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    The New Yorker Radio Hour

    Profiles, storytelling and insightful conversations, hosted by David Remnick.

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    Copyright: © WNYC Studios and The New Yorker

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    Latest Episodes:
    Aaron Sorkin Rewrites “To Kill a Mockingbird” Jul 09, 2019
    Show notes

    As he set about adapting “To Kill a Mockingbird” for the stage, Aaron Sorkin found himself troubled by its protagonist, the small-town lawyer Atticus Finch. Harper Lee’s Finch, he thought, is tolerant to a fault—understanding rather than condemning the violent racism of many of his neighbors. Sorkin also felt that Lee’s two black characters, the maid Calpurnia and the falsely accused Tom Robinson, lacked a real voice. “I imagine that, in 1960, using African-American characters as atmosphere is the kind of thing that would go unnoticed by white people,” he tells David Remnick. “In 2018, it doesn’t go unnoticed, and it’s wrong, and it’s also a wasted opportunity.” Sorkin’s changes in his adaptation led to a lawsuit from Harper Lee’s literary executor, who had placed specific conditions on the faithfulness of his script. In Sorkin’s view, the criticisms of the executor, Tonja Carter, were tantamount to racism, in that they reinforced the lack of agency of black people in the South in the nineteen-thirties. (Carter declined to comment on Sorkin’s remarks, and the lawsuit was settled before the play was produced.) Sorkin says that, of his own volition, he cut some of his new lines that hinted too broadly toward the current Presidency. But Atticus Finch’s realization—that the people in his community whom he thought he knew best were people he never really knew at all—mirrors the experience of many Americans since 2016. Plus, Ocean Vuong, the author of the best-selling autobiographical novel “On Earth We’re Briefly Gorgeous,” visits the food court at a largely Asian mall in Queens that reminds him of home.


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    As Poet Laureate, Tracy K. Smith Hit the Road Jul 05, 2019
    Show notes

    Tracy K. Smith was named Poet Laureate, in 2017, right after the most divisive election of our time. She could have spent her two-year appointment writing and enjoying a nice office in the Library of Congress, but she felt poetry might be able to help mend some of the divisions that the election had highlighted. Her plan was this: to put together a collection of poems from living poets, called “American Journal: Fifty Poems for Our Time,” that she felt were in some way relevant to our moment, and to hit the road—visiting community centers, senior centers, prisons, and colleges. While serving as Poet Laureate, Smith estimates that she travelled one or two nights every week, reading poems written by herself and others, and discussing them with groups of people. “It was exhausting, and exhilarating, and it was probably the best thing I could have done as an American,” she told The New Yorker’s poetry editor, Kevin Young.


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    Valeria Luiselli on Reënacting the Border Jul 02, 2019
    Show notes

    Valeria Luiselli first travelled to the U.S.–Mexico border in 2014, when the current immigration crisis began to heat up. Under the Trump Presidency, the border has become the dead center of American politics, and Luiselli returned with the radio producer Pejk Malinovski. Luiselli is a Mexican writer living in New York, and the author of “Lost Children Archive” and other books. She wrote in The New Yorker about Wild West reënactments, in which actors stage scenes like a gunfight at O.K. Corral. In Tombstone, Arizona, and Shakespeare, New Mexico, she finds a very particular view of Western history that elides the U.S.’s long and complicated relationship with Mexico, which once owned this region. She finds that historical reënactments feed a notion of the border region as a lawless frontier requiring vigilantes to defend American interests.


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    Emily Nussbaum Likes to Watch Jun 28, 2019
    Show notes

    For decades, critical praise for a TV show was that it was “not like TV,” but more like a novel or a movie. That ingrained hierarchy always bugged Emily Nussbaum, who went on to win the Pulitzer Prize for her criticism in The New Yorker. She has been compared to Pauline Kael, but Nussbaum—acknowledging the compliment—is quick to point out that she has never written about movies, nor has she wanted to. She was inspired to be a TV critic by “Television Without Pity,” a blog site of passionate, informed fans arguing constantly. In her new book, “I Like to Watch: Arguing My Way through the TV Revolution,” Nussbaum argues that the success of serious antihero dramas like “The Sopranos” and “Breaking Bad” has led many to devalue mainstays of TV, like comedies and even soap operas. It’s time to stop comparing TV to anything else, she tells David Remnick.


