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    Arts

    The Theatre Podcast with Alan Seales

    Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​

    This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

    Part of the Broadway Podcast Network.

    Advertise

    Copyright: © The Theatre Podcast / Even Seal Productions

    • Apple Podcasts
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    Latest Episodes:
    Ep117 - Eddie Perfect: Beetlejuice, King Kong - Tony Award Nominated Lyricist/Composer Nov 17, 2020
    Show notes

    From The Land Down Under to The Big Apple, this singer-songwriter, pianist, writer and comedian just released his new album, Beetlejuice: The Demos! The Demos! The Demos!, and is showing other Australians that it’s possible to make the leap and find yourself working on a Broadway musical (or two).

    Eddie Perfect is an Australian singer-songwriter, pianist, comedian, writer and actor. He is now also a Tony Award Nominee after receiving a nomination for best original score for Beetlejuice the musical. During the same season, Eddie also wrote songs and vocal arrangements for King Kong on Broadway. Eddie is a four time nominee and two time Helpmann Award winner for his work in Australia. In 2009, his biographical musical comedy Shane Warne: The Musical won the 2009 Helpmann Award for Best New Australian Work. This production also received a Victorian Premier's Literary Award and a Green Room Award. Eddie has recorded solo albums and written and performed in numerous cabaret shows, including Songs from the Middle with the Brodsky Quartet. Following his songwriting career on Broadway, Eddie returned to Australia where he waits to star as Franklin Hart Jr. in Dolly Parton's musical 9 to 5 once the COVID-19 pandemic subsides. And most recently he released his fifth album, Beetle Juice: The demos! The demos! The demos!, a new album of demos created for his Tony-nominated score to Beetlejuice. The album also contains 17 cut songs that will be new to everyone's ears.

    During our conversation, Eddie candidly talks about his process for creating. He describes “kind of a weird trance I go into when I make stuff, where I really think about what it would be like to be in the audience watching it.” He focuses on what he wants an audience to think, feel, or learn in a particular moment. Reflecting on the process for Beetlejuice, Eddie shares that he wrote the opening number for the show over a 5 year period. He also recalls it was during their first previews that Beetlejuice really started building it’s cult like fan base. And it was this fanbase that served as some of the inspiration behind releasing the Beetlejuice demos in the first place. Eddie was blown away by the unique creative responses many fans of the show have had, saying he’s “never experienced anything like that.” His new demo album serves to broaden the universe of Beetlejuice a little bit “for those fans that do really riff off the work.”

    In the episode, we talk about:

    • The intense Beetlejuice fandom
    • The Beetlejuice preview when they knew the show had struck a chord with people
    • Reading the reviews of the original 1988 film to cheer them up after their DC reviews
    • Australia being an importer of Broadway shows
    • Being in a period of his life now where he is confident with his writing and his process
    • Working with the cast and creatives of Beetlejuice
    • Juggling work on Beetlejuice and King Kong simultaneously


    Connect with Eddie:

    • Listen to Beetlejuice: The Demos! The Demos! The Demos!
    • @TheEddiePerfect on Twitter
    • @EdmundPerfect on IG


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep116 - Michael Riedel: theater critic, broadcaster, and columnist Nov 10, 2020
    Show notes

    Michael Riedel is an American theater critic, broadcaster, and columnist. He has been a controversial yet very influential Broadway columnist in the NY post for over 20 years. Michael is also the co-host of “Len Berman and Michael Riedel in the Morning” on 710 WOR in New York City, weekdays from 6-10am. Michael’s book Razzle Dazzle: The Battle for Broadway won the 2015 Marfield Prize for arts writing and is widely considered to be the successor to The Season, William Goldman's classic 1967 book about Broadway. His next book, Singular Sensation: The Triumph of Broadway, arrived November 10, 2020. Get the book here: https://amzn.to/3jXpHhz.

