Show notes
Content warning for this episode: violence, sexual violence, removal of childrenWe sit down to chat with Genn and Jenny, the fabulous cohosts of the Ancient History Fan Girl podcast. They have recently published Women of Myth: From Deer Woman and Mami Wata to Amaterasu and Athena which examines fifty women and femme presenting figures from cultures across the globe.While Women of Myth is the centre of this conversation, there’s no way to discuss ancient ideas about women without considering how that might reflect upon the contemporary issues that women face. This also leads into consideration of the challenges faced by women throughout history.We wrap up with a discussion of looking beyond the ancient Greco-Roman world – the value of doing that and what that can look like in podcasting.Special Episode – Women of Myth with Ancient History Fan GirlWhat makes a book?In this interview, we explore some of the details of the book includingThe ideas that shaped the concept for Women of MythThe role of Sara Richard’s illustrations in expanding representationWhat it was like to co-write a book togetherListen out for discussions aboutAmba/Shikhandi – The Vengeance-Seeking Genderqueer Warrior of the MahabharataAtalanta – The Ancient Greek Warrior, Athlete, and ArgonautĪtzpāpālōtl – The Skeletal Warrior Goddess of the AztecsLa Llorona – The Wailing Woman of Mexican MythologyMedea – Dr G draws parallels with La Llorona and Medea’s storiesThe Morrigan – The Ancient Irish Goddess of War and Battle FrenzyOya – The Yoruba Warrior Goddess and Orisha of the WindInterested in Women of Myth? Consider these retailers:Booktopia (Australia) Bookshop.org (US)Bookshop.org (UK)Contact your local indie bookstoreContact your local libraryThe book cover!Sound CreditsOur music was composed by Bettina Joy de Guzman.An illustration by Sara Richard from Women of Myth of Ītzpāpālōtl, the Aztec Skeletal warrior goddess. She appears as a crown skull with green feathered hair surrounded by flames.Automated TranscriptDr Rad 0:16Welcome to The Partial Historians.Dr G 0:20We explore all the details of ancient Rome.Dr Rad 0:23Everything from the political scandals, the levels as the battles waged, and when citizens turn against each other. I'm Dr. Rad.Dr G 0:34And I'm Dr. G. We consider Rome as the Romans saw it, by reading different authors from the ancient past and comparing their stories.Dr Rad 0:43Join us as we trace the journey of Rome from the founding of the city. Welcome to a very special edition of The Partial Historians. I am Dr. Rad.Dr G 1:00And I'm Dr. G.Dr Rad 1:02And Dr. G, we are joined today by two extra special guests. I know this is very exciting for us two extra special people are with us. And the mystery of way shall soon be revealed. I know what I mean, this is this is really a treat because we are joined by two members of the unofficial lady pod squad. And that is right we are joined by Jenny and Genn, who are the hosts of the extremely popular Ancient History Fan Girl podcast. And we are both fan girls of that podcast. Are we not Dr. G?Dr G 1:39We are so it's like super, super exciting. It's like ancient history girls unite.Dr Rad 1:43Exactly, exactly.Jenny 1:45The feeling is mutual.Genn 1:46Very mutual.Dr Rad 1:50It's actually it's actually really shocking that we have not had you on our show before this because it was many, many moons ago that we recorded Spartacus together. And I feel like it's because we're constantly in contact in terms of I constantly see what you guys are up to on Instagram and constantly listen to your show. And I kind of forget that we haven't actually talked in real life for quite some time.Jenny 2:11It's a parasocial relationship.Dr Rad 2:15It's indicative of this sad social media world that we live in. It's like, oh, I'm totally caught up with this person's life.Jenny 2:21Yes, we are in meshed. I have I frequently have that as well.Dr Rad 2:28And we are having them on the show today. Because extra excitingly, they have just written a book.Dr G 2:37Oh, my God.Dr Rad 2:39That's right. That's right. They are now not only the cohosts of an excellent Ancient History podcast, but they are the coauthors of Women of Myth: From Deer Woman and Mami Wata to Ama – oh see, I'm going to screw this up. Amaterasu and Athena your guide to the amazing and diverse women from World Mythology.Jenny 3:05Yay. That's our book. Thank you so much for having us on. This is so exciting.Genn 3:13Yeah, we're so excited to be here.Dr Rad 3:15No problems at all. And we probably should give a bit of a shout out because not only are you guys co authored this, but you also have some amazing illustrations by Sarah is it? Is it Rashad or Richard RichardJenny 3:25RichardDr Rad 3:25Richard, by Sarah Richard, which really do make the stories I think come alive.Jenny 3:31Absolutely. And Liv Albert wrote our forward canvas thatDr G 3:35I know. Oh, yeah. For people who might still be unaware – and that must be so few people out there – Liv Albert is the host of “Let's Talk About Myths, Baby”, which is an incredibly popular podcast from the unofficial lady pod squad.Jenny 3:50Indeed. I think it's just official