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    Music

    The New Music Business with Ari Herstand

    **WEBBY AWARD FOR BEST MUSIC PODCAST**

    “#1 music industry podcast to help keep you in the loop” -Spotify

    “The 10 Best Music Business Podcasts of 2022″ – Variety

    Ari Herstand is the best-selling author of How To Make It in the New Music Business. Forbes calls him “The poster child of DIY music.” In this show, he deconstructs the brightest minds in the music industry, digging deep to find the tools, tactics, and strategies that listeners can use to run successful careers of their own. Ari offers straight talk with no fluff and doesn’t let his guests off easy. If there is a way, Ari will find it.

    To learn more follow @aristake_ and @ariherstand

    Visit aristake.com to join the newsletter.

    —


    Hosted on Acast. See acast.com/privacy for more information.

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    Copyright: © Ari's Take, Inc.

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    Latest Episodes:
    Ritt Momney on TikTok Fame and Numbers Perspective Jul 07, 2021
    Show notes

    Ritt Momney (real name Jack Rutter) is a 21-year-old musician who went viral on TikTok at the end of 2020 for his song "Put The Records On." This virality propelled him into a favorable deal with Disruptor Records under Columbia Records.


    Jack talks about how he distributed "Put The Records On" via TuneCore and why he signed it over to Disruptor Records. We also discuss perspective, numbers, approaching social media.


    3:55 - Living in Los Angeles and how Ritt Momney met his manager

    8:00 - Prior to getting a manager, was there traction with Ritt Momney?

    9:45 - Perspective when achieving your goals

    12:50 - Not having human connection after releasing "Put The Records On" and getting the reactions on social media

    19:05 - How "Put The Records On" went viral on TikTok

    22:17 - When Disruptor Records approached Ritt Momney and why he signed with them

    36:10 - What the next phase of Ritt Momney looks like

    44:17 - Tour and festival plans for Ritt Momney

    49:58 - What it means to Ritt Momney to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand


    Connect with Ritt Momney:


    Website: https://www.rittmom.com/

    Instagram: https://www.instagram.com/rittmomney/

    Twitter: https://twitter.com/rittmomney

    YouTube: https://www.youtube.com/channel/UCd7OtTy4s4swX4891VbF3Hg

    Facebook: https://www.facebook.com/rittmomney/

    TikTok: https://www.tiktok.com/@rittmomney

    Hosted on Acast. See acast.com/privacy for more information.


    Stand Atlantic on Pop Punk Resurgence, Building a Fanbase Live Jun 30, 2021
    Show notes

    Today my guest is David Potter of the band Stand Atlantic out of Sydney, Australia. This is the first guest on the show from the pop punk music scene. The band typically does 200 shows a year, and we talk about what it's been like going from 200 shows to 0 shows.


    We dig into how they got started, found their manager, and booking agents. We discuss tour buy-ons and what he thinks of the whole pay-to-play system.


    3:22 - How Australia's been during the pandemic

    9:38 - Touring and the pop punk scene in Australia

    13:59 - Music being cyclical and Stand Atlantic becoming accepted in the Australian music scene

    17:30 - How most of Stand Atlantic's fans discovered them

    21:06 - Using social media to build a following and splitting up band members' responsibilities

    25:30 - Reckoning with streaming numbers

    30:28 - David switching from the bassist to guitarist

    38:04 - Stand Atlantic's sponsorship with Fender

    39:44 - Don't fall for scams or pay-to-play situations

    47:02 - Experimenting with livestream shows

    51:48 - The process in creating "deathwish"

    57:09 - How David defines success

    1:00:49 - What it means to David to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand


    Connect with Stand Atlantic:


    Website: https://www.standatlantic.com/

    Instagram: https://www.instagram.com/standatlantic/

    Facebook: https://www.facebook.com/StandAtlantic/

    Twitter: https://twitter.com/StandAtlantic

    Spotify: https://open.spotify.com/artist/1W2Fv4YUnjC8hx2qQd6fGh?si=WNqYxGhQT1i4kbAPRsj4mw&dl_branch=1

    Hosted on Acast. See acast.com/privacy for more information.