    During our conversation, Michael shares how he carved a unique path for himself as both a critic and columnist - how he managed to be a reporter, as well as get his opinion out there. Being a traditional critic, seeing show after show and writing reports, never appealed to him. Rather, he enjoyed hanging out with theater people and getting to know them, “collecting the gossip, and putting it all together”. After life as a columnist, or a “sprinter” in his words, Michael opens up about the initial doubts and panic he had about writing his first book. And that it was during all of the research and interviews when he discovered the narrative he wanted to share, and found joy in putting together all the pieces of the puzzle. Razzle Dazzle: The Battle for Broadway has since received interest from TV networks. Michael also takes us through the inspiration and story behind his newest book "Singular Sensation: The Triumph of Broadway", chronicling Broadway through the 90’s and its recovery after September 11th, 2001 - illustrating how Broadway rallied and “showed the world that New York could not be brought to its knees”.


    In this episode, we talk about:

    • The story behind Singular Sensation: The Triumph of Broadway, and the forward he added in light of COVID-19
    • How Rent ushered in a new era of broadway after years of British dominance
    • Fixing Alan Rickman’s air conditioner while working for Elizabeth I. McCann
    • Maintaining friendships and relationships with people you’ve written about
    • How he conducted interviews for his newest book
    • Seeing The Lion King for the first time, recalling “pandemonium” in the theater
    • His writing process


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep115 - Jeanna de Waal: Diana the Musical, Marvel's Iron Fist, Kinky Boots, and Broadway Weekends co-founder Nov 02, 2020
    Show notes

    Jeanna de Waal originated the title role of Diana, Princess of Wales in Diana at La Jolla Playhouse and at the New York Stage and Film Powerhouse Theatre reading at Vassar College. Her previous Broadway credits include starring as Lauren in Kinky Boots and Heather in American Idiot. Jeanna originated the role of Dawn in the A.R.T. production of Waitress by Sara Bareilles, and the role of Mary Barrie in the A.R.T. production of Finding Neverland, both directed by Diane Paulus. She has previously appeared off-Broadway in Orwell in America at 59E59 Theatre, and played Chris Hargensen in MCC Theatre's reimagined production of Broadway's Carrie. Other notable credits include her West End debut in the Queen musical We Will Rock You, Glinda in the National Tour of Wicked and Janet in The Rocky Horror Show at The Old Globe. In addition to the stage, she can be seen in the recurring role of Sophia in the Netflix/Marvel series Iron Fist. Jeanna is also an amazing entrepreneur, and is the founder Broadway Weekends, the first theater camp for adults led by Broadway performers. Amid the COVID-19 shutdown, her company pivoted and became Broadway Weekends At Home. They continue to host theater classes virtually for people of all ages.


    Nonetheless, performing was surely in the stars for Jeanna. Her first professional job out of school was the Queen musical We Will Rock You on the West End. During this production, Jeanna became friends with cast members of Broadway's Hair, in London at the time, and simultaneously she finally received her green card. Suddenly she knew it was time to go to New York. Jeanna shares with us the journey that took her from attending open calls in Times Square, landing her her Broadway debut role in American Idiot, to working consistently from the time she was 21 to 27 years old. Jeanna later opens up about leaving Kinky Boots behind, and her commitment to booking a show in which she could originate a lead role. It was during this period of down time, when she was without a schedule and a “purpose”, that she was inspired to found Broadway Weekends with her sister. These days, the classroom may be virtual (temporarily), but until Diana is able to open on Broadway next year, Jeanna is getting a kick out of bringing to others all the things she gained from her own education in theater - friendships, freedom to trust your body, self-confidence, camaraderie, and more.


