Show notes
In this special episode we sit down with Dr Emma Southon to discuss her brand new book A History of the Roman Empire in 21 Women.This is the Roman antidote to all those fabulous reimagining of Greek myth by delving into the very real and very fascinating lives of some of the women who lived under the Romans.Special Episode – A History of the Roman Empire in 21 Women with Dr Emma SouthonWe discuss the choices Emma made about who to include and who to leave out as well as consider some of the women who stood out for us when reading the book.If you have a history-minded people to consider at certain upcoming celebrations that may or may not resemble the Saturnalia, this book is worthy of your consideration. Not only is Emma erudite, but she has a great understanding of just how quirky the Romans were.Things to tune in forThe challenges of ancient evidence (a perennial topic on our podcast!)The amazing life of Turia‘Manus’ marriage – an ancient form of Roman marriage which saw a wife come under the direct power of her husband (or his paterfamilias)The enterprises of Julia Felix*The conquests and political power plays of ZenobiaThe very particular approach to Christianity of Melania the ElderWe firmly recommend checking out Dr Southon’s work, which can be found on her website: https://www.emmasouthon.com/If you’re interested in her latest book, here are links to where to buy online:Australia – BooktopiaUK – Bookshop.orgUS – Please note the US title is A Rome of One’s Own: The Forgotten Women of the Roman Empire – Bookshop.orgEmma is the co-host of the History is Sexy podcast and can also be found on Instagram. Emma is a great friend of the show and you're most welcome to check out our other conversations on Agrippina the Younger and murder in ancient Rome.Just look at those glorious book covers! Despite the title difference, these are the SAME book. The US release is known as A Rome of One's Own while the UK version is entitled A History of the Roman Empire in 21 Women.Sound CreditsOur music was composed by Bettina Joy de Guzman.Automated TranscriptLightly edited for clarity!Dr Rad 0:12Welcome to The Partial Historians. We explore all the details of ancient Rome. Everything from political scandals to love affairs, the battles waged and when citizens turn against each other. I'm Dr. Read.Dr G 0:30And I'm Dr. G. We consider Rome as the Romans saw it by reading different ancient authors and comparing their accounts.Dr Rad 0:41Join us as we trace the journey of Rome from the founding of the city. Welcome to a special episode of The Partial Historians, I am one of your hosts, Dr. Rad.Dr G 1:08And I am Dr. G.Dr Rad 1:10And this is a special episode because we are talking to someone extremely exciting. Dr. G. Dare I say? scintillating?Dr G 1:19I think you should say scintillating. Yeah, we are thrilled to welcome Dr. Emma Southon back to the show. Thank you so much for joining us.Dr Emma Southon 1:28Thank you so much for having me back. I just feel extra special when I get invited back like I didn't do something monstrous last time.Dr Rad 1:35Exactly, exactly. So, Dr Emma Southon, for those of you who haven't caused our previous episodes is one of our favorite guests for three reasons. Number one, she likes RuPaul's Drag Race and therefore will understand my random references to it unlike Dr. G. Number two, she likes women in history. And number three, she shares our outlook on the ancient Romans, which is that they are unintentionally hilarious and weird. Now to be a bit more specific, Dr. Southon is renowned a smarty pants and here's why. Aside from the obvious title before her name, she is the co host of the history comedy podcast ‘History is Sexy', along with our Kiwi cousin, Janina Mathewson. She's also the author of some of our favorite history books, including ‘Agrippina, Empress, Exile, Hustler Whore', autobuy autobiography, a biography of the most extraordinary woman in the Roman world, and ‘A Fatal Thing Happened on the Way to the Forum'. However, we have already had the pleasure of talking to her about these books. And today, we get to talk to her about another exciting volume that has just been released ‘A History of the Roman Empire in 21 Women: How Women Transformed the Empire'.Dr G 2:53Yay!Dr Emma Southon 2:56Impressive.Dr Rad 2:58Well, I will say this, you don't like a short title. I don't like a short title.Dr Emma Southon 3:03And you think I'd learn but that people struggle to remember short titles, but But yeah, I don't know. They end up being really long. In America, this book is called ‘A Rome of One's Own', which is snappier.Dr Rad 3:18Ahhh, nice.Dr G 3:18I do like that. I saw that on Amazon. And I was like, Oh, that is sweet. I enjoyed the pun.Dr Emma Southon 3:25It's yeah, I have friends who have much better puns than I am. And they come up with these great puns. And I'm like, right, well, that's my title. Thank you.Dr Rad 3:34Now you cover a staggering array of women in this book. And I have to say up front, we're not going to talk about the Regal period at all, because quite frankly, we can't talk about it any more. We've talked about it so much. The only thing I will say is, I think in