    Cory Wong on Vulfpeck, Freelancing and Band Leading Jun 23, 2021
    Show notes

    Most know this week's guest, Cory Wong, as the guitar player for Vulfpeck, but he's also played in Jon Batiste's band for Stephen Colbert's late night show as well as Blake Shelton and others. He currently lives in Minneapolis, Minnesota.


    I encourage you to spend time with this episode, especially if you're a session player, band leader, or studio cat. We talk about payment models, ethics, and etiquette when you're in the studio. He also shares some interesting stories about playing with Vulfpeck.


    7:35 - What it's been like for Cory not being able to tour or play live

    21:37 - Real world value vs. vanity metrics

    28:07 - Cory and the Wongnotes

    56:10 - What is the etiquette when working with other musicians in the studio or on set?

    1:03:52 - How Cory dictates what sessions he takes

    1:09:00 - Pay structure for Cory's hired musicians and Vulfpeck

    1:25:00 - What it means to Cory to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand


    Connect with Cory Wong:


    Website: https://www.corywongmusic.com/

    Instagram: https://www.instagram.com/coryjwong/

    Twitter: https://twitter.com/corywong

    Facebook: https://www.facebook.com/corywongmusic

    YouTube: https://www.youtube.com/channel/UCQqC08JWnJGJIgw43XJ0GXw

    Hosted on Acast. See acast.com/privacy for more information.


    Micro Sync Licensing with Musicbed CEO Jun 16, 2021
    Show notes

    Daniel McCarthy is the CEO of FM, which includes the music platform Musicbed. It's one of the more popular sync hybrid platforms. It includes the typical sync agency but also acts as a music library. Musicbed works with indie filmmakers, wedding video filmmakers, and photographers. Their clients go all the way up to brands that place commercials in the Super Bowl and everyone in between.


    We talk about how all of the smaller placements work and how artists get paid. We discuss how big sync licensing placements work and how artists are making hundreds of thousands of dollars. Some of their artists have made millions of dollars.


    5:54 - How Musicbed got started and Daniel's story

    13:12 - Musicbed's business model and definition of one stop

    23:25 - What is micro licensing and content ID?

    31:23 - How Musicbed subscriptions and the various levels of clearance work

    35:45 - Getting screwed on a licensing deal and how to prevent it

    43:21 - Fees for TV, film, and ad campaigns

    49:09 - What Musicbed's artists are making annually

    53:17 - Musicbed user interface

    59:21 - How does an artist work with Musicbed?

    1:01:36 - What it means to Daniel McCarthy to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand

    Hosted on Acast. See acast.com/privacy for more information.


    Publishing Deals, Songwriting Camps from Beyoncé Collaborators Noble Jun 09, 2021
    Show notes

    My guests today are Noble, a production duo originally from South Africa now residing in Los Angeles. They recently signed a publishing deal with Campfire Songs.


    They talk about their story and are most known for their cut of Beyoncé's Lion King soundtrack. They have tons of other cuts with artists from all over the world, but they're just getting started. We nerd out a little bit on gear, analog and digital plugins, and they give some really good advice on how to get a publishing deal.


    3:35 - How Noble met

    7:30 - Noble's production process and how they work a session

    15:09 - MIDI vs. acoustic instruments vs. plugins

    23:18 - How Noble went from kids hustling to working with Beyoncé

    31:18 - Attending a writing camp for Lion King and why it was such a humbling experience

    35:00 - How Noble met their manager Seth Kallen

    38:51 - How Noble's publishing deal is structured

    45:00 - The difference between record deals and publishing deals

    49:00 - Advice to upcoming songwriters and producers looking to get a publishing deal

    55:26 - Next steps for Noble

    58:45 - Why Los Angeles

    1:04:00 - What it means to Noble to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand


    Connect with Noble:


    Website: https://www.noblemakesongs.com/

    Instagram: https://www.instagram.com/noblemakesongs/

    Twitter: https://twitter.com/noblemakesongs

    Hosted on Acast. See acast.com/privacy for more information.


