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    Arts

    The Theatre Podcast with Alan Seales

    Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.​

    This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

    Part of the Broadway Podcast Network.

    Advertise

    Copyright: © The Theatre Podcast / Even Seal Productions

    • Apple Podcasts
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    • Spotify

    Latest Episodes:
    Ep98 - Tony Vincent: Bleeding Love The Voice, American Idiot, Jesus Christ Superstar Jun 23, 2020
    Show notes

    Tony Vincent is a recording artist, actor and producer, widely known for his appearance as a finalist on the second season of NBC’s The Voice. While in college, he started his own record company, Adobe Flats, writing and producing the EP Love Falling Down. And made his Broadway debut in 1998 playing Roger in Rent, after playing the same role on the first national tour. Tony originated the role of St. Jimmy in the Green Day Rock Opera American Idiot, appeared as Judas Iscariot in Jesus Christ Superstar, and was most recently seen on Broadway in Rocktopia. He originated the role of Galileo Figaro in the rock band Queen’s We Will Rock You on London’s West End and has also fronted the band multiple times, including a performance of “Bohemian Rhapsody” for Queen Elizabeth II’s Golden Jubilee. He has independently released two albums, A Better Way, produced by Adam Anders (Glee, Rock of Ages), and the self-produced In My Head, following his appearance on The Voice. Tony can currently be heard as Puppy in Bleeding Love, a brand new original musical podcast radio play on The Broadway Podcast Network.

    In this episode, we talk about:

    • His enthusiasm for becoming a drummer
    • What he thought about Van Halen as a kid
    • Why he’s always been a solo artist
    • The impact David Bowie has had on his life
    • The thrill of originating roles onstage
    • His enthusiasm for recording records
    • His experience on NBC’s The Voice


    Connect with Tony:

    • IG: @theofficialtonyvincent
    • Listen to Bleeding Love
    • www.tonyvincent.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales


    This episode is released in a time of crisis and mass awakening. Black Lives Matter. Please consider donating to any of the following:

    • George Floyd Memorial Fund
    • Minnesota Freedom Fund
    • Reclaim The Block
    • National Bail Out
    • Black Lives Matter
    • The Bail Project
    • Black Visions Collective
    • Campaign Zero
    • National Bail Fund Network
    • The Innocence Project
    • Run with Maud
    • Justice for Breonna

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep97 - Rebecca Naomi Jones: Bleeding Love, Oklahoma!, American Idiot, Hedwig Jun 16, 2020
    Show notes

    Rebecca Naomi Jones is an actress and a singer who made her Broadway debut in 2008 when Passing Strange transferred from it’s Off-Broadway run. She went on to create the role of Whatshername in the Green Day Rock Opera American Idiot, which opened on Broadway in 2010. In 2012 Rebecca played the Narrator in Manhattan Theatre Club's Off-Broadway musical Murder Ballad, for which she received a Lucille Lortel Award nomination for Outstanding Featured Actress. Her other Broadway credits include replacing Lena Hall as Yitzhak in Hedwig and the Angry Inch in 2015, a starring role in Significant Other in 2017, and Laurey Williams in Daniel Fish’s revival of Oklahoma!, a role for which she earned a Drama Desk Nomination after appearing in the original production at St. Ann's Warehouse. Rebecca has also appeared in National Tours of Rent and Caroline, or Change, and starred in the film adaptation of Passing Strange. In 2014, she was awarded the Lilly Award, a prize designed to honor women in theater. Rebecca can currently be heard as Lolli in Bleeding Love, a brand new original musical podcast radio play on The Broadway Podcast Network.

    Rebecca was born in New York City to bi-racial parents, her mother Jewish, and her father African-American. She shares that growing up in NYC and “being mixed is a different thing than growing up in other places and being mixed,” and wasn’t made aware of how unique that was or how complicated it can be for people until much later. Rebecca is no stranger to the New York Stage. But doesn’t mean she is immune to performance anxiety. In our conversation, Rebecca opens up about her first encounters with anxiety and panic attacks in 2015, attacks that would linger even as she was performing on stage during Hedwig and the Angry Inch. She shares that during the run of Oklahoma! she kept up a regular meditation routine so she could prepare herself “for the fear”.

