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    Business

    The Jewelry District

    A podcast by JCK magazine and JCKonline about industry news, trends, interviews, and more. Hosted by JCK editor-in-chief Victoria Gomelsky and contributor Rob Bates.

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    Latest Episodes:
    Episode 80: Guests Jules Kim and Vikki Tobak Oct 11, 2022
    Show notes

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates interview two guests—Vikki Tobak author of Ice Cold: A Hip-Hop Jewelry History, and Jules Kim, owner and designer of Bijules Jewelry. They discuss how both women came up in the New York City club culture scene, and how it influenced both of their careers. Vikki talks about the early days of hip-hop and how its connection to jewelry began and evolved. Jules notes some jewelry styles that have their origins in African and African American culture, and the beauty of their evolution through time.

    Show Notes

    02:30 The hosts introduce their guests, Vikki Tobak and Jules Kim

    03:05 Vikki shares her background and interest in jewelry and hip-hop

    07:40 Jules goes into her background

    15:20 Vikki talks about why the hip-hop world got interested in jewelry

    19:00 Jules describes grill culture and how it evolved from its humble origins

    23:45 Vikki’s favorite quotes and moments from her book

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Guests: Jules Kim, Vikki Tobak

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com @jckmagazine, Bijules, Ice Cold: A Hip-Hop Jewelry History

    Show Recap

    The Intersection of Hip-Hop and Jewelry

    Vikki is a longtime journalist and curator. Both of the books she has written so far have been focused on hip-hop. She was an immigrant kid in Detroit, rooted in a city that was founded on music culture. She fell in love with hip-hop as a kid in the 90s, and moved to New York, during an immersive time of music and club culture. She started out working for a record label at age 19, then started writing about this culture.

    The book tells a different angle to the culture, following this through line that’s been a constant throughout Vikki’s whole life. When asked when she started researching this topic, she says, “Informally? Since my mom bought me a Nefertiti pendant when I was living in Detroit in the 1980s.” Formally, she started in the beginning of the pandemic. It was challenging at that time because she couldn’t visit the diamond district or Canal Street, as she would have wanted to do in person. Jewelry is part of the fabric of hip-hop and club culture. You see it reflected in what people are wearing when you walk down the streets of New York.

    Musical Influences

    Many musicians contributed to Vikki’s book: Slick Rick—known as the don of hip-hop jewelry—wrote the foreword, and LL Cool J contributed an essay about a trip he took to Cote D’Ivoire in 1988 and the African link to hip-hop jewelry; A$AP Ferg, the first hip-hop ambassador for Tiffany. The common thread across these stories is the shared value of success and what we wear on our bodies as being representative of so much more (status, “making it,” being royalty). It’s more than conspicuous consumption. Jewelry is a communication.

    Jules’ Background

    Jules grew up in Richmond, Virginia. As soon as she and her twin sister could, they moved to New York. They were both DJing and throwing parties. Jules came to the city as a fashion intern and was fascinated with nightlife and the fast-paced, shared communal experience. Jules thinks of jewelry as a “forever material,” and says, “in that time period, I was living a very ephemeral experience, so everything was fleeting.” She assisted other fashion designers by day, and carting vinyl records to parties across town by night. She recognized that this experience didn’t last forever, and she eventually decided she wanted to make something that lasts.

    She started Bijules in 2002. She wore all her pieces out and sold them at clubs. She was influenced by street fashion and decided to implement the nameplate with graffiti. When asked if she had any training, Jules said no. She went to university on scholarship for flute. She realized formal training wasn’t for her. She studied fashion in France, then came back and took a jewelry 101 class. It inspired her to dedicate herself to learning.

    Downtown Culture

    Vikki talks about the jewelry scene on Canal Street vs. in the diamond district. It’s cheaper, more playful. The diamond district was this other world that she didn’t have a reason to go to. Hip-hop and club culture is a culture of hustle, which overlaps with jewelry industry. Both are made up of immigrants. Being part of downtown culture was also this way. Vikki describes a “motley crew” that had similar hustle, dreams, and aspirations.

