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    TV & Film

    The Next Reel Film Podcast

    A show about movies and how they connect with Andy Nelson and Pete Wright.

    The Next Reel has been dedicated to reviews, news, and commentary on world film for a decade. This podcast is The Next Reel master feed including all the episodes of The Next Reel, Trailer Rewind, The Film Board, The Speakeasy, and the other shorts, interviews, and specials we’ve produced over the years.

    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

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    Latest Episodes:
    Inception • The Next Reel Feb 20, 2014
    Show notes

    It's a sad state to consider that Christopher Nolan had to fight to get money to make "Inception" because it wasn't a sequel, based on a comic book, a remake, or something similar. It was purely an original script about a wild inverted heist taking place inside someone's dreams. Sure, Warner Bros. eventually gave Nolan $160 million plus to make his film and it went on to become one of the highest grossing films of all time, but the fact that he had to fight to get money doesn't bode well for the state of the industry. All that aside, it's a marvel of a film, and we conclude our latest Original Sci-Fi series with this non-benevolent alien movie, Nolan's 2010 film, "Inception." Join us — Pete Wright and Andy Nelson — as we talk about Nolan and the wild story he tells in this film, and how much of a struggle it must have been to not just fight to get the money but also to introduce all the exposition that goes along with telling an original film about dream thieves. We chat about Nolan's preference for physical effects and how much they bring to the film, even if some of them had to get enhanced by digital effects. We discuss the performers, particularly Leonardo DiCaprio and Marion Cotillard and the relationship their characters have. We go over the ending and what we think happens, as well as cover Nolan's intentions for ending it as he did. And we talk about the bombastic score by Hans Zimmer and how well it works in the film. Its an incredible film every time you watch it, and makes for a lot of great conversation. Join us!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
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    - [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    The Abyss • The Next Reel Feb 13, 2014
    Show notes

    When the extended trailer for James Cameron's 1989 undersea scifi spectacular, "The Abyss," was released, detailing everything from the production on sets built in an unfinished power plant to the intense action and character moments throughout the film, all set to Michael Stearns' powerful score from the IMAX film "Chronos," it set the stage for an epic film that promised to deliver "Aliens" underwater. When the film was released, it received good reviews and earned its money back, but wasn't what people expected. Plus, it had an ending that left audiences scratching their heads a bit. But 3 years later, Cameron was able to return to it and release an extended version with nearly 30 minutes of new material, including an extended ending that answered a lot of questions, even if it did add an element to the story that feels heavy handed. His new version was received very positively and showed that going back and meddling with a film could result in a better product, and it's definitely a film worth rewatching. Join us — Pete Wright and Andy Nelson — as we continue our Original SciFi series with "The Abyss." We talk about what works for us and what doesn't in this film, and how much that really matters in the end. We talk about the amazing cast that really sell the story — even the cheesy lines and heavy-handed plot elements — and why some of them refuse to talk about production of this film to this day. We chat about the effects and where this film fits in the context of the history of special effects development. We discuss Cameron and his ability to make films as well as his passion for technologies and undersea exploration, and how those two passions came together perfectly here. And we discuss the nature of film worlds versus the real world, and how accurate a film needs to be when depicting real things. It's a great film with some problematic elements that we're perfectly willing to overlook, and we have a great time talking about it. Tune in!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
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    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    Close Encounters of the Third Kind • The Next Reel Feb 06, 2014
    Show notes

    In 1977, Devil's Tower went from being known as the first National Monument (for those who had actually heard of it) to the iconographic image marking the rendezvous point where the aliens want to meet the humans in Steven Spielberg's third theatrical film, "Close Encounters of the Third Kind." The release and success of the movie saw visits to the monument skyrocket, which shows the power in Spielberg's film. Join us — Pete Wright and Andy Nelson — as we jump back into our Original SciFi series with this fantastic entry into the genre. We talk about the way this film has changed in our eyes as we've gotten older, and how the parenting of both Roy and Gillian, played by Richard Dreyfuss and Melinda Dillon, now feels incredibly poor. We discuss the nature of the 3 existing cuts of this film, what's different, what works and what doesn't in the changes, why the changes were made and which to watch. We chat about the nature of this film in the world of scifi films and why is feels very naturalistic, playing to realistic sensibilities that fit very much with Spielberg's views at the time he made this that it was more science speculation than it was science fiction — it's a story of alien visitors in a world where he believed we had already been visited. We go through the incredible talents behind the amazing special effects, the music, the editing and the production design, as well as the line up of the cast, even if Pete feels Spielberg should've swapped Dillon and Teri Garr in their roles. And we question the decision to put a "PRESENT DAY" title card up at the start of this film when watching it today clearly dates the film (leading us to question the import of ever using this title card). It's a fantastic and lengthy discussion over one of our favorite science fiction films of all time. Tune in!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
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    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    In the Mood for Love • The Next Reel Jan 30, 2014
    Show notes