at this point.Genn 3:55I think so. I think I'm going to have badges made.Dr Rad 3:58I know, I'm like how have we missed the opportunity to have matching T shirts made I don't know.Jenny 4:05We should all have a T shirt.Dr Rad 4:07Yeah, absolutely.Genn 4:08Okay. I'm on it.Dr Rad 4:10Done, there's our project. Alright, so let's get into it. Dr. G.Dr G 4:14Yes. So we're very excited about this book. And I imagine that many people who listen to our podcasts are going to be excited about it as well. So I'm wondering, just to get us started, what's the basic premise? I feel like the title gives a little bit of a hint. But I imagine there's more to be said on this front.Jenny 4:32Do you want to hit that one, Genn?Genn 4:35Oh, I'm gonna let you start.Jenny 4:37I mean, the basic myth, it's women and world mythology. It's, it's um, it's about women and also, you know, feminine presenting characters figures from mythologies around the world. And that includes, we had 50 different slots. And, you know, it's, it's actually there are many Goddesses in the book, but it's divided into three categories goddesses, heroines and monsters. So um, yeah, that's basically AndGenn 5:05And put those monsters in quotation marks, please.Dr Rad 5:07Yeah.Jenny 5:08Monsters, quote unquote. And we definitely go into what is coded monstrous in the book and talk about that a lot. So, um, so yeah, that's that's basically what the concept is.Dr Rad 5:20Excellent. Yeah, no, I must admit, I was really interested, by the way that you chose to set out your book. And I found it very, very fascinating. So you've got, as you say, those three categories of mighty goddesses, both heroines and formidable monsters using flesh rabbits, they're jumping, they're jumping all over my screen. Can you tell us how did you decide upon those categories when you were setting about writing this book?Genn 5:45So those categories were actually something that our publisher wanted. So it was it came down from, from the publishing gods.Dr Rad 5:54Yeah.Genn 5:55And that was, it might seem like that could be limiting. But actually, it was really fun. And it forced us to really look at who looked at how we were gonna break up the book and make sure that we had not just a whole bunch of goddesses, or not just a whole bunch of really great mortal heroines who did incredible stuff, or not just focus on some of my favorites and mythology, the monsters, because the monsters are just so fascinating and tell you so much about a culture. It's, you know, it tells you what people are afraid of. It also tells you about how people, the things people valued the things they didn't value. So, you know, there's a whole book that could be made of each of those sections. So it was kind of nice to have the publishing Gods on higher say, you know, what, could you give us a little taste of each?Jenny 6:48Yeah, it was, I think it provided some good structure.Dr Rad 6:52Yeah, definitely. Well, I must admit, I was particularly interested in it because I am a teacher, as I think some people might know. And in my Year 11, course, I get to teach a unit called “Women in Greece and Rome”, which is a comparative study of that. And I will actually always have a section on female monsters from mythology, because I think it's a great way to actually start off the unit, because, as you say, by looking at what a culture is afraid of, I think that actually tells you a huge amount about their attitudes to various things. But if you want to look at gender, for example, it gives you real insight into that.Jenny 7:27Oh, yeah, huge amounts.Genn 7:30Spoiler, it's almost always women with sexual agency, almost always.Jenny 7:34Frequently, it's not only that, there's, there's kind of a subcategory that's like, you know, medical fears, we found a lot of monsters who are kind of, you know, spirits or beings that interfered with, for example, childbirth, and you know, what we might call today, sudden infant death syndrome. You know, like, if this monster attack, they attack a woman in in birthing, or they attack a baby, it's as it's just born. And this is a way to explain deaths that might not be easily explained otherwise, in pre modern cultures. There's also monsters like, for example, there was one an Inuit monster that was basically like her, her. Her basically what she was, was a monster that tempted children out onto the ice. So she would like if a child wandered out onto the ice, she would grab it and take it underwater. So you know, that just speaks to a real fear about the environment and about, you know, children wandering away from their parents and winding up in dangerous situations, which I'm sure was, and still is, in a lot of places. A real danger, right. So..Dr G 8:41Yeah, I think that I think that's a really important point, because one of the things that you can see a connection with here is how sexual agency sort of leads into the childbearing aspect. And then the consequences of the childbearing fall upon the mother and the child in various ways.Jenny 8:58Oh my gosh, yeah, absolutely. Like there's there's all these like, kind of revolving fears around women, childbirth, child