    Hip-Hop and Jewelry Then

    Vikki talks about the origins of hip-hop’s interest in jewelry. The young people who were to become the future superstars of the genre looked to the street for their styles. The first instance of jewelry on a hip-hop album cover was Kurtis Blow’s debut album in 1980, and those chains were very tiny and layered with a few pendants. As hip-hop stepped into its power in the ‘90s and more money started coming into the culture, early styles started coming along. That moment quickly led to artists using platinum, diamonds, and other precious materials in their jewelry. Trends included label pendants—the Roc-A-Fella chain, Death Row pendant, etc. There were many milestones that inform how the jewelry looks and the influence it has on the larger jewelry world.

    Grill Culture

    Any other trends that we really owe to the hip-hop world and don’t recognize their true origins? Vikki underlines that the styles that have ties to African cultures, which can be seen in Fulani hoop earrings, Ashanti rings, Tuareg rings, etc.

    Jules answers the question too. Hip-hop is born from African American culture. The grill originally came from a need for dental attention. Fast generations to what it is now: “There’s something beautiful about embellishing what you say and how it escapes your mouth,” comments Jules. Jules describes how she partnered with Erica Badu on a project called “Badrool.” Jules’ husband took photographs in Senegal. She describes a photo that shows a ritual and jewelry that is connected with it—a type of grill. The “badrool” looks like rose gold falling out of Erica Badu’s mouth.

    Hip-Hop and Jewelry Now

    When asked if she has any favorite parts of her book to note, Vikki references a Biggie quote, “You never thought that hip-hop would take it this far.” Now everyone is dying to work with hip-hop artists. She thinks of this quote and remembers the early days when that was not the case. Jules shares a positive connection someone made as a result of Vikki’s book—it speaks to the culture and how committed it is to communicating its style through jewelry. Jules’ anecdote shows how the book is actively inspiring new designers.


    Episode 79: Facets 2022 and a Cartier Press Trip Sep 27, 2022
    Show notes

    JCK editor-in-chief Victoria Gomelsky and news director Rob Bates discuss the Dubai Horology Forum in New York, the Facets 2022 conference in Antwerp, and Victoria’s tour of Cartier’s watchmaking facilities.


    Episode 78: Guest Eric Ku Sep 13, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates talk with Eric Ku, watch “super dealer,” cofounder of Loupe This, and founder of 10 Past Ten and Los Angeles Watchworks. Eric recounts the origin story of when he first started his collection of mechanical watches, the beginnings of watch-collecting on the internet, the evolving relationship between brands and the pre-owned market, and he names a few micro-brands that have yet to get their due.

    Show Notes

    02:20 – The hosts introduce Eric Ku

    04:20 – How Eric came to own his first watches

    08:10 – The early days of the internet and online watch collecting

    10:15 – Eric’s main business focuses

    15:00 – Brands’ relationships with the secondhand market

    20:45 – How Loupe This got started

    25:00 – Some great lesser-known watch brands

    27:30 – Eric’s first watch, “the one that got away”

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: loupethis.com, 10pastten.com, lawatchworks.com, @jckmagazine, JCKonline

    Show Recap

    Eric’s Watch Origin Story

    Eric talks about where his love of watches came from. He subscribed to National Geographic and always noticed the Rolex ad on the back cover. In particular, he has been interested in mechanical watches and the history behind them. While in college at the University of California, Berkeley, Eric didn’t find a lot of others who shared his interest, however.

    When Eric came into some money playing the stock market in college, it allowed him to buy some of his first nice watches. Soon after, he lost that same fortune the same way he had made it and had to sell them all. In a way, this quickly introduced him to both sides of the watch-selling business.