    In this episode, we talk about:

    • The inspiration and motivation for founding Broadway Weekends
    • Growing up in England and attending a performing arts boarding school
    • What attracted her to theater in the first place
    • Her journey from performing on the West End, to her Broadway debut
    • Re-discovering her purpose and self worth after leaving Kinky Boots
    • The spiritual nature of theater
    • Her journey so far with Diana, the new musical


    Connect with Jeanna:

    • IG: @thebigdewaal
    • Twitter: @thebigdewaal
    • BroadwayWeekends


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep114 - Meghan Picerno: Phantom of the Opera, Love Never Dies Oct 27, 2020
    Show notes

    Hailed by the New York Times for her “attractive soprano voice,” and for having “total control of the stage,” (Broadway World) coloratura soprano Meghan Picerno currently stars as Christine Daae in The Phantom of the Opera on Broadway. In 2017 Meghan collaborated with legendary director Hal Prince as Cunegonde in his production of Candide at the New York City Opera. She quickly became one of the most sought-after Cunegondes in the world and reprised the role at San Francisco Symphony, Princeton Symphony, and the Gran Teatre del Liceu in Barcelona. Meghan next took on the role of Christine Daae in the US Premiere and 1st National Tour of Andrew Lloyd Webber’s Love Never Dies. She has represented Andrew Looyd Webber’s body of work by special invitation in performances on the ITV Television broadcast of the Classic BRIT Awards in 2018, making her Royal Albert Hall debut with the Royal Philharmonic Orchestra, and a guest appearance on the Live at Chelsea Concert Series honoring his 70th birthday. After Love Never Dies, Meghan joined The Phantom of the Opera family as Christine on the World Tour, premiering the iconic piece in Tel Aviv, Kuala Lumpur, Malaysia, Singapore and the Philippines. This past fall she made her Broadway debut as leading lady, Christine Daae, in The Phantom of the Opera, and was hailed as one the Top Broadway replacements of 2019 by BroadwayBox.


    Like many people during COVID-19, Meghan is back home spending time with her parents. In this episode she shares how she dealt with the initial blow when Broadway was shut down - finding herself in a bit of an identity crisis not being able perform and sing, the one she thing she loves more than anything else in the world. She talks candidly about coming out the other side, and feeling now like she is awake again - “it’s kind of magical,” she shares. Meghan also takes us on the whirlwind journey that began by meeting Hal Prince and landing a leading role in Candide, to touring with Love Never Dies and Phantom of the Opera as Christine, to making her Broadway debut in The Phantom of the Opera this past fall. Until the curtains on Broadway rise again, she is finding time to give back and help people, “one part of theater” she really loves, by hosting workshops, master classes, and private voice lessons, and getting inspired by her students.


    In this episode, we talk about:

    • Adapting to the new virtual normal as a performer
    • Music as an emotional outlet
    • The plans she has for her future
    • Working for Renee Fleming in grad school
    • Her time living and studying in Vienna, Austria
    • Competing in Plácido Domingo's Operalia, The World Opera Competition
    • Working with Hal Prince, and Andrew Lloyd Webber


    Connect with Meghan:

    • IG: @meghanpicerno
    • On the web: https://www.meghanpicerno.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep113 - Anthony ‘Two-Touch’ Veneziale, (We are) Freestyle Love Supreme & FLS Academy co-founder Oct 20, 2020
    Show notes

    Anthony Veneziale, also known by his stage name ‘Two-Touch’, is the conceiver and co-creator of the improvisational hip-hop comedy musical group Freestyle Love Supreme, as well as the FLS Academy. He has been performing and teaching improv for more than 20 years and is a leader in the field of musical improvisation. Anthony has used these techniques for endeavors with names such as Tommy Kail, Lin Manuel Miranda, Daveed Diggs, and numerous others. He co-founded Speechless Inc, an “an improv thinking company that helps humans create, collaborate, and find their authentic voice”. For several years Anthony has worked with, and been involved in studies by, Dr. Charles Limb out of UCSF Sandler Center, who is renowned for his research on brain activity during musical improvisation. Anthony was most recently seen on Broadway in the limited run of Freestyle Love Supreme, and has appeared on TV in Sex and the City, All My Children, Looking, Bartlett, and the Hulu documentary We Are Freestlye Love Supreme, which documents the groups 15 year history.