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    The Trump Administration’s Plan to Deport Victims of Human Trafficking Jun 25, 2019
    Show notes

    The New Yorker contributor Jenna Krajeski recently met with a woman who calls herself Esperanza. In her home country, Esperanza was coerced and threatened into prostitution, and later was trafficked into the United States, where she was subjected to appalling conditions. Esperanza eventually obtained legal help, and applied for something called a T visa. The T visa contains unusual provisions that recognize the unique circumstances of human-trafficking victims in seeking legal status. It has also been a crucial tool to obtaining victims’ coöperation in prosecuting traffickers. The Trump Administration claims to want to fight the problem of human trafficking, but Krajeski notes that its policies have done the opposite: T-visa applicants can now be deported if their applications are rejected. This dramatic change in policy sharply reduced the number of applications from victims seeking help. “If what [the Administration] cares about is putting traffickers in prison, which is what they say they care about, their prosecutions are going down and will go down further,” Martina Vandenberg, the president of the Human Trafficking Legal Center, says. “Trafficking victims under the circumstances can’t actually coöperate.”


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    Dexter Filkins on the Dangerous Escalations between the U.S. and Iran Jun 21, 2019
    Show notes

    After a U.S. drone was allegedly shot down by Iran last week, relations between Tehran and Washington are again approaching a low point; on Thursday, President Trump ordered and then called off an air strike. The situation has been deteriorating since the beginning of the Trump era, with the Administration actively supporting Saudi Arabia as a regional competitor to Iran, and the President withdrawing the United States from the 2015 Iran nuclear deal. The New Yorker staff writer Dexter Filkins says that Iran’s initial strategy was to wait the Trump Presidency out. That calculus has changed as more hawkish advisors, like Mike Pompeo and John Bolton, who are intent on imposing harsh sanctions on Iran, have joined the Administration. The result has been a series of tit-for-tat exchanges between the two countries, which could ultimately lead to a larger conflict. “If things got out of control in that region, that would be, Iraq, to Iran, to Afghanistan,” Filkins said. “I can't imagine where that would end, or how it would end." Kelefa Sanneh shares three music picks with David Remnick: artists who deliver all the emotional joys of pop music, but aren’t extremely popular.


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    David Remnick Talks with Robert Caro about “Working” Jun 18, 2019
    Show notes

    Robert Caro is a historical biographer unlike anyone else writing today, with the Pulitzer Prizes, National Book Awards, and other honors to prove it. But to call his books biographies seems to miss the mark: they’re so rich in detail, so accurate, and at the same time so broad in scope, that they’re more like epics of American history. David Remnick sat down with Caro at the McCarter Theater, in Princeton, New Jersey, on the occasion of the publication of “Working,” a volume of Caro’s speeches and other writings. They covered Caro’s early years as a newspaper reporter, his determination to tackle a project—the rise to power of Robert Moses—that no one had accomplished, and finally his chronicle of the life of Lyndon Johnson. Caro has completed four volumes on Johnson, with a fifth, covering the Presidency, in the works. Remnick asks about Caro’s singular method of interviewing in depth, and Caro describes his interview with Sam Houston Johnson, the president’s brother, which Caro conducted at the National Park Service’s Lyndon B Johnson Boyhood Home historic site. “I took him into the dining room,” Caro recalls, and told Johnson to sit where he had sat as a child. “I didn’t sit where he could see me . . . . I sat behind him. So I said, ‘Now tell about these terrible arguments your father used to have with Lyndon at the table.’ At first it was very slow going, you’d have to keep prompting him. But finally he was just shouting it out: ‘Lyndon you’re a failure, you’ll always be a failure. And what are you, you’re a bus inspector!’ And I felt he was back in the moment. So I said, ‘Now Sam Houston, I want you to tell me again those wonderful stories you told me before, that everybody tells about Lyndon Johnson.’ And there was this long pause. And then he says, ‘I can’t.’ And I said, ‘Why not?’ And he says, ‘Because they never happened.’ And without me saying another word, he starts to tell the story of Lyndon Johnson, which is a very different story of a very ruthless young man.”