    Eric’s first watch? An Omega Speedmaster Automatic with a clear display back. Back when he had purchased it, it cost him $999. At the time, he thought that this price was the benchmark for a “nice” watch. His first vintage watch was a Rolex Red Submariner. He got it in Columbus, Ohio, at an NAWCC (National Association of Watch and Clock Collectors) show. From the beginning, Eric had been drawn to Rolex because of the brand’s tie to feats of human ingenuity dating back to the 1930s.

    The Watch Market Now and Then

    During the early days of the internet and internet watch collecting, his friends used to fax pictures of watches to him! It was an active scene. He talked to other collectors online. He looked at other sites to learn about watches. The commercial part of it was at trade shows, not online yet. NAWCC would have a show in Pasadena, Calif., twice a year. He would attend these regional shows, walk around, meet people, and all the trading would happen there.

    Eric’s Collection of Watch Businesses

    What are Eric’s main business focuses? He started 10 Past Ten in the early 2000s, which is a website that sells vintage Rolex sport watches. This is one of the segments that is most heavily collected. It started as a part-time job. After a “moment of clarity,” he gave notice at his day job, rented an office, and never looked back.

    Six years ago, Eric partnered with his friend Beau Goorey and started Los Angeles Watchworks, a repair and restoration business for fine Swiss watches based in Pasadena. They are known for their cosmetic work on watches, preserving the original look and feel while catering to the whims of watch collectors.

    How does he handle counterfeits? With these fine vintage watches, it’s all in the details. There are specific tiny details that are not always original. With vintage watches, you won’t see a counterfeit that is perfect. It’s harder to replicate watches that are handmade.

    Brands Embracing the Secondhand Market

    Though they used to thumb their noses at it, brands are increasingly embracing the pre-owned market. Eric gives the example of Richemont, which bought Watchfinder (a secondhand watch business on the internet), and they slowly integrated it into their dealer network. They’ll look at trade-in watches and accept a customer’s trade-in as credit toward a new purchase. With new watches, there is a keystone. The margins are thinner for secondhand watches. Eric notes that the lack of availability of some new watches is an interesting factor. It benefits these brands to offer pre-owned watches, so that there is still some inventory.

    Primary and Secondary Market Interplay

    Victoria asks about the relationship between the primary and secondary markets. When there’s nothing available in the primary channel, people flood the secondary market with demand, and prices rise to extreme heights. Now that the prices for these hyped watches are going back down in the secondary market, what is Eric seeing in the primary? Does he see a link between the two? Eric has not seen interest in the primary market cooling just yet. Most authorized dealers would likely agree, they continue to have a waiting list for certain models of new watch. He notices that the retail prices of these watches are much lower than their market value.

    What accounts for this growth of the watch market? Eric thinks it’s a mixed bag. The company-owned boutique model with fewer third-party partners has affected the supply. Back in the day, it was expected that you would go into a jewelry store and negotiate the price. Now, people don’t go to a brand boutique expecting a deal on a designer watch. On the consumer side, watch collecting used to be niche, but over time, the fashion world has embraced vintage things. That has moved the needle. Fashion magazines have watch writers. It’s different from even just 10 years ago.

    The Birth of Loupe This

    Eric talks about his online auction company Loupe This, which he started with Justin Gruenberg. Both co-owners are deeply involved in the watch auction market. Because they’re so familiar with it, they have their likes and dislikes about auctions. They didn’t like how high fees were. Other examples: how long it takes to list and the predictable seasons, which have gaps of time when there aren’t a lot of auctions. They created this platform that addressed many of their issues with in-person auctions. However, they don’t intend to replace traditional auctions. There’s an excitement about being in an auction room and watching everything happen. They do try to cater to a wider audience and have watches for sale every day.

    His Personal Collection and Favorites

    Victoria asks Eric to share his hit list of brands that haven’t gotten their due yet. It’s hard to predict! He thinks that the market is good at predicting what is undervalued/overvalued and adjusts. He names a few micro brands and relatively affordable brands that are still under the radar: Kurono, Ming, and Baltic.

