "out," so every time they hear it that they light up and they want to go out do it. This class really focuses on building that up. As far as who it's good for, the last time I ran this class, I had a bunch of foundation, like puppies and young dogs who were just coming in and really wanting to get that foundation training right from the get-…

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    E65: Heather Lawson - "Chin Rests, Platforms, and Fly, oh my!" Jun 01, 2018
    Show notes

    Summary: Heather Lawson is a Certified Professional Dog Trainer, a Karen Pryor Academy Certified Training Partner (KPA-CTP), a CGN Evaluator and a Freestyle judge. She has been training dogs and their humans for more than 20 years, after deciding that the corporate world just wasn't cutting it anymore. She is the owner of dogWISE Training & Behaviour Center Inc., where she teaches group classes for companion pets, competitive obedience, and rally, in addition to providing behaviour consults and private lessons. Next Episode: To be released 6/8/2018, featuring Amanda Nelson, talking about introducing distance to your agility training! TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Heather Lawson. Heather is a Certified Professional Dog Trainer, a Karen Pryor Academy Certified Training Partner (KPA-CTP), a CGN Evaluator and a Freestyle judge. She has been training dogs and their humans for more than 20 years, after deciding that the corporate world just wasn't cutting it anymore. She is the owner of dogWISE Training & Behaviour Center Inc., where she teaches group classes for companion pets, competitive obedience, and rally, in addition to providing behaviour consults and private lessons. Hi Heather, welcome back to the podcast! Heather Lawson: Hi Melissa. Thanks for having me again. Melissa Breau: I'm excited to chat. To start us out and to refresh listeners' memories a little bit, can you just tell us a little bit about your dogs and what you're working on with them? Heather Lawson: I currently am down to just two dogs, two German Shepherds, Piper, who will be turning 3 at the end of May, and my old boy, Tag, who just turned 12 a couple of days ago. Tag obviously is now retired and having the good life with my husband when I take off with Piper. Piper, I'm working on confirmation with her and trying to get my last two points I need for my championship. At the same time, I'm also working and training her for obedience and rally and all the other fun stuff that I'm going to do with her. Melissa Breau: We chatted a little bit before this about what we were going to talk about today, and I asked you to chat about some of the fundamental skills that are covered in TEAM that can be reused over and over again throughout a dog's career to teach a variety of other skills — those things that serve as a building block. It's in the back of my mind ever since you did your webinar on all the different ways you use a chin rest to teach other skills, which I was a little blown away by the so many different things you do with chin rests. To start us out, for anyone who didn't join the webinar, would you mind just sharing some of those things that you use that chin rest skill to build out? Heather Lawson: The chin rest I ended up starting mainly because I needed a way to just get my dogs' focus. So I started using the chin rest for that, just to say, "Here I am, check in, look at me." And then I started to turn it into a whole bunch of other things and realized I can use it for my cooperative care, which is your veterinary care and anything else that I have to do with the dogs. When, for instance, I'm administering medication to ears or eyes or anything like that, I can just ask for a nice easy chin rest and I can apply the medications. There's no fuss, no muss. My dogs are used to putting their head in the chin. I can also, as I said, use it for confirmation, so when I've got Piper in a show and I need to settle her down, or to stack her for presentation to the judge, I can just hold my hand out and she puts her chin there, and I can move her back and forth or keep her in position while I appropriately stack her legs and get her ready for examination. It also allows me to put out my hand for her to put her chin on for the judge to take a look at her mouth. She keeps her head there nice and quiet and I can lift up the lips, I've even taught her to open her mouth on cue, and he can take a look nice and easy, and he doesn't have to put his hands into her mouth. The other thing that I like the chin rest for is teaching the concept of holding still. Once I've taught the chin rest, or even a nose target, a duration nose target, I find that once the dog understands that concept of holding their nose or their chin rest somewhere, they actually can translate holding still to many other behaviors that I need them to do. I can also use it for the dumbbell hold by using the chin rest for the dog to place their chin as they grip the bar of the dumbbell, and it's an easy, just a slight, holding up. It teaches them quiet and allows me to gradually decrease my hand from that position. I can actually turn that chin rest into a nice close front as well. Teaching Piper, this is the first one I've used the chin rests for the fronts, with Piper is I wanted her nice and close, right up touching me, so I got her to target my hand, and then I transferred it onto my body, and now when she comes in for her fronts she is 90 percent straight most of the time. We're still working on it, but she's 90 percent straight most of the time and she's close. At this point she is touching me, but that's fine. I will take the points if she continues to touch me in a trial situation, but generally that will back off a little bit when you get different kinds of ring stress and things like that involved that dogs usually don't come in quite as close sometimes, but I'm still going to keep her working at that. So that's basically what I do with my chin rest. I've got all different kinds of things that I can use it for. Melissa Breau: Especially anybody who's ever trained a German Shepherd knows that getting the dog in nice and close can be a little harder than with some other breeds, with space sensitivity and whatnot, so that's awesome. Heather Lawson: Exactly. And that's why teaching her, it also, like, the chin rest was a really great exercise to teach her overall handling. She's not afraid of anybody coming in and doing all those different kinds of things that they need to do to her, because I've got that chin rest and she trusts that chin rest, and she trusts that I'm not going to let anything negative happen to her, and it allows me to do that much more with her. Melissa Breau: Would you mind just taking one of those examples and maybe walking us through it in a little more detail and breaking it down a little bit, how the chin rest helps you get that end behavior? Heather Lawson: Since I'm doing TEAM 2 at the moment, and it seems to be a bugaboo for everybody, what I like to use the chin rest for is, as I mentioned earlier, just the dumbbell hold. I teach the dumbbell take with teeth on it and with just a little bit of a tiny grip separately, obviously. Then, if I've got a little bit of a problem with, for instance, trying to shape the dog to hold it even more, I can turn around and take that chin rest, and I get the chin rest separately on its own, and I can turn around and take that chin rest and add it to the dumbbell hold. What I do is I will hold my flat hand as if I'm asking for a chin rest, hold the dumbbell just up above it, and as the dog comes in to take the bar on the dumbbell, I can just hold my hand up a little bit more, get that little bit of a hold, hold, get stillness, it allows me to mark stillness. That seems to be the hardest part for everybody to get is that initial stillness, and by using the chin rest behavior and adding it to the dumbbell take, it allows you to progress onto a really good hold from that point. Melissa Breau: I know another tool that you've mentioned you use in a number of different ways is a platform. I was hoping we could get into that and talk about platforms a little bit. What kind of things can you use a platform to teach? Heather Lawson: Oh gosh, there is so much that you can, and also, again, it depends on the type of platform. For instance, many people have difficulty in trying to create distance and to have their dogs actually anchored at that distance. Say, for instance, you're sending out on your utility go-out. Lots of times your dogs will go out, and then they'll turn around when you say "sit," and they walk in three or four paces. That's not so good. A platform can help to keep them out to that anchored spot. You can use a platform for fronts. Again, depending on the type of platform you're using, you can use it to teach heel position, you can teach change of position and precision using the platforms. If I'm wanting to teach my dog different positions in heel position, such as a sit-stand-down all in parallel, having a narrow platform for them to perform those behaviors on helps them remain in that parallel position, and then, of course, gradually you fade it out. If I want to teach my dogs to go out to a specific spot anywhere, I can place a variety of platforms and I can do directional sends, and because they're heavily magnetized to them, and by magnetized I mean they have a huge reinforcement history on the platforms, they are just raring to go because that's what they want to do is they want to get there and they want to get their food. I use platforms a lot when I'm teaching outside of obedience things. I use it for a stationing behavior, so teaching stays, and things like when I'm doing some of my concept classes, where the dog has to return to a station and wait for their next direction. So it helps the dog when they're not getting any direction from you, they return back to station or to platform. Melissa Breau: If somebody out there listening is used to teaching something like a front or a heel position without a platform, what are some of the advantages of using one, or maybe even if they've already taught those positions, going back and teaching that platform skill later on, if they, say, taught a front without it? Heather Lawson: Say for instance you've got the issue of the dog maybe not coming in all the way. You can turn around and use a smaller platform to get a smaller, tighter sit in front, you can use a foot-to-target type of little tiny platform to bring the dog in closer. If you've got a dog that tends to be quite footsy, for instance in heel position when you're doing your stands, you can use the platform to teach them how to remain still and not move forward. If you don't normally teach with a platform, sometimes giving the dog something different allows them to grasp the concept. You know how sometimes a student will hear something from you numerous times, and you're going over and over and over, "I've told you that before, I've told you that before," and then somebody will come along and say, "Oh, why don't you do this?" and it's the exact same thing that you told them, but just slightly different, and they go, "Oh, did you know so-and-so told me to do this?" and you're going, "Uh, yeah, that's what I was trying to tell you." Well, sometimes I think by changing your equipment, or changing how you present a particular concept to your dog, sometimes that's what helps the dogs take that leap