Stay ConnectedTruth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club. All brought to you by the people behind Little White Lies, the world’s most beautiful film magazine. email: truthandmovies@tcolondon.comtwitter: @LWLieswww.lwlies.com
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Guest host Nick Duncalf is in the hot seat this week as Truth & Movies gets spooky... First up is David Gordon Green’s Halloween, a direct sequel to John Carpenter’s iconic ’70s slasher, which sees Jamie Lee Curtis face her old foe one more time. There’s plenty of violence and tension too in Neapolitan crime drama Dogman from Gomorrah director Matteo Garrone. And lastly Nick, Adam Woodward and Hannah Woodhead gleefully carve up this week’s Film Club selection, Halloween III: Season of the Witch, which is neither a Halloween film nor about witches.
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One small step for Truth & Movies, one giant leap for podcast kind... On this episode, David Jenkins, Anton Bitel and Hannah Woodhead orbit Damien Chazelle’s Moon landing saga First Man, starring Ryan Gosling and Claire Foy, and Panos Cosmatos’ heady backwoods horror Mandy, which sees Nicolas Cage journey to hell and back on a nightmarish revenge mission. And in Film Club, we ask whether 1983’s The Right Stuff is the best film about astronauts ever made.
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This week’s Truth & Movies sees Tom Hardy climb back into the superhero movie saddle for Venom, quite possibly the strangest odd couple comedy of the year. Elsewhere Bradley Cooper and Lady Gaga hit all the right notes in the melancholy musical drama A Star is Born. Adam Woodward, Elena Lazic and Hannah Woodhead offer their thoughts on all that before taking a dip into the murky CGI waters of 1997’s comic book folly, Spawn, for Film Club.
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This week’s Truth & Movies sees Michael Leader, Manuela Lazic and Hannah Woodhead sing the praises of veteran leading lady Glenn Close, who’s on unbeatable form in Björn Runge’s marital drama The Wife, alongside Jonathan heady tale of female friendship and skate culture, Skate Kitchen. And for Film Club the podders reappraise Close’s Oscar-nominated performance in the 1987 “bunny boiler” classic Fatal Attraction.
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Michael Leader is in the host’s chair this week as Truth & Movies gets spooky with director Lenny Abrahamson’s gothic ghost story The Little Stranger. There’s still stranger goings on in Climax, a drug-addled danse macabre from Argentine provocateur Gaspar Noé. Adam Woodward and David Jenkins are on hand to offer their thoughts, and they’re joined by special guest Sharm Murugiah, illustrator of the brilliant new gift book ‘Where’s The Dude? The Great Movie Spotting Challenge’ – inspired by this week’s Film Club pick, the Coen brothers’ 1990s cult classic The Big Lebowski.
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On the show this week, Michael Leader, Matt Thrift and David Jenkins scope out Shane Black’s loose sequel to ’80s action-horror classic Predator, starring Boyd Holbrook and Trevante Rhodes. Also on the docket is Harry Dean Stanton’s swansong, Lucky, in which the late acting icon gives one of the finest performances of his career. And in Film Club, the gang revisits Shane Black’s directorial debut from 2005, Kiss Kiss Bang Bang, with Robert Downey Jr.
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On the latest Truth & Movies, Michael Leader, Rowan Woods and James Luxford take in two new releases about the pitfalls of youth. First up is Desiree Akhavan’s sparkling second feature, The Miseducation of Cameron Post, set in a conversion therapy camp in the early 1990s, followed by Bart Layton’s unconventional heist caper, American Animals. And continuing the conversion therapy theme, this week’s Film Club offering is Jamie Babbit’s cult LGBT comedy, But I’m a Cheerleader.
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This week, we kick things off by chatting to Pawel Pawlikowski, director of swooning black and white romance, Cold War, before discussing the film. Then we take out our critical knives for Brian Henson's already much-maligned rude puppet cop comedy, The Happytime Murders, which co-stars Melisa McCarthy alongside a rabble of felt creations. Then we cast our minds back to 1989 when Peter Jackson was whisking movies out of the air and on a shoe-string budget: X-rated puppet opus Meet the Feebles is our Film Club selection. With us this week are Sophie Monks Kaufman and Hannah Woodhead, who also preview their forthcoming trip to the Toronto International Film Festival.
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This week we’re joining by special guest Bart Layton, director of the upcoming heist caper American Animals. He previews the film ahead of its UK premiere at Film 4’s Sumer Screen at Somerset House, where this episode was recorded. Up for review are Richard Ayre’s high court drama, The Children Act, and Spike Lee’s white supremacist-skewering BlacKkKlansman. Michael Leader, David Jenkins and Hannah Woodhead also look back at Lee’s hit comedy from 1986, She’s Gotta Have It, for Film Club.
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Secrets and lies abound in this episode of Truth & Movies, as in Film Club we revisit arguably the greatest trick Orson Welles ever pulled, the 1973 essay film F for Fake. In cinemas this week, documentarian Mark Cousins pens a personal ode to his filmmaking idol in The Eyes of Orson Welles. And in The Equalizer 2, Denzel Washington and director Antoine Fuqua return to the scene of their hit 2014 vigilante thriller. Michael Leader, Darren Richman and Adam Woodward are on hand to dissect three very different films.
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