    Wong Kar-Wai's sumptuous film "In the Mood for Love" premiered at the Cannes Film Festival in 2000 and, while it lost the Palm d'Or, it left an indelible impression on everyone who saw it. A story of a connection between a man and woman who learn their spouses are having an affair, the film deals with their growing friendship as they help each other come to terms with the infidelity. In the process, they also struggle with their own draw to each other. Join us — Pete Wright and Andy Nelson — as we discuss the first of our Listener's Choice films. Steven Smart won the drawing and chose this film for us to discuss, and we're thrilled he did because we both fell in love with it. We talk about the nature of the love between the two leads played by Tony Leung and Maggie Cheung and how, on the one hand, the draw they have to each other is never consummated because they don't want to stoop to the level of their spouses, while on the other hand, they both are afraid that it's not what the other person wants so they don't act. We discuss the stunning look of the film, both from a cinematography standpoint as well as costumes and production design, and how the artists behind those elements make the film what it is. And we chat about director Wong Kar-Wai and how he started making one film but ended up with this one (perhaps because he did this without a script?). It's a beautiful film that touched both of us with its art and finesse. We had a wonderful time watching this film and have a great time chatting about it. Tune in!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
    - [The Next Reel on Twitter](http://twitter.com/thenextreel)
    - [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)
    - [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)
    - [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)
    - [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    Richard Dysart: A Special Next Reel Interview • The Next Reel Jan 30, 2014
    Show notes

    Richard Dysart is one of those faces that you instantly recognize. He's acted on the stage, on the movie screen and on the TV screen most of his life. In his films, he generally played strong supporting characters, helping to fill any given scene with what it needed. (Look at him in the films we've discussed in our Dysart series as well as several past shows — The Hospital and The Thing — to really get a sense as to what he brought to those movies.) On TV, he often carried the projects, whether he was playing a US President (he played Truman and Eisenhower twice each), a studio head (Jack Warner and Louis B. Mayer), or his most iconic character, Leland McKenzie on the entire run of L.A. Law. He's worked in about every genre there is (as well as animation), has played some of the kindest characters on screen and some of the most vile, and has worked with an incredibly wide array of actors, directors and others in the industry. Join us — Pete Wright and Andy Nelson — as we have a special episode talking with the incredible, humble and versatile Richard Dysart. We talk with Dick about where his passion for this crazy industry grew from and how he took that passion and turned it into a career in radio, which led to theatre, eventually TV and inevitably film. We chat about the way 'live TV' worked and how everyone was still kinda winging it in this fledgling industry at the time, and talk about how it's changed as the industry matured. We discuss his move into film, first playing an uncredited role in a Steve McQueen film, and then touch on a wide variety of movies that he worked in over the years. We point out several of our favorites and talk about the work on those specific projects. And we ask him about what he's up to now and if he has any regrets with his career. It's a delightful conversation with a funny, congenial man full of insight about the industry, stories about experiences on set, and a genuine passion for the world of acting. We're thrilled to ask you to join us for this special episode.
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
    - [The Next Reel on Twitter](http://twitter.com/thenextreel)
    - [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)
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    - [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)
    - [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    Pale Rider • The Next Reel Jan 23, 2014
    Show notes

    "Pale Rider" marks Clint Eastwood's 10th time directing himself in a film, something he went on doing until 2008's "Gran Torino" and something he clearly knows how to do well. This seems to hold true especially in westerns, even though he only directed himself in four of them. Perhaps that's because he had so much experience in them and learned from other directors like Sergio Leone how to stand, how to ride, how to stare, how to shoot on film. And while "Pale Rider" is an obvious retelling of the classic 1953 film "Shane," it can stand on its own merits and doesn't feel like a ripoff. Join us -- Pete Wright and Andy Nelson -- as we come to the last film in our Richard Dysart series, 1985's "Pale Rider." We talk about the story of this film and how lean it is, while also apparently being a ghost story, something neither of us ever caught on to until reading up on it. We discuss the actors, notably Eastwood, Michael Moriarty, Carrie Snodgress, Richard Kiel, Sydney Penny, and of course Richard Dysart, and how well they work in this film. We chat about the Biblical references in the film, the idea of Eastwood's character, Preacher, being a ghost, and how that structure works in context of this story. We talk about the nature of the little man versus the corporate machine, something we've talked about in a few recent episodes, and how it works in this film. We go over the look of this film and discuss what Bruce Surtees and Eastwood bring to the film by using low lighting, particularly for the night and interior scenes. And we touch on Lennie Niehaus's music and why it works so well in context of the film. It's a classic western with some great moments that further cement Eastwood as the true iconic 'stranger' character. Give it a watch then tune in!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
    - [The Next Reel on Twitter](http://twitter.com/thenextreel)
    - [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)
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    - [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    Being There • The Next Reel Jan 16, 2014
    Show notes