    Album Release Strategy, Hot 100 Hit, from Create Music Group Jun 02, 2021
    Show notes

    My guest is Alexandre Williams, the co-founder and COO of Create Music Group. They're a distribution, publisher, YouTube royalty collection, rights management, influencer, and TikTok (through Flighthouse) marketing company. Inc Magazine named them the second fastest growing company in America in 2020.


    Create Music Group has over 25,000 artists and 5,000 label clients. They distributed Tekashi 6ix9ine's track "Trollz" with Nicki Minaj, and it reached No. 1 on the Billboard Hot 100. It's the first time that a completely independent, distributed single has ever reached the No. 1 slot in the Billboard Hot 100.


    We discuss playlist pitching, release strategy, and how Create Music Group approaches working with their artists.


    6:20 - What is the core mission of Create Music Group?

    10:53 - Create Music Group's business model

    12:27 - How CMG allocates their resources for their 25,000 artists

    18:15 - Advances and CMG's proprietary algorithm to determine them

    19:59 - Devoting time and resources into the 'middle class musicians'

    24:52 - How CMG decides which artists to work with

    28:18 - Building strategies for and with artists

    31:55 - The secret to pitching to official Spotify playlists

    38:18 - How much goes into the release plan before and after a track comes out

    41:07 - How important is release day?

    45:35 - How relevant is press today? Is it worth it?

    48:36 - Breakdown of a marketing budget

    54:16 - Advice to artists who don't get the response they're hoping for after their release

    59:16 - What it means to Alexandre to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand

    Hosted on Acast. See acast.com/privacy for more information.


    They Hacked Their Way on Tour With their Favorite Band by Selling CDs to Fans in Line May 26, 2021
    Show notes

    Michael Walker is a keyboardist for the band Paradise Fears, who made headlines years ago for a thing they called "tour hacking." What they did was sold 24,000 CDs at around $10 in just a few months to fans standing in line for concerts. Not their concerts. This is the DIY method of DIY'ers.


    Obviously this tactic doesn't really work anymore, so we talk about the evolution and what that turned into, what his ideas are now, and how you can turn those tour hacking ideas into something that works today. We went deep into marketing concepts, tactics, and human psychology.


    4:15 - Selling CDs to people in line at other bands' shows and making more than $100k

    13:12 - Going on tour with All Time Low

    18:12 - Selling merchandise and building fans through social media

    33:24 - Making money and just to make money + the super fan concept

    39:10 - What has Michael learned by working with this grassroots band over the past few years?

    47:55 - Facebook Messenger and paid traffic and goals

    56:40 - Building effective funnels

    1:07:45 - What it means to Michael Walker to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand


    Connect with Michael Walker:


    Website: https://www.modern-musician.com/

    Facebook: https://www.facebook.com/themodernmusician/

    Twitter: https://twitter.com/mjwalker0

    Instagram: https://www.instagram.com/michaelmodernmusician/

    Hosted on Acast. See acast.com/privacy for more information.


    How to Go Viral on TikTok from Flighthouse May 19, 2021
    Show notes

    Today's guest is Austin Georgas. He is the senior account manager at Flighthouse Media. They are a full on influencer and media agency that help break songs on TikTok. They've worked on previous campaigns like Doja Cat's "Say So," Internet Money's "Lemonade," Surfaces' "Sunday Best," and Arizona Zervas' "Roxanne." They are one of the best at what they do.


    Austin breaks down exactly how going viral on TikTok works and what the process is behind it and how micro and macro influencer campaigns are run at this moment. The influencer campaigns change all of the time, so he talks about how they change. If you're new to influencer marketing and TikTok, you're going to get a ton of valuable information out of this conversation.


    6:00 - Background on Flighthouse and Austin Georgas

    9:52 - The "Roxanne" campaign on TikTok

    12:24 - Who is considered a "micro influencer"?

    14:27 - TikTok's algorithm works much differently than Instagram's

    18:45 - What it's like engaging micro influencers for a campaign

    20:55 - Macro influencers and running campaigns with them

    25:44 - What does viral and "number of videos" mean on TikTok?

    29:29 - Using sounds on TikTok

    39:36 - Does Flighthouse give creative guidance to influencers they're working with?