    How many watches does Eric have? Though he doesn’t know the exact number, he says his collection is fairly focused. (He has more than his wife would like, he says!) He likes watches with a story. He tells the story of his first watch that he sold and tried to buy back. Though he did get it back, he paid a world-record price. When he got it, his original documents were all still with it! He now plans to save it for his son.


    Episode 77: Signet Acquires Blue Nile, Fall Fashion Trends Aug 30, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates discuss Signet's acquisition of Blue Nile, what it means for the brand and how they might evolve as a result. Victoria reports on her research into fall's biggest fashion trends, which include animal motifs and a resurgence of the power-dressing era of the 80s and 90s.

    Show Notes

    03:00 Signet is acquiring Blue Nile

    12:00 Victoria reports on the latest in fall fashion

    19:00 80s and 90s jewelry styles are on trend

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com, @jckmagazine

    Show Recap

    Signet to Acquire Blue Nile

    Big news in the dog days of August: Signet is acquiring Blue Nile. This is part of Signet's pattern: they keep acquiring the competition. One of the things current management is focused on is growing market shares. And this is the easiest way to accomplish that. However, there are high customer acquisition costs that have to be paid to Google and Facebook. Google, Facebook and other companies like them have gotten so large, it places a burden on other competition because of the high expensive to advertise online. Rob sees this as a troubling sign on a higher level.

    The deal will likely contribute to the long-term sustainability of Blue Nile's brand. But people worry how many businesses are all consolidated under one large umbrella. Victoria wonders how Blue Nile might evolve under Signet. It's not clear where the brand will fit among the other jewelry brands under Signet now.

    Victoria recalls the interesting things that Blue Nile has done in recent years: Their 10 by 10 collaboration with De Beers and designers of color, for example. They want to be a brand that speaks to people, not "the Amazon of jewelry."

    Themes in Fall Fashion

    Victoria has been doing research into the latest fall fashion trends and reporting on them in the JCK Special Report newsletters. Here are a few themes she's been noticing, to help inform what jewelers may want to stock. A surprising but endearing trend gaining steam is animal-inspired jewelry. Though this has been going on for thousands of years, there are times when the motif gains steam. Victoria spoke to an expert on this category: Marion Fasel, jewelry historian and founder and editorial director of The Adventurine. She worked on the Beautiful Creatures exhibit at The American Museum of Natural History. The two animals that come up over and over again, according to Fasel? Snakes and butterflies.

    Snakes have a beautiful shape that lend themselves to jewelry, which can symbolize wisdom and eternal love. The butterfly has emerged in many jewelry collections this year. Symbolizing rebirth and transformation, it's particularly resonant to people right now as we begin to emerge from the pandemic. Victoria describes some collections she's seen that feature interesting creatures as pendants. In the vintage space, sales of animal-inspired pieces are soaring, as well. The zodiac trend also contributes to the popularity of the animal theme, since many of the symbols of the zodiac are animals as well.

    80s Jewelry Makes a Comeback

    Though it might be surprising, jewelry from as recent as the 90s can now technically be considered vintage. And, according to many estate jewelers, the 80s and 90s aesthetic of jewelry is coming back. Part of the reason is because these pieces are coming into the market. But, it's more than that. Victoria explains "the golden 40-year rule." A wave of nostalgia comes over the creators of pop culture and fashion of their childhood as they age. As a result, certain eras of fashion make a comeback after a certain amount of time has passed.

    Something about the 80s and 90s look is taking hold: Power-dressing, strong female characters, big glamorous bold jewels. That vibe is coming back. Though it might be out of step with the economy, the trend still exists within our current environment. How does it translate to jewelry? Big chains (think: Madonna's pile-on phase), large dramatic hoops, and other big, bold styles. The bold gold look. Even for generations who don't remember the 80s, they are part of our general pop culture, so Gen Z may be drawn to these looks as well. The thing about jewelry trends is they always come back.