    In this episode, we talk about:

    • Her inner demons that come out when she is gaining recognition or awards for her work
    • Her memory of the first time she experienced a panic attack
    • How performing to a house full of people with the lights on during Oklahoma! tested her
    • Her experiences practicing and performing opera with the children's choir at The Met
    • The trial and error of recording Bleeding Love
    • Some of the film and TV work she has done, and why she finds this work so exciting and thrilling


    Connect with Rebecca:

    • IG: @onerebeccajones
    • Twitter: @rebeccasername
    • Listen to Bleeding Love


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales


    This episode is released in a time of crisis and mass awakening. Black Lives Matter. Please consider donating to any of the following:

    • George Floyd Memorial Fund
    • Minnesota Freedom Fund
    • Reclaim The Block
    • National Bail Out
    • Black Lives Matter
    • The Bail Project
    • Black Visions Collective
    • Campaign Zero
    • National Bail Fund Network
    • The Innocence Project
    • Run with Maud
    • Justice for Breonna

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep96 - Taylor Trensch: Bleeding Love, Dear Evan Hansen, To Kill a Mockingbird, Wicked Jun 09, 2020
    Show notes

    Taylor Trensch has been a familiar face on Broadway since 2012, when he made his Broadway debut in Wicked as Boq. He originated roles in the Broadway debut productions of Matilda The Musical, and The Curious Incident of the Dog in Night-Time. Some of his more recent roles include Barnaby Tucker in the revival of Hello Dolly!, the title role in Dear Evan Hansen, and starring next to Ed Harris as Dill Harris in To Kill A Mockingbird. Taylor can currently be heard as Sweet William in Bleeding Love, a brand new original musical podcast radio play on The Broadway Podcast Network.

    Taylor has been spending his time in quarantine in Greenpoint, Brooklyn, but was born and raised in Tampa, Florida. He shares that he grew up in the same house his dad grew up in - had the same childhood bedroom, as well as the same seat at the family dinner table. When Taylor was 5 years old he performed in his first community theater show - The Wizard of Oz. He loved the movie as a child and begged his parents to take him to the audition. He says he peed his pants opening night, and “from then on I couldn’t be stopped.” Growing up, Taylor had severe allergies and asthma, which deterred him from spending a lot of time outside. When he discovered theater, the immediacy of a group of people being in a room together, getting laughs and applause, he was hooked. He shares that by the time he was in middle school, he knew he was gay. And by doing community theater, he started to become aware of the gay and queer adults who were also there, and began to see himself in them.

    Playing Sweet William in Bleeding Love is a bit of a throwback for him, as Taylor took part in the original demo recordings that took place in 2016. But the main difference, due to the current coronavirus pandemic, is that no one in the cast can actually be together. Taylor records his songs, and one off lines from the bathroom in his apartment. He describes what a unique challenge it is, calling it “bizarre to try to make a specific, honest choice” as an actor, with sort of no context or ability to play off his fellow actors. There is inherent energy between cast members when they are performing together, they fuel one another. Taylor shares that part of this experience is creating that energy for yourself. Bleeding Love is a show about being in quarantine, but it was written years prior to our current pandemic. And it seems it was rediscovered at precisely the right time.


    In this episode, we talk about:

    • His failed attempt to escape NYC during quarantine
    • The personal catharsis he experienced while playing the lead in Dear Evan Hansen
    • The two versions of self he believes are inside every theater artist
    • Grounding himself in his life, while having Ben Platt on speed-dial and being buddies with Ed Harris
    • Performing with his boyfriend in Dear Evan Hansen
    • The end of the recent CATS film
    • His idea of what the theater may look like when quarantine is over


    Connect with Taylor:

    • IG @knucklesandwich
    • Listen to Bleeding Love


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales


    This episode is released in a time of crisis and mass awakening. Black Lives Matter. Please consider donating to any of the following:

    • George Floyd Memorial Fund
    • Minnesota Freedom Fund
    • Reclaim The Block
    • National Bail Out
    • Black Lives Matter
    • The Bail Project
    • Black Visions Collective
    • Campaign Zero
    • National Bail Fund Network
    • The Innocence Project
    • Run with Maud
    • Justice for Breonna

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep95 - Marc Kudisch: Bleeding Love, Girl from the North Country, The Tick, Millie, and more Jun 05, 2020
    Show notes

    Marc Kudisch stars off the Bleeding Love musical podcast takeover, a brand new completely original musical podcast set in a post-apocalyptic future where it's not safe to go outside.

