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    The New Yorker Radio Hour

    Profiles, storytelling and insightful conversations, hosted by David Remnick.

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    Copyright: © WNYC Studios and The New Yorker

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    Latest Episodes:
    Toni Morrison Talks with Hilton Als Aug 06, 2019
    Show notes

    Toni Morrison read The New York Times with pencil in hand. An editor by trade, Morrison never stopped noting errors in the paper. In 2015, during a conversation with The New Yorker’s Hilton Als, Morrison noted that the stories she cared about were once absent from the news. Now they’re present, but distorted. “The language is manipulated and strangled in such a way that you get the message,” she noted wryly. “I know there is a difference between the received story… and what is actually going on.” Morrison, who died on Monday, was the first black woman to win the Nobel Prize in Literature and one of the most beloved writers of the 21st century. In a wide-ranging interview with Als, Morrison discusses her last novel, God Help The Child, writing in a modern setting, and her relationship to her father, whom she says was complicated man and bluntly calls a “racist.” When she was older, she learned that he had wittnessed the lynching of two of his neighbors. “I think that’s why he thought white people… were incorrigible,” she explains to Als. “They were doomed.”

    Language Advisory: At around 34 minutes into the interview, Hilton Als quotes a line from Toni Morrison’s book “Jazz” that contains the n-word. We feel it is important to leave the word uncensored as it is an accurate depiction of the language Morrison used in her description of black life in America. However, it may not be suitable for younger listeners.


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    Living in the Shadow of Guantánamo, Part 2 Aug 06, 2019
    Show notes

    In January, The New Yorker’s Ben Taub travelled to Mauritania to meet with Mohamedou Salahi. An electrical engineer who had lived in Germany, Salahi was detained at Guantánamo Bay for fifteen years and tortured, despite the fact that he was not a terrorist. But one of the key pieces of evidence was that Salahi’s cousin, known as Abu Hafs al-Mauritani, was a high-ranking member of Al Qaeda—a member of the group’s governing Shura Council and a spiritual adviser to Osama bin Laden, who had drafted bin Laden’s infamous fatwa against the United States. While Salahi endured torture at Guantánamo, Abu Hafs was never captured or detained by the United States. When Ben Taub met Abu Hafs at a wedding of Mauritanian élites, he wondered how this man had gone free while his cousin had suffered so much. Abu Hafs agreed to an interview, but it quickly took a turn that Ben didn’t expect.


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    Living in the Shadow of Guantánamo Aug 02, 2019
    Show notes

    When Mohamedou Salahi arrived at the Guantánamo Bay detention camp, in August of 2002, he was hopeful. He knew why he had been detained: he had crossed paths with Al Qaeda operatives, and his cousin had once called him from Osama bin Laden’s phone. But Salahi was no terrorist—he held no extremist views—and had no information of any plots. He trusted the American system of justice and thought the authorities would realize their mistake before long.

    He was wrong.

    Salahi spent fifteen years at Guantánamo, where he was subjected to some of the worst excesses of America’s war on terror; Donald Rumsfeld personally signed off on the orders for his torture. And, under torture, Salahi confessed to everything—even though he had done nothing. “If they would have wanted him to confess to being on the grassy knoll for the J.F.K. assassination, I’m sure we could have got him to confess to that, too,” Mark Fallon, who led an investigation unit at Guantánamo, said.

    Ben Taub reported Mohamedou Salahi’s story for The New Yorker and tried to understand what had gone wrong in the fight against Al Qaeda. Salahi met Ben in Mauritania, because, when the U.S. released him, it was under the condition that Mauritania would withhold his passport. He would like to go abroad—he needs medical treatment, and he hopes to live in a democracy. But, for an innocent victim of Guantánamo, being released isn’t the same as being free.


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    Summer, By The Book Jul 30, 2019
    Show notes

    The cultural critic Doreen St. Félix goes to Madame Tussauds with Justin Kuritzkes, the début author of the novel “Famous People,” to talk about the nature of celebrity. Jia Tolentino heads for the children’s section of a bookstore with Rivka Galchen to compare notes on the kids’ books that still inspire them. And Jelani Cobb recommends three recent works of history that shed light on our current moment.