    Other motifs and trends that are coming into their own are turquoise, evil eye, and other protective symbols. A single "wow" piece may start to take the place of dainty layers. When the economy starts to make things go up in price, mixed metals tend to gain more popularity, too. There's a fascinating mix of cool jewelry out there right now, and Victoria hopes people will take advantage of it.


    Episode 76: Mark Smelzer Aug 16, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates talk with Mark Smelzer, chief content executive of Jewelers Mutual and JCK’s former publisher.

    Show Notes

    01:33 The hosts welcome their guest, Mark Smelzer

    03:30 Mark talks about his background in the jewelry business

    07:00 Mark recalls his first impressions of the industry

    10:10 The role of print today

    13:15 The shift to content marketing

    19:30 Mark’s prediction on jewelry sales

    21:20 What can we do better?

    23:50 How the industry has changed

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jewelersmutual.com, @jckmagazine, jckonline.com

    Show Recap

    Mark’s Beginnings

    Mark started in magazine ad sales in Los Angeles. He became the publisher of a city magazine called Buzz. When it went under, he moved to Variety—the entertainment trade publication, which is what eventually drew Mark to New York City. After a corporate shake-up at Variety, he was informed that he was the publisher of JCK magazine. Hedda Schupak, JCK's editor-in-chief at the time, said, “Welcome to the jewelry business. It’s not unlike the Hotel California. You can check out any time, but you can never leave.” Eighteen years later, her words ring true.

    His First Impressions

    Mark knew very little about jewelry in the beginning, not having much personal connection to it. He reflects on how much the industry has changed in 18 years. It used to be more male-dominated and traditional, but it's always been warm and welcoming. It was the first time he had to sell advertising directly to business owners.

    The Evolving Role Of Print

    Mark compares his time in publishing to selling horse-and-buggies right before the advent of the Model T. There are areas where print still resonates: city magazines, niche books, and catalogs. “Print is not dead, but, boy, did it morph and change," he says.

    The Shift To Content Marketing

    There was a gradual shift from writing stories and articles to writing “content.” When the internet became usable by laypeople, the ability to publish content became more widely accessible to the masses. Victoria ties this shift to what Mark is doing at Jewelers Mutual with the Zing Report. His task was to raise awareness of the Zing marketplace—a hub for the variety of services that Jewelers Mutual offers. Content includes upbeat articles, interviews, and more.

    Jewelry Sales Predictions

    Mark hopes the pandemic sales spike will continue. He says that the pandemic reminded a lot of people of the emotional side of jewelry. Will the industry be in a better place than it was pre-pandemic? That remains to be seen.

    What Can The Industry Do Better?

    What do we need to overcome in the current economy? The jewelry industry could be more digitally savvy. Retailers should work toward making the in-store and digital experience more seamless. Mark remembers a “Got Milk”–style campaign he worked on with Jewelers of America. It raised awareness of jewelry using the slogan, “Another piece of your story." Then the pandemic came along, it was shelved, and jewelry had such a great two years that it was no longer needed.

    How The Industry Has Changed

    It has become a younger, broader industry with more diversity and inclusion. The jewelry business is richer when a greater variety of people is included. He ties how energizing that experience of connection can be to Jewelers Mutual’s upcoming retreat, Conversations in Park City, which will feature networking opportunities, meaningful conversations, big ideas, and fun activities.


    Episode 75: Secondhand Watches, Showtime’s Diamond Documentary Aug 03, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates talk about secondhand watch prices, the cost of entering the jewelry business, and an early look at a diamond documentary.

    Show Notes

    00:30 Victoria talks about the secondhand watch industry and its fluctuating prices.

    13:24 Victoria questions the economic barriers to getting into the diamond industry.

    17:53 Rob reviews the new diamond documentary Nothing Lasts Forever.

