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    Arts

    The Theatre Podcast with Alan Seales

    Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​

    This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

    Part of the Broadway Podcast Network.

    Advertise

    Copyright: © The Theatre Podcast / Even Seal Productions

    • Apple Podcasts
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    • Spotify

    Latest Episodes:
    Ep127 - Colin Donnell: Chicago Med, Jersey Boys, The Nineteen Twenty Jan 26, 2021
    Show notes

    “It’s going to be bumpy, but it’s going to be worth it”. Colin Donnell is a singer, actor, and musician who has starred on both the stage and screen. His stage credits include the Broadway productions of Jersey Boys, Violet, and Anything Goes (for which he received a Drama Desk Award nomination), as well as many national tours including Mamma Mia! and Wicked. Colin made his TV debut in ABC’s Pan Am alongside names like Christina Ricci and Margot Robbie, and has since appeared on Person of Interest, The Affair, Chicago PD, and both Arrow and Chicago Med as a series regular. Off of the stage and screen, Colin is also an incredible musician. While in quarantine, he and bandmate Brian Usifer formed The Nineteen Twenty, and their debut album Chaos + Cocktails is now available on all music streaming platforms.

    A native of St. Louis, Missouri, Colin shares he “basically lived the High School Musical in reality”. He was “a sports kid” for most of his life, until freshman year of high school when he broke his ankle playing football. On a whim, and because he could juggle, Colin auditioned for the school production of Barnum. The rest is history.

    Speaking about his career, Colin opens up about what keeps it fun and interesting - continually striving to improve, grow, and tell the next story in a new and exciting way. He touches on the inevitable self doubt that creeps in when you share your work, but how freeing his newest project with The Nineteen Twenty has been, allowing him and Brian to focus on making the kind of music they want to make - something they could be proud of amid the shadow of a pandemic. Colin also talks about looking forward to the inevitable “explosion of creativity” in the years ahead, born out of the COVID-19 era - “what’s to come is going to be really special”.


    In this episode, we talk about:

    • The inspiration behind, and creation of his new band The Nineteen Twenty
    • Giving himself permission to quit performing
    • His experience doing his first straight play
    • Something he admires about wife Patti Murin
    • His love/hate relationship with social media
    • Eleven O'Clock Number: The wine he and Patti collaborated on for Nocking Point Wines


    Connect with Colin:

    • IG: TheNineteenTwenty
    • IG: @ColinDonnell
    • Twitter: @ColinDonnell
    • Listen to TheNineteenTwenty
    • Drink his wine!


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep126 - George Salazar: Be More Chill, Percy Jackson, Works & Process at the Guggenheim Jan 19, 2021
    Show notes

    Catapulting into the limelight after originating the role of Michael Mell in Be More Chill on Broadway, George Salazar speaks candidly about struggling with his identity growing up, as a child of a Filipino immigrant and an Ecuadorian immigrant. Watch the full video of this episode here.

    He recently created a video exploring his self discovery, titled “My Identity”, as part of a virtual commission he received from Works & Process, the performing arts series at the Guggenheim. George also opens up about his goals as an artist moving forward - creating work for people that look like him, so they too feel like anything is possible.

    Born and raised in Florida, George shares that theater and Broadway weren’t a part of his family’s life - “I didn’t know what a musical was,” he says. But he loved entertaining, and admits he was always the class clown in school. George “accidentally” discovered theater his junior year of high school, after singing his own Weird Al inspired parody in computer class and being asked to audition for the school's production of Little Shop of Horrors. George earned a BFA in Musical Theater from University of Florida, moved straight to NYC, and made his Broadway debut a few years later.


    In this episode, we talk about:

    • The inspiration behind “My Identity”
    • Why he decided to move to LA
    • How he discovered theater
    • Interning in NYC during FL summer stock seasons, because no one would cast him
    • The exact moment he freed himself from the need for validation
    • How and why his artistic process during The Lightning Thief was different from others


    Connect with George:

    • Watch "My Identity"
    • Instagram: @georgesalazar
    • Twitter: @georgesalazar
    • Web: www.thegeorgesalazar.com/


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep125 - Keith Powell: 30 Rock, This is Us, Connecting Jan 12, 2021
    Show notes

    “The key to success is figuring out how to survive in an industry that needs you, but doesn’t want you.”