    42:03 - How Flighthouse decides on influencers' compensation

    48:10 - Working with labels' artists

    51:19 - How many influencers does Flighthouse have in their roster?

    52:17 - Why doesn't money go as far anymore on TikTok?

    54:11 - How does an independent artist find micro influencers on TikTok?

    1:00:42 - What it means to Austin to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand

    Hosted on Acast. See acast.com/privacy for more information.


    Environmentally Friendly NFTs with Crypto.com's EVP May 12, 2021
    Show notes

    Joe Conyers III is the EVP and Global Head of NFTs at Crypto.com. He's also the co-founder of Songtrust, the largest admin music publisher. Songtrust is owned by Downtown Music Holdings, and when Joe was the chief strategy officer at Downtown they purchased CD Baby.


    He was named a digital power-player four years in a row by Billboard magazine. The real headline of this episode is that Crypto.com hosts their NFTs on a much more environmentally friendly blockchain. It is not on the Ethereum blockchain, which has a massive impact on the environment.


    4:48 - Joe Conyers III being the co-founder of Songtrust and explaining what an NFT is

    9:35 - How NFTs relate to music right now

    10:50 - The most popular NFTs, why people are spending so much money on them, and authenticity

    18:46 - Tracking resells of an NFT

    21:47 - The difference between a sale and an auction

    28:15 - Blockchain technology and how a transaction works

    31:25 - What happens if a place you purchase an NFT goes down or gets hacked?

    35:03 - Buying and reselling on different platforms

    36:50 - How does Crypto.com work?

    45:17 - Environmental impact of NFTs and the blockchain

    55:09 - What it means to Joe to make it in the new music business


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand

    Hosted on Acast. See acast.com/privacy for more information.


    The MLC is Sitting On $423 Million, How Songwriters Can Claim It May 05, 2021
    Show notes

    Kris Ahrend is the CEO of the Mechanical Licensing Collective (MLC). This is the organization that was set up and appointed by Congress by the Copyright Office after the Music Modernization Act was signed into law. They officially went into effect in January of 2021. What the MLC does is collect mechanical royalties from streaming services in the United States. These are just royalties for songwriters. The DSPs pay the MLC and the MLC pays the rights holders.


    Article: https://aristake.com/songwriters-claim-mlc-money/

    MLC's website: https://www.themlc.com/


    4:35 - What is the MLC and what do they do?

    8:00 - Mechanical royalties and PROs, and where does the Harry Fox Agency play into everything?

    14:50 - What is the statutory rate?

    17:03 - How to find how much you've earned in mechanical royalties through the MLC

    18:50 - Why you don't need the MLC if you have an admin publisher

    21:08 - Why BMI, SESAC, ASCAP, or GMR is not enough to collect all of your royalties

    24:30 - International mechanical royalties

    26:47 - How much money is being lost to ASCAP, BMI, and SESAC's commissions?

    32:30 - The MLC and admin publishers

    34:58 - Where does the data in the public search feature come from?

    39:20 - The MLC has $430 million in unpaid royalties

    46:47 - Additional sources where the MLC gets its data

    50:10 - How much it costs to register with the MLC

    51:43 - Who calculates the data and royalty amounts?

    54:30 - Historical royalties from the DSPs

    57:58 - Different types of publishers the MLC lists in their database

    1:03:45 - How to search MLC's database by song title

    1:07:11 - How long you have to collect your royalties from the MLC


    Connect with Ari’s Take:


    Website: https://aristake.com

    Academy: https://aristakeacademy.com

    Instagram: https://www.instagram.com/aristake_/

    TikTok: https://www.tiktok.com/@aris.take

    Twitter: https://twitter.com/ArisTake

    YouTube: https://www.youtube.com/user/aristake1

    Facebook: https://www.facebook.com/aristake/


    Connect with Ari Herstand:


    Website: https://ariherstand.com

    Instagram: https://instagram.com/ariherstand

    Twitter: https://twitter.com/ariherstand

    YouTube: https://youtube.com/ariherstand

    Facebook: https://facebook.com/ariherstand

    Hosted on Acast. See acast.com/privacy for more information.


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