a second edition, you're going to have to amend your chapter on Tanaquil, where you say that there are no popular histories that mentioned Tanaquil.Dr Emma Southon 4:03Yes, that's true, because you have now finally written one.Dr Rad 4:07Yeah, we both have we both had.Dr Emma Southon 4:09Yeah. But it is. I don't know. It was just so like, I went through as many as I could find, like all of them for like books of like a history of the Roman Empire. And like that I have kind of lying around in my house and reflect through the ones I could see. And they just skip right over her. They skip over the regnal period, like a lot like the whole, the kings are just kind of coughed over fairly often. But still, I was like, this is such a good story.I know. I know.Why would you not want to like go out of your way to include this. So yeah, so second edition paperback edition will have a specific reference to The Partial Historians.Dr Rad 4:48Yeah, thank you very much. So we feel okay now, we can calm down and talk about your book.Dr G 4:53Okay, the interview can happen now.Dr Emma Southon 4:55When I finally – because your book came out just before my end like a couple of months ago, where mine had already gone off like, and I wasn't allowed to change it anymore. And I was like, no, I could I could have done this with this so much. And I have thoroughly enjoyed it. So everybody should buy it.Dr G 5:13Oh, thank youDr Rad 5:13Ahh thank you. Well, we definitely felt that way about your book. And so we'd love to ask you some general questions to start off with about the style of your book. So your last book was about murder in ancient Rome. Why did you decide to, you know, change tack and go for a history of Rome, using the lives of women as your next project?Dr Emma Southon 5:35It's partly spite. So my other thing that I do during my days is I work in a book shop, and you will have noticed, it's impossible not to have noticed and moment that there is a been in the past two years ish, like a really big spike in interest in Greek goddesses, like retelling Greek myth, specifically, like retellings of female stories and Greek myth, which is great for, you know, ancient history in general, kind of, but also, you, as you will know, when you're a Roman historian, you think that Romans are the best. Yeah. And it's constant, like, oh, yeah, I mean, I guess the Greeks are fine. But Romans are better because they're funnier. It's so I kind of out of spite, when it'd be like, Yeah, but Roman women exist, too, and that they're better because they're real. And they don't like turn into spiders, or like, they're not goddesses, they're bad. So that makes them better. And so, a 50%, out of spite that I wanted people to also be reading about Romans. And to know that Romans are better than Greeks, and 50%, because I just feel like so much of like, popular Roman history is talking about men and like the, the standard narrative of Roman history of the store of the story of Roman history is so much just war and politics, basically, which is the sphere of men, which women are explicitly excluded from, and I thought it would be fun to kind of disrupt that a little bit and be like, one, there is a history of the Roman Empire that doesn't have any politics in it really, or has a limited amount of politics. And there is a, there is a history, which is more than just politics, it can also be what it is like to live in the Roman Empire at various times as various people. And it's more interesting to tell that story through women than it is through men and to show that women are always kind of around about and I realized quite early on into writing it that as kind of a historian of my age, I am really only the second generation of historians writing about women in the ancient world, like my supervisor, for my PhD, who is still working was like one of the first generation of people to do her PhD on women. And like, people like Amy Richlin and Suzanne Dixon, who are still around and wrote those first books about women in the Roman Empire are like, they're still teaching. They're still they're still at conferences like this. They're you know, they're older. But as we all know, historians never retire. So they're still around, they're still alive. Like they. This isn't like an old discipline women in Rome, or women in the ancient world at all. It's very, very new. And so, yeah, so it's time to bring it to their, the popular imagination out of the academy and start talking about it.Dr G 8:45I think you're doing a great service, particularly to readers who have become hooked on ancient Greek myths, because there is so much more to the ancient world than just, you know, having your tongue taken out or turning into a monster orDr Emma Southon 9:02And like it not to be like everybody loves the Greek myths, and they love them for a reason. But a lot of them are victimized women, and there are but there are stories which from a kind of feminist perspective, I have minor issues with like stories of perpetually victimized women and womanhood as being perpetually victimized. So it's nice to tell stories about ancient women that were not like being turned into spiders or