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    Business

    VO BOSS

    The VO Boss podcast blends business advice with inspiration & motivation for today’s voice talent. Each week, host Anne Ganguzza shares guest interviews + voice over industry insights to help you grow your business and stay focused on what matters…

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    Latest Episodes:
    Face Your Fear Jan 31, 2023
    Show notes

    Fear is a powerful force, and one that can hold you back from reaching your full potential. But fear doesn't have to be a bad thing. If you let fear in and learn from it, you'll be able to overcome the obstacles that keep you from achieving success as a voice actor. This may seem counterintuitive, but when you're afraid of something, whether it's a new genre, emerging technology, or a difficult conversation, you can use that fear as motivation to push yourself beyond your comfort zone. Bosses, you can't grow without fear. Listen up to learn how you can turn what you're most afraid of into positive actions that will transform your voice over career… Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey hey, everyone, welcome to the VO BOSS Podcast and the Business Superpower series. I'm your host, Anne Ganguzza, and I am so happy to bring back to the show, Lau Lapides. Hey Lau. Lau: Hey, how are you, Anne? Anne: I'm doing good, actually. oh, wait, I should start that over because I need like, ooh, . Lau: Ooh. Are you doing sound effects or no? Anne: I'm doing sound effects, Lau. I needed sound effects for today's -- Lau: I got one for you. Ready? Anne: All right. (breathing sound) What's that? Lau: You know, that's the serial killer. That's Mike Meyers and all of that. Friday the 13th. Anne: Oh my God. See, so I don't watch horror films or scary movies. Lau: Gotcha. Anne: But what, that actually brings us to a great topic for today since it is near the holiday, the scary, spooky holiday. What scares you? What scares you, BOSSes, and how do you deal with fear? I think that's a really great topic. Lau, I mean, we've talked about fear prior to this, but we haven't really concentrated on it. I am a firm believer that you need to do something scary every single day, in order to grow. Lau: I love that. Anne: In order to grow. Lau: That's what the great Eleanor Roosevelt said, right? I do something every day that scares you. I would agree with that. I would definitely agree with that. And if it means just simply stepping outside your box, getting uncomfortable, we have these conversations every day, right, Anne, with the clients and each other, like how do we get uncomfortable to stretch ourselves and to learn? And yeah, to get a little scared, to get a little frightened, like get the dopamine kick going so that you can push yourself and really stretch yourself? Yeah. I think it's important to get scared. Anne: So what's frightening, do you think, for most new talent when they come into this industry and try to be a success? Maybe that's the scariest thing, right? Lau: Yeah. Yeah. I think fear is the number one factor for failure. Anne: I do too, fear of failure, right? Lau: Yeah. It can mean your ultimate success or your ultimate demise, and how you respect fear, how you treat fear, how you accept fear into your life, and then how you overcome it. I really think that you have to just grab a hold of fear and understand it's healthy to feel fear. Your survival fight or flight technique does kick in, right, when you're doing new things. But to answer your question, I think a lot of things scare newbies. And one is, you know how the market can be saturated. It can be lots and lots of people that are working, that you may perceive to be ahead of you or professionals, and you're coming in and you don't know exactly what you're doing just yet. And feeling like that fish out of water can be a very scary experience. Anne: Yeah. Well, let's start with that, right? Not necessarily knowing what you're doing. I think that was in the very beginning for me, coming out of the corporate world or wherever you're coming from to get into this industry is maybe, number one, not knowing everything there is to know about the industry. And by the way, we all don't know everything, but , you gain experience over the years. Fear of navigating a business when if you have never done that before, I think that probably surpasses all of my fears. I mean, first you've got the fear, am I good enough to make it and to be successful? But then it's like, oh gosh, well, what do I do? How do I create a business? What do I even do to start? Do I need to have a DBA? Do I need to incorporate? What sort of things do I need to do to run this business and accounting? Like I've never done accounting, I've never negotiated a job. All of those things. And it all seems to just kind of happen at once in the beginning of your career. And I think that that can be overwhelming to some people. Lau: You know, when you said accounting, your eyes got really, really big. It was like a 1920s talkie. It was like accounting? Anne: Accounting. Oh my gosh. Lau: No! Anne: Right? Lau: But, but see, the physiological reaction you do have to ideas and concepts that really do cause this physical distress. And I would say failure overall, like the fear of failure. What if this doesn't go well? What if I am terrible? What if I don't make money? What if I can't get a job? What if, what if, what if? That's really scary to a lot of people. Anne: Right? And I'll tell you, when I first started full-time and we moved from the east coast to the west coast, I had said to my husband, Jerry, until I get on my feet, hopefully you'll get a job that can pay you a little bit better. And so it can kind of compensate, and we'll be able to afford the cost of living. And once he got here, literally, I think it was nine months, they laid him off. And that became very scary because I still was getting my wheels turning and spinning and making money full-time for the business. But once that second source of finance kind of fell , it was like, whoa. Now I was really scared because I felt like I had a lot of pressure to do well and contribute to the household because he was kind of taking care of things until I was getting my business set up. So that really put a lot of fear. But what was cool about it in a way, is that it motivated me. So fear really worked as a motivation for me to get my butt in gear. And if I was afraid of anything, like how do I market, how do I -- certainly took a step towards educating myself. And I think that is one way to really combat your fears, is to educate yourself on the thing that you are most afraid of, like accounting or running a business. Do I need to register my business? How do I register my business? How can I get voiceover jobs? How can I market myself? Well, I think a good thing to start with is education. And I love the internet. I love Google. Like people have called me Anne GanGoogle because yes, I use it for everything. Right? Lau: That's catchy. Anne: Yeah. I mean, you don't have to go to the library anymore, and all the young people are gonna go, what? What you used to have to go to the library? Yeah. We used to have to go -- Lau: What is a library? Anne: -- the library and check out books. But now at our fingertips, really, we have so much information, so much information that we can use to educate ourselves. And I think that's the first step to helping you to challenge that fear and get over that fear. Education, knowledge is power. Lau: Mm. Education is key. Yeah, I'm right over there because knowledge is power. And you do feel, we're talking about superheros, right? We're talking about how we get empowered and powerful in the industry, especially when you're new. This is true of anything. When you're new at something, you're learning, you're, you're trying to get experiential and it takes time. It's not an overnight success. Anne: Yeah. Lau: It really does take time. And just kind of understanding that, having the knowledge, having the education. Totally, totally good. And the fear, I mean, when I think about fear, I think of how does community, my family, my friends, my colleagues, how do they view me? What are they saying to me? I might be a little fearful. Are they gonna judge me? Are they gonna think this is for real? Are they gonna support me? Are they going to try to stop me or put a boundary in my way? I've met a lot of clients, and I know you have as well, unfortunately, that didn't have the support, and in fact had sort of axes thrown at them all the way through and dodging people just to get to where they want to be. They just didn't have the support system. So that is scary. That is scary, not having a tribe, not having that community surrounding you that supports you. Anne: Yeah, exactly. I think that in addition to education, having the support group around you, and it just brings me to the episode that we did about your VO tribe. So very important to have that support, especially because we work by ourselves. We're typically in our booths and coworkers are not around us. And so having that verbal support where if you've got a question or you're nervous, you can reach out to someone and get some support there. And family is very important, I think, because uh, , I think maybe all of us have had at least one member of the family that has said, what do you do? Like, what is this? ? What is that? Lau: What is, why would you -- Anne: What is is voiceover? Yeah. I don't understand. So, I do think that the support of your family, first and foremost, is wonderful. And if you don't have that, the VO community is a wonderful community. I'd say be very careful and social media can be wonderful, but it can also be, oh gosh, it can also not be so wonderful. So , I think that if you have accountability groups or support groups on Facebook, people that you can write to, ask questions to, that's gonna be very helpful for you as well. I think that there's something to be said for, yes, it's great to have that support, but I think it's also something that if you can challenge yourself on a daily basis, like I said, try to do something every day that scares you a little bit. Like if you've never gotten out there to market or sent an email to an agent, I think that writing those kind of tasks down, things that scare you, and then attempting to maybe backtrack the steps that it takes to get you to that point and just try to attack one of those every day. Lau: Absolutely. And that is scary because again, it's new. It's something you're not accustomed to. You don't know, am I doing this the right way? What are they expecting of me? I think that is one of the areas that people stop. They just get stopped in their track. And I thought of another one, Anne, for you, this is very common, I see this, the fear of technology. And many of us fall into it at different levels, right? Like how technology driven you are, how knowledgeable you are about equipment. Are you good at setting up your studio? How do you upgrade and level up? I mean, these are all areas that terrify people. Really. Anne: I agree. I agree. And you know, technology, see, you hit my soft spot there. And BOSSes that don't know -- I mean, I think a lot of BOSSes know me, but if you don't, I am very, very much technology oriented. I worked in technology, I still work in technology, and I like to be on the bleeding edge of it, speaking of things that are scary. And one of the reasons I like that is because I feel like for me, I always take the stance that technology is there to help us progress, to help us advance in society. And it's not evil. You can certainly take that stance if you'd like, that technology is evil. But I don't think that either way you're going to stop the advancement of technology. I think technology would be, oh gosh, so much further if we didn't put a stop to it. If humans didn't say, no, no, no, no, no all the time, I think we would be further along in our technological advancements. And I like to believe in the good of technology. And that includes, I speak the words of synthetic voices. We're not stopping them. They're coming. And I think we just need to know about them and know all that we can about them in order for us to really be able to manage our business. We have to be able to manage our business 'cause they're going to be alongside us; whether we partake in them or not, we're going to need to learn how to deal with them. So if they happen to take parts of the industry away, or people prefer the synthetic voices for maybe shorter news blasts or telephony prompts, whatever it may be, we need to evolve in our industry to kind of work alongside that. And maybe what we need to do is hone our performance skills in another genre. The first thing that I always tell my students is make sure that you are acting, and you are acting as human as possible. Because that's exactly the opposite of what the synthetic voices are at this moment. So we can offer a product that is unique to us. So work on your performance skills so that you can be more human than ever. And I think that that's one way to face the challenge. And also for any technological piece of this business that you're scared of or not familiar with, take a class. Lau: Yes. Anne: I mean, educate yourself or outsource that. Just make sure that you understand enough about the technology so that when you outsource that you can manage the person that is taking care of your technology. And I'll say one thing probably most people like to outsource is their website. I know what a website is capable of. I know what I want in a website, but I don't make websites. And so for that reason, I hire someone to help me. But I know enough about that website that I can log into the website, I can go and make tiny changes on the content. Or if I don't know how to do that specifically, I have a methodology to make those changes. Right? I have somebody who can make those changes, and then I have a backup to somebody that can make those changes, so that I am never going to be at a loss for controlling that technology. Lau: Hmm. I love that. And at the end of the day, if you wanna be a voiceover talent, just the bottom line is, like you have to create a home studio. You don't -- Anne: Oh yeah. Lau: -- have a choice anymore. The industry standard. The best practices that you're gonna have. Even minimal, but some sort of recording system at home that you can feel good about, you can feel strong about, you can troubleshoot, you can upgrade. I think the days of relying on going to other studios and having engineers do everything for you is passed, is passé. So as a VO talent, it's really a necessary evil, so to speak that, you know, enough base knowledge that you could cut an audition for yourself and feel good about it. Anne: Yeah. Well, and just not worry that you don't have good sound. I had a wonderful series on BOSS audio with Tim Tippetts, and just the simple fact -- now he built this studio, custom built this studio for me. And I walk into it every day understanding that this is solid. I am not going to have any type of environment acoustic issues in this studio. The only thing that might go wrong at this point, 'cause the structure is solid and the structure is built. And that is a major level of fear, I think, for most talent when they get into the industry, is getting that space, right, acoustically sound and ready to produce broadcast audio. And so really, I can walk into the studio every day, and I don't have the fear that my environment is not working for me. And that is a huge relief. That's…