    Hal Ashby made a number of stand-out films in the 70s, films that looked at human nature in offbeat stories that didn't feel like they came from a mold. When Peter Sellers presented him with the opportunity to direct an adaptation of Jerzy Kosinski's novella "Being There" shortly after the book's publication, he loved the idea and spent the next 9 years working to find the funding to get it made. The film was finally released in 1979 and was considered by many to be Peter Sellers' return to greatness. Join us — Pete Wright and Andy Nelson — as we continue our Richard Dysart series with this fantastic film. We look at the era of the film and, while it's certainly a 70s film, it still feels timeless. We talk about the nature of Sellers's fascinating portrayal of Chance the Gardener (or as Chauncey Gardiner, as he comes to be known), and what our own interpretations of this character are. We chat about the way the film ends and what we think Kosinski and Ashby were wanting to say... if anything. We discuss the nature of the footage during the end credits and debate whether it takes away from the mysterious and beautiful mood the end of the film creates or not. And we discuss both cast and crew in this film, including the wonderful Richard Dysart who brings an amazing, quiet gracefulness to his benevolent doctor who is the only one not fooled by Sellers' Chance. It's a film we love and love to discuss. Watch it and tune in!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
    - [The Next Reel on Twitter](http://twitter.com/thenextreel)
    - [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)
    - [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)
    - [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)
    - [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    The Day of the Locust • The Next Reel Jan 09, 2014
    Show notes

    There have been a good number of films made about the film industry, but few have taken such a dark and surreal look at the Hollywood machine as John Schlesinger's 1975 "The Day of the Locust" did. While it's based on the Nathanael West book from 1939 and takes place at that time, it feels like a modern — or possibly even timeless — story of the business and the fringe-dwellers who want to be a part of its magic. Join us — [Pete Wright](https://twitter.com/petewright) and [Andy Nelson](https://twitter.com/sodacreekfilm) — as we begin our Richard Dysart series with Schlesinger's film. We talk about our experiences with this film (which is at times mind-boggling, slow, horrifically violent, absurd, and pointedly smart) and how it's one of those films that sticks with you whether you want it to or not. We discuss the performances and how perfect they are for the story — William Atherton, Karen Black, Donald Sutherland, Billy Barty, and of course Richard Dysart. We chat about the interesting structure this film has, feeling more like a novel than a 3-act screenplay, and how it challenges us with trying to determine who we would call the protagonist. And we work to figure out what the film is saying through some of its incredibly haunting imagery. It's not a film for everyone, but it's certainly a film worth watching if you're looking for a dark tale spun about the movie machine and how it destroys people. It certainly is a film that warrants a lot of discussion. Think you're up for it? Give it a watch then tune in!
    * * *
    Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!!
    - [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)
    - [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)
    - [The Next Reel on Twitter](http://twitter.com/thenextreel)
    - [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)
    - [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)
    - [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)
    - [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)
    And for anyone interested in our fine bouquet of show hosts:
    - [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)
    - [Follow Pete Wright on Twitter](http://twitter.com/petewright)
    - [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)
    - [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)
    - [Follow Mike Evans on Twitter](https://twitter.com/ubersky)
    - [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    The Hudsucker Proxy • The Next Reel Jan 02, 2014
    Show notes

    Happy New Year! To ring in 2014, we wanted to find a tie-in to the new year so landed on 1994's Coen brothers comedy, "The Hudsucker Proxy." Join us — Pete Wright and Andy Nelson — as we delve back into the comedies from our good friends the brothers Coen and ring in 2014 with this fun film.
    This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement


    Christmas in Connecticut • The Next Reel Dec 26, 2013
    Show notes

    It's the holiday season again which means it's time for us — Pete and Andy — to talk about another holiday classic! Join us as we talk about Peter Godfrey's screwball war comedy from 1945, "Christmas in Connecticut." We talk about how much fun the movie is and how it feels a bit pro-feminist yet how it definitely shows its age at the same time. We talk about the great cast, particularly the wonderful Barbara Stanwyck, Sydney Greenstreet, S.Z. "Cuddles" Sakall, Dennis Morgan, Reginald Gardiner and Una O'Connor, and how well they fit in their roles. We discuss Godfrey and his place in Hollywood, as well as his hobby as an amateur magician. And we chat about how this film fits in our holiday lists — is this one we'd put on every year or not? It's a fun, albeit dated, movie and we have a great time chatting about this movie. Give it a watch then tune in!
    * * *
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