and get more precise, or understand the position, or understand the concept that they're not to move. I think by going back and maybe even taking a look at the platforms and seeing how you can help convey that concept, you're going to get more precision later on. Melissa Breau: Are platforms and foot targets basically the same thing? Can you use them in the same ways? I'd love to hear a little bit about what you can or can't do with one that you can do with the other. Heather Lawson: With the platforms they're generally longer, so the length of the dog, so that if, for instance, you put the dog down in a sphinx down, the dog would not be hanging off the edges. The platforms are generally quite narrow, so that, again, when the dog either sits or lies down, they are in a very, very specific position. Foot targets are dealing with just the front feet or just the rear feet. They're not the same thing, but they can do the same job, if that makes sense. When I want to fade out a large platform, I will go down to a foot target. With foot targets I generally can use, if the foot target is low, I can generally use them for fading out the platform, and if I'm teaching, for instance, position changes, you go down to a small foot target or even a flat foot target, and now you can ask your dog to change positions. My foot targets that I usually recommend for people to use are generally the size of a 2x4, and generally no wider than what your dog can actually put their two front feet on comfortably and stand at a normal position. Especially if you're teaching nice, close fronts, the dog comes and puts their feet on that front target, they can then sit properly. If you use a round foot target, like a perch that we use for pivoting, you'll find that the dogs kind of have a rear-end splay and they therefore won't sit as straight as they should be. So when I'm working distance and I want to get rid of the big platforms, I'll go down to a foot target. It's basically just a mini-platform, but we call them foot targets because it makes more sense to people. Melissa Breau: Right. What are some of the different types of platforms or targets that you use and some of the different ways that you use them? Heather Lawson: The long narrow platforms basically are for position, as I said, either straight in heel position or straight out in front of you. Same thing with the foot targets. They are used for the front and the rear feet. And then your perch, and I like to use a round perch when I'm first teaching the dog how to use their rear end for pivoting. Later on, if I'm working with the handler for footwork, I'll use a small square so that you can do quarter-turns to teach the dog also to turn with your body language, and it gets the handler ready for their footwork and how they're going to use their body to turn their dog. If I want to do a really nice tight sit in front and still use a platform because, for instance, the dog is coming off crooked, then I'll use a shorter platform, more so so that the only thing the dog can do is basically sit on this little platform, so you get a nice tuck sit and you can then get straight. Also, too, you can teach the dogs with the platforms for the various things, you can teach them whether or not you want to have a default stand on a platform, or whether or not you want a default sit on the platform. For long platforms I usually look for a default of a stand. If I'm using a small rectangular platform, I'm looking for a default of a sit. Foot targets, I look for a default of a stand on that foot target, and the same thing, a default of a stand, on the perch as well. Melissa Breau: I think a lot of people may recognize how valuable a platform behavior can be, but they don't want to haul all those different platforms everywhere they train. Can you use the same platform for more than one skill? How does that work? Heather Lawson: You certainly can, and as I said, with the long platform, you can certainly use it for a whole variety of skills and behaviors and positions. You just have to be very careful that you're encouraging the dog based on the behavior that you're training. So if you're looking for a…

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    E64: Sara Brueske - "From Tricks to Disc" May 25, 2018
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    Summary: Sara Brueske has been training dogs for over 15 years. She became a Karen Pryor Academy Certified Training Partner in 2011 and jumped into the world of professional dog training. Sara and her dogs work at Purina Farms in Missouri, where they demonstrate the sports of disc, agility, and dock diving for the public in over 400 shows each year. She and her dogs also compete nationwide. Currently, she is active in the sports of disc dog, agility, mondioring and dock diving -- plus, she's a trick dog enthusiast. Sara has also recently re-entered the world of competitive Disc Dog and was the 2016 overall UpDog International Champion as well as the 2017 UpDog Freestyle Champion. Sara believes in positive reinforcement not only for dogs, but for their handlers as well. Her biggest joy in training is watching a handler and dog become partners and grow as a team. Next Episode: To be released 6/1/2018, featuring Heather Lawson, talking about all the ways you can use a chin rest, platforms and the "fly" cue! TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Sara Brueske. Sara Brueske has been training dogs for over 15 years. She became a Karen Pryor Academy Certified Training Partner in 2011 and jumped into the world of professional dog training. Sara and her dogs work at Purina Farms in Missouri, where they demonstrate the sports of disc, agility, and dock diving for the public in over 400 shows each year. She and her dogs also compete nationwide. Currently, she is active in the sports of disc dog, agility, mondioring and dock diving -- plus, she's a trick dog enthusiast. Sara has also recently re-entered the world of competitive Disc Dog and was the 2016 overall UpDog International Champion as well as the 2017 UpDog Freestyle Champion. Sara believes in positive reinforcement not only for dogs, but for their handlers as well. Her biggest joy in training is watching a handler and dog become partners and grow as a team. Hi Sara! Welcome back to the podcast. Sara Brueske: Thank you so much for having me. Melissa Breau: I'm excited to chat. To start us out, I know it's a big crew, but can you just refresh listeners' memories a little by telling us a bit about your dogs and what you're working on with them? Sara Brueske: Sure. I have a lot of dogs. I actually have thirteen dogs, and yes, they are all house dogs. They sleep in my bedroom with me, they hang out on the couch, they watch TV, they do everything normal dogs do. Quick rundown of what I have: I have a couple of Malinois, a little Papillon, a shelter Boston Terrier mix, a couple of Border Collies, a Border Staffie, and a bunch of Koolies, Australian Koolies, and I actually breed Koolies as well. We're working on a whole bunch of different things. The Malinois are doing mondioring as well as dock diving right now. Famous my Malinois, also does Frisbee. The rest of the dogs do diving, they do agility, they do disc dog, they do pretty much whatever I get intrigued by. Sometimes it's scent work, sometimes it's tricks, sometimes it's the flavor of the month, the cool thing people are teaching. They do everything, really. Melissa Breau: That's awesome. I know you're a pretty big proponent of teaching lots of tricks, and I wanted to ask you what you thought of as the benefits of doing lots of trick training. Sara Brueske: There are so many benefits to trick training. My biggest one that I try to preach a lot is I treat tricks kind of like throwaway behaviors. I don't mean that in the term that tricks aren't important to teach, and they're not really cool to teach, and they don't have their own purpose, but the behavior we can teach to get all the kinks out of our training. They can teach concepts. If I want to teach a head target for heeling, for instance, and I want to shape that, I might start with some simple trick like a head target on a piece of glass so I can smush my dog's face up against it. I might do something really cool like a chin rest, or the head down, or "look sad" trick where the dog looks super, super sad. If I want to train something like, for instance, a really nice foot finish for heel work, I might teach my dogs to back around backwards around me first, because that gives them really good hind-end awareness as well. So there's a whole bunch of really cool tricks out there that can teach our dogs concepts for competition behaviors, and that way we're not really experimenting on the final behaviors that we want to have. I'm not going to work out the kinks on head targeting while I'm teaching the actual head targeting from a heel position, and for that reason that's why I call those throwaway behaviors. They're also really cool because they teach us about our dogs, and they teach our dogs about us, and they teach body awareness and balance and control. I mean, they're pretty cute, too. There's a whole bunch of cool tricks out there as well. So tons of reasons why we should do trick training with our dogs. Melissa Breau: You mentioned a little bit as you were talking about how you use one skill to teach the concept for another skill. Are there "foundations" for tricks the same way there are for other sports? And I'm pretty sure you're going to say yes, but I won't go there all the way. If so, can you share some examples of what that looks like? Sara Brueske: I feel like I should just say no now just to throw you off your track! "No, there's no foundations. You treat the behavior just as it is." There's always foundations for every behavior we teach our dogs. The way I teach tricks, and the way the upcoming tricks class is going to be situated, is they're going to be broken up into concepts, so front-paw targeting, rear-paw targeting, hind-end awareness, head targeting, and then there'll be some miscellaneous tricks as well. What I do is I teach the concept of that, and then I can branch those into different tricks, and then those tricks can turn into different tricks and so on and so forth. I might start with something really cool like rear-paw targeting, and then teach back up from that. My favorite trick is the fake pee on something, where you tell your dog to go pee on something and they don't actually pee, obviously, but they look like they are. That all comes from the same place as rear-paw targeting, and that's used for wall handstands and actual independent handstands later on. It's all the same idea just branched off one off of another. Melissa Breau: My next question was going to be, How do you build on those foundation skills to create those more complex tricks later on? Do you want to talk about that little bit more, how that progresses, I guess? Sara Brueske: Sure. I'll use a different example here: pivoting. We all know pivoting from heel work, but pivoting is a huge component of a whole bunch of tricks that I use as well. Pivoting is where your dog's front paws are stationary on an upturned bowl, or something along those lines, and their back end rotates around it, kind of like a circus elephant. They rotate around a pedestal using their hind end. I use that for teaching my back-around, and my reverse leg weaves, and my scoot for disc, and even to teach