    Keith Powell is best known as series regular James “Toofer” Spurlock on NBC’s Emmy-winning sitcom 30 Rock, where he received the 2008 Screen Actors Guild Award for Comedy Ensemble. Recently, Keith has mostly focused on writing and directing. He is currently writing a feature for Film 44 and HBO Films, and is set to direct his first film, Buffalo. Keith also directs for TV, having helmed an episode of NBC’s Superstore. After 30 Rock, Keith wrote, directed and starred in every episode of his web series, Keith Broke His Leg (which also starred his wife), for which he won two Indie Series Awards - Best Comedy and Best Actor. Keith boasts a strong theatre background as well having previously run his own theater company, and performed at The Old Globe in San Diego. You can currently catch Keith playing Garret on NBC’s Connecting, and Dr. Vance on This Is Us.

    Although born in Philadelphia, Keith spent much of his childhood in Monterey, CA before moving back east around the age of twelve, and making Delaware home. After many years participating in community theater (along with other Delaware natives like John Gallagher Jr. and Aubrey Plaza), Keith attended NYU and made New York City his home.

    During our conversation, Keith talks in detail about what the filming process was like for Connecting on NBC, a show set entirely on Zoom and mostly shot on iPhones. He also takes us back to his days with 30 Rock, the show where “he learned how to work in TV”, and shares his journey to landing the role of Toofer. Keith opens up about struggling to find “his own artistic comedic voice” after 30 Rock ended, and how a minor surgery led to the first inspirations for his own web series, Keith Broke His Leg. He now lives in Los Angeles, and along with directing, writing, and acting, each year Keith also mentors a new group of students fresh out of NYU as they begin navigating their careers in LA.


    In this episode, we talk about:

    • What a typical shoot day for Connecting involved
    • His Grandmother’s saying - “What's yours will know your face.”
    • How he views himself as an artist and storyteller
    • His experience working on 30 Rock
    • Starting his own theater company after college, and Lynn Redgrave performing
    • The inspiration behind Kevin Broke His Leg
    • Being resilient in an industry full of rejection


    Connect with Keith:

    • Instagram: @bykeithpowell
    • Twitter: @keithpowell


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep124 - Frank DiLella: Emmy Award-winning host of “On Stage” on Spectrum News NY1 Jan 05, 2021
    Show notes

    As the host of NY1’s “On Stage” and a microphone for the theatre community, this Emmy Award winner's stories have shifted from Broadway openings and red carpet events, to how people are surviving and pivoting while Broadway is on hold.

    Frank DiLella is the Emmy Award winning host of “On Stage” on Spectrum News NY1, the news channel’s weekly half-hour theater program. His celebrity interviews, along with his in-depth reporting of the theatrical scene, have helped make him a household name in the theater and entertainment communities in New York City, as well as around the globe. Since joining NY1 in 2004, he has interviewed many legendary artists including Tom Hanks, Vanessa Redgrave, Nathan Lane, Elton John, Liza Minnelli, Patti LuPone, Bette Midler, Bernadette Peters, Hugh Jackman, Lin-Manuel Miranda, James Earl Jones, Chita Rivera, Jane Fonda, Ben Vereen, Angela Lansbury, Tony Kushner, Andrew Lloyd Webber and more. Frank is the recipient of 3 New York Press Club Awards including 1 in 2019 for his special on the Broadway revival of Angels in America – and the other in 2020 for his special on Network. He’s made multiple big and small screen appearances as “himself” including The Prom – opposite Meryl Streep, Smash, The Little Voice, and The Forty Year Old Version. Frank is also an adjunct professor teaching theater journalism at his alma mater Fordham University at Lincoln Center.