    Never once did Anthony think he could make a living out of doing improv. But, he says, “I loved it so much that I continued to do it until people paid me for it”. During our conversation, Anthony reiterates how interested he is in the affects improvising has on people's brains. This is evident in his creation of and work with the companies Speechless Inc., and Freestyle Love Academy. Even more so, he is interested in the affects improv can have on a community. In their classes at FLS Academy, they work to create an environment where people feel authentically themselves, where they are seen and recognized as their authentic selves, and are then able to encourage others to do the same. Improv has proved to be “a fabulous tool to help people do that”. Anthony also shares more on the work he has been a part of with Dr. Charles Limb, who uses an fMRI machine to create 3D models of the brain, and identify when subjects are in a “flow state”. For some, this flow state is a “runner’s high” while running, and for others, improv is the key.


    In this episode, we talk about:

    • The parts of the brain associated with a “flow state”
    • Discovering hip hop music when he was 10 years old
    • Auditioning for his college improv troupe
    • How he got his stage name, Two Touch
    • The mission and work of Freestyle Love Supreme Academy, and Speechless Inc.
    • How isolation during COVID affects our brains
    • Alan and Anthony play an improv game called Convergence


    Connect with Anthony:

    • IG: @freestylelovesupreme, @FLS_Academy
    • Twitter: @AnthVeneziale, @freestylelove, @FLS_Academy


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Bonus - A discussion of the 74th annual Tony Award nominations Oct 16, 2020
    Show notes

    Listen to a quick discussion about the 74th annual Tony Award nominations that were announced yesterday for the shortened 2019-2020 Broadway season. While COVID-19 and the resulting Broadway shutdown did ensure that shows like SIX, Company, and Sing Street would not yet see their opening nights, the shows that were able to make the eligibility cutoff - Moulin Rouge, Jagged Little Pill, Tina, and a handful more were each able to walk away with a hefty number of nominations. Slave Play, with its 12 nominations, just became the most nominated play ever.

    Special guest co-host Lauren LeBeouf joins me for this quick episode to discuss what the nominations mean to us, the possible complete lack of a 2020-2021 season, and so much more.

    Find complete info about The Tony Awards via TonyAwards.com.

    Connect with Lauren

    • IG: @LaurenLeBeouf
    • IG: @stuck_theseries


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep112 - Isabella Rossellini: Actress, Author, Philanthropist, Filmmaker and Model Oct 13, 2020
    Show notes

    Isabella Rossellini is an Italian-American actress, author, philanthropist, filmmaker and model. She is the daughter of Swedish actress Ingrid Bergman and Italian film director Roberto Rossellini. A Golden Globe and Emmy award nominee, she started out her career as a successful model, appearing on the covers of numerous magazines such as Elle, Harper's Bazaar, Vogue, and Vanity Fair. She is also noted for her successful tenure as a Lancôme model and spokesperson. Isabella has worked as an actress in films directed by extraordinary talents such as Robert Zemeckis, David O’Russell, and David Lynch, to name a few. Some of her most notable American films include Blue Velvet, Wild at Heart, White Nights, Cousins, Death Becomes Her, Fearless, Big Night, Crime of the Century (for which she received a Golden Globe nomination), and most recently, Joy. She has also appeared Off Broadway in many performances. Isabella holds a masters degree in animal behavior and conservation, which has lent itself to her many award winning short films about animals and sex. Her latest project, Sex and Consequences, follows suit as a one-of-a-kind, 40-minute comedy about biodiversity and the multiple ways animals reproduce, which will be live-streamed from her farm 60 miles outside New York City beginning October 16th.