    Marc is a 3-time Tony Award nominee for his work in Thoroughly Modern Millie, Chitty Chitty Bang Bang, and 9 to 5. He is a Drama Desk Award winner and two-time Outer Critics Circle Award Nominee. Some other Broadway highlights include Finding Neverland, Hand to God, Assassins, the Scarlet Pimpernel, and Beauty and the Beast. You also might recognize him from TV and film credits such as The Tick, Billions, Mindhunter, Limitless, House of Cards, Unforgettable, Person of Interest, Gossip Girl, Blue Bloods, SMASH, and even Sex and the City. He recently starred in the off-Broadway production of Girl from the North Country and is now reprising the same role -- once Broadway returns, of course! However you can catch him right now in a brand new way as both the Super and the narrator in the original musical podcast Bleeding Love.


    Connect with Marc:

    • IG: @marckuds
    • Twitter: @marckuds


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales


    This episode is released in a time of crisis and mass awakening. Black Lives Matter. Please consider donating to any of the following:

    • George Floyd Memorial Fund
    • Minnesota Freedom Fund
    • Reclaim The Block
    • National Bail Out
    • Black Lives Matter
    • The Bail Project
    • Black Visions Collective
    • Campaign Zero
    • National Bail Fund Network
    • The Innocence Project
    • Run with Maud
    • Justice for Breonna

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep94 - BLACK LIVES MATTER Jun 02, 2020
    Show notes

    Hi everyone, over the last year and a half, I have released at least one episode of The Theatre Podcast every single week without fail. Today, I have decided to break this tradition. I am purposely postponing the next episode in order to release this statement.

    Black Lives Matter. Please know that I see you, I hear you, I stand with you, and I recognize that the current movement is a response to hundreds of years of systematic racism having permeated our culture.

    I realize that it is no longer enough to be against racism as we all must strive to be anti-racist, and actively take steps to stop racist behavior in a non-violent way.

    Every journey begins with a first step and for many of us, now is the time. Available below are links to places where you can lend your support. I have done the same. Allow those who are doing their best to be supportive to continue to grow and learn. Remember, fighting your ally only strengthens your enemy.

    In a few days I will continue to release my episodes as normal, as I feel that art can be used as a tool to heal, and must continue to be created.

    Everyone please stay safe and care for one another.

    • Antiracism Center
    • Audre Lorde Project
    • Black Lives Matter
    • Black Visions Collective
    • Black Women’s Blueprint
    • Color Of Change
    • Justice for Tony McDade
    • Justice for Breonna Taylor
    • I Run With Maud
    • Equal Justice Initiative (EJI
    • NAACP Legal Defense and Educational Fund)
    • RAICES

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep93 - Courtney Monsma, Katherine Howard in SIX the Musical (Australian cast) May 29, 2020
    Show notes

    To watch the video version of this interview, please click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition!

    Courtney Monsma is an actor, singer and dancer from Queensland, Australia. Most recently Courtney performed in the Australasian tour of Disney’s Aladdin, and also appeared in the Australian tour of MAMMA MIA! understudying the role of Sophie. During her years of training, Courtney played Charity in Sweet Charity, Carmen in The Life; toured with the production of I Love You, You’re Perfect Now Change, and in her final year played Maria in West Side Story. She appeared in Opera Queensland’s Kiss Me Kate and was a 2018 finalist for the prestigious Rob Guest Endowment Award. Courtney is currently playing Katherine Howard as part of the original Australian cast of SIX the Musical.


    While Courtney was born in Adelaide, Australia, she relocated to Queensland when she was fairly young, and currently resides there. Courtney started as a dancer at a young age, and after seeing her sister perform in a community theater production when she was 8 years old, she quickly followed suit. This is also when she discovered singing, and finally felt, ‘ah yea, this is for me” - she knew this was what she wanted to do with her life. “There’s nothing that compares to the feeling I get when I sing,” she told us. Courtney quickly became involved with the community theater scene, and upon graduating from high school sought a way to hone her skills and pursue performing as a career. She found herself at Queensland Conservatorium Griffith University and graduated with a Bachelor of Musical Theatre.


