Stay ConnectedTruth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club. All brought to you by the people behind Little White Lies, the world’s most beautiful film magazine. email: truthandmovies@tcolondon.comtwitter: @LWLieswww.lwlies.com
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In this episode of Truth & Movies, Michael Leader, Simran Hans and Beth Webb assemble to discuss Captain Marvel, the 21st film in the MCU – and the studio’s only feature-length offering to date to be fronted by a female character. That’s followed by a look at British kitchen sink drama Ray & Liz, from photographer-turned-filmmaker Richard Billingham, and lastly our female superhero-themed Film Club pick for this week, 1984’s Supergirl.
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On this week’s show, Michael Leader, Greg Evans and Adam Woodward have the final word on the 91st Academy Awards before looking ahead to two brand new releases. Florence Pugh grapples with challenges in and out of the wrestling ring in Stephen Merchant’s crowd-pleasing Fighting with My Family, while in Irish horror The Hole in the Ground a single mother makes a disturbing discovery about her young son. There’s still more horror on offer in Film Club, as we revisit Hideo Nakata’s Ring (albeit through partially covered eyes) ahead of its 20th anniversary re-release.
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On Truth & Movies this week, Michael Leader, Elena Lazic and Hannah Woodhead preside over a pair of very different courtroom dramas. First in the dock is On the Basis of Sex, Mimi Leder’s Hollywood biopic of Supreme Court justice Ruth Bader Ginsburg, starring Felicity Jones and Armie Hammer, followed by Nadine Labaki’s Cannes-winning Capernaum, about a young Lebanese boy who sues his parents for neglect. In Film Club, Leder’s 1998 disaster movie Deep Impact – at the time the highest budget given to a female director – gets a long-overdue reappraisal.
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With the 91st Academy Awards almost upon us, Truth & Movies tackles the key issues surrounding this year’s ceremony, as well as giving our predictions for whose acceptance speech will be cut short this year. Joining regular host Michael Leader is The Telegraph’s chief film critic and Oscars pundit Robbie Collin, who offers expert insight into Hollywood’s awards machine – while fielding some pressing questions and conspiracy theories from our own David Jenkins.
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Wizardry, war and wisecracks are on the T&M menu this week, as Michael Leader, Matt Thrift and Adam Woodward chew the fat over Joe Cornish’s youthful modern twist on the Arthurian legend, The Kid Who Would Be King, followed by Matthew Heineman’s A Private War, starring Rosamud Pike as the late war correspondent Maria Colvin. And with the BFI’s Barbara Stanwyck season in full swing, we revisit arguably the finest performance of her glittering career, in Preston Sturgess’ 1941 screwball classic The Lady Eve.
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How do you follow-up an Oscar-winning breakthrough like Moonlight? That’s the question on our lips this week as Michael Leader, David Jenkins and Kelli Weston weigh up Barry Jenkins’ hotly-anticipated third feature If Beale Street Could Talk, adapted from James Baldwin’s celebrated novel. This week also sees the release of Australian actor-turned-director Joel Edgerton’s Boy Erased, based on a true account of a young man’s experience at a gay conversion therapy centre. And in Film Club, we explore one of Jenkins’ key inspirations for Beale Street, 1959’s Black Orpheus by French master Marcel Camus.
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Two of LWLies’ favourite films of 2018 are finally released in UK cinemas this week – and Michael Leader, David Jenkins and Beth Webb are on hand to offer their thoughts on both. First up is Marielle Heller’s true crime saga with a twist, Can You Ever Forgive Me?, starring Oscars hopefuls Melissa McCarthy and Richard E Grant. That’s followed by the majestic mystery romance that is Burning, South Korean director Lee Chang-dong’s spellbinding Murakami adaptation. And in Film Club, we revisit 2016’s Ghostbusters “she-boot” in light of the recent announcement of an all-new sequel to the beloved original.
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Physical transformation is the name of the game on this week’s Truth & Movies, as Christian Bale dons a bald wig and rubber chin to play former US VP Dick Cheney in Adam McKay’s unconventional biopic, Vice, before Nicole Kidman ditches her signature blonde locks to play a hard-boiled detective in Karyn Kusama’s noir procedural, Destroyer. Michael Leader, Sophie Monks Kaufman and Hannah Woodhead dissect all of that and look back at a classic of the Cold War era, 1962’s The Manchurian Candidate, for Film Club.
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It’s an M Night Shyamalan special on this week’s show – but don’t let that put you off. Host Michael Leader is joined by Manuela Lazic and Kambole Campbell, to discuss Glass, the director’s sequel-of-sorts to Unbreakable and Split, before revisiting his breakout feature from 1999, The Sixth Sense, in Film Club. Between that, we check in with star-on-the-rise Timothée Chalamet, who’s been earning plaudits for his portrayal of a young meth addict in Beautiful Boy, with Steve Carell playing his long-suffering dad.
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Strained relationships are the flavour of the day on this week’s Truth & Movies, as we weigh up the respective merits of Stan & Ollie, a Laurel and Hardy biopic starring Steve Coogan and John C Reilly, and Colette, in which Keira Knightley plays the eponymous French popular author alongside a larger-than-life Dominic West. Forming a more harmonious union are host Michael Leader and regular critics Simran Hans and David Jenkins. Then it’s back to the halcyon Hacienda days of early ’90s Manchester for our Film Club, Michael Winterbottom’s 24 Hour Party People.
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