    Born and raised in Philadelphia, Frank always loved theater as a kid (but he also loved watching Dateline NBC and America’s Most Wanted). He grew up performing, and participated in the school musicals throughout his childhood. Frank fell in love with New York City, and after moving to attend Fordham University to pursue Broadway aspirations, an Intro to Media Studies class and an internship at Spectrum News NY1 altered his course.

    During our conversation, Frank talks about how he created an outlet for himself in the industry, and became a voice in the community. “Being on air, and being a reporter, and being in journalism...” is similar to acting and to theater because you are still telling stories, he shares. He also reveals that “that little fix or high” you get when you’re on stage happens all the same while he is on air reporting, or hosting events. Frank opens up about his work during COVID - and how he sees himself as a microphone/platform for the community, helping them get the word out there in both good times and bad.

    In this episode, we talk about:

    • Being a theater kid
    • Moving to NYC to pursue performing
    • The callback and internship opportunities which helped determine his career path
    • How he worked his way up the ladder at NY1
    • Covering the 2007 Broadway stagehand strike
    • The one thing he always says to his students
    • Filming “The Prom” with Meryl Streep


    Connect with Frank:

    • Instagram: @fdilella
    • Twitter: @fdilella
    • Watch "On Stage"


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep123 - 2020 {C,W}rap up with Alan Seales and Diana Salameh Dec 28, 2020
    Show notes

    Let's face it -- 2020 was a dumpster fire, at best. In this episode, Diana Salameh, the Director of Marketing and Communications at Serino Coyne, co-hosts the final episode of the year - a year which has been unprecedented for the theatre industry. And not only for performers. Serino Coyne, the nation's longest-running theatrical advertising agency, was just embarking on the beginning of the Spring theater season - openings, etc - when Broadway suddenly shut down.

    Diana and Alan discuss everything from their favorite shows they were able to see before everything closed, the blossoming of virtual storytelling mediums, and missing the shared experience of seeing live theater in general. Reminiscing on seeing SIX in early March, Diana shares her excitement for Broadway to reopen because SIX is “the kind of show that New Yorkers and tourists, everybody is going to need to lift our spirits... and help us escape.”

    Like all theatre lovers, Alan and Diana both agree there’s nothing quite like sitting in a room full of strangers and going on an emotional journey with them. But in lieu of live theater, they discuss two productions from this year that were able to recreate this sort of communal shared experience really well - Hamilton and What The Constitution Means To Me. Diana also opens up what she has been doing in order to remain connected with her clients and their fans. She shares “the thing that has been the biggest rock for me is the Broadway Women’s Alliance”, a community of women on the business side of Broadway. Founded officially in January of this year, and focused on connection and empowerment, the Broadway Women’s Alliance has held about a dozen events for over 500 women in the industry during the course of the lockdown.


    In this episode, we talk about:

    • The first shows they saw in 2020
    • Seeing SIX the musical
    • Diana’s Christmas theater tradition with her best friend
    • New creativity being born on virtual mediums
    • Which of Henry VIII wives they each would be
    • The Tony Awards
    • The Macy’s Thanksgiving Day Parade


    Connect with Diana:

    • Instagram: @_dianasalameh
    • Twitter: @_dianasalameh


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep122 - Krystal Joy Brown: Hamilton, Motown The Musical & VoteRiders activist Dec 21, 2020
    Show notes

    Krystal Joy Brown is a singer, dancer and actor who made her Broadway debut in 2009 in Hair. She is best known for her portrayal of Diana Ross in the Broadway musical Motown: The Musical. Her other Broadway credits include Leap of Faith, Big Fish, and Hamilton, where she will return to the role of Eliza when the industry returns. She is also a two-time Adele and Fred Astaire nominee for best female dancer in a Broadway show. Krystal voices the character of Netossa in the DreamWorks/Netflix animated series She-Ra Princesses of Power, and her other TV appearances include the Disney film MAGIC CAMP (Disney+), NBC’s Law & Order: SUV, Hulu’s Deadbeat, ABC’s Castle, Disney’s Sydney to the Max, and most recently, Hallmark Channels "One Royal Holiday" with Aaron Tveit & Laura Osnes. Krystal is an avid activist in mental health, wellness, and social justice, and co-host’s the podcast, HOW WE DO THIS.