rearing that, that exists across many cultures.Genn 9:08And then you get it on the other end as well. You get a lot of older women characters are also monsters. I mean, famously Baba Yaga, right, the, the Slavic witch, the deep forest, whose house is on spindly chicken legs that can move around and she's kind of a chaotic, chaotic, and all fairy tales. Sometimes she'll do good things. Sometimes she'll do real bad things. Sometimes she'll put your head on one of her D posts. You also have like there's a cannibal ogress who also takes an age children. So there's a lot of like women who are not within the family unit who are older, maybe past childbearing years, also being dangerous, particularly if they have any kind of knowledge.Jenny 9:50Demonized, literally. Yeah.Dr Rad 9:52I feel like that's speaking to so many things as a person who's decided not to have children, mostly because I am massively afraid or the idea that I'm like, Yes, this resonates and also living in a culture where we're terrified of aging and women are just like not supposed to age. I think this can definitely hit home with a lot of people in our audience.Jenny 10:15Yeah.Dr G 10:18I want to be a crone. I'm looking forward to that part of my lifestyle.Jenny 10:22Listen, we're all gonna wind up on Team Cannibal Ogress eventually like we all know that.Genn 10:30Do we have to be cannibals though like I'm here for ogress, but do I need to be accountable?Dr G 10:34You can be a vegetarian if you so desire that is fine.Jenny 10:37You can be a vegan cannibal ogress.Dr Rad 10:41I'm actually I'm actually seeing our future now. You know, soon soon we'll all be of an age where society no longer wants to look at us and has no use for us. So we may as well just buy an apartment building that's entirely soundproof where our matching lady pod squad T shirts, and we'll just lock ourselves up in individual spaces and record sounds like basically what I'm doing now.Genn 11:02Overlooking the sea please.Jenny 11:05Genn can have a window in hers.Dr Rad 11:08You can have that, old crone.Jenny 11:10Her teeth are long; her windows are glorious.Dr Rad 11:16Yeah.Genn 11:18How else am I gonna warn people not to approach sometimes by like putting a head in the window. Like I need to have something to warn people.Dr Rad 11:25Yeah. We'll be an interesting version of the sirens. You know,Jenny 11:28Stop scaring the food away.Genn 11:32Alright, look, I'll be able to manipulate like you have the low lighting. We've got a few good years. Yeah.Dr Rad 11:38It's good to have a plan, you know, eventually, you know, society will cast you out.Jenny 11:45It's called retirement.Genn 11:46There's only so many Tik Tok filters, right. Like, we can't make the Tik Tok filters reality yet.Dr Rad 11:51Yes, exactly.Genn 11:54Yet.Dr G 12:00So I'm thinking about bringing things back to the to the topic at hand. I just sort of went out on a little imagination of being like, what would it be like to live in a giant apartment complex with ladies by the sea? And I was like, I think it would be good. I'm looking forward to that. So the illustrations in this book by Sara Richard, they're amazing. I have to say like, so evocative. And I'm really interested in your perspective. One, what was that like working together on this sort of stuff? And how do these illustrations in your view really enhance the themes that are coming out in the work?Jenny 12:35Oh my gosh, there's so much to say about that. Like, there's so much to so much like the it was very collaborative, you know, like we would – we would receive kind of line drawings Sarah and Sarah would do these like really funny line drawings and like kind of put little notes in them like skulls here and look at the little arrow you know, like more skull children hiding in the woods. Usually it was skulls though she'd there's like skulls and stories that actively don't have skulls, which I love. So many, I love that this as a as a fan of the cult of the severed head. I just love skulls, and so to Sara, so I think it really worked. But um, yeah, so like, she would send it in, you know, like line drawings, we would take a look and go back and forth on things and kind of collaborate on what the final result would be. And she so frequently just absolutely knocked it out of the park with very little communication, because she had her own process that was always like really in line with ours, because I think she had like really a similar kind of aesthetic to what we were thinking of, and what we were going for in the writing, you know, like, I'm not shying away from the gory details, for example.Genn 13:46So one of the things that, you know, we found when we were doing when we were doing the mythology, history, everything for this book is there's one word that comes up again and again, when you when you talk about women in, in these stories, and it's a word that I personally hate because it's such a loaded word. And we couldn't erase it from the book, because it's oftentimes integral to the, to the plot, and that word is beautiful. And so one of the things that we had to contend with…
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