The Next Reel Film Podcast

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About a Boy • The Next Reel Oct 10, 2013

Show notes

We continue our Romantic Comedy series with a film that really puts that genre to the test — 2002's About a Boy, directed by Chris and Paul Weitz. Is it a RomCom? Is it a comedy drama? Or a RomComDram? It's hard to say, but it is a great film that is full of honesty, heart, and human connection. Join us — Pete Wright and Andy Nelson — as we talk about this great film. We discuss Hugh Grant and Nicholas Hoult as the two leads (who both also co-narrate the film), what they bring to the film, and why they both make everything in the film feel so believable. We talk about the amazing Toni Collette who grounds the film with an amazing character turn that creates a great counterpoint to the growing friendship between Grant's and Hoult's characters. We discuss the Weitz brothers and the interesting paths their directing has taken them. We chat about the cinematography, costume designs, and production design and what they do for the world of this film. And we discuss the great ear worms in this movie. It's a great film, whatever it's genre, and we love talking about it. Tune in!
* * *
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(500) Days of Summer • The Next Reel Oct 03, 2013

Show notes

It's October, which must mean it's time for another month of horror, right? Wrong! This month, we're turning the tables on all the Freddies and Jasons and Michaels and will be spending the month talking about romantic comedies! Our first stop? Marc Webb's feature film debut, 2009's "(500) Days of Summer." Join us — Pete Wright and Andy Nelson — as we discuss one of our favorite romantic comedies out there. We talk about what a romantic comedy is and what makes this film fit it, as well as what's different about it. We discuss the nature of love and memory, how this film honestly captures emotions around relationships, and how those emotions tie into love and memory. We look at the touching and truthful performances by Joseph Gordon-Levitt and Zooey Deschanel and what they bring to the table, along with things that may not work as well. And we talk about the cinematography, the production design, the costume design, and the music and how key they all are to making this film stand out as a rom-com masterpiece. It really is a wonderful film and we're happy to be starting our rom-com month with it. Tune in!
* * *
Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
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The Blob • The Next Reel Sep 26, 2013

Show notes

It was the genius mind of producer Jack Harris who saw potential in combining two popular 50s genres — the horror sci-fi films and the teen delinquency films — when he got Irvin Yeaworth to direct 1958s "The Blob." There were plenty of low budget midnight movies being churned out then, but somehow this one ended up hitting the winning streak by getting picked up by Paramount and distributed across the country, making a name for its star, Steve McQueen, in the process. Join us — Pete Wright and Andy Nelson — as we talk about this 50s sci-fi/horror/teen drive-in classic this week. We talk about the nature of looking at films like this and how they work — or don't work — through modern eyes. We chat about how McQueen broke onto the scene with this film and ended up having a love/hate relationship with it the rest of his life. We discuss the nature of the teen films coming out in the 50s and how this film tapped into that zeitgeist. And we chat about the production and success of this film, coming from filmmakers just trying to make a movie. It's not one of our favorites but we still have a great time talking about it. Check it out!
* * *
Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
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And for anyone interested in our fine bouquet of show hosts:
- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
- [Follow Pete Wright on Twitter](http://twitter.com/petewright)
- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

The World's End • The Next Reel Sep 19, 2013

Show notes

Hellllllloooooooooo! Welcome to episode #100 of The Next Reel, everybody! And what a better way to celebrate than to finish the Three Flavours Cornetto Trilogy series that we started in March 2012 with our episode on Edgar Wright's latest film, "The World's End." Another genre film filled with poignant character moments, riotous moments of comedy, fantastic writing from beginning to end, and solid and assured direction, Wright finishes off this pseudo trilogy (that he started with "Shaun of the Dead" and "Hot Fuzz") with a film that actually does help tie all three films together thematically while still remaining its own complete film. Join us — Pete Wright and Andy Nelson — as we delve into the frothy tale of five guys revisiting (or to some extent reliving) their past as they try to finish a 12-pub crawl they never completed before only to have it rudely interrupted by alien invaders. We talk about Edgar Wright, Simon Pegg and Nick Frost and what these gents have brought to the table in each of these 3 films, and why this film is such a treat to see because of the reversal in character types for Pegg and Frost. We discuss the rest of the actors, both familiar from Wright's other work and new to it, and what they bring to the table. We chat about the great stunt choreography and how that pairs with the fantastic cinematography to create some of the most invigorating fight scenes in a while. We go into the themes of the film and how the nature of nostalgia can affect a person negatively and how we, as people, need to keep moving forward. And we quote some of the great lines from the fantastic script by Wright and Pegg. It's a blast of a film, even if the tonal shift and disagreeable protagonist may keep some people from fully falling for it as we both clearly did. We have a great time talking about it (and thoroughly spoiling it) so go watch it and tune in!
* * *
Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
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- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)
- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
And for anyone interested in our fine bouquet of show hosts:
- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
- [Follow Pete Wright on Twitter](http://twitter.com/petewright)
- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