    Full show notes at the publisher

    Build Trust Jan 24, 2023
    Show notes

    Nothing in this industry happens fast. You have to trust that things will happen when they're supposed to. In this episode, Anne & Lau share how trust can help you build your business and a strong, reliable network. Don't sabotage relationships before they even begin—if someone shows interest in working with you, take their word at face value and don't let fear of failure keep them at arm's length! Give yourself permission to learn and make mistakes along the way so that you can grow as an artist and a person. We all want our business to succeed, but sometimes things don't go as planned. That's ok! Negative experiences should teach you something and give you an opportunity for growth. Bosses, don't worry. You can trust Anne & Lau to lead you in the right direction. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the VO BOSS Podcast and the Business Superpower series. I'm your host Anne Ganguzza, and I have with me Lau Lapides. Woo! Lau: Hey everyone. Good to see you, Anne. Anne: Special guest, co-host. Oh my gosh, Lau, I have had the best time having you as co-host. Lau: I love it. I think you and I are like sisters from another mother. I love it. I think we got so much to talk about. So much to say. We have a great rapport. Anne: We do. We do. And you know what? I really have a lot of trust in you, and that is something that I feel, when people are starting off in the industry, they need to find someone to trust, a tribe, a coach, a mentor, in order to help them get through the process. And I think trust is a huge ask for the talent, but I think it's absolutely necessary for success. Lau: It is. I mean, you have to trust someone at some point in order to further your education and further your career. And really be able to also kind of ignite personalized relationships where you're forecasting to people, the right people, well-selected people, that you're gonna share thoughts that are authentic. You're gonna be helpful in their journey. You're gonna share things that are uncomfortable. I mean, that's really how we gain trust. And it doesn't happen overnight. It really is time. It takes time to gather trust. Anne: Yeah. And I think a big factor in trust is obviously the fear that seems to be very prevalent when people start off in this industry. The fear that they're not good enough, they're not gonna be successful. And I think it leads them to just not trust in themselves, not trust in other people they might have worked with or people on the internet. And I understand that in a lot of ways where you've gotta be careful, but I feel as though if you have a member of the tribe, you've got to just invest in that trust, to hope that they're guiding you in the right direction. Now, that is not to say that you should not educate yourself, right, so that you know who you can trust. Right? And kind of feel your way around that. And if you do not trust, I feel that it's going to inhibit you from being successful in the industry, because otherwise you're not gonna have someone that's gonna help build you back up or build your confidence up when you're feeling low, when maybe you're not getting the jobs that you're expecting. And I think a lot of times people make a big investment, let's say, in coaching or in a demo, or workshops, whatever they do. And immediately if they don't get a job, because they're not familiar enough with the industry, they immediately question themselves. They question the capabilities for anything and immediately feel like they need to get a return on their investment in the next week. Which I wish I had gotten a return on my investment in the following week after I did my training. But this is a process. And not only do you have to trust in yourself, you've gotta trust in the process. And that means researching coaches, researching talent out there in the industry that seem to have had some level of success. Reading -- I'm all about reading, reading, reading -- reading books, joining web forums, and finding out who are the respected people in the industry. And doing that education first. I mean, I know in the beginning when you first start coaching and creating a demo, and there's lots of people that talk about, oh, there's scammers out there that are gonna take all your money and create a demo, and then it's not gonna be a good demo, or it's not gonna be a professional demo. And I think that a lot of people are scared about that. But I also think that you can take the matters into your own hands. And again, research, research, research, research, join groups, read books, find the people that are well respected in the industry. Lau: Absolutely. I do think there's a level of trust that you have to have in yourself that is a leap of faith. Anne: Yeah. Yeah. Lau: Okay. So let's say you're starting out, Let's say you're doing your research, you're reading, you're in the industry mags, and you know what's going on with conferences and you know what the best practices are, so to speak. But you need time to have that reveal itself, right? What we see and what we read and what we know and what we hear isn't always our truth through our own experiences. So you have to trust that you are smart enough, you're motivated and thoughtful enough. You're focused enough that you're gonna start to put your trust, engage who that tribe is as you put it together, and not get upset when you put your trust into something or someone and it doesn't work out, because that is called experience. And experience is not always happy and fun and positive. Sometimes it's making a mistake. And we have to learn from those mistakes. We have to work through those and not make those again and say, wow, I'm glad I made that mistake, because now I know it doesn't work and what I shouldn't be trusting in the industry, and really move through it. But if we never give our trust anything, if we're never 100% all in and know that we've got skin in the game, then we never really tested our theories, our methodologies, and our teachings. We never really tested it because we weren't willing to give it over 100% to see what great things can come of it. Now, I don't know about you, but like you're super successful. I'm successful. A big part of that success is testing, hit or miss experimentation. And what happened to the joy of trying things, of experimenting? Anne: Absolutely. Lau: It's like so many people need to have this guarantee from the start. What I'll save. Anne: The safety net. It's like the trophy. They need the trophy. Right? They need the trophy right away. And the thing of it is, is, and Lau, you and I have spoken about this, my overnight success took me many, many, many years. Right? And if you're just getting into the industry and you're upset because you're not booking a week after you submitted your demo or started auditioning, trust in the process, give it time. When I talk with my students, I try to tell them that it is not an overnight process, that it does take time. But I still feel as though some people just have to live that or experience that. There's a lot of people who never get past the making a demo stage, because I believe they do not trust in the process. They don't give themselves enough of a chance to grow and to grow into the industry and start to see that success, which is not gonna happen tomorrow. I'm sorry, you're not gonna get that prize gig tomorrow. And it's okay. It is okay. You just need to again, have trust, have faith in yourself. I'll tell you what, Lau, I am a big believer, and anybody's listening to this podcast knows that I trust my gut. I live my life by my gut. And I run my business by my gut too, believe it or not. If it doesn't feel right, then I'm taking more steps to educating myself on to maybe why it doesn't feel right or what I might do to change it. As you mentioned before, just kind of take those little steps and change direction if you need to. Lau: That's right. That's exactly right. And just be okay with that. Be okay with not knowing. Be okay with sometimes trusting the wrong person or the wrong process or whatever, because that's how we grow, that's how we learn, that's how we shape it up. The problem comes in where you trust something, it doesn't work your way, and then you keep trusting it, and you keep trusting it. And you never learn from that pro -- You don't redirect and pivot. Anne: Or -- yeah, exactly. You don't redirect or pivot or you simply let it scare you away. Right? Because you've been burned once. Lau: Yeah, or shut you down. Anne: I will have students that have come to me that have not had positive experiences with coaches or their demo production or whatever it might be, and it will make them very shy and very wary to continue moving on. And I always say, use those experiences, like it's okay, like you said, it's okay to maybe the person that you thought you trusted didn't turn out to be what you thought. Right? It's okay, learn from it. Turn that into a positive experience and learn from that and grow from that. And so I'm always trying to tell people don't beat yourself up over it. I mean, honestly now you know. And so boom, that was a wonderful lesson. I'm always trying to learn lessons from things that didn't go quite right or what people might perceive to be failures. And I don't even like to think of the word failure. I just say, oh, okay, well that didn't work out. So what can I learn from that's, and how can I grow from that? And that will turn most of those experiences into a positive one for me so that I can continue to grow and progress forward. Lau: That's right. And be smart about how you trust. It's not about just, I trust this. I'm putting my trust in this. It's like, how do I trust? That famous presidential, you know, trust, but verify. Verify. Meaning do the due diligence, do the homework, make sure as best as you can, is this person who they say they really are? Is this process what it really represents? Is there testimonial? Are there accolades? Are there honors that I should be aware of that build the ethos, build the credibility so I can trust even more? I wanna do some verification. It doesn't mean that I'm putting them in the hot seat under a light bulb, duct taping them to a chair and grilling them. It just -- right? You and I've both been through that a lot. Right? Anne: Exactly. Lau: You know, like a whole FBI scene. It's not that, but there is an intelligence in saying, let me do some background check. Let me just Google, like everyone has Google. Why can't you just go on Google and see, is this person have bad reviews or seem dangerous or I don't know. But the point is, do that little bit of homework to verify, to make you feel that much more comfortable in who you're starting to put your trust into. Anne: Yeah, absolutely. And if you cannot take that little tiny leap of faith and then see where that goes, right, and grow from it, you're gonna be stagnant and you're gonna sit there with demo in hand and never really progress any further. Lau: That's right. Anne: But I will say over and over again, and you as -- Lau, with an agency in, in casting for so long, you must know how long it can take when somebody's first getting out into the industry to actually start being consistent in booking jobs. And even when you are consistent in booking jobs, every one of us has a time where there might be a lull in our business and really that is the place when you feel, oh my gosh, why am I not getting any work? I must suck. You know what I mean? Or that's it. I've gotta get out of the industry and they panic. Right? So many people panic and just trust the process. Again, find those people that you do trust that can help you through those times where you are starting to mentally -- I think the mental panic here can really be something that inhibits successful voiceover actors. And sometimes they'll say, well, alright, that's cool because more work for me. Lau: Yeah. . Absolutely. There's an ebb and flow to everything. You know? There's ebbs and flows, highs and lows to every single business out there. It's not possible to be super successful in making tons of money every single day or getting jobs every single day. That would be an unrealistic expectation. Anne: Lau, let me stop you right there. I love that you brought that up lot. Do you think that the majority of talent book something every single day? Lau: , I don't know anyone that books something every single day. Anne: Yeah. Lau: I just don't know anyone. And I know a lot of really busy VO talent that are recording all the time, but are they booking every single day? No, they're not. Anne: Yeah. Lau: They're editing, they're catching up, they're marketing, they're doing retakes, they're visiting their mom and dad, you know, but they're not booking every single day. That would be -- Anne: Right? Lau: I won't say impossible, but I'll say it's highly improbable. Anne: Even people that are working every day, let's say you're, you know, in the promo genre or that kind of thing, where they say there's the golden handcuffs. Right? You are probably working, right, that same network job that just comes in every single day. I'm on a lot of telephone rosters, so I work every single day doing telephony, but it's because I'm on a roster that I expect that work, and I know that work's coming. Lau: That's right. Anne: But acquiring new work and getting new clients every single day, I agree with you. I don't know many people -- I think it's highly unlikely. And so that's one, I think misconception that people new to this industry might have. Like, oh, well, okay, I need to make so much. I remember constructing it like this, I would like to make so much money per month. Right? $10,000 a month. So what would it take to make $10,000 a month? Right? For 12 months, that's your six figures salary. So what will it take to book $10,000 a month? Well, if I could book 10 corporate jobs in the month, right, and do that consistently, then yeah, I'll have no problem. Now that may or may not happen for a while. Right? That could happen very sporadically. You could get a few corporate jobs. You could get 10 jobs, 20 jobs in one month, but maybe the following month you may get one. And so because of that difference, right, in terms of consistency, that is where I think most people start to panic and lose their trust in the process of what this industry is all about. And again, it's kind of life as a freelancer, I like to say entrepreneur, right? But freelancer is the same thing. Right? So we don't know where our next job is coming from. And that really has to be where your trust in the process lies, or trust in a mentor, trust in your people that you talk to in your accountability group. Trust that the process will work out and that it will be okay. Lau: And the truth is, we don't see what's happening in the background of anyone's world. So those folks that you're perceiving are booking every…