    Krystal grew up in the DC area, part of a family where many worked for the government - her mother for FEMA, her grandparents for the Pentagon, and her father as a police officer. For Krystal, being civilly and civically engaged was ingrained early on, and was always important. She recently hosted several virtual letter writing parties with VoteWriters.org, an organization that focuses on providing Voter ID assistance, which is now assisting Georgia voters for the runoff election.

    During our conversation Krystal illustrates how she has brought her activism to her art. While performing in Motown: The Musical, and in the streets protesting Treyvon Martin’s murder, she created a podcast called HOW WE DO THIS (a “female feminist political podcast”), which became a platform for conversations about mental health. And now, as part of the company of Hamilton, she takes an active role on the Hamilton Racial Justice Task Force. Krystal also champions self care. She opens up about going to therapy for the first time, and how it helped unlock her ability to be vulnerable onstage, and more deeply connect with audiences as Eliza Hamilton.


    In this episode, we talk about:

    • Growing up in a politically active family
    • Her reaction to the 2016 election
    • AOC, and being “radical”
    • Ancestral healing
    • The Hamilton Racial Justice Task Force
    • The importance of understanding and processing your internal life, before using it in your work onstage


    Connect with KJB:

    • On the web: https://www.thekjb.com
    • Twitter: @KrystalJoyBrown
    • Instagram: @KrystalJoyBrown


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep121 - Michael James Scott: A Fierce Christmas, Aladdin, Something Rotten!, Book of Mormon Dec 15, 2020
    Show notes

    Michael James Scott is an actor and singer who originated the role of Genie in the Australian production of Disney's musical Aladdin, which opened in Sydney in August 2016. He received a Helpmann Award in 2017 for Best Performance by a Featured Actor in a Musical for his work in this production. Michael reprised his role as the Genie on the North American tour, The West End, and most recently, Broadway (where he will return when theaters reopen). He also originated the role of The Minstrel on Broadway in Something Rotten!, as well as Dr. Gostwana in the original Broadway company of The Book of Mormon. Other Broadway credits include Mamma Mia, Tarzan, All Shook Up, The Pirate Queen, Elf, and Hair. Off-Broadway, he co-starred in Here’s to the Public! opposite Donna McKechnie and was also part of the concert cast of Jerry Springer: The Opera at Carnegie Hall. Michael can be seen in the new Showtime TV series Black Monday, and recently released his first studio album, A Fierce Christmas, available now on all music platforms.


    Michael was born in Baltimore, MD, but moved to Orlando, FL with his family when he was five years old. As a child he “just wanted to sing and dance” no matter where he was - the grocery store, the doctors office, etc, and according to his mom, Michael sang before he spoke. Recognizing his creative energy and talent, one of Michael’s elementary school teachers helped guide him towards the world of auditioning for TV and commercials, and participating in children's singing groups, and he “was hooked”. Michael later earned his BFA from The Conservatory of Theatre Arts program at Webster University in St. Louis, MO; and while in college, he went on to be the standby for Ben Vereen on the international tour of Fosse.


    While Michael might now be well known for his role as the Genie, in our conversation he admits that the role was never even on his radar. He opens up about the preconceived notions that came along with the role, the pressure - and shares that once the creative team behind Aladdin gave him permission to just be himself, he was able to bring his inner singing and dancing child from youth onto the stage with him. Michael also talks to us about the inspiration behind his brand new debut studio album, A Fierce Christmas, which is out now. Citing the current pandemic, as well as the “racial awakening” in the country, Michael says of his album, “this was my protest… I’m gonna protest with joy.”