having their tongue taken out or being held into the sea or like or have to be literal goddesses in order to be able to do anything.Dr Rad 9:36Yeah, and as as we can definitely testify, we realized once we started focusing on the early republic, that he'd have literally been years of episodes sometimes before we mentioned a woman, we suddenly realized when a woman would come up as you say in your book, like a Vestal Virgin or were like God, it's been like five years since about women at all.Dr Emma Southon 9:58Yeah, yeah. And it's so easy to fall into that and to be like, oh, all of the important stories are the ones that the Romans thought were important. But the Romans can't be trusted, because they have bad opinions about a lot of stuff.Dr G 10:12So true. So true. And I think this leads nicely into thinking about like, how did you come to the decision about which women to focus on because it seems like you've hinted already, in some sense, it's about availability of evidence. But there must be other criteria as well.Dr Emma Southon 10:28So in that early period, a lot of it is availability of evidence up until the later of because the archaeology is so limited, and you are kind of trapped with texts, particularly for like the Regal period, and then the early and middle Republic before their epigraphic habit kicked in. It was about who can I find, basically, and finding stuff for the very earliest period when they basically mythical was easier than I thought it would be like those early bits of Livy and Dionysius of Halicarnassus. So so you've got Hersilia and you've got Tullia, like, there were more women than I thought. And so I just included all of them, because why not?Dr Rad 11:15Yeah, that's what we were surprised by as well. We started writing about the kings were like, actually, we get it like it's a it's a dynastic situation. It's not a dynastic situation, it's a family situation. So women have more of an opportunity to get sort of, you know, get a bit of soft power.Dr Emma Southon 11:34Yeah, exactly. As soon as you have a situation where one person is in charge, you have wives, and you have children. And when you've got children, you've got daughters in law, grandchildren, and then you have women who can do things like murder, their husbands marry their brother in law, who's also their cousin, murder their father running over,Dr Rad 11:54as you do as you do,Dr Emma Southon 11:56as you do, and can, they can do all of this really fun stuff. So that was fun. The Republican period is harder. And that was tough work, like finding women that you can include. Because they only appear at points of crisis. And very often, they only get a couple of lines to illustrate how terrible crisis is. But once you get into the Empire, like once things really start to kick off evidence wise, so late Republic, going into the Empire, and then coming like the later empire, there's so many women that it became a part of like, what story do I want to tell, and what women kind of will tell that story. So always wanted it to be not the women who are already included in books. So for women already had a biography about her, I kind of was like, No, and that kind of easily cut out all the emphasis. And I didn't want it to be a book about politics, and to tell the story that we already know. So I didn't want it to have you know, Livia and Agrippina. All of the kind of big women that we already know about, I wanted it to be women that you've probably not really heard of, or that tell a story that is more about what it is like to live in the empire than to rule the Empire. There are some exceptions, just because I like the stories like Julia Maesa and Julia Mamaea. I include because I just think that Julia Maesa is so cool.Dr Rad 13:24Look most people wouldn't have heard of them?Dr Emma Southon 13:26I don't think yeah, no, yeah, they're not women that you have heard of very often. And I wanted people from around the Empire. So I wanted to leave Rome at the point when the Empire becomes Imperial, and talk about women from around so that anytime that it was a choice between a woman that was in Rome, or a woman that was outside, I picked somebody who was somewhere else, basically just to because I wanted that empire to feel expansive. And I basically kind of had the time line almost and wanted it to be so we've got someone from every century, we've got someone pits people from various different parts of the empire, we've got different types of evidence. So we've got epigraphic evidence, you have archaeological evidence, we have text, different types of texts. And so if I have people that overlapped, I would cut them out. So I had at one point, there's a woman in Nero's like court, who is the keeper of his wardrobe. And then when Nero is overthrown, she goes to Egypt and blockades Alexandria, in an attempt to basically force Rome to put Nero back on the throne before he kills himself, which is a cool story, but also one, it's just the story of Rome. And two, it's a bit of political story, and it's would be so I chose instead for that period to tell the story of women living or on the f…
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