    Full show notes at the publisher

    Live Callbacks Jan 17, 2023
    Show notes

    Bosses, it's callback time! After a set of fiercely talented auditions last week, Anne & Lau narrowed it down to the 5 talents they felt had something special. Manny, Aria, Josh, Nicole, and Kelly are back and ready to read. After being thrown custom directions from your hosts, these voice actors rose to the occasion, making the final decision a difficult one. Although there can only be one winner, every experience in front of an agent, producer, and casting director is valuable. You never know what kind of impression you'll leave on them, so give it your all. The final decision came down to matching Anne & Lau's preferences with the client's needs, but you'll have to tune in to find out who that is… Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Welcome everyone to the VO BOSS podcast and the Business Superpower series. I'm your host, Anne Ganguzza, and today I'm excited to bring my special guest co-host Lau Lapides to the program. Hey Lau. Lau: Hey Anne. Glad to be here. Anne: Lau, we had an amazing live audition podcast. I am so excited for how that turned out. Lau: Oh my gosh, I can't wait to see it. And oh, what a, what a great time that was. Yeah, great group. Anne: And, and our appreciation, you guys, BOSSes out there, if you've not heard it, go, make sure that you check it out. It was our first ever live audition podcast where we had, uh, gosh, 12 people live auditioning for, uh, a particular for Expedia and, uh, with feedback and everything. And today, this episode is all about the live audition callback. So we had five people calling back, and we are going to have them come back for another round of reads, and Lau and I will pick the winner. So get ready, BOSSes. And so without further ado, hopefully people are there in the audience, uh, in the chat. Um, we have the roster, which will be Nicole Fikes, Aria Lapides, Manny Cabo, Josh Wells, uh, and Kelly White. Okay. So if you guys are ready, the first one up to audition for us again is Nicole. And Nicole, we are asking you to do the same script, which is the script for Expedia, starting with, uh, our colors. And, uh, we would like you to give us your unique second take. Lau, any particular hints, casting directions, specs? Lau: Uh, I would love to see the most coziest warmest, most relaxed read you can do, Nicole. Nicole: Coziest. Warmest, most relaxed. Okay. All right. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places knowing we got a great deal. Expedia, made to travel. Anne: Thank you. Very nice. Lau: All right. Nicole: Thank you. Anne: Yeah. I'm gonna offer one little bit of redirection. Um, can I hear the end? Um, give me a little more, I, I'm gonna say a little more punch on in even more places, in more places. Um, and, and I really wanna hear finding the colors, come, bring that home to me. Um, a little bit of a, of a smile. More of a smile at the end, 'cause you got a great deal. Nicole: Yeah. Okay. And so still warm and fuzzy but just kind of a little bit more emphasis on the colors and even more places kind of line? Anne: Yeah. And you can just pick it up at so we can go find our colors. So you don't need to do the whole thing. Yeah. Nicole: Okay. So we can go find our colors in even more places knowing we got a great deal. Expedia, made to travel. Anne: Thank you. All right. Lau: Super nice. Nicely done. Thank you, Nicole. Nicole: Thanks. Lau: Love it. Anne: Now, in a real audition, Lau, how -- now in terms of if people are late or they're not connecting or, you know, there's -- I'm sure there's a grace period, I mean, everybody's human. So if there are tech issues or if somebody didn't hear that they're being called back at the precise time, how much time typically would you say casting directors will wait? Lau: Um, you know, I don't know. It's not like -- I don't think it's a hard and fast rule. I think it depends on the relationship they have with whoever's sending them in, whoever's submitting them, and if they know the talent themselves. The rule of thumb, generally speaking, is like, the less they know you and then, and the less rapport they have, the less they're gonna have patience for you and the less they're gonna wait. But here's the interesting thing, and I, I wanna share this with the folks in the background, 'cause again, they're not seeing any of the tech stuff that's going on. I just received a text right now from Aria who said, hey, could you please give me a second? I need to reset it and reboot. I would say in general, people don't like waiting, so they'll skip to the next person. And you know, as a courtesy, they will come back to you most of the time because they wanna find a good person. They don't wanna -- Anne: And that's, and that's fine. And I will look, I'll make the call here if Manny is available. Uh, you know, if Aria can't get back, Okay. Um, we can certainly take Manny and wait, you know, for later to, to get Aria on, which is fine with me. Lau: That's how, that's how it would be because if we were in a paid studio space by the hour. Anne: Yeah, exactly. Lau: We don't wait, wait for anyone. We just go on to the next person. Anne: Right. Uh, because yeah, this studio's expensive, darn it. . Lau: And you know, as, as we're, as we're saying this, the talent is emailing me because I have a direct rapport with the talent and she's saying, could you please have someone else go while I'm doing the tech setup? Anne: There you go. Lau: So I don't hold you up? See, that's exactly pro stuff. Anne: Perfect. All right, Manny, welcome back. So we're looking for your unique second read. Manny: My unique second read. Anne: You were super warm the first time. Manny: Okay. Anne: So let's, uh, let's hear something different. Manny: Okay. Let's do something fun. Anne: Okay. Manny: here we go. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Thank you. Lau, any redirection there? Lau: I have a quick redirect just because I, I'm getting to know Manny and loving your sound. Now I would love to hear you deliver this as a standup comedian. . Manny: Standup comedian. All right, that sounds good. That's fun. Here we go. Our colors have a way of finding us wherever we are. And with an Expedia membership, you could save up to 30% when adding a hotel to a flight. So we go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. . Anne: Nicely done. Lau: So good. Anne: Yeah, Lau: So good. Anne: Nicely done for, for doing that without a real joke in the script. So that was good. You channeled. And what I liked about that is that you channeled, uh, the comedic into the read even though there was nothing comedic necessarily in the script. So yeah, nicely done. Thank you. Manny: Mom, I'm an artist. I'm doing artist stuff, Mom, come on. . Anne: See? There you go. Manny: Killing me. Thanks, ladies. Anne: Thank you, Manny. Anne: And, and even that little like, improv bit at the end there, nicely done. Lau: So good, so good. Anne: That's a way to leave a nice, uh, remembrance, you know, in my brain. So love that. Lau: Anne, could I make a quick point that I meant to say before, but I didn't say before? Um, I wanted to make the point to everyone who's coming in, but also anyone who's listening in that even though this is a mock audition under educational umbrella, you are actually auditioning every single time you're in front of an agent, a producer, casting, or even coaches. And it's because we're all so connected to work all the time. So case in point, I'm already thinking of work for Manny right now. I'm already thinking of potential representation for him right now because it doesn't matter that it's a, a podcast or a class or a course or a coaching. What matters is we're actually having the real connection and the real stuff. So never like mark through like a dancer might mark -- do it full out 'cause whoever you're with, may be the next person to help you work. Anne: You've planted the seed, right? Lau: Yes. Yeah. Anne: You've planted the seed, so, excellent. Yes. Aria, so wonderful to have you here. We are ready for you. Now we, so I know last time we had thrown that wrench in the, in the loop there for you. Aria: Hey, that's okay. Anne: A completely new script. Aria: Yeah. I enjoy that. Anne: And so and so now because you, you know, were really a cold read there -- Aria: Yeah. Anne: Let's give us the most to spec read, warm, non-announcery, not deliver -- uh, you know, nothing, nothing performy, and tell us that story. Lau, any additional direction? Lau: Um, yes. I would like you to do two things at once. I'd like you to care immensely about what you're talking about. And I also want you to not give a shit about it at all. . There you go. Aria: . Oh, you sort of a birch tree. Anne: That's exactly what I was looking for too, Lau, perfect. Aria: I love that. I love that. That's like my whole thing, right? I care so deeply, but I also don't care at all. Okay. Our colors. See, they have a way of finding us wherever they are. And with an Expedia membership, you can save up to 30% adding a hotel or flight, so we can find our colors in even more places knowing we got a great deal. Expedia, made to travel. Anne: Bravo. Nicely done. Uh, way to take direction. I heard both care and not care in there at the same time. Aria: I'm good at that. Anne: Really nicely done now. Aria: Thank you. Anne: . That was the, Okay, so now that you can care and not care, uh, let's just give us uh, something completely different. A wild take from you. One more. Yeah, I got you. A wild take from you. Aria: Okay. Lau: I loved it. And also one more thing, be very careful of, I know you're not in a soundproof space right now. Be very careful of excess noise 'cause you actually clapped at the end. You did something to make noise. So just be careful of, you know, hitting something or any excess noise. Aria: Be careful of using your body, hitting something, excess noise. Got you. Echo. Our colors. They have a way of finding us wherever we are. And with the Expedia membership, you can save up to 30% adding a hotel and a flight, and even more places, you know, knowing you got a great deal. Expedia, ah, made to travel. Anne: Perfect. Let's hear that again. You missed a line. Aria: Yeah. Okay. Okay. So let's hear that again. Aria: Our colors, they have a way of finding us wherever they are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places knowing that we have a great deal. Expedia, made to travel. Anne: Thank you. Lau? Lau: Yeah. I wanna make a comment about this. And again, it's like that oxymoron kind of thing. On one hand I love that choice and I loved how you, how quickly you did it. You didn't care. You just, you just, it was that improv in you. You just did it. You went 100% and I loved that. And actually you had a sort of European amorphous kind of non-real, real thing going on, which I like. Aria: Yeah. Lau: But just from an educational perspective for everyone, you wouldn't be able to do it for the most part, right? Because we are so much about particular appropriation that that authentic sound would be from somewhere and we would have to do the casting. Aria: And that's so funny that you say that 'cause I was actually originally gonna do like a Valley girl. 'Cause I was like, I feel like that would be a little bit more appropriate, at least for my age group than. Lau: No, but I think your choice was really right on in terms of the actor spirit. Anne: I think so too, in terms of making it more international. Lau: It was cool. Anne: And especially for the subject, but you're absolutely right, Lau. That's one thing that I was going to say, that maybe, you know unless you knew specifically that there was something in the specs that they were looking, and that it wasn't critical that it was, you know, from a, you know, a native speaker. Um, but I like the actor party knew that that gave that the shot for sure. Aria: Yeah. 'Cause you guys are so right, like, especially these days, like they want the authentic thing. Like I've -- even in acting, they're like, if you aren't this specific thing, I'm sorry, you can't play the role. And I'm like, it's okay, it's okay. Anne: Yeah. Yeah. Lau: So that, so I loved it, but I wouldn't be able to cast it. Right. Just like, you know. Aria: I just got that noted. Yeah. I appreciate it. All right. Awesome, guys, thank you. Lau: Thank you. Anne: Thank you. All right. That was fun. Yeah, absolutely. Um, Josh. Hi Josh. Josh: Hi. How's it going? Anne: Fantastic. Thank you. Josh: Cool. Anne: Um, Lau, any, uh, direction that you wanna give before he reads? Lau: Yeah, sure. Sure. Josh, I love what you're doing. Just give me a little bit more professor that is mixed with surfboard. So let's say he's like a, a UC, you know, LA professor that goes surfing during his lunch break. Josh: Sure. Dig it. Okay. Cool. All right. Uh, Josh Wells. Lau: I think you're a little low too. Is that me? Josh: Am I little low? Lau: I feel like your volume -- Josh: Well, I'm, I'm away from the mic, but how about here? Is this better? Lau: That's better. Josh: Okay, cool. Cool. All right. Excellent. Uh, Josh Wells, non-union. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Lau: So I, I I mean, I felt like you're moving there, you're not there yet. You're sort of holding on. There's a held feeling to it. Like, I would want you to let it go. Let it go. Let it move forward. Ride the wave. Ride the wave. And be careful of the pausing too much. It has an unnatural feel to it. Josh: Dig it. Lau: So, you know what I'm saying? Anne: Yeah. I was gonna say, I, I missed the surfer, kind of channeling of the surfer. I wanted to, I felt like I needed a little more, more relaxed. Um, and then also I, I, I just, I have a personal issue with the word a because in a conversation it's usually you're adding a hotel and not A hotel. But that's, you know, that's just my ears here. Josh: Um, I've got the note before, I'll -- Anne: Yeah. So yeah, if you can give me a little more of the relaxed, you know, kind of like mm, you know, the half smile. Um, I'd like to hear that again. Josh: Okay. You got it. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Thank you. I liked your ending. I like the different end on the tag there. Josh…

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    Live Auditions Jan 10, 2023
    Show notes

    Get in the hot seat! Anne & Lau put on their casting director hats as they host live auditions with members of the BOSS community. There is something magical about a live audition…especially when the casting directors switch up the script at the last minute. These auditionees were on their toes, reading cold & nailing it. Anne & Lau share their favorite tips for before the audition & reflect on all that went right (and wrong). Stay tuned to hear who got a callback + will be featured in next week's episode. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Woohoo!. Hey everyone. Welcome to the Vo BOSS podcast and the Business Superpower series. I'm your host, Anne Ganguzza, along with my very special guest co-host Lau Lapides. Woohoo. Lau: Hey everyone. Anne: Hey Lau. Lau: Happy Saturday. Anne: Lau, we have a extra special podcast edition today. We are doing live auditions for the very first time, and I am so excited. Lau: I love it. I love it. It's my specialty. I can't wait, Anne, can't wait. Anne: And we are going to be having people come on doing live auditions as well as people in the audience and will be joining us later on for a Q and A. So I am so very excited. Now, live auditions. Remember back when before the pandemic, when we would go into studios and audition for direct -- casting directors? Ugh. Lau: And that required us to actually see other human beings and talk to them and maybe even shake their hand? Anne: I know. And you know what? And you know what? One of the most important things about that is, is that we would not see the script until we walked into that studio. And there was always the possibility when we actually got into the room, they would change the script on us. Lau: Yes. Anne: So guess what, Lau? Lau: What, Anne? Anne: The client has changed the script. Lau: Ooh. Anne: So for our auditioners out there, and everybody in the audience, I'm sorry, but we had to throw the wrench into the, the loop of things. And we now have a different script that we will be sending to you to live audition with. So I know that Carol is out there waiting to send that new script out with new specs, and we will continue on with the auditions. And I have to say, I just love, I love the Internet and I love technology because it allows us to really do something really cool like this. Lau: Yeah. It's totally amazing. Completely amazing. And you know, just a moment on that real cold impromptu, last minute script, because I know so many voice actors are like, what do you mean? What do you mean? What do you mean? Meanwhile, you have to calm down and take a breath because so many of us are either on a pay-to-play site, or we're on hold with our agent, or we're working with casting on a project, and it's happening fast. It's coming and going really fast, and you guys are really getting used to turning things around fast. So the idea of a cold script should not put you out at all. It should be kind of like a fun challenge for you and really in your wheelhouse as a pro VO of something that really you need to be able to do. Anne: Yeah. And I can't tell you the countless number of times I've been on a live session where, you know, in the moment they're changing the script. And so you really have to be able to have those muscles to be able to quickly adapt and give the client what they're looking for. So I will say that this was a, a kind of a, a completely different script , but you know, remember we are here for educational purposes, and we hope all of you are going to really enjoy and reap the benefits of this exercise that we're going to be doing. I will go through the specs. Because this is for educational purposes, the specs for this script, uh, are open to all genders and ethnicities. And I will read the specs out loud here. Our FVO is a great actor, there we go, who can effortlessly imbue meaning and nuance into the story. They have lived a rich full life, having seen the world with all its wonders and is able to speak about their experiences with confidence and authority while their delivery has a poetic cadence . And by the way, you guys are all getting this. Um, this is done subtly and with a light touch. They never come across as dramatic, performative or as if they are laying on the gravitas. They are natural and have an air of lightness to the read that balances out their connection to the emotion perfectly. And as always, nothing smooth, nothing polished or announcery at all. . So we've got, that's a big paragraph of specs, Lau. What do you, what's your thought about specifications and when talent, you know, read the specs? Are they, you know, are they trying to match those specs exactly? Or what's important, uh, when it comes time to actually doing this audition? Lau: Great question. And I'll tell you, there's a lot of theories and philosophies about your descriptions, your breakdowns, and how to handle them. One of my favorites as a coach that I use all the time is to ask the talent to not read the specs up front. Now, this -- I'm not talking about today, because today's session is a live session, and so time is of the essence. But if you were at home and you had a day or two days to turn around an audition, it's a really interesting and telling exercise to not read the specs at all and give your takes and give a whole bunch of takes. And then go back and read the specs and see what did I bring from my point of view, from my interpretation and what kind of matches what the vision of the producer is? Am I in that realm? Am I not in that realm? Anne: Excellent points. Yeah. Let's have Michelle come on in. Hey, Michelle. Lau: Hey Michelle. Michelle: Hi. Can you guys hear me okay? Anne: We can, we can. Thank you for being the first one. I'm excited. Michelle: Oh my goodness. Okay. I just I'm excited to be here as well. Anne: Okay. So would you like a second, because you just got it? I mean, Lau and I can just discuss one other thing quickly about once you're in front of the mic and you're doing a live cold read, Lau, what is your best advice? Oh, for talent? Lau: Oh, wow. That's, that's a great question. First of all, have fun. Enjoy it. You're gonna get very few of those, right, Michelle? I mean, it's just like an exciting, energized, kind of dopamine experience. And for those of us who live on high octane junkies, we love that stuff. It's real time interaction, which I love. And so I would say make sure you're breathing. Make sure you're nice and warmed up, and you take breaks when you need to take breaks. Well, you'd be given a break after you read -- and make specific clear, active acting choices, Michelle, like, don't, don't, uh, generalize it. Don't just fly through it for the sake of time. Really make specific choices that you can change. And you should always have a good two to three really unique interpretations that you could do if they said, yeah, that's good, but can you change it out? You can change it out. Michelle: Got it. Thank you. Lau: Awesome. Anne: So when you're ready, feel free to slate and audition please. Michelle: Michelle Dillard. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Thank you very much. Michelle: Thank you. Anne: Okay. Onto our next auditioner. Uh, on my list. I have Ryan, I hope it's Geiser. Lau: Hello. Anne: Hello, Ryan. Ryan: Oh, cool. I'm in. Lau: Hey Ryan. Ryan: Hi. Lau: Welcome. Ryan: Thank you. Uh, so I'm Ryan Geiser, non-union, MCVO. Um, our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Thank you. I was, uh, taking notes, just so you know that if I'm not responding right away, I'm taking notes. So thank you very much. Our next contestant , our next auditioner, I have, uh, Rosie, uh, Roberson? Lau: Yes. Anne: All right. Rosie. Rosie: Hello, everyone. Anne: Hello, Rosie. Nice to see you. Rosie: Well, I'm glad I got in . It's a little tricky there. Just let me know when to start. Anne: Okay. Well, we're ready. Rosie: Our colors, they have a way of finding us wherever we are. And with Expedia membership, you, you can save up at 30% when adding a hotel to a flight. So we can go find our colors and even more places knowing we got a great deal. Expedia, made to travel. Anne: Awesome. Thank you very much. Okay. Our next, I have Manny Cabo. Manny: Hey ladies, how are you? Anne: Welcome. Manny: Welcome. Anne: Thanks for, thanks for joining us. Manny: Oh, thanks for having me. This was a last minute thing. I was, I just got off Covid for like two weeks, so believe me, this is a breath of fresh air. Anne: Oh, lovely. Well, I'm glad you're feeling better. Manny: Yeah, me too. Anne: All right, well, we are ready when you are. Manny: All right, let's do this. Here we go. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors and even more places knowing we got a great deal. Expedia, made to travel. Anne: Thank you so much, Manny. Awesome. Next on my list, I have, uh, Josh Wells. Josh. Josh: Hi. How's it going, Anne? Nice to meet you. Hi Lau. Anne: Hi. Nice to meet you too. Welcome. Thanks for joining us. Josh: Yeah. Super excited. Anne: We are ready when -- we are ready when you are. Josh: Heck yeah. Cool. All right. Josh Wells, non-union, Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Thank you. Thank you very much. All right. Um, up next, we should have Kelly White. Kelly White. You are next for the live auditions on VO BOSS. Kelly: Hello. Anne: Hi, Kelly. Kelly: Hi there. Nice to meet you Anne. Hi, Lau. Anne: Yes. Wonderful to see you. Kelly: Thank you. Anne: All right, well, we are ready when you are. Kelly: Okay. Kelly White. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Fantastic. All right. Who do I have next? I have Alicia Hiller. Alicia: Hello. . Anne: Hello. Welcome. Alicia: Good -- good to meet you. Hi, Lau. Anne: Yes. Thanks for joining us today. All right, we're ready when you are. Alicia: Alicia Hiller. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. Anne: Fantastic. Thank you so much. Ah, Aria. Fantastic. Real cold read. All right. So we are ready when you are. Aria: Okay. Our colors, they have a way of finding us wherever they are. And with a new Expedia membership, you can save up to 30% when adding a new hotel to a flight. So we can go find our colors in even more places when we know a great deal. Expedia, made to travel. All right, cool. Thank you, guys.wor Anne: Thank you. All right. Um, and now Carole. Carole, we're ready when you are. Carole: All righty. Thank you. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors and even more places knowing we got great deal -- knowing we got a great deal. Expedia, made to travel. Anne: Thank you. Carol. Just remember a lot of times we have auditions with instructions, right? It's important to just go through those instructions too. And I know like you know, there's a lot of people who like, you know, and the forms we'll talk about, well, you know, should I get SourceConnect and then, you know, or should I wait until I get my first client? And this would be one of the reasons why , why you wanna make sure you test out all those tech things first. I am proud to be able to to give you this technical -- these technical issues to help you to learn because you know, it's all our mission, right, Lau -- our mission is to educate. Lau: Absolutely. Absolutely. And I'm like, you know, I'm not a negative Nelly at all. But I'm very much a realist and I say to folks, even if you've used your program, even if you've used your booth a million times, get in there early. Because anything that can go wrong probably will. And you wanna be able to have time to troubleshoot that and not miss out. So it is a good lesson. It is. Anne: Nicole. Nicole: Hi. Anne: Hi. Welcome. Nicole: Thank you. Thank you for having me. I'm excited. Anne: Yes, absolutely. Well, we are ready when you are. Nicole: Okay. Our colors, they have a way of finding us wherever we are. And with an Expedia membership, you can save up to 30% when adding a hotel to a flight. So we can go find our colors in even more places, knowing we got a great deal. Expedia, made to travel. There you go. Anne: Thank you so much. Nicole: Thank you. Anne: I remember being in the LA area, and of course, Lau, I mean, maybe if you ever had to run into the city to do a live audition, right, traffic, traffic. And so when the audition time was slotted right, you would I -- you would pray that there was no traffic jam that would be holding you up. And if you did hit a traffic jam and you got there late, sometimes you missed the audition. Sometimes you got there way early and that therefore you had the script. So I kind of like how we're really mimicking this. You would, you know, you'd be able to practice with the script a little bit longer if they had a, if you had a line in front of you. So, you know, I feel that there's all these -- this tech issues are kind of mimicking the traffic that we would hit when we would be, you know, in the car on the way to the studio. And thankfully now, we can, you know? Lau: The, the one, the one element of this that I think is really different and unique to the circumstance, that is sometimes we can't help tech glitches when they happen, and sometimes we can. And so just kind of knowing the difference. Like I'll give you an example. For instance, if someone knows that they have to be on a laptop and have to go through Chrome in order to do the audition, it's really on that person to go on a laptop and go through Chrome. That's something that could be avoided, but all of a sudden my transmission is bad because the hurricane, all of a sudden, you know, my lights go out. You know, that's something I can't help. So I think being able to determine what I sort of have control over and I sort of don't have control over -- and then the other thing too, and this is just me, you and I are exactly alike in this way, Anne, I will leave four hours early to get to an appointment, knowing that if I'm three hours early, I can do my work, I can have coffee, I can shop, I can do whatever. I don't wanna do the last minute thing ever. Like that rea…