agility weave poles. I can teach that backwards using that same concept. So where I do that is I would start with the dog pivoting around a bowl, fade that bowl, use it on a body cue on me, and then put it on verbal cue from there, and then I'd be able to use it for the agility poles later on as well. So it's a whole process, but it's all that same behavior just used in different ways. Melissa Breau: That's interesting, because those are pretty different end behaviors, backing around you and reverse leg weaves. I could see how they have similar components, but they're definitely different end behaviors. They're very different concepts. Sara Brueske: They're definitely different in the final product, but if you look at what the dog's actually doing, they're just swinging their back end around in different ways, and so therefore to the dog it's the same trick. It's just where they're doing that trick in relation to you, where they stop that trick, where they start that trick, and then obviously with the agility poles, using that as a prop outside of just the handler. Melissa Breau: Is there maybe a particular trick that you usually teach first? Is that something that differs depending on the dog? What are some examples of that? Sara Brueske: The tricks I teach, first I teach my core concept behaviors all at one time, obviously in different sessions, and that goes into my little puppy foundation program that I've developed. So the big ones I want to knock out right away so that I can start using them in different ways to teach behaviors off of them is head target — that one's really really important for me, chin rest, nose targeting, extended moving nose touches, because all that stuff turns into holds and stuff later on, and then to pivot, like I talked about earlier. I want those puppies really working their hind end as soon as possible so they get used to it. And then teaching them to shape with different objects is a huge thing. It's one of the first things I teach them to do, and so behaviors like all four paws in a box is super-important. It's something that … most dogs learn touch within a session, and then we can work with it from there. I think those are the important ones. The other thing I really try to knock out with my young dogs, my new dogs, right away is three different concepts as far as shaping. These aren't really tricks, but I want them to learn to shape in relation to me, the handler. So using a chin rest or a hand touch, for example, for that I want them to learn to shape with an object, so all four in a box, or the pivot work. And then I want them to learn to shape by themselves, so something like shaping a down or a spin that way. Those are really the three concepts I need my dogs to learn right away, regardless of what tricks or behaviors I'm teaching them later on. Melissa Breau: It's really interesting because it teaches them both to operate independently, to operate with an object, and to operate with you, and having a dog that's learned one really strongly before learning any of the others, it's very hard to get those mindsets if they don't learn the three simultaneously. Sara Brueske: Yeah, so going back to that point of what I teach first, I really look at the concepts I need first, and those are the three ones, and I basically pick my behavior based on that. It might be a different behavior for the dog previous to this one, but it teaches that same concept, so I look at that rather than which behaviors I'm actually teaching. Melissa Breau: You mentioned this earlier, but it's also in the description for your upcoming class — that tricks not only teach our dogs how to learn, but they teach us how our dogs learn, as well. Can you explain that a little bit more? What do you mean by that, maybe with an example? Sara Brueske: Sure. I'll start with the first part of that. Tricks teach our dogs how to learn, and so that comes to that whole conceptual learning that I was talking about, things like luring, teaching our dogs to lure, dogs have to learn to lure. Not all of them just follow that cookie in your hand, and not all of them know how to fade that lure. That's a training tool that we have to teach our dogs. Same with shaping. I've already touched on that. Things like reverse-luring or zen hand, all those things need to be taught to our dogs, and tricks are a great way to teach those tools to our dogs. That way, we can take those tools and teach a different behavior later on. As far as us learning about our dogs, every time we teach our dog a new behavior, we're learning something about them. We're learning about their frustrations, or we learn what they enjoy as far as rewards go, how they want that reward delivered. We learn the signs that teach us that our dogs are getting pushed too far. Are they getting to the end point of that session? How far can I actually push that dog? Do they do better with short sessions, like 15-second sessions with a couple of reps here and then switching to something else, or do they do better working on it for six or seven minutes straight, which I don't typically recommend, but some dogs are OK with that. And so tricks, again because they are that throwaway behavior — typically they're not things that we win ribbons or anything like that for, other than obviously the AKC trick dog titles and the Do More With Your Dog trick dog titles. But typically they're not behaviors that need to be done with such precisions that we're worried about screwing them up, and that's why I like using tricks to be able to learn from my dog and figure out how they like to learn. Melissa Breau: Do you have any examples of something, maybe a trick that you taught one of your guys that really taught you something about how one of them tends to learn? Sara Brueske: I want to use Brilliant, my Koolie, as an example because I've learned so much from working with her. She was the keeper from my litter, my first litter I bred. She has a wonderful work ethic, but she doesn't work like her mom does. Her mom is very, very fidgety, very, very fast, very, very crazy, and has a very low frustration tolerance as far as being right and getting that reward. Brilliant is methodical She is very thoughtful with her process. She's slow, but not in a bad way, just slow as in she thinks things out before she does it. Duration is her favorite thing to work on. So instead of really talking about a trick that taught me that about her, I want to talk about the type of tricks that I learned that she enjoys the most. I tried teaching her fun, fast things with food, like wrap around the cone, spins, and leg weaves, things that other dogs enjoy, and they're moving, and stuff like that. It was always slow, and it was getting me frustrated with her, like, "Why aren't you more like your mom?" And so I started playing around with other tricks, tricks that her mom isn't really good at, things that make her think, so stacking bowls, putting this inside that, nosework. All of those things that require a little bit more of a thoughtful process, Brilliant is really excelling at. While she was becoming older and her repertoire is getting larger and larger, it still has all of these other tricks that I didn't teach her mom, and that's because her mom didn't enjoy learning them. So it was a cool insight to her. She knows all of the stuff that her mom does, but she doesn't really enjoy doing those in the same way, but she enjoys the more methodical tricks, and so that's a cool thing that I've learned about her. Melissa Breau: That's really actually neat because it shows how different personalities come with different dogs, and it doesn't even matter that they're blood relations. Sara Brueske: Yeah, exactly. Melissa Breau: I know you do a lot with your dogs — you do a lot of different skills and train a bunch of different sports. How does the trick training that you do benefit or carry over into teaching them some of those other skills? Sara Brueske: There's a lot of ways. I've already talked about the conc…

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    E63: Amy Johnson - "Behind the Scenes: Photographing Dog Sporting Events" May 18, 2018
    Show notes

    Summary: Amy Johnson is the owner of Great Dane Photos and teaches the dog photography classes offered through FDSA. She is also the official show photographer for many of the premier agility events in the United States, including the AKC National Agility Championships, AKC Agility Invitational, USDAA Cynosport World Games, and NADAC Championships, as well as numerous local trials, regional events, and breed national specialties. She has photographed a wide variety of dog sports, including agility, obedience, rally, and conformation, and dog events, including FDSA camp. Her start in professional photography came by taking pictures of her friends' dogs at conformation shows, and quickly grew to outpace her interest in showing her own dog -- and today she's here to talk to us about the reason a great number of people use the internet each day -- dog photos! Links www.greatdanephotos.com Next Episode: To be released 5/18/2018, featuring Sara Brueske, the benefits of teaching tricks … and a little bit about disc dog! TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Amy Johnson. Amy is the owner of Great Dane Photos and teaches the dog photography classes offered through FDSA. She is also the official show photographer for many of the premier agility events in the United States, including the AKC National Agility Championships, AKC Agility Invitational, USDAA Cynosport World Games, and NADAC Championships, as well as numerous local trials, regional events, and breed national specialties. She has photographed a wide variety of dog sports, including agility, obedience, rally, and conformation, and dog events, including FDSA camp. Her start in professional photography came by taking pictures of her friends' dogs at conformation shows, and quickly grew to outpace her interest in showing her own dog -- and today she's here to talk to us about the reason a great number of people use the internet each day -- dog photos! Hi Amy, welcome back to the podcast! Amy Johnson: Thank you so much for having me back. Melissa Breau: I'm excited to talk about this stuff today. I know we want to chat about the behind the scenes stuff, but to start us out, can you share a little bit about some of the big events you've covered recently? What kind of events were they and what did they involve, a little bit of background? Amy Johnson: Sure. The most recent one I covered was actually just this past weekend. I was the show photographer for the AKC World Team Tryouts. While that's not one of the biggest events that I do, since it's a relatively small number of competitors, it still is really high profile. AKC sends all of their big guns to the show to be involved. It's not just a local trial. It definitely is a national-level event. I did AKC's National Agility Championships in March, those were held in Reno, Nevada, and I've got several more nationals coming up for later in 2018. Melissa Breau: As somebody who covers those kind of big events, how much traveling are you doing, how much travel is involved? Are you often on the road for this stuff, and how much of a factor is distance in whether or not you take a job? Can you share a little bit? Amy Johnson: I do a lot of traveling. There are times when my family wonders if I'm actually part of the family anymore, I think. Modern