    During our conversation, Isabella gives us an in depth look on how her hit series Green Porno came about. Robert Redford had been re-inspired by short films, and reached out to a series of people in his universe about creating films focused on the environment for the Sundance channel. She remembers having a light bulb moment - she could make a “very comical” film by transforming herself into different animals and showing how they mate. Thus, Green Porno, a series of short films on animal sexual behavior, was born. She credits her time studying costume design with giving her the ability to envision the costumes for each animal. And her newest show, Sex and Consequences, will explore similar ideas. With in person live performances limited due to COVID, Isabella is hoping to reconnect with audiences through her live-streamed Zoom performance, a method that many singers and musicians have found success with during this time. Although Isabella’s family is Hollywood royalty, to her her parents are still “Mama’ and “Father.” And towards the end of our conversation, Isabella reflects on the gift they gave to her and her siblings - “If our parents gave us a gift it was to always try to do what was interesting to us… It was always try to, follow your curiosity, follow your interest… They did and we’re doing it too.


    In this episode, we talk about:

    • How an interest in short films, and the advent of YouTube, provided an opening for Green Porno
    • The reason she enjoys exploring sexuality in her work
    • The makings of Sex and Consequences
    • What appeals to her about storytelling
    • How her parents, Ingrid Bergman and Roberto Rossellini, met and fell in love, and the way Hollywood reacted
    • Celebrity in Europe versus America
    • Her thoughts on working for, being let go by, and being re-hired by Lancôme
    • How the ideas of self expression and beauty have changed over the years


    Connect with Isabella:

    • IG: @isabellarossellini
    • Get tickets for SEX AND CONSEQUENCES


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep111 - Amber Ardolino: Moulin Rouge!, Hamilton, Head over Heels, Rock of Ages Oct 06, 2020
    Show notes

    Amber Ardolino is a dancer, singer and actress who made her Broadway debut in Hamilton, and was also in the original Chicago company. She is currently part of the Broadway cast of Moulin Rouge!. Amber has previously been seen as Mopsa in Head Over Heels on Broadway, Sherrie in Rock of Ages in Las Vegas, as well as on national tours of Flashdance, West Side Story, Legally Blonde, and both the Philip and Eliza tours of Hamilton. She recently sang a duet with former Head Over Heels co-star Bonnie Milligan on the new concept album Within Earshot, a new musical with music and lyrics by Jackson Teeley, and a book by Sarah Galante. The album is now available on all streaming platforms. When Broadway returns, Amber will reprise her roles in Moulin Rouge! as a swing, and the understudy for Satine, Arabia, and Baby Doll.

    Amber covers 10 tracks in Moulin Rouge! including Satine, Arabia, Baby Doll, La Chocolate, and the Can-Can girls. During our conversation, Amber delves into what life is like as a swing, revealing that she started covering La Chocolate after someone was injured on stage, and that when she actually made her initial Moulin Rouge! debut, she went out in a costume she had tried on once, wearing no make-up, and her hair thrown up into a wig. If it sounds chaotic, it’s because it can be. But Amber says that’s kind of the most exciting part and what she enjoys most about swinging, “you could go on at any moment.” She also gets candid with us about what life has been like as a performer during the pandemic, sharing there was a moment when for the first time ever, she doubted being in musical theater. But after opening up about her experience with anxiety and depression, she shares that the most important thing this pandemic has taught her is how important it is to take care of yourself.


    In this episode, we talk about:

    • Building stamina as a swing
    • Being on stage with Aaron Tveit and Karen Olivo
    • Her decision to pursue musical theater
    • Creating content on instagram, and why she loves TikTok
    • Being authentic on social media
    • Spending 3 years performing with Hamilton
    • The Within Earshot concept album
    • Her experience navigating depression and anxiety


    Connect with Amber:

    • Listen to Within Earshot
    • IG: @amberardolino
    • Twitter: @ArdolinoAmber


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep110 - John Lloyd Young: Jersey Boys, President’s Committee on the Arts and Humanities Sep 29, 2020
    Show notes