No Country for Old Men • The Next Reel Sep 12, 2013

Show notes

At the 2008 Oscars, Joel and Ethan Coen pulled off what only 4 other directors had done before them, walking away that night with 3 wins. The film, of course, is "No Country for Old Men," and they won for Best Adapted Screenplay, Best Directors, and Best Picture. Javier Bardem won Best Supporting Actor for his chilling portrayal of hitman Anton Chigurh, which was well-deserved, and the film was nominated for 4 other Oscars. At the time, it was their highest grossing film, and put right at the top of many critics' best film of the year lists. Join us — Pete Wright and Andy Nelson — as we conclude our Dramas of the Brothers Coen series with a conversation about "No Country for Old Men." We discuss the nature of the landscape in this film, and how it not only fits in the context of this particular story but also how it fits in the look of the Coens' films we've included in this series. We talk about the performances from top to bottom, starting with Tommy Lee Jones, Bardem, Josh Brolin and Kelly Macdonald and going all the way through Stephen Root and Barry Corbin (as well as the amazing faces the Coens consistently cast in small roles), and how they each bring 100% authenticity to this film. We chat about the differences between the book and the film and how the Coens really treated Cormac McCarthy right with this adaptation. And we discuss the trust the storytellers put in the audience by allowing key moments to happen off-screen and by ending the film where they do. It's a master-class in filmmaking from a pair of the most interesting directors working today. Watch the film and tune in!
* * *
Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
- [The Next Reel on Twitter](http://twitter.com/thenextreel)
- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)
- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)
- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)
- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
And for anyone interested in our fine bouquet of show hosts:
- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
- [Follow Pete Wright on Twitter](http://twitter.com/petewright)
- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Fargo • The Next Reel Sep 05, 2013

Show notes

Joel and Ethan Coen may have won big at Cannes with "Barton Fink," but it wasn't until 1996's "Fargo" was nominated for 7 Oscars including Best Picture, and won Best Actress (Frances McDormand) and Best Original Screenplay for the Coens that Hollywood really started believing that these guys could deliver the goods. (They did fail miserably in Hollywood with their previous effort, "The Hudsucker Proxy," after all.) Join us — Pete Wright and Andy Nelson — as we continue our Drama by the Brothers Coen series with our discussion on this homespun tale of murder, "Fargo." We talk about the nature of the setting — North Dakota and Minnesota — and what that brings to the film. We chat about the brilliant talent — from William H. Macy to McDormand to Steve Buscemi to Peter Stormare to Harve Presnell — and what each of them brings to the table. We discuss the nature of protagonist vs. antagonist in a film structured like this and what reversals do to the storytelling process. We delve into the beautiful cinematography of Roger Deakins and explore what he was doing with the camera in this film. And we go back and forth on the Mike Yanagita character as far as what it means in the context of this film. We love this film and talk at length about it. Tune in!
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Barton Fink • The Next Reel Aug 30, 2013