technology of texting and that stuff has been very good for that. For the local weekend trials — I say local, but the one that's closest to me is an hour away, but most of them are in the Twin Cities, which is about three-and-a-half hours south of me, the Minneapolis/St. Paul metro area — I travel even to just do smaller trials, the normal weekend trials. But those are just in Minnesota. I leave home on the day before, so if it's a three-day trial, if it's a Friday, Saturday, Sunday, I head to the cities on Thursday, usually set up on Thursday night at wherever the show is, and then shoot Friday and Saturday and run the booth on Sunday, and then I head home Sunday night and get home usually between 8 and 10 at night. The national events definitely are something that take me out of state and I'm gone a lot longer, but they're also much larger in terms of the number of competitors. The amount of business that I do at those is significantly larger than the amount of business I do at a local trial, so it's worth the extra distance and it's worth the extra staff I bring in. So I will travel out of state. All the nationals that I do other than World Team Tryouts this year were in Minneapolis, so that was a nice, close event. That was easy. AKC Nationals in March was in Reno. I'm going to Arizona, I'm going to Tennessee, I'm going to Orlando, so I get kind of coast to coast over the course of a year or two. Melissa Breau: That's pretty awesome. That's getting to see a lot of awesome places. Amy Johnson: Yeah, I do, and I drive everywhere because I am the person who has all of the gear. I have all the photography gear, but I also have all of the sales booth gear, so that doesn't pack up and ship very well. It certainly doesn't fit on a plane. I have a pickup truck and I fill it from tip to tail with everything I need and drive across the country, so not only do I see the places I'm going to, I also see everywhere in between, which sometimes is not very interesting. My dad's a retired geography teacher, so I think part of my desire to travel came from him instilling a love for the land that we live in, so being able to drive it rather than fly over it has been part of the appeal of the job itself, which is kind of weird, but what it is, it's a good part. Melissa Breau: That's kind of neat. I'm getting ready to do a crazy road trip myself, and there is something to be said for driving a long distance and having that time to explore on your own a little bit. I'd imagine you're working on a lot more of a deadline, so it may be a little more intense. Amy Johnson: Now that my kids are older I can extend my travel time by a little bit. I've never driven through the night. I need my sleep too much. I'll drive all day, but I've started to add an extra day or day-and-a-half so I can stop somewhere and do a little birding, see a local landmark or something. I'm actually starting to get off the Interstate and be able to have some time to explore places along the road, which has been fun. Melissa Breau: I'd imagine that makes it a lot more fun. You mentioned going all over the place, and I'd imagine that that comes with its own challenges. How do you prep for some of these big shows? What do you need to think through, especially if it's a facility maybe you've never been there before? What do you do? Amy Johnson: The national events or the events where I'm going somewhere where I've never been before is a little scary. My biggest concern, and the one that I can't do anything about to prep for, is the light in the place. A lot of the big events are held in state fairgrounds, coliseums, horse arenas, and they're generally fairly well lit, but for the human eye and even for video. But for photography, for still photography, to stop the motion of these dogs that are moving so incredibly fast, you need a lot of light, or you need a camera that can handle the relatively low amount of light that is found in these places. My stomach used to be tied up in knots when I would get to a place before I walked in the door and just go, Please let there be enough light, please let there be enough light. In fact, ten, maybe twelve years ago I walked into a horse barn, a horse arena, where a championships was going to be held and I almost — I had just driven for a day-and-a-half to get there — almost got back in my car and turned around and went home because it was so badly lit. I didn't, I've never done that, but the thought crossed my mind because it was just so incredibly dim. I pushed through and I did it, and the thing that I consoled myself with was, if I'm having this much trouble photographing in here, nobody else is going to be able to do any better. In fact, I'm going to do OK because nobody can photograph anything in here unless they have the kind of gear that I have. So I did OK. People were appreciative of the fact that I was there and stuck it out, and they understood the difficulties that I had getting images and that they just weren't up to my normal standards, but that was as good as anybody could have done in those conditions. The nice thing is, going back to that place after a couple of years, they had swapped out the lights, they had put in new lights, and it was about four times brighter than it was the first time I went in there. So I don't mind going there anymore, but it was terrifying the first time. So that's always my biggest concern. In terms of prepping, I have to arrange housing, I have to make sure I've got my contracts signed with the organization that's putting on the event, I have to line up my staff. These days I have a bunch of photographers that come and work for me, and then I also bring in a sales staff that works at my booth. So it's gone from me, myself, and I, or me and my husband, because in the early days he would come with, and he'd be in the booth and I would be shooting, and now it's evolved into I have some events where I bring in ten to twelve people — four to five other photographers, and then five to six booth staff. There's a lot of logistics involved with that. They come from all over the country. I have photographers coming sometimes from the East Coast and some from the West Coast and everywhere in between. A lot of my sales staff comes from the Minneapolis area because they are customers who have become friends who have become loyal salespeople for me. They know my product, they believe in me and what I do, and that makes them really good at selling the images. Melissa Breau: That's awesome. That sounds like a huge team. That's phenomenal that you've grown to that point where you're bringing in that many people. Amy Johnson: It's fun. It used to be that I would go to these big events and there would be two different photography outfits there, me and somebody else. We'd divide up the rings. I've always worked really well with other photographers. I enjoy talking to them, and the last thing I want to do is be snotty about "Why are you here?" or anything like that. There's enough room for both of us to play in this. But over the years I've been able to bring more and more photographers, and the organizations I work with have liked having only one point of only one photographer or company that is there, and so I've pretty much gone to being the exclusive photographer at all these big events. But part of the deal is if I'm going to do that, then I make sure I bring enough photographers and enough booth staff to fully staff that whole thing. We cover all the rings. I don't bring two other photographers and let two of the rings go without any pictures. If there are five rings, I have five of us. It's complicated, but it's worth it. Melissa Breau: Most of our listeners probably primarily compete rather than work at the events, and I'm sure that working at an event is super-different from being on the competitor side. I'd love to hear a little bit about how you balance things like trying to be in the right spot to capture that perfect image, but at the same time you don't want to be "in the way" or in a spot where you may be distracting for the dogs. How do you manage to blend into the background? How do you manage to set up in a way that allows you to accomplish both ends? Amy Johnson: One of my favorite compliments, it's a weird one, but one of my favorites is when somebody will come up to me and say, "I didn't even know you were here." It's not that they didn't know that I had a vendor booth, and it's not that they didn't know there was a photographer, but if they don't see me in the ring that they were running in, that means I've really done my job well. It's one of those backhanded, weird compliments, but I always appreciate hearing it because then I know I didn't distract anybody. Making sure that I'm in a place — me and my other shooters, of course — that is always right at the forefront of my mind. I think at most events we're outside of the ring. There have been a few events where the boundaries of the ring are … at World Team Tryouts, it was held at a soccer arena, and so the boards that are the boundaries of the soccer field and there was netting above those — we can't shoot through that. I can't see through walls, and to put a net in front of the lens would be kind of a problem as well. So we do sit inside, but we keep our backs to the wall, just like a bar setter would. We try and make ourselves as small as possible. So we're outside of the ring in general. I'm always looking at the equipment and which direction they're taking the jump, or which end of the tunnel they're coming out of. I'm looking to see where — and when I'm talking about "they," the dog — I'm thinking about where the dog's sightline is going to move. If they come over a jump, will they see me as they're turning their head to look at the next obstacle that they're going to, or as they're turning their head from one thing to the thing that they're going to take that's close to me, are they going to look at me and find me to be a distraction? If they're far enough away, it's usually not a problem. They're so engaged in what they're doing, especially at national events, the level of competition is so high, these dogs are so accomplished, they're so prepared, the handlers have done such an amazing job of getting them ready that it's generally not a problem. But I still am really paying attention to the line that the dog will take and making sure that I'm not going to be something that will catch their eye and cause them to misstep, or to miss something, or to not pay attention to their handler. I try not to move very much, so if the dog is taking a jump and it's coming directly over the jump towards me, I've got my shot lined up, all I'm moving is my shutter button, and I wait until that dog has moved past me, or moved through that obstacle and a little bit beyond, before I move to set up my next shot, rather than click and then move while they still might be able to see me, because movement catches our eye. If you think about if you're watching something and there's just a little bit of movement inside of a bigger area of things that aren't moving, you're going to see that movement really fast, so that will grab your attention. So my goal is to not be the one moving thing in the dog's line of sight. Not being a distraction is a really, really high priority for me. Then, of course, the flipside of that is we have to get good shots. So I look at the course. Usually I manage to get hold of a course map so that I know what direction everybody's going and what the order of things is. So we're looking at … I know that I want to get a jump picture, I'm always prioritizing contact obstacles, so the A-frame, the dog walk, the teeter, if it's that type of…