    Portraying Katherine Howard in SIX the Musical is not for the faint of heart, and Courtney reflected on how much she’s grown and learned throughout a journey that's included auditions, rehearsals, and performances. She shares how Howard taught her about getting rid of the white noise in her head, and that there is no time for feeling down on yourself because it only holds you back. Throughout auditions and rehearsals the queens were instructed to never do anything that wasn’t authentic to themselves as individuals. As a result, she has also gained a lot of confidence - confidence that will carry her into her next starring role as Anna in the Australian tour of Frozen. Courtney shares that if it hadn’t been for SIX, she doesn’t think she’d be ready for Frozen. “SIX taught me so much about myself”, she says, both personally and as a performer.


    In this episode, we talk about:

    • Realizing at a young age that performing was what she wanted to do with her life
    • Starting SIX and being in a room full of performers she’d always admired from afar
    • Her reality living with anxiety as a actor
    • Her love for NYC, and being there the week SIX was supposed to open
    • The new sort of pressure she feels as she prepares for Anna in Frozen
    • The time she was able to spend chatting with Patti Murin (Frozen on Broadway’s Anna)


    Connect with Courtney:

    • IG: @courtneymonsma


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep91 - Chloé Zuel, Catherine of Aragon in SIX the Musical (Australian cast) May 26, 2020
    Show notes

    UPDATE 2021, March 19: Congrats to Chloé who just opened Hamilton in Australia as Eliza Hamilton!! To watch the video version of this episode, click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition!

    Chloé Zuel is a singer and performer who has worked as a lead singer across Australia and Internationally including two years at Universal Studios Japan and three months at The Venetian, Macao. She was most recently seen as Anita in West Side Story, and as Sarah in Ragtime. Chloé’s other various credits include the Australian premier production of Beautiful; The Carole King Musical, Hairspray, Legally Blonde the Musical, The Mikado, Les Misérables, Rent, the Australian tour of Little Shop of Horrors and Porgy and Bess. She is currently part of the original Australian cast of SIX the Musical as Catherine of Aragon.

    Born and raised in Sydney, Australia, Chloé’s mother had her when she was young, and up until she was 8 years old it was just the two of them. Chloé speaks of her mother with awe and appreciation, as she single handedly supported her early performing arts dreams. She started taking dance classes at age 5, competed regularly in dance competitions, and began singing when she was 12 years old. Chloé calls herself that kid who put all her eggs into one basket - it was always clear in her mind that performing was all she wanted to do. She shares that she used to put on a CD every night and would fall asleep to music. Chloé went on to study and graduate from ED5 International, Australia’s premiere Performing Arts Training Facility, and has been lucky enough to be working steadily ever since.

    Chloé opens up to us about living with terrible anxiety as a performer. For a little while she wasn’t sure she wanted to continue performing - she forgot why she loved it and why she did it. She says, “When you have anxiety, performing everyday, performing every moment” can be hell. She recalls having panic attacks in the wings during performances of Beautiful: The Carole King Musical. As someone who struggles with anxiety, she tells us that she found the audition process for SIX really difficult, as a lot of it required singing, dancing and performing in front of everyone else who was also auditioning. But also shares that from the get go - from auditions - the environment created was always one which was about supporting each other, cheering each other on; about being unique, and appreciating everyone else’s unique qualities. She recalls getting butterflies at their initial launch for SIX, realizing what a special project she was now a part of. And now they are a family. Chloé shares, “There’s a really deep love and respect that we have for each other, and an understanding”.


    In this episode, we talk about:

    • Her whirlwind journey from West Side Story, into Ragtime, into getting married, back to West Side Story to close it out, and starting SIX rehearsals the next morning
    • Why she and her husband decided to spend this time in Tasmania
    • Why she loves performing, and what she feels she gets from it’s magic
    • Her experience with the other queens on launch day for SIX in Australia
    • How her anxiety has affected her performing
    • Her admiration for the writers of SIX, and why she finds it so clever
    • Her peanut butter addiction


    Connect with Chloé:

    • IG: @chloezuel
    • Twitter: @chloezuel


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep92 - Brittney Mack, Anna of Cleves in SIX the Musical (Broadway cast) May 26, 2020
    Show notes

    To watch the video version of this episode, click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition!