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    Building Rapport Jan 03, 2023
    Show notes

    It's time to build some rapport. Anne & Lau share their tips for making quick connections + how to turn it into a meaningful relationship. The truth is, relationships are what drive our careers—and they can do more for us than just pay our bills. They can provide emotional support, professional connections, and even opportunities that we may not have otherwise had access to. In a world where the internet opens us up to millions of potential connections, building rapport is more important than ever. You share yourself online for a reason: to further connection! We're all so busy, and we know that it's hard to find the time for things like cultivating relationships. But trust me: if you're not building rapport with people, you're missing out on a huge opportunity…and we're here to show you how it's done. Listen up! Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the VO BOSS podcast and the business superpower series. I'm your host Anne Ganguzza, and I am excited to bring back to the show Lau Lapides. Hey, Lau. Lau: Hey. Hey Anne. Anne: How are you? Lau: I'm fab. How are you? Anne: I am amazing. And I just wanna say again, thank you so much for doing this series with me. I really am loving all of the conversations that we're having. I mean, such amazing conversations. Lau: I love it. Anne: I feel like our relationship is just growing and we're nurturing it, and I just love it. And it makes me think about how important it is to network and to grow relationships in our businesses. And I thought it'd be a great topic to talk about today. Lau: Beautiful. And I'm always ready to talk about the superhero in everyone. Like, I love finding those superpowers, I know you do too, those hidden superpowers that are in all the VO talent that we meet work with. Anne: Absolutely. So there's a lot of ways I think, to network with potential clients or your clients and build relationships. What are your thoughts about when you're new to the industry? How do you start to even build a relationship with your potential client or reaching out to clients to develop a relationship? Or even let's say your agent, there's so many things we can talk about. Lau: That is the question of the day, isn't it? And that's a biggie that we all get, and it's hard to answer only in the sense that it's so large. It's so overwhelming. It's such a universal question. I always sort of break it down from the get-go, 'cause I feel like in my brain, if it's in small nuggets and little chunks, it's much easier to digest. So the first step for me is really defining what is the difference between building a rapport with a potential client or a producer or casting, and the difference between that and already having an established relationship. I think that many have to kind of go back to the drawing board with that and know what the difference is. I simply define it by saying, listen, building rapport is your instant connection. It's your instant impact. What is the effect that you're having on your listener, your audience, your potential client? And it happens really fast. It's like 10, 15 seconds. It's really starting to happen. And the evaluation process in our business is very quick, is that everyone well knows. It doesn't take forever to sort of sum someone up when I'm building rapport. So we have to consider that warm up period, that prep period of like, how do I wanna go into this meeting? How do I want to set a tone when I go to the conference? How do I want to prep and present when I'm walking into a space, even if it's an online space? Anne: Sure. Well, I was gonna say it can even be digitally as well, right? How you present yourself or have an initial outreach. Let's say even an email, so to speak, you're starting to try to reach out and build rapport with a potential client. And so it's really like an introduction of yourself and a reflection of who you are as a business. And so I think it's important to really maybe have a strategy on maybe how to do that, depending on who it is you're reaching out to. I would think that building rapport with, I think somebody new that you've never met before, let's say an agent or a potential client, would require some sort of a strategy that within, I would say 10 or 15 seconds, you can make an impression on someone in a positive way obviously. We've talked a little bit about, and I know on other podcasts, I've talked a little bit about cold emails, which it's really important how you introduce yourself so that you're not off putting to someone else or appearing to be, I think, to self-centered or too much about me, me, me or I, I, I, and I really believe to really start to develop a rapport with just about anyone, I think you have to come from a centered heart of service. You know what I mean? How can I help you? What can I do for you? If you wanna build, I think a positive rapport with a client and be authentic. What do you think? Lau: I think that's perfect. And, and our business is a business. It's like any other business out there. You know, I would say we never know who we're next to in the airplane or in the elevator, in the restroom or we're in life; we're living life. And so anyone we're near that is in our sphere could be a potential client. We have to always be thinking about that. Like, woo, how could I make an effect, an impact, impression on this stranger, so to speak, someone I don't know at all, and in a minute or two, all of a sudden we have an instant connection. So there is sort of like a magic there. There's a mystical piece in there that you have to make happen. Like you have to take agency for saying, I am going to assert that I'm not going to wait. Anne: I love that you said that. I think honestly, if I wanna think about our relationship, right, I met you for the first time when we were on a judging panel together. It's like literally we were in a professional environment on a panel, and I was so impressed with you. And I was like, immediately, I'm like, oh, I have to meet this woman. I mean, and I just felt, I did feel like an instant connection. And I think a lot of that has to do with maybe similar personalities. But the first thing I did was reach out to you, and I'm not just saying, oh my God, this was, you know, oh, I saved the day or I did, you know -- no I reached out with, because I was so impressed and I genuinely said, oh my gosh, I really wanna meet you. And let's talk because I just think you're amazing. And I think that's something that you can think about as a business if you wanna reach out to someone like a potential client. Oh my gosh, I love your product. Or I've seen the work that you've done, and I think it's amazing. That's like kind of a good way to build, I think, strong rapport with someone. Lau: Absolutely. You know, what's amazing too, is that we were online, like many are online. We were online. Here's the fascinating thing. We didn't know each other at all and we hadn't met and we didn't even speak to each other. And yet I think we could feel something, that energy shift, and you and I couldn't move fast enough. I don't remember if I emailed you or you may emailed me, but we literally were on that same wavelength -- oh, have to connect, have to connect, and, and within a day or so we were connected. And then I feel like I have known you for years. Like I literally -- Anne: Me too. Lau: -- we haven't met in person. You're in San Diego area and I'm, I'm in the Boston area, and we're 3000 miles apart. And yet we can still have that mysterious energy through building rapport together. So it really is quite impactful. And it shouldn't be underestimated at all, how you can build -- it could be a one time exchange or it could be a lifetime of moving into the relationship space together. Anne: And then developing and nurturing that relationship as you go on. And it's interesting 'cause it made me think, I started off by saying even digitally, right, we can create rapport with someone that could be a potential client of our business. Also the way you present yourself online in public. Right? And we can talk about in person as well, but online, if you are putting out content, which so many people, you know, in this business, we say, you gotta get out there on social media. You gotta put out content. Let people understand who you are and your brand. When you are doing that, when you are putting content out, you are theoretically, I'm gonna say building the blocks for building a relationship with a potential client. So things that you're saying online or putting out there, I think you have to also be a little bit careful about because potential eyeballs are on that content. And so if you're going to be saying, I don't know, things that may be negative or combative or maybe very controversial, remember that there are other people that you may not even be aware that have their eyeballs on that. And that could build maybe a negative rapport. Lau: That's right, that's right. Anne: If you're not careful. I think that assuming, I guess I'm gonna go in the digital realm, assuming that what you say is only seen by the people you think. I mean, I think it goes a lot further than most of us even realize. Lau: Right. And I, I think you identified something so pivotal in the, the differentiation between a rapport and already establishing relationship. Which I like to think of simply as it's based on time and based on trust. We may have a very strong rapport together, very, very connected, but we don't have time on our side. I'm not talking about you and I. I'm talking about in the general business world, we don't really know each other well enough. It's only through action over time do we get to know what our value system is, what our principles are, how we work, how we function -- that takes time to unfold. So the stronger your rapport, I'd like to believe the quicker you can start building a relationship together because -- Anne: I like that. Lau: -- the masks start coming down, you start to reveal more. There aren't as many filters on because you're slowly developing some trust together, and that's incredible, but we can't always expect that. It just isn't always going to happen. Anne: Right. And a client that you've developed that, you've got a good rapport and that over time you've developed that trust -- I think when a client trusts you, that's when they come back to you again and again and again, and that is what can help to really grow our businesses. And I think each one of these relationships is something that you have to consciously really think about and nurture and work at it. I don't think it's something that you can take for granted at all. I know that I don't take any of my clients, my jobs for granted. I'm grateful for all of them. And I think coming at it with an attitude of gratitude also helps to nurture that relationship and, and build trust. I think trust is so very important to establish over the long haul with your potential clients or, or people that you're working with in the industry. For sure. Lau: Right. And I like to say too, it's a feel good kind of thing to create because not only is it important to have over time to retain a client and to make money and have a viable career and get your ROI, but also it feels good. It should feel good to know that I am delivering something that someone needs and is satisfied within their timeline. And that they are going to come back to me. And there is that reciprocal kind of energy that is a part of the reason why we're in this industry, is that we want to know we're satisfying. We want to know we're pleasing. We want to know filling, filling the need, solving that problem -- Anne: That we're loved. Lau: -- so to speak Well kinda. Anne: Right? Don't we all just wanna be loved? I used to say that all the time in the corporate world, right? Part of the reason why I think so many people, at least when I was going through the corporate world, were so stuck in your jobs and you feel like, ugh, I'm stagnant at moving. I think it's, we just wanna be loved. We just wanna be appreciated for what we do and for us to have some acknowledgement of that. And then when that happens, then it becomes a very reciprocal, mutual give, take, give, take relationship. And so it's really not any different in our own businesses. Lau: It really isn't. And if someone does for you, Anne, a live testimonial or they record it for you, they say, Anne is great. She gave me this and I'll never forget her. And I love her -- It's obviously marketing power to do that, to have your case study, to have your testimonial. But when you look at that, when you play that for yourself a year later -- and I can't speak for you, I'm speaking for myself -- there's this innate, deep sense of satisfaction that I may or may not remember what they paid me, but I absolutely remember the experience of working with them. Anne: Yes. Lau: And that, that is their outcome. And that we made something that is immaterial, so to speak, real. We made it real. I think there's a surreal nature to what we do, 'cause it's not always time, a physical product. A demo is a physical product. But other than that, it's more exchange and process and craft and acting. It's hard to come down to qualify what that is exactly. And then when you hear it from that client or that talent, I mean, I'm getting a little verklempt right now. I'm telling you, like I kind of wanna cry right now because it is life changing. You've helped them find their sound, their voice, their identity -- Anne: Oh, absolutely. Lau: It's just awesome. It's awesome. Anne: It brings me back to my teaching days as well, you know, with my students. I mean, I got to help shape some of their lives as they were being educated and going through school and I've watched them grow up. And it becomes one of those things where it's like, ah, it's just such a feel good heart situation. And I think that that really means a whole lot when it comes to doing something that brings us joy. And so, you know, developing, nurturing those relationships that can really give back in a way that's more than just money. Right? We talked about in our, one of our last episodes, businesses with purpose. Well, I think that feeds into it really well. And part of the purpose is to, I think, develop a good rapport, those good relationships. Now online -- I started off by kind of talking about it online -- I think in person just accentuates the relationship building or accelerates the relationship building because then you've got that, you know, we're looking at each other in -- on a video right now and, and we're hearing each other, but when we actually get to physically meet each other, then there's that other energy. And so I think when you're trying to develop a rapport with someone that maybe you're just meeting at a conference -- there's so many of the voiceover conferences these days now -- it's important to also have that physical rapport,…