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    E62: Amy Cook - "Thresholds and Therapy vs. Management" May 11, 2018
    Show notes

    Summary: Dr. Amy Cook has been training dogs for nearly 25 years and has been specializing in the rehabilitation of shy and fearful dogs for over 15 years. She's the creator of The Play Way, her process for helping dogs learn to cope with the world around them. She's also a certified dog behavior consultant, a long-standing professional member of the Association of Professional Dog Trainers, and has attended all four Chicken Camps in Hot Springs, Arkansas, taught by Bob Bailey. Amy returned to school in 2006 to get her PhD in psychology from UC Berkeley. Her research there focused on the dog/human relationship and its effect on problem-solving strategies dogs employ. Links www.playwaydogs.com Next Episode: To be released 5/18/2018, featuring Amy Johnson, taking us behind the scenes of a major dog sports competition from a photographer's perspective. TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Dr. Amy Cook. Amy has been training dogs for nearly 25 years and has been specializing in the rehabilitation of shy and fearful dogs for over 15 years. She's the creator of The Play Way, her process for helping dogs learn to cope with the world around them. She's also a certified dog behavior consultant, a long-standing professional member of the Association of Professional Dog Trainers, and has attended all four Chicken Camps in Hot Springs, Arkansas, taught by Bob Bailey. Amy returned to school in 2006 to get her PhD in psychology from UC Berkeley. Her research there focused on the dog/human relationship and its effect on problem-solving strategies dogs employ. She also recently started a blog at playwaydogs.com, and everyone should definitely go check it out. Hey, Amy, welcome to the podcast. Amy Cook: Hi Melissa. So glad to be here. Favorite, favorite thing ever. Glad to be back. Melissa Breau: I'm excited to have you, and today I wanted to talk to you about thresholds. Amy Cook: Thresholds [makes "doom music" sounds] … Melissa Breau: Threshold is definitely a word that gets thrown around a lot when it comes to reactivity. Do you mind sharing a little bit about what it typically means? Amy Cook: It's great that we open with that, because of course you want to open with a definition, it makes sense, except that that very thing is a huge can of worms. It takes a lot of time to unpack it all fully, and I'll be doing a webinar on this in June. I think it's just after camp, I think it's June 7 or so, where I'm really going to go into depth about all the stuff you need to know about it. But to get you thinking about it right now, thresholds is one of those things where we say it and we know what we mean by it, but when other people say it, either about our dogs or about their dogs while we're teaching them, we don't know exactly what they mean by it, and we don't have any real assurance that we both mean the same thing, even in the same conversation about thresholds, because if you really think about what thresholds are, it just means that it's a border between two different things, even; the two different states, if you will. So there's a threshold between the way I feel now and the way I'm going to feel next, whatever that feeling is that is coming, and not all thresholds are particularly of interest when we're talking about rehabilitation or dog training. There's only really a few that we care about. I say sometimes in my seminars, "Do you care about the panic threshold for your dog?" And I see some people saying yes, because of course we want to care about panic, but that's not what it says. Do you care about the panic threshold? The answer should be no, because there's plenty of other thresholds that you should have cared about well before we got anywhere near panic. So threshold is that state between one thing and another, and it's no more than that. When someone says, "Hey, your dog's over threshold," the only thing I think is, Over what threshold? What exactly are you talking about? What state are they in now that they weren't in a bit ago that you want them not to be in or want to help them get out of? Until we have common language — and I'm not even saying that we all, as a training community, need to have one language, because this isn't one of those scenarios. This scenario is the word makes a lot of sense, but what we haven't defined is what states that we're talking about. So over threshold in what way? Can or can't do what kind of thing? It's worth a lot of thought, because if I just say, "Hey, my dog's over threshold now," if I can be honest with you, I think it's becoming a shorthand for "My dog can't do this right now. I'm just going to call that 'over threshold.' Oh look, he won't eat. He's over threshold. He's having trouble with latency here. He's going slow. He must be over threshold." I think it's losing a little bit of meaning because you're not thinking about exactly what threshold you're talking about. It matters, because where you want to put your therapy is dependent on how the dog feels and how stressed he is, so you do really have to know where your thresholds are. So it's something people need to pay more attention to than I think that they are. Melissa Breau: How do you even begin to start to pin down, regardless of which threshold necessarily, how do pin down exactly where a specific dog's threshold may be between any two states? Amy Cook: It sort of depends on what your goal is in the given moment. Is my goal right now just to get past this dog with my dog and nothing happens? I have a different definition, a different threshold in mind for a behavior I don't want, that I'm trying to prevent and keep him under the line of expressing. That's not the same thing as if I want to do some therapy with him. For me, that would be play therapy, and if I want to do play therapy with him, that line of where I say threshold is is going to be much, much, much lower, because the line for me would be between he can play and he can't play. But if we're just talking about getting past a dog, the line might be the line between "he can stay on my food and look at me and keep walking and keep himself together," and "he can't do that." So first you have to think … you asked me how can we figure out what the threshold is. Tell me what threshold you want to figure out in the first place. From there we can define what would it be to be under it and what would it be to be over it. Why do you care about this particular threshold? "Because I want to get past the dog and I don't want barking." OK, so any kind of barking would be over that particular threshold, and anything under where we're managing correctly — or managing successfully, I should say — is keeping him under. But I wouldn't call that under threshold for, say, learning a brand new trick, because he's probably way too busy inside, cognitively and emotionally, to learn something new. So if it's like, I want to keep him under threshold, I'd say, OK, what for, what is your goal? "I want to do shaping with him, and sometimes he gets …" — whatever his problem is. And I don't say I want him under a shaping threshold. I'm not telling the world to start adding new terms for everything. It's not like that. But if you want him clearheaded and able to be in a shaping session, then that's what you're trying to be under. How can you figure out what the threshold is? Well, that's a moving target. You need to tell me what you need to accomplish, and from there we can simply make sort of tests for it. What I do is, I have a really low threshold for The Play Way and I have tests for that. But since everyone's definition or goals might be a little different, I would encourage people to just give it even five minutes of thought of, What are the states I'm trying to define here and get below or get into, and how would I know if I were there? It's a question you almost have to answer for yourself. I have answers for the kind of work that I do, but not everybody's doing that. Thresholds is all over dog training, and so I can't just tell you that threshold is the one I use only and not the ones you use. But I will say if you do think about this and use them, then you should put more thought into definitions and identification of them. Melissa Breau: You talked a little bit in there about how you use them differently in The Play Way, and I did want to get into that a little more. Can you explain a little more how you use them and what you mean by that? Amy Cook: For the Play Way, what that is, if you're not too familiar with my work, it's using social play, so that would be play without the help of toys, like you're playing tug or playing fetch, and without the help of food, although certain exceptions will apply. So social play with your dog to help them relax, to help them feel a lot better about where they are, and to help you read how they're feeling so you can determine whether you are under threshold or not. That would be under my threshold, under the threshold of interest to me, in this case. Really, the whole reason why play is so important, there are two reasons. One is of course it's really fun, it's relaxing, and it's relationship-building. But the other real function of it is directly to help me determine a threshold. The threshold I want is one between the two states of interest for me are the dog is perfectly fine, absolutely nothing wrong as best anybody could tell, just like I can tell in you, you feel perfectly fine, you're not stressed, you're not tired, you're just being you, just being Melissa, and then whatever you are one step away from that. That's not super-specific, but it can't be. It's when the dog or you feels perfect, everything's fine, totally normal, nothing wrong, and then the first step away from that state is happening, and if you keep going on that path, if you keep taking more steps on that line, you're going right to eventually panic, or you're going right to stress, you're going right to upset, you're going right to can't handle, you're going right to trembling or yelling and screaming. A lot of different things can happen along that number line. I call it a one-step threshold as a shorthand for myself so that I can see it as everything was fine, nothing was wrong, and now we've just taken our first step away from that perfect state. And I'd like to know that that's happened for you. If I'm trying to help you stay in that really great state, I'd love to know that you have just left it. And because I have language with you and all other people, I can say, "Hey, let me know when you're starting to leave perfect and you no longer feel that way anymore." But of course it's very difficult to ask a dog, and what I use play for, or really, more accurately, the disappearance of play. When it disappears for me, I can infer that something has happened. You play in your perfect state, and we of course train that a bunch, and we rehearse it a whole bunch, and then you can't. Something impeded, something got in the way, something interfered with our play. Are you starting on your stress path? Are you starting to leave this great state we're in? When play leaves, and they're just