Show notes

"Barton Fink" was the crowning glory of the Cannes Film Festival when it premiered there in May 1991. Critics heaped their praises on it. But it never really connected with the audience and hence was a box office failure. Luckily, Joel and Ethan Coen made a film that is worth rewatching and discussing, even if it's not completely decipherable. Join us — Pete Wright and Andy Nelson — as we continue our Drama of the Brothers Coen series and delve into the murky, oozing depths of "Barton Fink." We talk about the pervasive symbolism throughout the film and ask what it means, if it's too much, if it's too on the nose, or if it's worth it. We chat about the brilliant sound design and beautiful cinematography, and how those elements of the senses play such key roles in this film. We chat about the nature of honesty and ethics and what this film has to say about them. And we discuss the fascinating character portrayals, most notably Barton played by John Turturro and Charlie played by John Goodman. It's not an easy film to understand but it's clear that it's a film made by deliberate filmmakers who know what they're doing. We have a great conversation about this film, and hopefully our conversation is easier to understand than the film itself. Tune in!
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Miller's Crossing • The Next Reel Aug 22, 2013

Show notes

For their third film, the Coen brothers decided to again make something completely different from what they've done before. With "Miller's Crossing," they made a gangster picture that honors conventions of the genre while also twisting those conventions, just as they did with "Blood Simple." And it worked for some people while not for others (and lead to a big bomb at the box office). Join us — Pete Wright and Andy Nelson — on this week's episode of The Next Reel as we continue our Drama by the Brothers Coen series with 1990s "Miller's Crossing." We talk about what we think of the film and why it's largely been a film that's been hard for both of us to get into over the years, yet one in which we finally connected this time — and liked quite a bit. We discuss the amazing performances from top to bottom in this film and what all of the wonderful actors — Gabriel Byrne, Marcia Gay Harden, Albert Finney, Jon Polito, John Turturro, J.E. Freeman, etc. — bring to the table. We chat about the role of the hat worn and lost time and time again by Tommy, Byrne's character, and what we think the Coens are saying with it. And we chat about some of the amazing production crew — Barry Sonnenfeld and Carter Burwell in particular — and why they stand out. (And we completely left out the amazing production designer Dennis Gassner and costume designer Richard Hornung, along with countless others — stellar work, all of you!). It's a tough film to follow but we both really got a lot out of it this time and had a great time talking about it. Check it out and tune in!
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Blood Simple • The Next Reel Aug 15, 2013

Show notes

"Blood Simple," released in film festivals in 1984 and theatrically in 1985, found as many detractors as it did fans initially, but no one can argue that it was all that the filmmaking duo of Joel and Ethan Coen needed to break onto the scene as fresh, quirky and sometimes violent voices in the cinema world. Join us — Pete Wright and Andy Nelson — on this week's episode of The Next Reel as we start our Drama by the Brothers Coen series. We talk about how much we love this neo-noir crime thriller and why, and debate whether it's just a film noir or really a neo-noir (and if that really means anything anyway). We chat about the performances — Dan Hedaya, Frances McDormand, John Getz and the unforgettable M. Emmett Walsh — and why they each stand out for us in different ways (most notably Walsh in his horrible yellow jacket). We discuss how this film introduced the world largely to the cinematographic eye of Barry Sonnenfeld, what it did for the film, what worked, what didn't, and why Sonnenfeld shouldn't have started directing. We chat about the nature of the story — complex and simple all at the same time in a story that honors genre conventions as much as it manipulates and breaks them. And we talk about the Coen brothers in general and why we feel there is such a pervasive split between cinema-goers as to their opinions of the Coens' films. It's a fun, bloody, dark film that just gets better with age. Check it out and listen in!
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

It Happened One Night • The Next Reel Aug 09, 2013

Show notes

In 1934, a little film studio released what they thought would be a minor but fun little film called "It Happened One Night." That film went on to earn 5 Oscar nominations — Best Picture, Director, Actor, Actress and Screenplay — and win all 5. It also was an audience favorite and turned that little studio — Columbia Pictures — into one of the major players. Join us — Pete Wright and Andy Nelson — as we talk about Frank Capra's wonderful film "It Happened One Night." We talk about how this film, which is generally considered to be the first screwball comedy, was huge in the careers of its two stars, Clark Gable and Claudette Colbert, even if they didn't think it was a picture worth being in when they were making it. We discuss the supporting players and how Capra often filled his films with great ones — and how some in this film became the basis for various Looney Tune characters. We chat about the great work of Frank Capra but how he really was a director making films for a specific time. And we look at several specific scenes and talk about why they work so well, given the genre, the actors, and the script. It's a wonderful, fun and breezy film. Tune in!
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

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