    In this episode, we talk about:

    • The year 2020 being the year of the “pivot”
    • The impact of the theater community on society as a whole
    • Having parents who just said “yes”
    • The inspiration behind and production of his album, A Fierce Christmas
    • His “Ah ha” moment while playing the Genie
    • The advice Ben Vereen once gave him


    Connect with MJS:

    • Get his album and visit him online: https://www.michaeljamesscott.com/
    • Twitter: @iammjscott
    • Instagram: @iammjscott


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep120 - Nik Walker: Hamilton, Ain't Too Proud, NYU Professor(!) Dec 09, 2020
    Show notes

    Nik Walker is an artist, educator, and activist who made his Broadway debut in Motown The Musical. He spent 3 years with the Broadway and touring companies of Hamilton, adding both Aaron Burr and George Washington to his resume. Other stage credits include Peter and the Starcatcher (off-Broadway), and regional productions at La Jolla Playhouse, The Old Globe and The Denver Center, to name a few. He can also be seen on TV in Law & Order: SVU. Nik is a self-proclaimed cinefile and theme park nerd, and co-hosts his own movie analysis podcast called Little Justice The Podcast. He also co-hosts a video series on Broadwayworld.com called The Chaos Twins. Nik currently leads the Broadway cast of Ain’t Too Proud playing Otis Williams, and is an adjunct professor at his alma mater, New York University.

    Nik shares that his mother worked a job as a news anchor when he was growing up, so she wasn’t really home a lot. So it was movies that played babysitter and kept his imagination going. But movies and stories played an even bigger and more important role in focusing him as a child after he was diagnosed with ADHD, eventually leading to his early involvement in theater. And later, a BFA in Theater from NYU.

    During our conversation, Nik speaks candidly about coming to Broadway with very little dance background, sharing that Motown was his first brush with dancing professionally and getting paid for it. He shares memories of intense dance training for Ain’t Too Proud while still on tour with Hamilton - 5 hours of dance a day, and a performance of Hamilton in the evening - and the sense of pride he gained as a result of “being comfortable with letting go of your comfort zone”. Nik also opens up about the journey he has taken during the COVID pandemic which brought him back to NYU, this time as a professor. And while he acknowledges performing in Ain’t Too Proud and teaching at the same time will be a lot of work, he not only feels rewarded by his new job, but knows he is contributing to the education and growth of the next generation of theater artists.


    In this episode, we talk about:

    • His affinity for Jeff Goldblum, and Jurassic Park (together, and separately)
    • His love for theme parks
    • Becoming a professor at NYU
    • His joy as part of Ain’t Too Proud
    • Being an activist
    • The necessity for change within the Broadway community


    Connect with Nik:

    • Listen to Little Justice, the Podcast
    • Instagram: @nikkywalks
    • Twitter: @nikkywalks


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep119 - Carolee Carmello: Three Time Tony Nominee Dec 02, 2020
    Show notes

    She thought theater was something she just needed to get out of her system, but many years and a successful career later this performer opens up about pursuing your dreams to avoid regret, and participating in the new virtual era theater finds itself in.

    No stranger to the stage, Carolee Carmello is a Broadway veteran with fourteen Broadway shows on her resume. She is a three-time Tony Award nominee and a 5-time Drama Desk nominee, winning the 1999 Drama Desk Award for Outstanding Actress in a Musical for her portrayal of Lucille Frank in Parade. Carolee’s other Broadway credits include the original casts of Falsettos, Lestat, The Addams Family, and Tuck Everlasting. In the last several years she received rave reviews for her role as Mrs. Lovett in the off-Broadway revival of Sweeney Todd, as well as Dolly in the US national tour of Hello, Dolly (which shutdown in March when theaters were closed). Carolee can now be seen in a fun new take on your favorite Dickens classic called Estella Scrooge: A Christmas Carol with a Twist, a virtual production that brings together casts and creatives from some of Broadway’s biggest shows.

    Carolee grew up in Albany, NY, where watching movie musicals on TV as a kid was how she learned about theater. She later participated in a few community theater productions for fun while attending the University of Albany (where she majored in Business and French), never thinking she would actually make a career out of performing.