starting to have questions about whether they're OK, that's when I can best apply my rehabilitation techniques, my interventions for them. That's the best place because they haven't gone very far away yet, and I can get them back to feeling OK. Threshold is super-important to me for that reason. It's super-important to everyone for that reason. We're trying to get therapy into a dog who can benefit from the therapy. We don't do that when they're over threshold, but we have a moving target for where threshold is, so for me, I want it really codified. I call anything where the dog can't play like he normally plays at home, and behave like he normally behaves at home, socially with you as over threshold. To me, it's over threshold for therapy. I wouldn't apply therapy there. I might switch to management, which is going to be a different topic that we can talk about, but if you want to apply some kind of therapy to your dog to help them feel better, you want something that indicates that they're crossing the very threshold you care about, and for me, that's play. For me, so much is over threshold. So much more is over threshold for me than your average trainer. But I don't mean to say that therefore everything over threshold is bad. It's just over my therapeutic threshold. I wouldn't do therapy now. We'll do something else. But you can see how it hangs together. You want to know what you're dealing with so you can know what to put at it. I'm not going to throw therapy at a dog who's four steps away from perfect but still many steps underneath flipping out. I still have many things I can do there, which is what management is. Melissa Breau: Most dogs, to some degree, aren't quite as relaxed as maybe would be ideal just in everyday life. Amy Cook: Sure. Are you? Melissa Breau: Exactly. Amy Cook: I'm not. For the record, I'm tightly wound, very tightly wound! Melissa Breau: I just want to ask you, you mentioned management, and I do want to ask, on the flip side of all this, we have this ideal state that you've talked about. But what happens when a trainer inevitably … everybody makes mistakes, and the trainer makes the mistake, they misjudge something, they think their dog can handle something their dog definitely can't, and the dog reacts, whether it's just a couple of steps further away from that ideal state, or whether it's dramatic and lunging and barking and crazy. What do you do? Amy Cook: I don't think there's anybody within the sound of our voices tonight that hasn't done this, and that includes me. I'll just raise my hand. I assume you're going to raise your hand. We've all had a dog that we don't want to have react, react. Or conversely — this isn't really conversely — it doesn't have to be that they even react. It can be that they have been put in a situation that is beyond their skill set right now, and it might be that they tremble, or it might be that they just are now going into sniffing and don't want to do this and leave, and that's a form of being over threshold. You've made a mistake in how much your dog can handle or wants to do, and you're not going to get through a day or week — that may sound like a miscalculation — on the feelings of others who can't talk to you. If anyone out there is like, "Yes, that inevitable mistake," it's inevitable. You will make it. Because of that, just know that you will, assume you will, try not to in a moment, but don't try to be a person who doesn't do that. You're just going to be your best all the time and accept when you're not. When that happens, though, you need to stay, as best you can, clearheaded about what your next options are, where your next acts need to be. Let's say this is reactivity and y…

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    E61: Michele Pouliot - "Being a Changemaker" May 04, 2018
    Show notes

    Summary: Over her 40 years of dog training, Michele Pouliot has presented scores of seminars and has been responsible for bringing science-based clicker training to guide dog training around the world. In her "hobby world," she has actively competed in both horse and dog sports since 1970. In dog sports alone that includes A.K.C. dog obedience, attaining three OTCHes, agility, tracking, and then, starting in 2006, the sport of canine musical freestyle. A short time later, in 2007, Karen Pryor invited Michele to join her faculty for Clicker Expo conferences, where Michele presents on the application of clicker training techniques for a variety of dog sports, general training, and for the training of guide dogs for the blind. Karen Pryor and Michele collaborated for the development of Michele's online freestyle course, which is available from the Karen Pryor Academy. Links www.michelepouliot.com Next Episode: To be released 5/11/2018, featuring Amy Cook, talking about thresholds and managing reactivity while you work on changing how your dog actually feels. TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Michele Pouliot. Over her 40 years of dog training, Michele has presented scores of seminars and has been responsible for bringing science-based clicker training to guide dog training around the world. In her "hobby world," she has actively competed in both horse and dog sports since 1970. In dog sports alone that includes A.K.C. dog obedience, attaining three OTCHes, agility, tracking, and then, starting in 2006, the sport of canine musical freestyle. A short time later, in 2007, Karen Pryor invited Michele to join her faculty for Clicker Expo conferences, where Michele presents on the application of clicker training techniques for a variety of dog sports, general training, and for the training of guide dogs for the blind. Karen Pryor and Michele collaborated for the development of Michele's online freestyle course, which is available from the Karen Pryor Academy. I'm incredibly thrilled to have her here today! Hi Michele! Welcome to the podcast! Michele Pouliot: Hi Melissa, and thank you for having me. It's a pleasure to be here, and I want to thank Fenzi Dog Sports for having me here. Melissa Breau: Absolutely. So thrilled to talk to you. To get us started out, do you want to just share a little bit about your own dogs and what you're working on? Michele Pouliot: My current dogs are two. One is my English Springer Spaniel Déjà Vu, who is 8-and-a-half years old now, and I have a 4-and-a-half-year-old Australian Shepherd, Saki. They are both continually working on coming up with new ideas for tricks. It's what canine freestyle pushes you to do is always trying to come up with new moves and new behaviors to make your next routine interesting. So other than that, they're having fun just being dogs, running around the property. Melissa Breau: I know that you got started training horses. Do you mind sharing a little bit about how you originally got into training, and what led you then from horses to dogs? Just a little bit on your background? Michele Pouliot: Sure. We're going to go way back now. Straight out of high school, I really wanted to have a career in horses. I'm an Air Force brat, so my father, our family, moved all over the world as I was growing up, and in high school we landed on an Air Force base in Louisiana. My entire life I'd wanted a dog, couldn't have a dog, my mother was not a dog person and used the excuse of us moving so much as to why we couldn't have one. And I also wanted a horse. My father had always promised me that if we ever got to an Air Force base that had a stable, that I could have a horse. Well, we did, when we were stationed in the Philippines when I was in junior high school. I just fell in love with working with my horse, and I thought, This is what I want to do for the rest of my life. My father was very supportive when we came back to the States and ended up in Louisiana. In high school I got another horse, and he went ahead and allowed me to skip college and use the money to go to the Pacific Coast Equestrian Research Farm, which was run by Linda Tellington and her husband at that time, Wentworth Tellington, very well-known equestrian professionals. My whole goal was to be a professional horse trainer and instructor. After spending a year there with Linda and Went, I got my first job, which was running a new equestrian program in Fargo, North Dakota. What happened there was I was giving riding lessons to a woman who was a dog trainer. I got my first dog as soon as I got there, so I had a yellow Labrador. As soon as I got away from home on my own, I got my first dog. So I had this dog, loved it, didn't know what I was doing. But one of the gals I taught riding to was a dog trainer locally, and I look back on that experience realizing how lucky I was that the person I ran into about training dogs was such a good dog trainer. She was a traditional trainer, of course, back in those times, but she was a really good traditional trainer. So she taught me, in exchange for riding lessons, all about how to work with this young Labrador puppy that I had and make it a nice, mannerly pet. I was intrigued with how easy it was to train the dog versus the horses, so it got me interested more in training the dog versus just training it for being a nice pet. That is how I slowly started shifting my focus for my profession towards dogs, yet I always kept horses, so I haven't ever been without a horse since then. I just slowly, when I left North Dakota after my first winter — that was a sign that I never wanted to stay in North Dakota for another winter — but when I came back to the West Coast, I just decided, You know what, I really like this dog thing, so let me start that. And that's how I ended up going into dogs. Melissa Breau: That's really quite interesting, and I know you started to touch on a little bit there the similarities and differences in training the species, that dogs were a little easier. Do you mind sharing a little more about what you learned, compare and contrast a little bit for us? Michele Pouliot: Sure. Of course, when you're thinking that we're talking back in 1970 -'71, there was no positive training that was known of, so everything was traditional. We were training horses in traditional techniques, training dogs in traditional techniques, and when you're training traditionally, the gap between training a dog and a horse was huge, because what you had with this dog was a species that really wants to please in general. So not only are they maybe more domesticated than a horse, but they surely love to work with people. That was what stuck out so much to me. Whereas horses, being traditionally trained, it isn't like they're all excited to go out and work with you. It was good traditional training, they weren't afraid, but they certainly weren't the way horses can be nowadays when they are positively trained. So I think my first realization in that frame of reference, when you think of the times of training at that point in time, was just how much easier the dog was to train because they were so much more like, "What can I do for you?" The horse took so much longer to train because you didn't seem to have that automatic impulse from a horse you're working with to say, "What can I do to please you?" That was the big difference then. There's still a big difference, so even though my horses are clicker trained, as my dogs are, you're dealing with a big animal, so the difference in your safety is a big one. Even though we're not talking about an aggressive horse, it's still a big animal. If