    John Lloyd Young is a multi-award winning performer, who originated the role of Frankie Valli in Broadway’s Jersey Boys. He is the only American actor to date to have received a Lead Actor in a Musical Tony Award, Drama Desk Award, Outer Critics Circle Award and Theatre World Award for a Broadway debut. John also starred in Jersey Boys on London’s West End, and was hand-picked by director Clint Eastwood to reprise his role in the Warner Bros. film adaptation. As a concert artist he has played to sold-out crowds at the Hollywood Bowl and has appeared at Carnegie Hall, the White House, the Kennedy Center, Lincoln Center, Radio City Music Hall, Café Carlyle, and with the National Symphony Orchestra conducted by Marvin Hamlisch. John served as a member of the President’s Committee on the Arts and Humanities, appointed by Barack Obama, and as a member of the Committee, Young represented the United States on the first U.S. Cultural Mission to the Republic of Cuba. John’s five-star-rated solo album of classic R&B, My Turn..., debuted as a best-seller on Amazon. And next up, he can be seen online when his concert “John Lloyd Young’s Broadway” streams live from The Space in Las Vegas on October 3rd.


    Throughout our conversation, John comes back to the importance of and the reverence he has always had for what he believes to be the most important element of a Broadway show - the audience. What he has learned to be true is if you invest in your audience, they’ll stay and be with you even in hard times. John shares how he found other creative outlets in the “dicey years” after Jersey Boys ended, and hopes that when the smoke from the pandemic clears, and audiences and performers alike are allowed back inside theatres, “hopefully we’ll be a little more humble and appreciate the privilege” of being able to be creative for a living.


    In this episode, we talk about:

    • Working on the President’s Committee on the Arts and Humanities under Barack Obama
    • The importance of investing in your audience as a performer
    • What he’d like his return to Broadway to look like
    • The choices you have when you get pigeon-holed as a particular role
    • The moment when he knew Jersey Boys would be a hit
    • The lessons he hopes creatives will take away from this pandemic
    • His visual arts career


    Connect with JLY:

    • IG @JohnLloydYoung
    • Twitter: @GenuineJLY
    • JohnLLoydYoung.com/live (to get tix to his events!)


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep109 - Mo Brady: The Ensemblist podcast host, The Addams Family, SMASH Sep 22, 2020
    Show notes

    Mo Brady is a jack of all trades - a broadway actor turned social media specialist turned podcaster. After working for many years as a performer in Seattle, Washington, Mo made his Broadway debut in The Addams Family musical in 2010. He later landed work as a recurring character on the second season of the NBC TV hit show Smash. These days, Mo works as the Communications Project Manager for Broadway Cares Equity Fights AIDS, and continues to host a wildly popular podcast, which he also co-created, called The Ensemblist. Amassing a following over the years, The Ensemblist has become an “online advocate for the talented artists working in theatre ensembles.” Now boasting not only a podcast, but a website and a social presence as well, they are “creating conversations about what it means to be a successful artist in the theatre.”

    Mo spent a few years working as a full time performer in Seattle, including in shows at The 5th Ave Theatre. In 2010, he made the jump to New York City, and six weeks after his arrival, he had landed his first Broadway show - The Addams Family musical. After a year on Broadway, Mo shares how his offer to volunteer for Broadway Cares turned into a full time job, and how he at one time was balancing working this full time job with filming episodes of Smash in Long Island City at the same time. When Mo later realized he didn’t really love being an actor in NYC the way he had in Seattle, and that he wasn’t feeling as fulfilled, he decided to let his agents go and focus on his Broadway Cares job. In doing so, he was also able to revisit his initial idea for The Ensemblist, which had struck him while in The Addams Family. He loved the people he had performed with, and wanted to share their stories - the stories of the ensemble. These days you can catch Mo twice a week on The Ensemblist podcast, proudly championing Broadway’s underdogs, by visiting BPN.fm/theensemblist.


    In this episode, we talk about:

    • Finding community in the theater
    • His hands on experience at Whitman College
    • Working as a performer in the Seattle theater scene
    • Being a part of The Addams Family musical
    • Why and how he decided to let performing go (for now)
    • The inspiration behind The Ensemblist, and how it has grown since the beginning
    • Being a dad, and what the surrogacy process was like


    Connect with Mo:

    • IG @theensemblist
    • IG: @daddy_papa_and_me_make3
    • On the web


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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