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    Reimagine your 2023 Dec 27, 2022
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    Are you feeling the energy of newness & hope that we do? Anne & Lau are getting ready for the new year and all that comes with it. Before you jump to goal setting, take a minute to think about what has happened this year & what you want to create next. Reflecting on your accomplishments is an empowering exercise that can help you feel successful & inspired. It is also essential to take a look at the industry as it is now & research any predictions about the near future. Understanding the demands of the industry will help you build your goals and business plans around what will serve the current market. Now BOSSES, it is time to goal set. Think big, but not unrealistic…and if you need help, listen up because Anne & Lau have your back. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone, welcome to the VO BOSS podcast. I'm your host, Anne Ganguzza, and today I am so happy to have back to the show the one and only Lau Lapides. Hey Lau. Lau: Hey, I love how you took a breath before you said my name. Yay. Anne: I did . You deserve that extra drama, that extra drama pause. So. Lau: Thank you. I love that. Anne: Awesome. Well, you know Lau, it is coming to a close, the year of 2022. Lau: Unbelievable. Anne: Yeah. And of course 2023, with that comes the new year, resolutions, goals, all those good things. And I think I wanna kind of take a step back and not just talk about 2023, but I wanna reimagine what your business and what the BOSSes out there, reimagine what your businesses could look like in 2023, maybe in a little different light this year. Because I think, I feel like people are feeling more comfortable now. They're getting out, they're seeing each other. I think there's a lot of hope and renewal in the air. I mean, I'm feeling it. And for me, I've taken a look at what's going on this past year and the industry and how it's shifting. And I think we really need to take a good look at our businesses to see how we can maybe shift and evolve and reimagine our businesses in the new year. Lau: Mm. No question about it. And this is the best time. I'm always saying, you're winding down. You're tying up loose ends. You're excited about any holidays that are happening. And even if you don't celebrate holidays, it gives you permission that everyone else is to just relax, be with family, take it easy, but then also to plan. Anne: Yeah. Right? Lau: To think about quarter one in the new year, where do you wanna be? Who do you wanna be? And what does your vision look like of your business? Anne: Yeah. Lau: That's exciting. I love that time. Anne: It's so exciting. I mean, and I really like to have that time to reflect. And I'll tell you what, you and I, we are soul sisters, right? We work, work, work, work, work. And the other day I literally, I had to go to a doctor's appointment. Maybe not the most fun thing in the world, but it got me into the car. And it got me on a long ride 'cause there was traffic. And I actually really like that. And I miss that in a way because whenever I would drive, I was able to think, right? Because I can't be typing at my computer. I have to just sit there and think. And I came to the realization, Lau, that I have been in business for myself for 15 years. Lau: Wow. Anne: And you think I would've thought about that before. I mean, I kind of knew it, but I just, it hit me all of a sudden. Lau: Awesome, awesome. Anne: Wow. That is something to be proud of. And I know you have been in business just about as long as I have. Lau: Mm-hmm. Anne: Full-time, your own business. And I think that number one, before any BOSSes start to think about what they are going to do next year, right, and create goals, I think you should stop, reflect, and give yourself credit and realize your accomplishments that you have so far. Because that, I think gives you a great baseline to jumpstart a new year. Lau: Absolutely. And you know, I was thinking about you saying that you were in the car, and that's that autonomic thing in your brain that you know how to drive the car. You don't have to think about it. So you can go into your imagination, you can go into processing things, and you've got the privacy. You're alone. And here's the thing, we're moving forward. Most of the time, unless we're sitting at a light or backing up, we're moving forward. So if you drive, if you bike, if you walk and you're moving forward, and you're thinking about your life, think about your business as moving forward. You've got this kinesthetic energy that's happening as you're thinking about what's to come. Anne: Mm-hmm. Lau: And we're meant to be in action. I know I'm one of those people, Anne, and I know you are as well, that I am better about working and getting things done when I'm in action. Anne: Yeah, absolutely. I agree. Lau: I'm not as good on the outside of it. I'm better on the inside of it. Anne: Well, you know what else too, when I am though, in that moment where I can be quiet and reflect, I also like to watch or listen to other creative things so that I can learn and be inspired. And so, believe it or not, I was listening to another podcast, and it wasn't anything to do with voiceover, and it didn't even have to do with business, but it was people in the creative arts. And when I listen to them banter back and forth about what they do on a day-to-day basis, or that maybe they're interviewing somebody that's in television or the movies, and it always gets me thinking outside of my bubble. I really think that most of us voice talent. We stay in this bubble, this safe, comfortable bubble of, this is my industry, this is what I know, and this is how I need to go forward. These are the steps that other people in my industry have told me. And I think that you really need to step outside of that once in a while to get creative inspiration. Like I love watching good movies. I love listening to new music. I love listening to anybody in the creative arts talking about their career or what they do to inspire themselves or to get ahead or to grow themselves or their business. That inspires me and gives my business new ideas. Lau: Mm-hmm. Absolutely. I'm right there with you. And just last night I was watching a program on PBS about the American Musical Theater. Anne: Mm-hmm. Lau: And the Jewish influence on that thematically, like the Jewish people that are coming in and influencing that. And they talked to Mel Brooks, and they talked to Stephen Sondheim and they talked, and here's the theme. They came up with. The great musicals were all revolving around hope and joy and happiness, you know, "Put on a happy face" and "Singing in the rain" and all. And I'm telling you, I was crying my eyes out with joy. I was crying my eyes out because I wanted to remember that what we do in our industry should be around joy rather than around negative. Anne: Yeah. Lau: You know, we can still have agendas, we can still have purposes that are serious, that we really care about. We wanna uplift and we want to support, but overall, I know I wanna have a joyous outlook about myself, my business, my clients. Anne: Absolutely. Lau: My world. I want, I wanna go in with the upward mobility rather than downward. Anne: Yeah. Upward. And along those same lines is really understanding what it is that you do and how you contribute to the world and society and within your business. And I think that we talk about this all the time, know your worth, know your worth. But I think we, we talk about it in terms of just knowing your worth in terms of what do I charge? Right? What do I charge for this voiceover job? I want you to think broader and grander than that. Like, how does my voice fit into the very small piece of the pie that can affect people on grand levels? Do you know what I mean? My voice that fits into a documentary or something that's uplifting, or a meditation or, or however that works in a creative, entertaining spot. How does that fit in? And how does it overall affect not just you and your business, but society and the world? And when I think you start to realize where that sits, you start to value yourself and your business even more. And that helps you to create even grander goals that can be achievable, not grand goals that are not achievable. It gives you inspiration that you can achieve this. Lau: Yes. And that there is an outcome that you are responsible for. And the outcome is surrounded by impact. Anne: Mm. Yes. Lau: Like what kind of impact and outcome does your audience, your client base, the people who surround you, what are they going to feel? What's the affect? What are they going to learn? What's your logos and education around what you bring to them? And how will they be persuaded? You know, like how will they move in a direction or a new direction based on what you're giving to them and offering them, which is you're offering them value. Anne: Yeah. Lau: You're really giving value. So it's not just about setting your rates and setting your pricing. Anne: Sure. Lau: It's about saying, take a step back. What value am I really giving to them? And how long lasting is that value? Anne: I totally agree with you. And so in looking, I think, BOSSes, before you start to make those goals for 2023, and you start reimagining, start taking a look at what you do now and start looking beyond just the surface of -- for me, for example, I don't necessarily do documentaries every day of my life or impactful commercials every day of my life, but I do voiceover every day of my life. And every single piece that I do voiceover for every single piece of copy has a meaning and has an impact to someone out there. And I think we don't often look beyond the words. Right? And the end of the job and the paycheck. I think we really have to say, what is it that we are contributing? And also, I think if you are really thinking about the overall impact, it's gonna help you with your performance as well. Your performance is gonna mean more artistically. And also, again, I think everything just falls into place because again, as I was mentioning before, if we look at the evolution of this industry and how things are changing and evolving, technology, it keeps coming. Right? It keeps coming. There is the potential for a large amount of disruption in our industry because of technology. If you remember, I think the first was home studios and then ISDN, right? Or ISDN, that was a technology that led to home studios. And then home studios led to more and more people in the industry. And then after that, I'm thinking, what else is changing in the industry? Online casting sites, right? Pay to plays. That was technology that, it disrupted our industry. And technology, by the way, doesn't just disrupt our industry. Technology disrupts every industry. And again, there's another movement for, I'm gonna say it, synthetic voices. And I know that people don't wanna hear that, but yet it is coming. And so as businesses and when we are trying to imagine our business moving forward, we need to be aware. We need to keep our eyes open. And we also need to think that if synthetic voices are coming, we need to be even more human in our craft. Right? Even more human, to make the impact to differentiate ourselves from the other product that may be coming. And also possibly consider having an additional product in your service. Right? Maybe a human voice. Well, obviously a human voice, right? But maybe think about how a synthetic voice might play into your business. I'm not gonna say that I am out there taking away jobs, but I'll tell you what, they're not gonna stop for me. . Lau: Exactly. Anne: And so for me, I wanna hone my craft so that I can give as much human Anne to my performance and make an impact with that as I can. And so that gives me lots of goals for next year, lots of goals. Lau: Tons of goals. It's never ending goals. And I think there's the nature of human beings, not just in our industry, but to sort of have resistance against change. Anne: Yeah. Mm-hmm. Lau: Like anything that looks scary, unknown, change -- will that take my job? Will that take my value away? Will that take my worth away? Well, our job, I think as human beings is to say, no, I have to re-envision what my value and what my place is, and then I have to offer that. Anne: Yeah. Lau: If I sit back and I put up the resistance wall and I become super toxic, and start low talking everything and downgrading everything -- listen, as you said, it's not gonna change because I'm upset about it. Trust me on that. Anne: Exactly. Yeah. Lau: So when in Rome -- like you have to figure out, how do I carve out my business and rearrange that to fit the new waves that are happening in the industry? And if you really look closely, there's going to be positives. There's going to be pros, there's going to be great stuff. And then there, there will be cons too. Anne: Yeah. Lau: So I always found like you, I need to stay positive about it and really do the due diligence of figuring out how do I swim in this market? What do I have to offer? And what do I need to change and re-envision in order to still fit into the industry? Anne: Right. And I think it's important, again, just to reiterate with some different words, but saying the same thing, it is the market. We are a business who provides a product to a market, and we need to pay attention to that market. I can't just be a voice actor and say, but I have an amazing voice. Hire me. Lau: Right. Anne: It doesn't matter how great my voice is if the market is not demanding it. Right? And that's just business 101. You have to understand what the market is looking for, and then as a business, offer something that will serve that market. Lau: Yeah. I mean, if it's any consolation and you view it all as a commodity, and that we are a product, in essence, go out and look at every single product on the market from an Apple computer to Tide soap to your car, to your house, whatever. It doesn't stay the same. It's all new. It's improved. Anne: Yeah. Lau: You've got new ingredients, you've got new packaging, you've got environmentally friendly, you've got da, da da, da, da. It just doesn't stay the same. Like, I'm this laundry detergent and it's good. And take it or leave it. It doesn't stay that way. It has to change with the mindset, the vision, and also the generational influences. It has to shift and change to appeal to those target demographics. And it doesn't mean that it's not good anymore. It means that it needs to move in the direction where that audience figures out what the value is. Anne: We can't, "get off my lawn!" We can't do that. Lau: No, no. Anne: We just, we just can't -- we may be getting older. And it's interesting because as I -- Lau: What are you doing on my lawn? Anne: Get off my lawn. Lau: Get off. Anne: As I mentioned, I've been in the industry for 15 years. I have seen a lot of change. Lau: Anne: Again, when I mentioned when I started home studio was just a thought. Lau: Yeah. Anne: It wasn't a requirement. Online casting sites hadn't begun yet. And really, if you're not, again, watching and looking and educating yourself, you're not gonna be able to mov…