you think about dogs that will mug people and get in their bait pouches and jump up and want rewards, well, imagine a 1200-pound horse doing that to you. You have to be much more thoughtful about every step of the training process with a horse to make sure that you're not inadvertently creating an excitement or an energy in your positive training that can actually be dangerous for a human on the ground. Whereas with dogs, we don't really think about it that much as far as something that's going to be dangerous. If I teach a dog to leg kick and he happens to clock my leg, yeah, that's not great, but it's not life-threatening. Melissa Breau: Right. You talked a little bit about the fact that back then everything was traditional training, that approach. What led you to become a positive trainer and to clicker training? Michele Pouliot: When I got into dogs, first I kind of got my foot in the door with that first dog I had. Once I had him trained, I heard something about AKC and obedience, and I entered him in local obedience trials, and for some reason I was winning. People would meet me outside of the ring and say, "Ooh, do you give lessons?" and I felt weird because I didn't think I knew anything yet. But I started giving lessons and I was really enjoying that aspect. I ended up working at a kennel, figuring, You know, Michele, you've really got to learn more about dogs. So I took this entry-level position at a kennel in Long Beach, California. I was cleaning kennels and all that, but in the afternoon I would be giving some training lessons to the public, which was a great experience for me. But I wasn't there very long before I read an article about guide dogs and training dogs for blind people. Remember, there's no Internet back then. This is a magazine, and in the magazine was this article, and in the end were addresses of three guide dog schools in the country. The article was fascinating to me, and all I could think of is, Oh my god, what an amazing combination: the love of training dogs, and I'm also helping people. This is what I want to do. It just hit me like a thunderbolt that I had to do this work. We're in 1973 now, and I write all three schools. One of the schools never responded. Another one, I still have the letter framed on my wall today. The letter reads, "I'm sorry, but women are not emotionally or physically capable of training guide dogs." Melissa Breau: Oh dear! Michele Pouliot: Understand that in 1973, that was not an affrontive letter. My reaction, as this naïve young woman, was, Oh, I didn't know that, in my head. Whereas ten years later, my hackles would have gone up reading something like that. Anyway, I got a letter from Guide Dogs for the Blind that invited me to fill out an application. I filled out the application, sent it in, and they had me come for an interview. Everything was great, I got the job, I was so excited. I found out later, when I arrived, I was the only woman besides one other woman who had just started working six months prior. It was not an easy place for a woman to step into, because there was a belief system that women can't do this. It's way too rigorous physically, and emotionally it's very difficult. So this woman and myself were like the pioneers of trying to get our feet in the door for proving ourselves that we could do it. When I first got my job at Guide Dogs, which was really my first serious, in my head, dog training assignment, I also was always focused on trying to do so good that I was paving the way for other women to come and do this work. That was the first goal. A part of that —which you're probably wondering, Is she ever going to get to answer my question? — a part of that is that I knew that I could do better what they were doing. I was so surprised when I showed up and realized that I was a darn good dog trainer when I was watching some of the techniques that I saw being used. What I saw was some very harsh traditional training. Very harsh. And I just knew I could do better than that. So, from the day I arrived, I started putting this subtle pressure from demonstrating that you don't really have to do it that way. My focus was always to be the best trainer I could be, the kindest, the gentlest, even though I was totally understanding of traditional training and that's what you do, there was no other option. But because that was my background in the 1970s, when I started hearing in the 1990s about this new, modern training, I was fascinated. Through those twenty years, before I heard about positive training, I had helped the program get better, better, better, and I mean in the early 1990s, our school was doing really good traditional training. I was so happy that the program had come so far that no dogs were being treated really unfairly. Even though it was traditional, it was good traditional training. I always have this flavor in my heart of, How can I be kind and gentle and still get the job done? Even when you're a good traditional trainer, you might be focusing on that, but you also inherited the belief that using a lot of punishment to teach is OK. It's a belief system that you are born into. So as I started opening my mind to looking at this new positive training thing I was seeing, I was so excited that, oh my gosh, there's other possibilities, and that's really what led me to start looking at videos and going to seminars and going to conferences and trying to figure out how this fits into my world, especially how does it fit into guide dog work. Melissa Breau: So, I'd love to hear a little bit more about some of what you did with the guide dog program, if you don't mind. I know that you spent a large chunk of your career focused there. How did that evolve? Can you share a little more? Michele Pouliot: Sure. I retired two years ago with forty-two years, so I've been doing it a long time. When I chose to introduce positive reinforcement training to my school, my guide dog school, my intent at that time was just, can we even make this better, kinder, gentler, and overall more positive for everybody, including the trainer. Because it was a very physical type of training when you're doing traditional training, too, so we had injuries. We had people coming in and being injured. By the way, by this time the staff was majority of women, so over the twenty years a lot changed. The men were in the minority, and I'm not really saying I even know why that is, because it's kind of true in the guide dog industry and in the cane mobility industry — meaning instructors who teach blind people how to travel with canes — it's interesting how through the last several decades the majority are women. I think it has to do with being nurturers and wanting to help is why we have more people in there now that are women versus men. Anyway, back to guide dogs. When I first brought the idea to my supervisor, my supervisor had a lot of faith in me. I had already done a lot for the program and had everyone training so much better than they used to train, so I had a good relationship with my supervisor, but he looked at me like I was crazy. Now, you have to understand that in the guide dog world, guide dogs have been trained since World War I. That's when it started. The techniques used for guide dog training were from World War I, meaning war dogs. How do you train a dog to be a war dog? And you know those dogs were hardy, hardy, tough, courageous dogs. So all the guide dog work that started was with very heavy-duty traditional training, and the thought process was you have to be tough to make the dog reliable. No matter how weird that sounds today in the positive training world,…

    Full show notes at the publisher

    E60: Kathy Sdao - "Plenty in Life is Free" Apr 27, 2018
    Show notes

    Summary: Kathy Sdao is an applied animal behaviorist. She has spent 30 years as a full-time animal trainer, first with marine mammals and now with dogs and their people. She currently owns Bright Spot Dog Training where she consults with families about their challenging dogs, teaches private lessons to dogs and their owners, and coaches novices and professionals to cross over to positive-reinforcement training. She's been interviewed pretty much everywhere worth reading — at least as far as dog info is concerned — consulted with organizations including Guide Dogs for the Blind, appeared on Bill Nye the Science Guy, and is one of the original faculty members for Karen Pryor's long-running ClickerExpos. She is also the author of Plenty in Life is Free: Reflections on Dogs, Training, and Finding Grace. Links Plenty in Life is Free: Reflections on Dogs, Training, and Finding Grace (via Dogwise) www.kathysdao.com Next Episode: To be released 5/4/2018, featuring Michele Pouliot, talking about being a change-maker in the dog world. TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Kathy Sdao -- Kathy is an applied animal behaviorist. She has spent 30 years as a full-time animal trainer, first with marine mammals and now with dogs and their people. She currently owns Bright Spot Dog Training where she consults with families about their challenging dogs, teaches private lessons to dogs and their owners, and coaches novices and professionals to cross over to positive-reinforcement training. She's been interviewed pretty much everywhere worth reading — at least as far as dog info is concerned — consulted with organizations including Guide Dogs for the Blind, appeared on Bill Nye the Science Guy, and is one of the original faculty members for Karen Pryor's long-running ClickerExpos. She is also the author of Plenty in Life is Free: Reflections on Dogs, Training, and Finding Grace. I'm incredibly thrilled to have her here today! Hi Kathy! Welcome to the podcast. Kathy Sdao: Hi Melissa. Thanks so much for the invitation. This is going to be fun. Melissa Breau: To start us out, do you mind just sharing a little bit about your own dogs and anything you're working on with them? Kathy Sdao: What an embarrassing way to start! I currently have just one dog of my own. His name is Smudge. He's a … who knows what he is. He's a mixed breed. Let's call him a Catahoula mixed breed. He's about 3 years old, and as I'm reminded after my walk in the woods with him this morning that the combination of young man in a hoodie on a skateboard with an off-leash dog running beside this young man — too much for Smudge to deal with on our walk in the woods, so rather than dog sports, I'm still training this young dog that the world is full of interesting adventures and you really don't have to bark at them when they startle you. So we're still doing real-world training just getting him out with me every day in my environment here in Tacoma, Washington, which is beautiful. We spend a lot of time outside. I also am very good friends with the magnificent Michele Pouliot, and she has offered to choreograph a freestyle routine for Smudge and me, and I feel like that would be crazy for me not to take her up on that. So if I ever dip my toe into the water of dog sports, it's likely to be freestyle, because I have an awesome friend offering to help me. Melissa Breau: That's fantastic, and hey, I can't blame him. I think that if a guy showed up suddenly and surprised me wearing a hoodie and a skateboard with a dog running next to him, I might be a little startled too. Kathy Sdao: I was having such a peaceful walk, and then we turned a corner and I'm like, Uh-oh, this isn't going to work. Fortunately, that kid was