    Brittney Mack is a performer from Chicago, Illinois, who was most recently seen as Anna of Cleves in the North American Tour of SIX the Musical. Her other credits include Rent, The Wiz, Hairspray, Avenue Q, Shrek, In the Heights, Ain’t Misbehavin’, All Shook Up, and Little Shop of Horrors, as well as the national tour of Memphis. She has performed on Royal Caribbean Cruise Lines, and has been seen on the FOX television show Empire. Brittney is making her Broadway debut with her portrayal of Anna of Cleves in SIX the Musical.

    Born on the south side of Chicago, Britney was one of 5 raised by a single mother and “an incredible tribe of friends.” She shares that one of her favorite things to do as a kid was listen to late night story times - full stories and plays - on the radio. She recalls one show in particular called It’s Your World!, a modern day radio soap opera that played on the Tom Joyner Morning Show, which she would wake up at 5 AM to listen to before school. She believes it was these radio shows that helped spark her imagination. Her mother was always supportive of her dreams to perform, and Britney says, “My mom is the reason why I’m doing what I’m doing.” Brittney attended the Chicago Academy for The Arts, a college prep high school, and later went on to attend The American Musical and Dramatic Academy (AMDA) both in Los Angeles and New York City.

    Brittney shares that as an artist she has always been blessed to find steady work. Throughout a performing journey that has taken her all over the world, she recalls revisiting her storage unit in between contracts in order to swap out some clothes and head out for the next production. Brittney had been out to sea on her contract with Royal Caribbean when her grandfather became ill, after which she relocated back to Chicago to be closer to her grandmother. And it was after being on the road with the national tour of Memphis that she found herself in a general audition for Chicago Shakespeare Theater. She shares that it wasn’t until about her 4th audition for them that she really even knew what SIX was all about. She is grateful for this in retrospect, as it could have added unnecessary pressures in the audition room. “It was a blast being in the room,” she said, as they all auditioned in front of and with each other. It was an audition experience like none other, and she’s pretty sure she’ll never have another like it.


    In this episode, we talk about:

    • How she’s been spending her time in quarantine
    • The time she told her mom she wanted to be Gary Coleman in Shirley Temple
    • Paying for her first year of school at AMDA
    • Being shot by a paintball gun when she first moved to NYC
    • The intensive audition process for SIX the Musical
    • Her feelings on having a social media presence, and the SIX fan base


    Connect with Brittney:

    • IG: @brittmack8


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Ep90 - Vidya Makan, Catherine Parr in SIX the Musical (Australian cast) May 19, 2020
    Show notes

    To watch the video version of this episode, click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition!

    Vidya Makan is a composer, singer, actor, and musician based in Melbourne, Australia, and most recently starred as Dot/Marie in Sunday in the Park with George. Vidya’s other credits include: Lady Capulet in Romeo And Juliet, Green Day’s American Idiot, Merrily We Roll Along and Little Inez in Hairspray. As a composer, Vidya is currently working on My Home Too, a song cycle about Australia and home, while her debut full length musical Woman, inspired by the lives of bohemian artists Gerda Wegener and Lili Elbe is also in development. She is currently part of the original Australian cast of SIX the Musical as Catherine Parr.

    Vidya’s parents grew up in apartheid South Africa, later moving to Australia in the 1990’s to get away and start their family. She remembers going to the theater frequently with her family as a child, and when talking about her parents, calls her mom an “absolute arts nerd”, while her dad has a “beautiful” singing voice. Vidya started playing the piano when she was 3, and began singing in choirs when she was 5 years old - but was also a self-declared “tom-boy”. Her first dream was to play soccer for Australia, and at 15 years old Vidya received a scholarship to train at the Manchester United Soccer School in England for a week. While in England, she and her father attended a performance of Wicked, and Vidya recalls, “There was something about that show that just got under my skin.” They returned home to Australia, she auditioned for the school musical for the first time - The Wiz - and landed the role of Dorothy. And that was it! From there it was ‘goodbye soccer, hello theater’. Vidya went on to study musical theatre at The Queensland Conservatorium’s Griffith University.