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    The Business of Agency Dec 20, 2022
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    What's the deal with representation? In this episode, Anne & Lau break down the basics. They share what agents do, how they can help with your career, & why you should (or shouldn't) sign with one. Lau shares her experience as an agent & what she does on a day-to-day basis while Anne gets answers to common questions voice actors have about having an agent. Agencies are businesses, but they have the power to help you find work, making them a potentially valuable part of your career. Unfortunately, there is no one-size-fits-all answer to the "do I need an agent" question. It depends on the kind of work you are looking to do & what your goals are. We know there are many ways to BOSS with and without an agent, but if you want to learn more, we've got you covered. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the VO BOSS podcast and our business superpower series. I'm your host Anne Ganguzza, and I'm excited to bring back to the show my very special guest co-host, Lau Lapides. Welcome. Welcome. Welcome. It's a good day, Lau. Lau: It's a great day. It's always a great day to talk voiceover. It's like we could, I was just saying we could talk forever. This podcast should be like day and night. It should never stop ever. 'Cause we could talk so much about it and life and being a human being and all the things we care about. There you go alongside that. Anne: So I do wanna say that we recently just met and really clicked and of course I'm super excited that you are now representing me. And I thought about it because I love the fact that I think you get almost as excited, if not more excited about providing me with opportunities than I do about being repped by you. Lau: Totally. Anne: And I thought it would be a great time to talk about, should we get representation? What's the deal with representation or should we not? Because I get that question all the time from my students. Lau: Oh my gosh. I do too. It's an ongoing conversation. It's a great discussion to have; all questions are good questions. There's no answer to it. I don't think there's a specific answer to it, but the discussion's really important to have, and you're right. I do get really off on getting the work for others. I love you do the feeling. And I was trying to think back when I was a performer full time. I dunno if I felt that way about even myself. Like I was always kind of that agent manager type, you know what I mean? I was just kind of like that Jewishy producer myself, you know, kind of thing, New Yorky thing, whatever that is. I love it. I love it. Not just for the work itself, but for the process of being able to get someone inside of something that they're on the outside of. It's almost like a secret. To me, it's like a safe, like I get to help someone find the combination to the safe. Anne: Oh, I love that. Lau: And get inside of it and discover what the treasures are. Sometimes it's money and sometimes it's not. Sometimes it's just a whole bunch of like a portal of a world that you weren't in before. It's Narnia's closet. That's what it is. Anne: I love it. Well, I have to say I've done casting myself, and I always love that let's fit this voice talent to this job. And it's wonderful when it comes together like that. Lau: It is, it is. Anne: And so I think that it is having agents is a wonderful thing. However, agents solely represent a portion of where I get my opportunities from. And I always try to explain that to anybody who like, when they first start getting into the business, they're like, when do I get an agent? I need an agent. I'm like, well, I literally was working in the industry for about four years full time before I got my first agent. I think it's helpful to really understand the role that agents play in helping to get work for voice talent. So let's start with you, Lau. Tell me a little bit about your role as an agent and what types of are specific genres that you specialize in. Lau: So I have now been in an agent capacity for about two and a half years. So I'm still relatively young in the agent world. I was a coach and for many years, still am, and a performer myself, still am. But I mean, that happened well, we were right in the middle of the COVID and you know, as a business thinker immediately, I start thinking, what problem can I solve? Who needs, what, who needs what, what's missing, what's missing. So we're Boston based in the new England market. I said, oh, I don't know of any voiceover divisions. We don't have a department in an agency that's voiceover. We have some great studios that will do casting, but we just don't have that like a New York, like an LA has that. And I sort of aspired to be like the big guys. I always said, well, now we're in a global market, right? We're in the middle of COVID, we're locked in our houses, everyone's still doing voiceover. And I said, what can we do? So I wanted to open this division, and I ended up pioneering the MCVO and opening it under the umbrella of Model Club. That's my colleague, Tim Ayers who owns and operates Model Club. So it was a really interesting, unorthodox way of working where this company, my company Lau Lapides started to become a contractor to a licensed agency to start a division that we had the knowledge of how to do that. So we went ahead and did that, started stocking the roster. And I sort of have been around agents for most of my life. Anne: That was stocking the roster, not stalking, right? Okay. Lau: Stocking, like adding people in, adding voices in like -- Anne: Stock. Lau: Yeah, stock. Anne: Not stalk. Lau: No, not stalk. All right. I have to articulate that one really well. Right? . Anne: I think that was that New York accent Lau: It was that New York accent. And I had to learn as I went, to be honest with you. I think this is the kind of trade that people who go into casting or go into agency work are working with agencies and working with casting. And they're apprenticing and they're learning how to do it as they go. You can't learn it in a classroom. It's not that type of thing. And so I was learning through the years how to do these things by kind of doing it. And this was a fit and this was kismet. And then I launched it when we launched it. You can imagine we had immediate response from talent all over the place -- Anne: Oh, I bet. Yeah. Lau: -- who wanted to submit because it's exciting simply to have a voiceover agency or voiceover division. And so that was kind of cool and exciting, and then figuring out how do we connect to breakdowns and how do we get some of the best auditions, and how do we connect the dots with current clients, whether they're regional clients or national clients, and just sort of spend time figuring that out and doing that. But we were lucky in in the sense that we started getting great auditions almost immediately, like -- Anne: That's great. Lau: -- between the clients that we already had, Tim already had, and my connections nationally, we started getting a lot of stuff in, and it was almost overwhelming to, to find talent for that. Anne: I wanna just kind of interject here because I think most talent don't think about what is a talent agency, right? And I just wanna kind of bring it home and say, we need to understand that a talent agency or an agent, they are a business. And their business is to match clients up with voice talent. And so they have their own work to do in terms of securing clients that and advertising to clients, that they have a great roster that they can help fulfill that need. So I think sometimes voice talent forget that agents, they aren't magic. They don't have magical clients. They have to do a ton of work to get those clients and to keep those clients. So understanding that an agent is also a business will help you to understand that once you have an agent, when you get an agent, there needs to be a relationship there, where we both can benefit each other. And that agents are also in a business and need to make money. And part of that is by matching clients to talent. And if there is a profit margin there, then obviously the agent is going to work that deal. And the reason I bring that up, Lau, is because I think that a lot of agents work specifically in broadcast media, because there's opportunity for more profit there versus let's say a one0off non-broadcast sort of a deal. So maybe you can expand upon that a little bit. Lau: Yeah. I mean, I think just a baseline for people who are learning about agencies, or maybe wanting to tier up to the next level of a better quality agency, just simply put agencies are the middle people. They're the middle women, middle men. They're in the middle. So they're the contract dealers, the negotiation people, the people who find the talent, connect the talent to the job, help with casting. The -- we're not casting directors per se. We don't take the place of a casting director, but we do help in all sorts of capacities. And we do get clients that say, hey, what are your thoughts? Like, can you help narrow this down? Anne: You do shortlist, right? You do shortlist? Lau: You do shortlist. Anne: I was gonna say, yep. Lau: You do recommendations. You do shortlist. And because sometimes they happen very fast, they will rely on you to make quick recommendations and have very quick answers to questions, questions on availability, questions on rate structure, questions on union status. Anne: Sure. Lau: Questions on what their setup is in their home studio. So there's a lot of stuff that has to happen that goes through the agent that has to happen fast. And the reason they'll go to an agent, many reasons, but one is for speed, so that they know that they're gonna have their stuff when they need it as quickly as possible. They don't have to chase the talent. Anne: That makes sense. And they don't have to cast the net wide and make their own decisions. So, yeah. And I think, so, let me ask you a question. Do, do the majority of agencies, or is this really dependent, do they shortlist themselves or it depends on the client if the client is looking for -- Lau: Yeah, it depends on the client. And once in a while you will have a private client that is with other agencies as well. So like if it's something that's on a national platform or even a regional, if you're going through a casting office, they'll have other agencies. They'll be submitting their top talent from other agencies. They'll whittle that down fairly quickly. And then they'll, you know, reach out to you. As an agency, you're never the only fish in the ocean. Anne: Right. Lau: I think the, what agents try to get is private clients. Like we love private clients. Because we know like when I get a company, that's, let's say they're a regional company, and they're gonna cast and they reach out to us, I know that like eight times out of ten, we're gonna book that job. Anne: Yeah. Yeah. Lau: We're gonna book that job because they're privatized. We have a relationship them. We can provide the same talent over and over and over again. Whereas sometimes it's a hit or miss if you're going through casting -- Anne: And you're reliable. Exactly. Lau: Right. Anne: Just as we need to be as voice talent. Right? Just as we need to be to our clients. Right? Agents need to be that to their clients. Absolutely. Lau: Exactly. So the relational factor's really, really important. And then of course they are assuming and rightly so that we're doing a screening process that they don't have to do. Anne: Right. Lau: They don't have to audition. They don't have to find the talent. Anne: Right. Lau: They don't have to do any of that. We're doing that. Anne: Right. They rely on you because they know that you have a roster of professional talents that their studios have already been vetted. You already are familiar with the roster and their specialties and availability, that's another big thing. Right? Lau: That's right. Anne: Who's available? And so that I think really takes care a lot of the tedious details that they don't wanna have to deal with. And so. Lau: Oh no, they don't wanna deal with any of that. Anne: They reach out and oh gosh. Do I even begin in saying like the naming of files, of audition files? Lau: Oh, it's endless. Anne: Who takes care of that? Lau: It's endless. That's right. I always joke. It's like they don't wanna have Jim in cubicle C handling that because Jim doesn't know how to do that, if you know what I mean? Like they don't get any of that. And so it would be overwhelming to them to go into a big pocket of say, thousands of voices to try to find what they're looking for. That would be way too overwhelming and time consuming to do. So that's another reason why they still go to agencies because they know it's not gonna be thousands and thousands of voices. It's gonna be the top 500 voices for critique. And then out of that, the specific submission for their criteria of their breakdown. And then they've got their top 15, 20, 25 people, which is more than enough for them, 'cause they know again, they're screened in their top to find who they need. And it's funny because at the beginning Tim went from, oh, it's okay. I mean, if they have an iPhone, and they can can record in their iPhone they don't need a home studio, different -- to, okay. You need a studio, a source connect. And I was like, no, we want the best talent nationwide if not international, because we are now competing against very large agencies in the hub. So we don't wanna shorter ourselves by saying, oh, as long as they can jump on a phone and do something. No, no, we wanna have the industry standards in place so that if we book a McDonald's or we book a Dunkin Donuts, so we're really ready for that because they're auditioning your studio as much as they're auditioning you now. Anne: Isn't that the truth? Lau: Everyone knows. Anne: That is the truth. Lau: So the agent depends on that. . Anne: I love that we're learning about agencies from the agency's business side because it really can help us as voice talent to understand like your day-to-day kind of activities. Like let's talk about your day when you are throwing out an audition to people. So tell me, what do you do as an agent when you are casting? Lau: Well, I'm a little bit unorthodox in the sense that I now run two businesses. So I run my studio , which is separate, very separate, then the agency side from MC Inc. So when I run the agency side, we're constantly getting in auditions, which we've been filtered by the different relationships we have, the services we work with, but so they're coming in sometimes daily. They're coming in throughout the day. We're looking at them, making sure that they're legit, they're coming from where they need to come from, and then getting them out as quickly as possible. And that can be a challenge too, because if we're working on other work or we're recording or we're coaching or we're whatever, we have to really multitask or stop what we're…

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    Your VO Family Dec 13, 2022
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    Sometimes we get so wrapped up in doing what we love that we forget that our work is still just work (even if it's the most fun job in the world). This week, Anne & Lau are joined by special guests Aria Lapides, Carol Alpert & Daniel Marion to discuss how & why community support is so important. Building a creative family includes building support systems outside of your professional circle. This may include your family, friends, and even other voice actors who you can count on for help. The voice-over industry is a small world, and it's important to build relationships with fellow actors and creatives. They will help you grow, learn, and encourage you when things get tough. It can be hard to separate our egos from our projects but being able to do this allows us to accept criticism more easily. Tune in to join this VO Family… Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the Vo BOSS podcast and the business superpower series. I'm your host Anne Ganguzza, and today I am excited to bring back my very special guest co-host Lau Lapides. Hey Lau, how are you? Lau: Hey, I'm great, Anne. How you doing? Anne: I'm doing amazing. We have a VO Family with us today. I am very excited. . Anne: Well you know, I think having people that support us in our businesses is so very important to our success. And I don't know honestly where I would be if my husband in the beginning had not given me his full support in launching our business. For an entrepreneur, launching a business, especially coming from a corporate background, I was used to getting that check every other week. And I had a very stable, I was gonna make this amount of money, and I was dependent on that to pay the bills. And going into the entrepreneurship of my VO business, all of a sudden things became very woo, I don't know what's happening today. I don't know what's happening tomorrow. When's my next job coming? And I'll tell you, the support of my husband was just invaluable and the support of my family too. I mean, I know there's so many of my students who will tell me stories about their families don't support them or -- I myself had my mother, God bless her. But she would say to me every once in a while 'cause she didn't understand exactly what I was doing. And she would say, you know, honey , when you get a real job, I think it's gonna help. You know? And I would be like . I would be like, It's okay. Mom, I'm an entrepreneur. And it was funny because it was hard to explain to people who don't understand the entrepreneurship lifestyle. Thoughts? Lau: Uh yes. And it's almost unexplainable. I mean you cannot -- it's truly a lifestyle business. It's one that you live and you experience and you have to be suited for it. Not everyone is suited for it. Many people want a nine to five job. They want Benny's, they want pension, and God bless them, and I'm happy that they know that. Like I'm one of those people that knows I don't want that. So you have to be okay with not being okay a lot. It's really important. Remember that famous book from the 70s, "I'm Okay, You're Okay," that famous psychology book? Well, we're not always okay. And so that's the little edginess, that's the little on the edge of the cliff that a lot of us love the dopamine kick and get excited by the risk taking of it all. So yeah, you have to be cut out for it, right Anne? Anne: Absolutely have to be cut out for it. Or if you're not cut out for it, you gotta get used to it pretty darn quick. It's always one of of those things. There's a lot of highs. There's a lot of lows. For me getting used to the lows and kind of driving through them, and we've talked about this on previous podcasts, really is a mental exercise in pushing good energy out there so that you can survive. So let's introduce the VO Family that we have here today. Now Lau, these are part of your VO Family, so let's have you introduce them. Lau: Oh, I would love to. So I have Carol Alpert, who we were talking about on another podcast. I don't think Carol was here. So I love talking about her when she's not here because then I can kvell, which is Yiddish for like just give her honors and awards and accolades and kudos, because everyone needs a Carol. Like if you could buy a Carol, you would buy it, put it on layaway. It doesn't matter how much it costs, it's so worth it, because she is my friend, my family, my support system. She's a sister I never had, so I can't say enough about Carol. Carol: Thank you. Lau: Professional actress and VO talent herself in her own right. And I'm thrilled to have her as part of our Family going in our 14th year. And we have Dan Marion with us from Texas who is just the bestest of the best, fantastic person. And you know, we haven't actually known Dan too, too long. I don't know, maybe a year, year and a half. But yet there's always this feeling with people that come into your non-blood related family that you've known them forever. And he's like one of those people that even across the Zoom waves and even across the states, we feel like he's part of us and one of our family, and that we support 100% in every way. Pro VO, part of our MCVO division family as Carol is as well. So that's thrilling, and he's a wonderful coach as well as has technical prowess as well. And then Aria Lapides, who is in the house and she is my everything. Anne: She's in the real house. Lau: She's in the real house 'cause she's like, I call her my better half. She is my daughter but has turned into my business partner and my best friend and really just a spiritual little fairy cohort for me to keep me floating, and to keep me imagining, and to keep me together in this whole crazy business we've created. And in her own right is now a professional actress and filmmaker and photographer and is really incredible visual and performance artist. And so she's a big part of our Family. Anne: Fantastic. So you have coworkers, you have two coworkers and a family member. So first of all, let's talk -- Aria. Being a member of the family, what's it like for you being a part of the business and being part of the support for your mom and in this voiceover industry? Aria: Oh wow. That's a big question, especially 'cause it's not just voiceover, it's so many things. It's all in acting and everything that you guys said is so true, the importance of having people to support you. Because in this industry, it's so blind. Like when you're sending a voiceover audition or a casting audition or a acting audition, it's blind. So all you have is your support team and how much they're pushing you and how much they're being truthful with you. And I could say that, you know, even though it's like I'm supporting my mom, which I do, of course, it's like she's supporting me just as much if not even more. Like she supports me in everything. And it's so important because there's so many different aspects from technical to the actual acting values that have to be there to, well what happens when I do get the job? Like what do I do? Yeah, I would say that it's a really amazing because I've been able to grow up in an industry that's very creative, very cool. Like really, really cool. Um, I know some people have family businesses that are a supermarket. So it's really cool to be in one that's very creative. Things are very open, you can coach, you -- I mean I've dived into filmmaking and producing acting reels and working with actors and, and I gotta say, it, it is really so cool to see like my mom every single day like have new ideas and new things that she's doing all the time. Like she's always so active and she's, she's right. It's a lifestyle business. She's almost never not working, which is wild. Lau: And you know, Anne, what's really amazing here is that both of my children, my son's Sage, who's incredible -- he's not in the industry, he's in a totally different industry -- were homeschooled. And so I was bringing them up as I was starting the business and running the business, which was crazy. Like it was crazy town. You can't imagine. So who knew this crazy little girl who was like throwing legos at me one day, it would kick in that she would be coaching clients and she would be directing a film shoot and she would be voiceover auditioning for Pixar. And it feels like that happened overnight. Like that just happened overnight. It's like how you and I feel about our clients. Anne, it's like you see the grooming of that throughout the years of the rapport, the relationship, the trust, the back and forth. And then all of a sudden it kicks into something in high gear that you see all of your hard work and investment in your business come alive. And I've seen that in Aria literally since a little tiny girl to now like the business has just created this whole human being that knows so much for someone who's only 19. Anne: Yeah. Lau: Incredible. Anne: Now, I'm gonna ask do you two disagree at times? I mean -- Lau: Yes. Anne: -- family wise or work wise? Lau: Yes. Anne: And how does that play out? How does that interact with your businesses? Aria: Can I start on this one? Anne: Of course. Aria: 'Cause it's so funny that you say that because, yeah, because like especially in like let's take filming for instance, it's so hard. And that's so interesting that you asked that 'cause me and my mom were having this conversation last night of like being able to let go of control and knowing that you are not your work. Like even my mom's business is not her. I mean me and my house is separate from me filming, me acting, me doing anything that's a separate entity from who I am. And there's like this level of separation that you have to do to be able to give over the control to a director or to your mom or to a casting agent to be like, that's a beautiful image. That's a beautiful take on this, but it's completely different, and we need you to do that. And it's like separating your ego from your work. And it's a really, really tough thing to do, especially from a young age, 'cause you're like, wait a second, I thought my ego was the thing that was driving these creative things that are happening. But it's like, no, no, no, no. It's just an idea. It's constantly shifting and changing. So the more that you are flexible with it, the more you can get better at it really. Yeah. Lau: Anne, I wanna jump in on that one 'cause that's a fantastic question. I'm actually gonna answer that super straightforward because Aria recently secured new agency representation, really big out of LA. And one of the meetings they had with me because I'm her momager, and for those people who don't know what a momager is, it's a manager, a legit manager who's also a mom. Or it could be a dad, like a dadager. But I'm a momager. One of the first questions they asked of me in private was, do you guys fight? And he comes from the, literally the school that I come from where we're in the same program together. And I looked at him and I said, yep, 'cause I'm also her coach for all of of her auditions. And he said, how does that play itself out? How do you guys remedy that, whatever. And are you honest with her? See this is good for the VOs to be listening to because if they deal with the manager or if they're dealing with a family member, they have to like start having these lines of demarcation. Like what works for their personal relationship and what works for their professional relationship. And I leaned over and I said, yep. Because I tell her the truth, because I want her to be the best. If, if she sucks, I'm gonna be the one to tell her before anyone else does. And he said, great, I'm glad to hear that. So we'll probably take her on then. Now if I had said no, she's the best thing since sliced bread, I would never fight with her. In fact, she needs to be a star. In fact you -- they wouldn't have taken her. They would not have taken her. And this is like the deal for all VOs when you're dealing with agents and and managers and the like. It's like be honest. Like be honest. You don't wanna be the person who's a difficult person, who is always causing conflict. And we're certainly not that. But you wanna be honest and transparent about, yeah. When you're working hard on your craft, there's a lot of rocky road, there's obstacles, there's just agreements, there's arguments. Yeah. There is, and how do you work through it? How do you problem solve it? That's what we're hiring you for. That's why we wanna work with you. Not because you're sitting in a place where you're angry or you're not talking to each other, it's not working out. But a place where you go through that wall and you get to the other side of it. And I believe that's what Aria and I has done through the years to be successful. Anne: I just wanna say congratulations and kudos on that. And what you said I thought was so important was getting to the other side, right? Because you're friends, you're work partners, you're family, there's going to be times where there's probably going to be arguments, there's going to be anger, there's gonna be hurt. And you have to be able to get to the other side of that so that you can move forward. And I think that was such an important point that you bring up, Lau. Absolutely. Lau: Yes. And there have been many times, and I'm sure parents who are listening to this right now with their children who may be in the industry, or they're in the industry, or they're both in the industry, sort of swimming through those very muddy waters thinking what do I do? What do I do? And I've been advised many times by pro saying, Lau, you need to not work with her. It's really important. Don't work with her. Don't bring her into the business. Don't manage her because you wanna have a good relationship with her. And I said, no, no, no, no, no. If all the families through all the generations could work together, we can work together. It's just going to be a little bit more challenging, but we gotta be able to problem solve that. 'Cause your family and your Family should be the most trustworthy people that you surround yourself with. Not that you can't get awesome friends in the world, but they're the people you come back to and home to and confide to. And so you don't wanna lose that. You don't wanna cut that off just because we are blood-related. Anne: So let me just direct a question back at you, Lau. How has Aria helped you grow? Lau: In every way. I mean like it's immeasurable. I can't even tell you just from the idea of being, or the fact of being her mother has opened up so many doors in me as a person, as an actor, as a woman that I would not have experienced if I had not experienced her. Not easy, very difficult road, but very, very, very spiritual. The path less taken in a lot of ways, in how we melded this whole thing toget…