really nice about it. We all kind of laughed, so it ended up well, but anyway, training goes on, right? Melissa Breau: Absolutely. How did you originally get into training? Can you share a little bit on your background? Kathy Sdao: When I do Career Days at schools. I think kids always think it was planned, like "You had a plan." I didn't have a plan. I was a premed student in college and took an elective, animal behavior, a psych course, which I thought, That'll be easy. The professor, Dr. Pat Ebert, had a need of someone to help her with some research she was doing and just happened to be at the aquarium where I lived in Niagara Falls, New York. She needed a research assistant, and I went to the aquarium and did some observation work there and fell into the rabbit hole and quit premed and changed my major to psychology. My beloved dad will turn 97 years old next month, and he still has not gotten over the shock that his daughter left premed to do this crazy career he has never once understood. So it was serendipity that got me to that aquarium where I ended up training my first animal, a harbor seal. My professor, Dr. Ebert, passed away very suddenly and at a very young age, 32, from liver cancer, and I don't know, I always felt like there's some way to pass the gauntlet on to me to study the science of animal learning and be brave about it. I applied to graduate school after I got my bachelor's degree in fields that could study animal behavior, and all the schools I was going to study either rats or pigeons, except the University of Hawaii, where I would be studying dolphins. I got accepted to the University of Hawaii to study dolphins, got accepted to Rutgers to study rats, it wasn't much of a choice: Newark to study rats or Honolulu to study dolphins. That was the beginning. The second animal I learned to train was a dolphin at the University of Hawaii, so that started my career in a really different kind of way. Melissa Breau: I certainly understand that decision. I think most people would choose dolphins over rats or pigeons. Kathy Sdao: You know, it's funny, Melissa. Rutgers gave me a big scholarship and I turned it down and they really were mortified. They couldn't believe I was leaving money on the table there. In retrospect, I think I made a good choice. Melissa Breau: It certainly served you well. From dolphins to dogs, it's a pretty big bridge there. What led you to go from marine animals and zoo animals — because you did some of that, too, if you want to talk about that — to dogs? Kathy Sdao: When I was fortunate enough to start my career working with marine mammals, I actually worked in three different, amazing settings. For several years I worked at the University of Hawaii, when I was a graduate student, on the research done there that included, among other cool things, teaching sign language to bottlenose dolphins back in the 1980s. That was just an amazing way to start a training career. I got my masters degree and then was hired as one of the first women to work for the United States Navy's Department of Defense that was training dolphins at the time to do mine detection and detonation work, also a job in Hawaii, working to prepare those dolphins to be turned over to sailors to actually be in the military. Another amazing job and worked there for several years, and then decided that it was time, even though I loved Hawaii, to go to a place that was more reasonable to live, just cost of living-wise. Honolulu's gorgeous but expensive. There were two jobs on the mainland in the United States that year that I decided I was going to transition back to the mainland. One was at Disneyland in Orlando and one was at Point Defiance Zoo and Aquarium in Tacoma, Washington. I never lived either place, I didn't know anybody in either place, but decided that I much more preferred the Pacific Northwest and so took a job as a staff biologist at Point Defiance Zoo and Aquarium, and got to work with beluga whales and porpoises and sea lions and fur seals and walruses and polar bears and sea otters and an amazing collection of marine mammals. Having worked at the zoo for five years, though, realized it was a difficult job. It was tough physically, it can be tough emotionally — I know people are listening; if they've done some zoo work, it's challenging — and so made the decision that it was time to leave the zoo. But I didn't want to leave Tacoma, Washington. I still live here. I love it. So training dogs was my creative solution to earn a living and not have to move, and I can't even recall to you, Melissa, how humbling that switch was, because I was cocky enough to go, "Hey, I've trained really cool, big, exotic animals. Dogs are going to be a piece of cake." And oh, they weren't. I really didn't know what I was doing at all, and quickly found out that I needed a lot more dog savvy if I was going to do a good job, and opened up the first dog daycare in Tacoma, Washington, back in the mid-1990s. Nobody had ever heard of a dog day care here. I had to get special zoning from the city. They thought we were nuts. But I opened that dog daycare to be able to get my eyeballs on dog behavior more and to be immersed in it. I know you've got listeners that work in dog daycares, own dog daycares, it's a good immersion process for the human to learn about dog behavior. So that was my entry into dog work, and started teaching classes at night in clicker training, and that was really new at the time, a new way to set up dog training classes back in the late 1990s, so haven't looked back since. And though I loved my time with marine mammals and other exotic species, I really don't miss it. I'm just as intrigued working with dogs and their people as I ever was with the exotics. Melissa Breau: You mentioned that there was a little bit of a transition there. Can you share some of the similarities and differences and what they were as you went from training dolphins and zoo animals to dogs? Kathy Sdao: I really look right now, when I'm looking for teachers for myself … it's interesting, Melissa. One of the reasons I asked you if you would be so kind as to delay our appointment for this recording was so that I could spend a couple of hours this morning listening yet again to my colleague and friend Dr. Susan Friedman. She was doing a webinar this morning on a topic I've heard her teach on before, but I'm like, No, I would like to listen to Dr. Friedman again. What I look for in my teachers when I'm making choices is I really love teachers who are transparent and authentic. So your question invites me to be transparent and authentic, because I'm going to say to you that transition, which should have been smooth in terms of training techniques, I really was able to learn to be a trainer in some extraordinary settings that really call out the best skills. People often say, "You know, it's amazing that the dolphins could learn that mine detection and detonation work," and keep in mind the work I did for the Navy was classified, it is no longer classified, I can tell you about it. The dolphins' lives were not in danger. That sounds really dramatic, like we were risking the dolphins. We were not. The dolphins and the sailors, the military, all the personnel, all the military personnel, dolphins and people, moved away from the setting before anything was detonated. I don't want any listeners to think, oh my gosh, how cavalier I am about that training. It was as safe as possible for everybody. But in saying that, people go, "That's amazing you could teach that to the dolphins," and I say, "No, no. What was amazing is every one of those dozens and dozens of dolphins that we took out to the open ocean every day had to jump back in our motorboats, our Boston whalers, to go back to their enclosures every evening, every afternoon, good training session, bad training session. They were free, and they had to choose to jump on a boat and come back to the enclosures." When you have that as your school for learning, you get an ego. So I got an ego to go, "Hey, I trained open ocean dolphins. How hard is it to train dogs?" Not only was it hard, here's the thing I'm sort of dancing around that I'm humbled by. I didn't think dogs could be trained using the same methods as marine mammals. So I really, switching over species, switched training methods and apprenticed with a local balanced trainer. That wasn't a term at the time in the mid-'90s, but used leash corrections and also positive reinforcement, but all mixed together. So I learned how to pop a choke chain, and I trained that way for, I want to say, at least a year, with only the mildest cognitive dissonance in the back of my head going, Why would dogs be different than every other species I've ever worked with? But of course we've got a mythology about why dogs are different. We can tell that story about pack leaders and hierarchies, and we can spin a good tale about why all other animals can be trained using positive reinforcement and a marker signal, but not dogs, they need corrections. Karen Pryor, fortuitously, happened to be talking in Seattle. She was giving a seminar, and I went to the seminar because Karen's a friend, so I just like, Hey, I'll go visit Karen. I don't need to learn anything about training. Now I'm mortified to say that out loud. Karen started the weekend seminar — I still remember it, it was more than twenty years ago — Karen started the weekend seminar to this big room filled with dog trainers, hundreds of dog trainers, and she said, "I'd really be grateful if no one gave a leash correction over the time we're together this weekend. It's upsetting to me, and it's upsetting to the dogs and anybody who has to watch it." And then she just went on to talk, and like, What? What is she talking about? There's going to be anarchy in here. What does she mean, no leash correction? I had no idea what she was talking about. Oh my gosh, I'm so glad I wandered into that seminar with her, because she started the dominoes falling in my mind to be able to say, Why, possibly, would you not do this with dogs? She was such a good friend and mentor to me, to help me be brave enough to teach classes in my city in a completely different way that dog training colleagues were saying to me, "Absolutely impossible. You're going to fail at this." So I'm grateful to her and so many people that taught me that it was possible. But my transition was ugly, so if you saw me in that time of me trying to figure out, does all the learning and training I did with marine mammals for over a decade, does it really fit in with dogs? Aren't dogs different? And the answer really is, no, they're not. Good thing I could bring all my other skills into the training. It's a different way to train dogs, but I'd say it's a better way and it's certainly more fun. So that kept me going for a long time, because I don't think we all agree on that yet, so there's work to do. Melissa Breau: That's really interesting. It's a specific pivot point or turning point for you. At what point would you say you actually became, to steal a line from your website, focused on positive, unique solutions, and what has kept you interested in positive training and made you transition to that so completely? Kathy Sdao: I owned that dog daycare for several years, and then at some point felt like I could fledge from that work. It was good work, but it wasn't really feeding me, so I switc…

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