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com, @jckmagazine

    Show Recap

    Secondhand Watches

    Victoria comments that it’s a little bit slow in the jewelry industry in July, but it’s a nice break from the busy earlier months. She then dives into the secondhand watch market and the online auction market. The companies she spoke to have seen great success, and there’s been growth in both sales and new buyers. People are flocking to online auctions because of the pandemic, and prices are fluctuating at the moment, so market value isn’t exactly clear. Auctions help determine that market value. Rob asks how the most well-known brands have reacted to this. Victoria said they were definitely watching and hugely discouraged it.

    The Cost of Entering the Jewelry Business

    Victoria says it’s very expensive to enter the jewelry industry unless you already have family ties or come from a great deal of wealth. To amass the materials and create a jewelry line is an incredible task, and an expensive one at that. There are PR, trade shows, photography, and more that all cost money to get your brand out there. This isn’t to take away from the quality of jewelers’ design capabilities, but it's important to note that all aspects of this business take tremendous amounts of capital. Emili Vesilind wrote about how to get your business started in this JCK Pro article. She posits that it takes a bare minimum of $37,000 to start a jewelry business, which doesn’t encourage diversity in the jewelry industry.

    Nothing Lasts Forever

    Rob wrote a review about the new documentary about lab-grown diamonds, Nothing Lasts Forever, airing this fall on Showtime. Rob says it was a beautifully shot film and describes it as an odd experience and hard for him to be objective about, as he knows so many people in the movie. He believes most people will be unhappy with this film, and that it was slanted against the natural diamond industry. Nothing Lasts Forever is scheduled to stream on Showtime in September.


    Episode 74: Mithun Sacheti Jul 19, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates talk with Mithun Sacheti, CEO of CaratLane.

    Show Notes

    00:30 Victoria and Rob introduce their guest Mithun Sacheti, CEO of CaratLane.

    07:17 Mithun compares CaratLane to Blue Nile.

    10:15 Victoria asks about his early business.

    14:42 Mithun describes his most recent experience at the JCK show.

    16:09 Mithun talks about Tanishq purchasing majority share of CaratLane.

    21:00 Rob asks about CaratLane’s brick-and-mortar stores.

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com, @jckmagazine, CaratLane.com

    Show Recap

    Introducing Mithun Sacheti

    Mithun Sacheti is the CEO of CaratLane, which is often described as the Indian version of Blue Nile. He spoke to JCK from the southeastern coast of India. His mother and father were in the jewelry business, and Mithun describes it as a “generational business,” which is how he got into it himself. Mithun studied at GIA and worked briefly in San Diego. When he returned to India, he opened his own jewelry store.

    Blue Nile Inspiration

    Mithun compares the Indian jewelry business model to the business in the United States. Mithun says he learned from Blue Nile that you have to find the easiest place to enter the industry. In India, while diamonds are fine to sell, its real strong point is selling jewelry as opposed to loose diamonds and engagement rings. In the early days, Mithun describes a hostility similar to what Blue Nile faced in its early days.

    Building the Business

    Victoria asks how Mithun coaxed people to buy originally, and he said initially consumers were resistant. CaratLane built a try-at-home model in an attempt to get people to buy their diamonds, which ended up being successful. Mithun doesn’t think this model would necessarily work in America.

    The JCK Show

    Mithun was just at the most recent JCK show—the first one he attended was back in 1998. Victoria asks for his take on this year’s JCK show, and Mithun said it was all about making connections.

    Tanishq

    In 2016, Tanishq purchased a majority share in CaratLane. Tanishq is the largest jewelry company in India and has been around for 25 years now, with a market capitalization close to $1 billion. Mithun says Tanishq has been a great partner, and CaratLane has been able to grow on a much faster scale thanks to its involvement. Victoria asked what other kinds of things CaratLane has tried as a company, and Mithun describes a virtual try-on, different from augmented reality, that didn’t pan out. One thing that worked very well was building an omnichannel network.