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    Stop Self-Sabotage Dec 06, 2022
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    Self-sabotage. We are all guilty of it. You can either fight it or embrace it. If you're not sure what sabotaging behaviors look like, Anne & Lau are here to call you out for everything from minimizing your accomplishments to chronic procrastination. When you're a small business, entrepreneur or creative, your inner voice can often get in the way. The good news is once you recognize the signs of self-sabotage, you can catch yourself & change the outcome. It is easy to feel imposter syndrome. It is easy to push tasks off. But nothing about success comes easy. Having a plan in place to overcome self-sabotage is what will help you beat it, and BOSSES, Anne & Lau have the tips to get every BOSS there. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the VO BOSS podcast and the business superpower series, with my guest co-host Lau Lapides. Lau, hey, how are you today? Lau: I'm fabulous. Ready to rock. Anne: Ah, Lau. I love recording our sessions. The thing about it is, BOSSes out there, of course we don't do this live. A lot of times Lau and I are doing this on Saturday. So we are working beyond the five day work week. And for me, I'm kind of a self-professed workaholic. Now there's sometimes where I feel that's a good thing. And sometimes where maybe it's not such a good thing because I really need to get out and refresh and get my creative spirit back. But I thought it would be a good time to talk about growing your business work ethic and how some people -- I know there's a lot of, a lot of my students are like, I don't know what's going on. I'm not getting any work. So what can I do? It's almost like they sabotage themselves before they've even begun. So that whole self-sabotage thing, Lau, what do you think about that? Lau: It's a big deal. I'm telling you, it's a big deal. It's a culprit. And I see it in every other person I work with that's self-sabo -- we'll call it the SS, the self-sabotage. It's so common. And unfortunately, many a time, the person is innocent. They really don't know they're doing it. They're not aware. Anne: I agree. Lau: They need to have an outside source, help them identify like, what is going wrong? What's going off? What are they doing? And what are they not doing that's getting in the way of really achieving their goals. Anne: Sure. And I'll have to say that a majority of let's say students that come to me and say, I hate marketing, or how do I get work now? And so I'll be like, well, you know, you, your marketing has to be an effort, a concentrated, strategized effort by you. And I find that there's an awful lot of people that don't necessarily either know that they have to put as much effort into it as they might in the beginning to get some traction in this industry, or they hate it so much. And they're like, well, I'm gonna take another classroom. I'm gonna get another demo produced. But in the meantime, the other work that needs to get done to really grow their business kind of sits. And it's almost as if they wait and they're like, well, why isn't work coming to me? I've been taking all these classes. I've got my demos. What do I do? And so I think part of it is an education for here's what it takes to really grow your business. And I mentioned earlier that we are here on a Saturday. We're here on a Saturday. And unfortunately, you know, I work six days a week. The one thing that I love about this business is if I need to take time to do something on a Saturday, then we know we'll record at a different time. But the fact is is that I know what has to go into it in order to get results. And unfortunately, sometimes it's a whole lot more than I want to think that goes into this. Yeah. To be successful. There's a lot more work. Lau: And unfortunately, I think the mindset that you just brought up earlier about I'm in school and I'm training and I'm doing demos. Why aren't I getting work? Well ask yourself this question. Am I going to hire a dentist who's in school to pull my teeth? Am I gonna hire a carpenter who's in school to build my $2 million home? Anne: Right. Right. Lau: Not to say, I don't want a mistake for the listeners you shouldn't be taking classes or training. We're always in professional development. Literally. I'm in professional -- you're in professional. Anne: Yep. Always. Lau: But it does not take the place of the exposure energy that you have to put into the world from a marketing standpoint to let people know who you are, what you do, what you provide, and do that on a consistent basis. It's not either, or it's both simultaneously. Anne: People can't hire you if they don't know you exist, you can't just expect to sit in your studio and wait for work to come to you. When I got into it, in the beginning, I mean, I did not judge the fact that I would have to market as much as I did, and sometimes to really get a good traction and get some consistent clients coming back, it doesn't happen overnight. It doesn't happen in a week. It may take years, just being real. And I really truly believe that the people that stick it out -- there's so many people that get their demos, and they're beautiful demos, but then they don't realize everything else that's required. Lau: Yeah, what you have to do with it. Anne: Right. And then if somebody will mention to them, you know, you need be concentrated effort in marketing. They'll make maybe a halfhearted attempt, and they don't go far enough to realize how much it really does take. And in that respect, they are sabotaging themselves. They're sabotaging what they invested all that money into to get the coaching, the demos, and then all of a sudden to not get any work like they're expecting, that is a version of self-sabotage. If you are not willing to put in the effort as much effort as you possibly can to make this a success. And I don't wanna make people think that it's not something that just happens overnight. It's not easy. There is somewhat of a work ethic you have to have to put into it. You get what you put into it, right? You get out of it. What you put into it. Lau: I say that all the time, you just took the words outta my mouth. I mean, it really is your investment of your time, your energy, your mindset, your work, everything has to be in it. Another one, another very popular one is the time management piece of really not understanding what your schedule is. Like I said, let's go to a chart, go to a chart, make a chart, make a block chart. Do something that makes it very tangible what I do Monday through Sunday. Like make it very real, like go to your studio, go to your office space, go and make sure you work X amount of time in your day. Because that habit, that consistency, that commitment that you make is gonna help obstacles move out of the way. Because it's very easy to say, but I gotta be with my kids and I gotta go to the birthday party and I have to get this, and I have to -- there's tons of stuff that we can let get in the way and really justify it and say, well, I have to get this done. I have to do this. This has to be a top priority if this is going to be a career for you. Anne: Absolutely. I think there has to be a commitment, a commitment to all pieces of the business. And again, we talk about this so much. It's not just about the performance. It's not just about doing auditions. It's really about the entire, the entire business. And even if -- I feel like I've become a queen of outsourcing only because I keep wanting to grow my business, and I feel like I cannot grow my business until I can offload some of the tasks that I have to do on a day to day basis to other people. And right now, literally, I mean, I'm not bragging about that, but I have nine people. I have nine people that specialize in what they do, helping me with my business. And I outsource that so that I can do all the things that I wanna do in my business and grow. If I do not hire these people, I will not be able to grow because I physically don't have more of myself to give. So thankfully for this podcast, just as an example, the time that I spend with you in here in our booth recording, the episode is what I put into that. Everything else gets outsourced. I have an editor who edits the episodes afterwards. I have someone who transcribes it. I have two people that do social media. I have a person who works on video clips. So there's literally so many people that are involved in this. I would not be able to put this together or be successful if I did not put the effort into it. And I feel like there's so many people that say, well, I started a podcast, but I don't really have any listeners. So how do I grow the podcast. Again, it's one of those things where you sit down and you say, okay, this is what it's going to take to be successful. And you also have to not sabotage it by understanding that yes, there are these many pieces and components that it will take to be successful. You can't just exist on being a great voice actor. There has to be the other parts of the business that come into play. And so in terms of sabotaging, there's also, I'm gonna say, let's talk about people who are new to the industry and then are afraid to charge a fair amount for their services. Right? And they're like, well, I don't have the experience. So therefore I'll accept this job for $50. Or I'm only gonna charge $50 because I'm new. Let's talk about that. That is a form of self-sabotage. Lau: Yes. And you know what? I just wanna recap what you just said, which was brilliant that the negating of delegating, like the importance of delegating and being unafraid to delegate and being unafraid to pay for that delegation in saying that's an investment -- I'm not spending money. I'm investing in my business and I can't do it all. Like, yeah, we wanna be superheroes. And to some degree we are, but there's only so much time in the day we have to function and then to grow our businesses. So having that realization that if I wanna grow to the next level, I do need to delegate. I do need to have help. And I do -- Anne: I need help. Lau: I do need to pay for it. Anne: I need help! Lau: I need to pay for it. Anne: Oh my God. Such a wonderful point that you brought up, and I'm gonna say myself even in the beginning, I'm a control freak. Is that a surprise? No. Lau: No. And I'm a control freak. Anne: I'm a control freak. Lau: Surprise. Anne: You don't know what it took for me to hire somebody. Lau: Anne, you were in the syndrome that we were all in that's just like, oh, I'll just do it myself. Anne: Yes, Lau: No, I'll just do it myself. I'll do -- Anne: You want it right -- Lau: -- I'll do it myself. Anne: Yeah. If you want it done right, you do it yourself. Well, guess what? That is a form of self-sabotage as well. Right? Not being able to let go of control and outsource those things. Right? Lau: Oo I love that, I love that. Anne: Right? So that was a form of sabotage that I, myself early on in my career, when I was like, no, I can do it. I can make my own webpage. I can do this. It was, I used to work in technology. I can do it. And honestly, it was not serving me to be the control freak. And it took a lot. And I love the fact that you brought up the money. Money is a huge self-sabotage for a lot of people. Number one, not charging enough or not feeling that you're worthy of charging what somebody who's been in the industry for, you know, 15 years -- you are worthy of that. You've made an investment in your coaching and your demos. People want to pay you for your voice. You are worthy of what I charge, 'cause I've been in the business for 15 years. So you're worthy to charge what I charge. And also feeling worthy to make an investment and spend the money, that really is a form of self-sabotage as well, that whole money thing. Right? Oh, I didn't wanna invest. I don't have the money. Right?Well, so many people, I don't have the finances. What can I do to get a professional demo? I don't have the money. Well, okay. Here's what you gotta do. You've gotta strategize. Sit back, take a look at it. Understand that you're gonna have to invest in your coaching, in your demos in your business for you to get something out of your business. You're gonna have to invest. And that is, if you do not admit that or put into action, something that will maybe put savings away. Right? So that you can afford to get a professionally produced demo. Lau: Beautiful. Beautiful. Anne: No, I'm gonna do it myself. And again, that is a form of sabotage. I've just like rambled on. Lau -- Lau: I love it. This is like, listen, honey, this is therapy for both of us because the truth is we practice what we preach and we've experienced everything we talk about. Anne: Yeah. It's true. Lau: I'm not that godlike. I am a human being and I've experienced all of what Anne is talking about here. And that's how we learn. Okay. But if we don't learn, if we don't take the lesson -- as one of my business advisors to me said Lau, if you don't stop your resistance, I can't help you get to that place you wanna go. Anne: Oh yeah. Lau: And that's the humility. I don't know if you call it therapy or just revelation, whatever you call that, of saying, I'm not a god, I'm not a deity. I'm not, not anything other than a person in the world who is learning and working hard and reaching higher levels. But that doesn't mean that I am not resisting getting to the next level of things, whether it's -- oh, let's talk about fear. How about fear? Anne: Oh my God. Fear is so here. Fear of success too. I don't mean to say fear of being rejected. Fear of not being good enough, but fear of success. Lau: Fear, fear of failure. Anne: And fear of failure. All of that is a form of self-sabotage. And gosh, I think you just go on all day, but I know for me, I've always been that person. I'm like, I'm just gonna work, work, work, work. I mean, I've always had that kind of a, a work ethic. You know, if I work hard enough, it will come. And that's just my personality. Lau: Mine too. Anne: But some of that was also self-sabotage. If I didn't, I said, well, I could just do my own website or I can just, then all of a sudden it became like, well, I'm the only one that can do it right. And so again, that was, I want it done this way. And so nobody else will be able to do it, and giving up that control, which was a big self-sabotage for me. Lau: Big. Anne: Huge. Lau: It's a humility factor too because we all have to have a sense of pride and ego in what we do just to pull us through the really tough moments where we feel or perceive we're getting knocked down, or it's not that easy, or we're not making -- we have to have that sense of humility that says that's okay. That's part of your process. You're not gonna be above that. That's something you have to go through and you have to experience. And I get another one for you. How about procrastination? Anne…