    In our conversation Carolee opens up about the “combination of things” which lead to her decision to move to the city after college, and give herself a year to make things happen (Hint: There’s no people like show people). A year turned to two years, which eventually turned into an incredibly successful career performing in some of Broadway’s most iconic shows. Carolee also shares her memories of being on tour with Hello, Dolly in Buffalo, NY in March the night theaters were shut down, which led to her work on the new virtual production Estella Scrooge: A Christmas Carol with a Twist. Filmed entirely on greenscreen, alone in a room with only sticks and toilet paper rolls to act with, Carolee and the Broadway community are finding all new ways to bring theater to their audiences.


    In this episode, we talk about:

    • The Tony Awards in the time of COVID-19
    • Her experience with community theater while studying business in college
    • Learning about Actor’s Equity for the first time
    • What made her decide to pursue theater
    • Working on Estella Scrooge
    • The Ratatouille Musical on TikTok


    Connect with Carolee:

    • Instagram: @caroleecarmello
    • Twitter: @caroleecarmello
    • Watch the Estella Scrooge trailer
    • Visit the Estella Scrooge website


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
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    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

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    Ep118 - Gen Parton-Shin: Bridging the Gap Between Japan and Broadway Nov 23, 2020
    Show notes

    When he’s not pursuing his dreams onstage, this performer spends his spare time translating musicals like Hamilton from English to Japanese, on a mission to bridge the gap between Japanese and American musical theater audiences.

    Gen Parton-Shin is a Japanese-British actor who made his professional debut as Angel in the Official Japanese cast of Rent in 2008. While pursuing his dreams in the US, he furthered his career with leading roles in Japan's official Broadway productions of next to normal (Gabe), Dracula (Jonathan), Bare (Jason), and Rocky Horror Show (Rocky). Gen also played the lead role in an original Japanese musical Mitsuko ~Love Crosses All Borders~ in 2010, composed by Frank Wildhorn (Jekyll and Hyde, The Civil War). He has been a part of numerous musical/play readings in NYC, including Other World (directed by Gabriel Barr and written by Hunter Bell and Jeff Bowen of Title of Show), off-Broadway’s K-pop, and Mafatu (produced by Broadway veteran Telly Leung). He co-founded a company called Broadway in Japan, which introduced Broadway musical theatre faculty to Japanese aspiring musical theatre performers, offering invaluable education opportunities in Japan. Gen has also appeared on TV, including roles on Season 4 of Netflix's Unbreakable Kimmy Schmidt, and The Other Two on Comedy Central. In addition, Gen has self-produced three solo cabaret shows, and in the latest one he translated and performed “My Shot” from Hamilton in Japanese.

    During our conversation, Gen describes his musical theater journey which has taken him from the stages of Japan, to those of New York. He shares that while performing in Japan, he wasn’t always satisfied with the translations they were given to work with; thus sparking his drive and desire to see if he could do the job himself. Gen has now translated about three fifths of Hamilton into Japanese, comparing the process to completing a puzzle which he really enjoys.

    He also shares that one of his life missions is “to bridge Japan and the U.S.”, which he has begun to do with his foray into translation, hoping to make American musical theater easier for Japanese audiences to listen to and process.

    In this episode, we talk about:

    • Why he identifies as a Third Culture Kid
    • Completing the One-Year Conservatory program at T. Schreiber Studio on a tourist visa
    • How he was inspired to start translating musicals into Japanese
    • The intricacies of translating English to Japanese
    • Why he thinks musical theater is so popular in Japan
    • Takarazuka Revue - the all female musical theater troupe in Japan


    Connect with Gen and watch two of his Hamilton translations:

    • Watch Hamilton's "My Shot"
    • Watch Hamilton's "Helpless"
    • Check out 35mm, A Musical Exhibition
    • IG: @GenPartonShin
    • Twitter: @GenPartonShin


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram:@alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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