    Brick-and-Mortar

    Rob asks why CaratLane believed it needed a brick-and-mortar store when it was successful online. Mithun believes there is a need for tactile jewelry shopping, even though consumers find jewelry online.

    (Photo courtesy of Mithun Sacheti)


    Episode 73: George Holmes, LVMH and Lusix, and Russian Diamonds Jul 05, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates discuss former JCK editor-in-chief George Holmes’ legacy, LVMH's investment in Lusix, and Russian diamonds and Ukrainian jewelers.

    Show Notes

    00:30 Victoria and Rob remember former JCK editor-in-chief George Holmes

    13:51 Victoria reports on the state of the industry

    17:15 Rob reports on LVMH’s investment in Lusix

    20:03 Victoria and Rob talk about Russian diamonds and Ukrainian jewelers

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com, @jckmagazine

    Show Recap

    Remembering George Holmes

    George Holmes, JCK’s former editor-in-chief of 22 years, died last month. Victoria describes his as a legendary editor. Rob talks about his time working with him and says he was gracious and intelligent with unyielding editorial integrity. Victoria and Rob share an audio clip from an earlier podcast of Joe Thompson speaking about George Holmes.

    State of the Industry

    Victoria discusses a Jewelers Board of Trade webinar with its president, Erich Jacobs. He showed graphs on consumer sentiment, confidence, unemployment rates, and more. Erich says unemployment is linked to consumer satisfaction—if unemployment is low, generally consumer confidence is high. Now, we’re seeing a break from this. We have record low unemployment and low consumer confidence. Victoria says retailers may feel a little pinch in their bottom line, as consumers aren’t using credit cards as much.

    LVMH and Lab-Grown Diamonds

    Rob comments on the lab-grown space and LVMH Luxury Holdings' investment in Lusix, an Israeli lab-grown diamond company. LVMH is not being shy about its investment—but this investment raises questions. Rob believes LVMH wants Lusix to scale with more persistent production. Victoria asks if the luxury sector is finally ready to accept lab-grown diamonds, and Rob isn’t sure.

    Russian Diamonds

    Victoria asks what’s happening in the world of Russian diamonds, and Rob says there are rumors in the industry about banks in Europe not wanting to fund Russian diamond shipments. Rob says the big companies have figured out a way to get diamonds back on the market after a slow run for Russian diamonds. On the flip side, Victoria has spoken to many Ukrainian jewelers, and her takeaway was their commitment to improving the industry and getting attention for Ukrainian jewelers in the market.


    Episode 72: JCK Show Takeaways and Interviews Jun 22, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates share their post–JCK show takeaways and the interviews they conducted live on the JCK show floor.

    Show Notes

    00:30 Rob and Victoria share their takeaways from the JCK show

    09:30 Victoria interviews Jewelers Mutual Group’s chief content executive, Mark Smelzer

    11:00 Victoria interviews Stuller CEO Matt Stuller

    13:40 Rob interviews Craig Underwood of Underwoods Fine Jewelers

    17:00 Rob interviews Feriel Zerouki of De Beers

    20:18 Rob interviews Steve Coe, CEO of Lightbox Jewelry

    25:40 Victoria interviews Yuliya Kusher, CEO of Meylor Global

    29:26 Victoria interviews Manos Phoundoulakis of EZEC

    31:23 Rob interviews Jeff Corey, former owner of Day’s Jewelers, now currently the vice president of marketing

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com, @jckmagazine

    Show Recap

    JCK Show Takeaways

    Victoria and Rob comment on how amazing the JCK show was this year. Rob says the mood and attendance were really strong and how the jewelry industry has been on a high the past two years. Some people even told Rob it was their best show ever. Others came to the show for the first time—a great reminder of why we have in-person shows. There was some awareness of inflation at the show. Victoria also mentions orange emerging as a hot color in jewelry.