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    Tana French on “The Witch Elm” Jul 26, 2019
    Show notes

    Tana French was an actor in her thirties when she sat down to write about a mystery that took the lives of two children, which became the global blockbuster “In the Woods.” With her subsequent books about the Dublin Murder Squad, French became known as “the queen of Irish crime fiction”—despite having been born in the United States. French’s latest book, “The Witch Elm,” departs from her line of police procedurals: the narrator is a civilian, a happy-go-lucky young man named Toby whose life is turned upside down when he is attacked during a burglary. Although the book involves a murder, “The core story arc is not the murder and the solution,” French tells Alexandra Schwartz. “The core story arc is Toby going from this golden boy [with] his happy life to somebody who’s had that shattered. . . . Where will this crisis take him?” Though known as a literary mystery writer, French acknowledges that some of her fans have found the plot frustrating. “If you’re coming to this book expecting a straight-up crime novel . . . you are going to be a hundred pages in [asking], ‘Where’s my murder?’ ”


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    Jelani Cobb Talks with the Artist Fahamu Pecou Jul 23, 2019
    Show notes

    Fahamu Pecou has shown work in museums all over the country and appeared on television shows like “Empire” and “black-ish.” The men the artist depicts tend to strike exaggerated poses, with sagging bluejeans and a cascade of colorful boxer shorts. Pecou gained notoriety in Atlanta, for a poster campaign bearing the legend “Fahamu Pecou Is the Shit.” The New Yorker staff writer Jelani Cobb notes that Pecou “has the ability to deal with themes that relate primarily to black male identity in the U.S.,” including stereotypes and police violence, “while injecting a very subversive element of humor.” Cobb went to Atlanta to meet with Pecou and spoke with him about the influence of African tradition on his life and work.

    L. D. Brown of Grey Reverend contributed music for this story.


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    Watching the Moon Landing Jul 19, 2019
    Show notes

    Some people have always believed that the moon landing was a government hoax, and, in the age of the Internet, that conspiracy theory continues to thrive. Andrew Marantz explores the value of skepticism, and the point at which disbelief leads to a totalitarian breakdown. We went to the archives for three real-time accounts of what it was like to watch the moon landing on television.


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    Tom Hanks Reads His Tale of Going to the Moon Jul 18, 2019
    Show notes

    In 2014, Tom Hanks—the star of “Apollo 13,” among many other accomplishments—wrote a short story about going to the moon. But his was not a dramatic story of NASA heroes facing grave danger. Hanks told the tale of a very twenty-first century mission, executed D.I.Y. style, with four misfits in a space capsule run off an iPad and held together with duct tape. The story, “Alan Bean Plus Four,” was published in The New Yorker in 2014. Hanks originally read the story for the New Yorker’s Writer’s Voice podcast.


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    Carly Rae Jepsen Talks with Amanda Petrusich Jul 16, 2019
    Show notes

    “I can remember, even four months after [“Call Me Maybe” ’s] release, being claimed in the press as a one-hit wonder,” Carly Rae Jepsen says. “Isn’t it too soon to decide that? Give me a chance!” The Canadian singer and songwriter was by no means a one-hit wonder, and her talent for crafting earworm pop songs about love in all its forms won her a legion of fans and the devotion of many critics, including The New Yorker’s Amanda Petrusich. In 2017, while Jepsen was working on her fourth album, “Dedicated”—which was released in May, 2019—Jepsen sat down at the New Yorker Festival with Petrusich, to talk about her creative process. She had already written eighty songs for the record, she estimated. “If you wanted, I could write you a song right now, but it might not be good. I never run out of ideas, and I never stop enjoying doing it.” With her collaborator and guitarist Tavish Crowe, Jepsen performed an acoustic version of her hit “I Really Like You” live.


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    Alexandria Ocasio-Cortez on the 2020 Presidential Race and Why We Should Break up Homeland Security Jul 09, 2019
    Show notes

    It’s hard to recall a newly elected freshman representative to Congress who has made a bigger impact than Alexandria Ocasio-Cortez. Her primary victory for New York’s Fourteenth District seat—as a young woman of color beating out a long-established white male incumbent—was big news, and Ocasio-Cortez has been generating headlines almost daily ever since. Practically the day she took her seat in Congress, Ocasio-Cortez became the hero of the left wing of the Democrats and a favored villain of Fox News and the right. She battled Nancy Pelosi to make the Green New Deal a priority, and has been involved with a movement to launch primary challenges against centrist or right-leaning Democrats. Like Bernie Sanders, she embraces the label of democratic socialism and supports free college education for all Americans. She has called for the abolition of Immigration and Customs Enforcement. She joined David Remnick in the New Yorker Radio Hour studio on July 5th, just after her trip to the border to examine migrant-detention facilities. Remnick and Ocasio-Cortez spoke about why she courted controversy by referring to some facilities as “concentration camps”; why she thinks the Department of Homeland Security is irredeemable; and whether Joe Biden is qualified to be President, given his comments about colleagues who supported forms of segregation. “Issues of race and gender are not extra-credit points in being a good Democrat,” she says. “They are a core part of the ... competencies that a President needs. . . . Where are you on understanding the people that live in this country?”


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