    Full show notes at the publisher

    Bossing through the Holidays Nov 29, 2022
    Show notes

    It's the holidays! The time of year when we all get to relax, catch up on our tasks, and spend time with friends and family. But what if you've been so busy working that you didn't even realize it was the holidays? Or what if you're stuck in the booth and can't take a break? If you're going to take time for the holidays, be sure to book out with agents & clients. This way you don't have to worry about missing out on new business opportunities. For all the workaholics out there, the holidays can be a peaceful time to catch up on work. And don't be afraid to take time away! You'll come back from this little vacation refreshed & ready to tackle anything the new year brings. And don't forget that this is a great time for planting seeds for 2023. Send out thank-you cards, small gifts, and mementos to those who have helped make 2022 amazing for you! Still feel like the holidays are a stressful time filled with family obligations, work commitments, and personal commitments that all need to be balanced? Don't worry: we've got some tips for how to BOSS through the season… Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the VO BOSS podcast. I'm your host, Anne Ganguzza, and I am here with my very, very special guest, cohost Lau Lapides. Hey Lau. Lau: Hey everyone. Hey Anne. Good to see ya. Anne: Here we are for our business superpower series, which is one of my favorite series, The Business Superpowers. And speaking of business superpowers, the holiday season is upon us and there's a lot of things that go on during the holidays. And so I thought it would be a good opportunity to talk about how we can still be the biggest, best BOSSes throughout the holiday season because there are changes that happen. Sometimes things slow down, and we get nervous. Sometimes we have a lot of work and it's tough when you're trying to celebrate the holidays with your family. So let's talk about how we can have BOSSness for the holidays. Lau: I love BOSSness through the holidays, and everyone has their own ebb and flow. Some people, as you said, get super busy. They can't even think straight, and others are dead in the water and they don't know where the work is and everything in between. I do think one of the things you just mentioned, Anne, which is so important, is the celebration factor. So whether it's within the work itself that you're celebrating -- it could be the copy itself is holiday copy. It could be your clients that maybe your handpicking particular clients that you wanna send gifts of gratitude to -- whatever the case may be, you are celebrating. There's a celebratory tone and feel and mood. So you wanna make sure that you balance that to some degree, that you not only have time to celebrate with yourself and your family, but you also celebrate that you have a business, you're running a business. And how do you pay attention to all the many celebrations that are happening around you? Right? Anne: That's an excellent point. I think that it almost comes to like, what's the balance, right? That family, friends, holiday balance with work. If you're crazy busy doing a bunch of work -- now, the one thing that's good about the holidays is I find advertising agencies like to, to get ahead. Right? So, I mean, I'm already like towards the end of the summer starting to record things for the holidays, and so it starts early. Kinda like when they put the Christmas or the holiday, Hanukkah stuff out when it's like August or September in the stores. Lau: Yeah. Retail is like retail two, three seasons ahead. Anne: They are way ahead. So I think that with some planning, right, with strategic planning, BOSSes can really, I think, continue to do wonderful things throughout the holiday season and get the opportunity to spend a good amount of time with their friends and family. I mean, I like to book myself out between, for me, it's Christmas and New Year's. I like, I book myself out and I, I find that to be a relatively safe time for what I end up doing in my genres of work that I typically work in. Usually works well for me. What about you, Lau? Lau: Actually, it's so funny you say that. I don't know if I've ever really formally booked myself out. I feel like I've always, and this is my choice, I have a lot of colleagues that don't do this at all. I'm always kind of available for clients. Partly because, and I'll be honest with you, Anne, I'm like a workaholic. Okay, let me just get that out there right now. So I, I love what I do and I'm sort of addicted to it, and I always do it, you know, so it's like -- Anne: I'm right there with you. Lau: Yeah. I mean arguably so yes, a lot of folks are taking their vacations and booking out and doing all of that, but I always find there's work to do. There's catch-up work, there's my planning for the new year, what I wanna get done in quarter one, quarter two. So always find tons of stuff that I wanna be working on. And I have a different mindset during the holiday season. It actually for me isn't as stressful as when we're outside of holiday season. Because I know everyone's off and running and doing their thing. I get to catch up. So that's really exciting for me. But yeah, to steal some time and make sure that you're relaxing and getting enough rest and taking care of yourself and exercising, you know, all of that is great during the holiday season. Anne: I love that. And I identify, I identify with you, and I don't know if this is something to be proud of, but I mean I am a workaholic and I have been for a long time. And I think one of the reasons why I make it a pact with myself to try and book out as much as possible -- right, it's not that I won't read my email right during those days. However, I try to make sure that I'm not doing any necessary recordings for my clients, but my brain, my brain is never off, right? So there are times though, because I work so hard during the year that when I decide to say I'm off, thankfully I can shut the majority of that off. The good thing about me is that I not only work hard, but I play hard. And so when I decide that I'm going to take that time for reflection and refreshing my energy, I make it work for me because I know that after I take that break, I'm going to be better for it. Lau: Yes, I agree. I think just from the health and wellbeing of your mindset, you do need to have downtime that's scheduled in. Holidays are easy because most people are taking some sort of downtime. So you almost get permission to do it because so many people are doing it as well. I also find too, it's a great time for me to think about how I wanna connect, reconnect, and confirm and thank all the folks that I've worked with throughout the year. So it's a time where I'm sending out maybe gifts or letters or emails or e-cards or whatever it is, saying this has been amazing, love the experience. Let's do this next quarter. So I'm planting seeds. I find I'm planting seeds with people that I've either worked with or haven't worked with of what I'd like to do for next year. And they may not get to it for a month. They may not get to it right away, but it's there. It's like sitting there, it's like a little seed that I know is gonna sprout in a couple months. Anne: Mm-Hmm. For me, yeah, people would always say, well what do you send out gifts? What do you do for your clients over the holidays? And I like to send out e-cards, uh, notes, especially wishing a new year of happiness and prosperity and health and that kind of thing so it doesn't land during the holidays, which I think is a very busy part of the holidays for a lot of my clients. They're probably getting a lot of notes, a lot of gifts. And so I always like to say, well, let me stand out a little bit and I'll send something for the new year. And that way it'll come at a time that maybe they'll be able to spend more time and and see it and not be inundated with other emails, cards, gifts, that sort of thing. So I like the whole celebrate the new year, looking forward to working with you again in the new year, and that sort of a thing. So for me, my attention towards my clients is from a new year perspective and a happy holidays because that would encompass all of the holidays, we hope, that people celebrate 'cause there's just so many of them. Lau: So true. And actually we would think you and I would think 'cause we're from that timeframe where everyone would get gifts, the casting, the agents, whatever -- but you know what I've noticed in the last five or 10 years, Anne, many of them don't get as many as we think. And I know this because they'll write back to me, they'll say, oh my goodness, that was so thoughtful of you. That was incredible. If I send, let's say I send an edible arrangement. And they say, our office is gonna love this, Lau. It's just so thoughtful. You know, we don't see many of these, you know, whatever. Anne: Not like it used to be. Lau: Not like it used to be. No. It's very different now. You know? Anne: And in the corporate world too. I mean it used to be very, very different. And I think the pandemic might have had a lot to do with that as well and the economy. And so I think for me it turned into what can I do that's more meaningful? Right? I think before it used to be like, let's send a gift, let's send this and then what would you send? And is it a personal gift? Does it showcase thought or is it just -- for me, I really try to think about the relationship that I have with my clients and make it something special, something personal. And again, it doesn't have to cost a lot of money. I think that even just a personalized note, or a lot of times I'm a decent baker. Lau: Ooh. Anne: I can bake. I know everybody knows Jerry can cook, but I can bake. And I did when we were first dating, by the way, I did bake him something to impress him, and little did I know at that time he was like a gourmet chef. But I was like, here, I need you a carrot cake muffin for Valentine's Day. I mean carrot cake muffins in a basket. And, and I was like, ooh. I think 'cause it's a really great recipe. And little did I know that he's like a gourmet chef, but I'm like, here have a muffin that I baked. Lau: Oh my God. So you are actually like Kristin Wiig in Bridesmaids, remember that? Where she baked her boyfriend that carrot cake, and it was in the shape of a carrot and then the raccoon ate it? Remember that? Anne: I did, I, I baked a carrot cake. Lau: I was gonna ask you what your favorite gifts are. Like what's your favorite gift that you've either received or that you've sent out? Any come to mind? Anne: So for me it's handmade. It's gotta be handmade because so much of my life with my husband is revolved around his gourmet foodiness. There's lots of things, like every year we give out handmade this or that. And like last year it was handmade salad dressing. And that's really cool. I mean, I buy the bottle, I designed the label. My husband, we make Sicilian lemon olive of oil and that kind of thing, dressing. And we give that out. And that's something that I don't hesitate sending to my clients and that it's handmade, because if they know me at all, which I try to make sure that they do, they know that I come from that background, and that my husband is pretty much a, a gourmet anything. So I find that that makes a really nice gift. And it's something that is not gonna cost a ton for me. And I do, I have to say, I do love Amazon gift certificates. Lau: Oh, totally. Anne: Because yeah, that just takes care of everything for let's say, I have a lot of people that I hire, my assistants, and I feel like I wanna give them something as a gift and not something that's just, of course money is always appreciated, right, a bonus, that kind of thing? So I do that. Or if they do something that's special, and this is at any time, I might give them a gift certificate to Amazon. Lau: That's a good thing. Anne: That really tends to be my favorite thing or anything that's special. So for example, another one of my clients who I share love of animals, you know, my cats or my dogs -- it will be a gift for their cat and it's so funny -- or a gift for their dog because they almost appreciate it more, right, because it shows like a deeper connection. Lau: Yes. Anne: If I get a gift for their dog. Like wouldn't it be cute to get matching sweaters, like, oh, dog sweater and sweater? But again, it has to be specific to the client. What about you? I'm excited to hear your, your favorites. Lau: Yeah. Well, I mean there's standard stuff that whether you know this or not know this -- I mean, most people would know about Edible Arrangements. Anne: Yeah, absolutely. Lau: I really like Sherry's Berries too. So if you don't know about Sherry's Berries, that's really fun. Like hand dipped berries and fruit. That's awesome stuff. Anne: Yep. Lau: But we've done some interesting things in the past. I mean, my daughter is a visual artist, so she could draw like nobody's business. Anne: Oh, that's nice. Lau: Through the years, there were times -- I didn't wanna impose on her because it can take time to create art -- but there were times where we would have a, a special relationship with a casting or an agent, what have you, she would either draw them or she would draw something in the industry and send it to them. And that was like an incredible gift. Anne: Sure. Lau: You can also do promotional items that represent you or your company. And then give it a little personal twist. Like for instance, you know, we have some books that we published and then we'll, you know, add some photos to it or sign them or what have you. So you've got your promotional in there, and then you've got the personalized twist, and you've got a little note in there, a little gift card in there, a little something in there. Those have been some of my favorites. Another regular thing that I used to do with in studio events, when I hold events, I would do gifts, like literal gifts, not as much for the men. If I did anything for the men, it would be a gift card. But for women, I would literally get them jewelry. And I almost never went wrong with jewelry. Almost never. They loved it. And you don't have to spend a lot of money on it either. Like you can get beautiful jewelry, and sometimes they would be thoughtful for what that person is. Like for instance, if I knew their birthdate or if I knew something about what they were celebrating, I would take the color of the stone or I would take their name or something like that and I would put it right into the jewelry. Right into the gift. They love that. They love that stuff. Anne: Personalization. Lau: Yeah, personalization. Anne: Absolutely. And I was actually noticing your earrings earlier, and I was like, I really like those earrings . See, you can't go wrong with jewelry, I don't think for a lot of women, but that's me, of course. But yeah, I think that however you can personalize, it really makes just like any gift that you give to someone, right? However you can persona…

    Full show notes at the publisher

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