    During our conversation, Vidya talks with us about the journey of finding her place in the performing arts industry in Australia. As a woman of color she “hasn’t had the cookie-cutter career because she isn’t the cookie-cutter performer” - as successful musical theater shows that transfer from America to Australia aren't necessarily crafted to showcase more ethnically diverse performers. She shares that a large part of her journey has been about finding those companies (usually with younger people at the helm) where she can be seen just as a woman, outside of type or ethnicity or race. And so it seems SIX the Musical is very naturally the next step in this journey, as casting was “not about anything else other than getting the right person for the role”, boasting diverse casts across all its productions.


    In this episode, we talk about:

    • How the postponement of the Australian production of SIX affected her
    • The outpouring of love and support they have received from the SIX fan base
    • The importance of being a role model now that she’s in the spotlight
    • How English actress Jameela Jamil’s social media activism against female body shaming has changed her life
    • Taking the sexualization of women in pop culture/music and turning it on its head in SIX
    • The differences in the performing arts industry in Australia versus America
    • What she calls a “Muggle Job”
    • Composing her own music, and working on creating an original musical of her own


    Connect with Vidya:

    • IG: @vidyamakan
    • Web: vidyamakan.com


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

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    Ep89 - Kala Gare, Anne Boleyn in SIX the Musical (Australian cast) May 15, 2020
    Show notes

    To watch the video version of this episode, click here. Listen to the SIX studio cast recording, or grab the sing-a-long edition!

    Kala Gare is a singer, actor, musician and songwriter based out of Melbourne, Australia. Her stage credits include Alice in Thoroughly Modern Millie, Maureen in Rent, Olivia in Twelfth Night, and Anastasia Steele in 50 Shades!. She is also a classically trained musician with musical direction credits, and is the lead singer of an up and coming band called Legacy, which won Best Emerging Band at the Emergenza Festival in 2017. Kala is currently portraying Anne Boleyn in the Australian and New Zealand Tour Production of SIX the musical.

    Kala, born and raised in Melbourne, grew up in a very musical family. Both of her parents are opera singers, who met at the same university where Kala would eventually find herself studying musical theatre. Kala shared that her parents harbored the love and excitement she has for music because it was “just everywhere” growing up. Kala first trained classically as a vocalist, honing her legit sound, and as she continued with theater, developed other parts like her belting technique. She earned a B.F.A in Music Theatre from the Victorian College of the Arts, where, she shares, she had a love for “cross training” her voice.

    Kala shares with us that its a “whole new world” once you become a part of the SIX the Musical family. Both on stage and off, SIX is teaching her lessons. She shares, “SIX taught me about standing in your own power as well as standing with other people in their own power, and how we can do that” without competition. In performance, Kala and her cast mates learn to deal with new stimuli every night as they constantly break the fourth wall and interact with the audience. And we also hear from Kala about the challenge of maintaining 100% energy for each of the 9 shows they perform in a week. But through it all, you can hear it in her voice and her words when she shares, “it’s hard to not have a very fun time on that stage.”

    In this episode, we talk about:

    • The influence music began having very early on in her life
    • Realizing the true power of theater, and feeling it is exactly what she is meant to be doing
    • How they spent their for rehearsal for the SIX tour
    • The upsides and downsides of having so many fans of the show
    • How the cast and crew adjusted to the stage door experience
    • Her music writing process


    Connect with Kala:

    • IG: @k.gare_


    Connect with The Theatre Podcast:

    • Support us on Patreon: Patreon.com/TheTheatrePodcast
    • Twitter & Instagram: @theatre_podcast
    • Facebook.com/OfficialTheatrePodcast
    • TheTheatrePodcast.com
    • Alan's personal Instagram: @alanseales
    • Email me at feedback@thetheatrepodcast.com. I want to know what you think.


    A very special thanks to our patrons who help make this podcast possible!

    Cheryl Hodges-Selden, Paul Seales, David Seales

    If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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