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    Will the Government Get Tough on Big Tech? Jun 14, 2019
    Show notes

    Apple, Amazon, Alphabet (which owns Google), and Facebook—known in the tech world as the Big Four—are among the largest and most profitable companies in the world, and they’ve been accustomed to the laxest of oversight from Washington. But the climate may have shifted in a significant way. The Federal Trade Commission, the Department of Justice, and the House Judiciary Committee are all investigating different aspects of the Big Four; Elizabeth Warren has made breaking up these companies a cornerstone of her Presidential campaign. Sue Halpern, a New Yorker contributor, sounds a cautious note about these developments. Current antitrust law doesn’t well fit the nature of these businesses, and breaking up the companies will not necessarily solve underlying issues, like the lack of privacy law. In a twist, Halpern says, the Big Four and now asking the federal government for more regulation—because, she explains to David Remnick, the companies’ lobbyists can sway Washington more easily than they can influence state governments like California, which just passed a rigorous data-privacy law similar to the European Union’s. “They’re being called to account, they have to do something,” she notes, “but they want to direct the conversation so that, ultimately, they still win.” Plus, we contemplate the dire prospect of Houston without air conditioning. Bryan Washington, a Houston native and a celebrated young fiction writer, introduces non-natives to a cherished local institution: the open-air bar and community space called an ice house.


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    From Stonewall to the Present, Fifty Years of L.G.B.T.Q. Rights Jun 07, 2019
    Show notes

    Masha Gessen co-hosts this episode of the New Yorker Radio Hour, guiding David Remnick through the fifty years of civil-rights gains for L.G.B.T.Q. people. From drag queens reading to children at the library to a popular gay Presidential candidate, we’ll look at how the movement for L.G.B.T.Q. rights has changed our culture and our laws. The actress and comedian Lea DeLaria takes us through five decades of queer history in five minutes. Gessen talks with a Stonewall historian named Martin Duberman about whether the movement has become too conservative, and, later, she visits with a gay asylum seeker who recently fled Russia’s state security agency.

    CORRECTION: An earlier version of this program misidentified the location of the 2016 Pulse night-club shooting.


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    Ava DuVernay on “When They See Us,” About the Boys Who Became the Central Park Five Jun 04, 2019
    Show notes

    Ava DuVernay doesn’t like using the term Central Park Five—a moniker created by the press in the aftermath of the notorious and brutal assault of a twenty-eight-year-old woman, Trisha Meili. “They’re not the Central Park Five,” she tells the New Yorker staff writer Jelani Cobb. “They’re Korey, Yusef, Antron, Kevin, and Raymond.” They were five teens who were coerced into confessing to a terrible crime by police determined to find a culprit. It was a time when “the police, the district attorney, the prosecutors [wanted] to get a ‘win’ on the board,” DuVernay thinks, “because there were so many losses, so much going wrong.” Cobb wrote in The New Yorker that “The reaction to Meili’s assault came as the nadir of a two-decade-long spiral of racial animosity driven by a fear of crime,” noting that, in that same week, brutal attacks on women of color failed to generate any headlines or perceptible outrage. The story has returned to public consciousness in recent years because of its role in launching Donald Trump’s political career. One of Trump’s first political acts, in 1989, was to take out a newspaper ad calling for the execution of the boys, and he stuck by his view even after they were exonerated. DuVernay’s goal was to tell the story of those five boys and the men they became.

    “When They See Us” was released on Netflix on May 31st.


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