    Mark Smelzer

    Victoria interviews Jewelers Mutual Group’s chief content executive, Mark Smelzer. Mark used to be the publisher of JCK, and Victoria asks what it's like to be on the other side of the JCK show experience. Mark comments on the overall energy at the show, and that it’s great to see sales happening at every booth.

    Matt Stuller

    Matt Stuller, CEO of Stuller, is excited to be at the show. Victoria comments on how busy the Stuller booth is. Victoria asks about its innovations this year. Victoria loves its permanent bracelet stand. Victoria asks how business has been so far this year, and Matt says business has been very strong. Everyone is cautiously optimistic.

    Craig Underwood

    Rob mentions how Craig Underwood of Underwoods Fine Jewelers has just won the Robert M. Shipley Award, and Craig says they’re still on the high from receiving that award. Rob asks what they’re seeing at the show so far, and Craig says he’s loving the energy. Rob asks if Craig thinks this is going to be a great holiday, and Craig says yes—he’s cautiously optimistic.

    Feriel Zerouki

    Feriel Zerouki, who won the Diamonds Do Good Next Gen Award at the show, is the senior vice president of corporate affairs for De Beers. Rob asks about Feriel’s involvement with the Responsible Jewellery Council, and Feriel says despite some problems recently, there’s also been great progress. Rob asks about the JCK show, and Feriel says it’s going well.

    Steve Coe

    Rob asks Steve Coe, the CEO of Lightbox Jewelry, how things have progressed with Lightbox, which created shock waves in the industry when it first released its lab-grown jewelry line. Steve says 25% of their buyers are repeat customers. Rob notes how Lightbox expects to be using 100% renewable energy by the end of 2022, and Steve says it is making great progress on that. Steve says Lightbox is looking to other carat sizes and other colored diamonds besides pink and blue.

    Yuliya Kusher

    Victoria interviews Yuliya Kusher, CEO of Meylor Global, the Ukrainian diamond company making lab-grown diamonds. She shows Victoria the largest uncut lab-grown diamond in the world, 150 carats. Victoria asks how the war is impacting their business, but Yuliya says they can’t really predict what will happen day to day.

    Manos Phoundoulakis

    Victoria interviews her good friend Manos Phoundoulakis about his new company EZEC, which he started with Andrew DeMarco. EZEC stands for Easy Emergency Contact. They claim to be saving lives and streamlining health care through jewelry. Its technological advancements help first responders with an easier way for people to wear medical ID bracelets.

    Jeff Corey

    Jeff Corey, vice president of marketing at Day's Jewelers, has been to 30 JCK shows. He was at the original and has been to every show since. He says it’s exciting to be here and doing business. He’s shopping around, looking at technology, and trying to see what’s new and exciting in jewelry. Last year, Day's Jewelers became employee-owned, so they share the profits of the company. Rob ask how business has been this year, and Jeff says it’s been excellent.


    Episode 71: Steven Kaiser, Recycled Gold, And JCK Las Vegas Jun 07, 2022
    Show notes

    In This Episode

    You’ll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates discuss Steven Kaiser’s passing, the Oak collection watch event at London’s Design Museum, De Beers' blockchain platform, recycled gold, and the JCK Las Vegas show.

    Show Notes

    00:30 Victoria and Rob give their condolences to the family of Steven Kaiser.

    05:25 Victoria recounts her visit to London’s Design Museum to see the Oak collection.

    13:40 Rob explains De Beers' blockchain technology.

    16:22 Rob is concerned with recycled gold and what the term actually means.

    21:09 Victoria and Rob are excited for JCK Las Vegas!

    Episode Credits

    Hosts: Rob Bates and Victoria Gomelsky

    Producer and engineer: Natalie Chomet

    Plugs: jckonline.com, @jckmagazine

    Show Recap

    Steven Kaiser

    Victoria and Rob give their condolences to the family of Steven Kaiser. The industry titan passed away a week before recording this podcast. He was feted at 24 Karat Weekend in March. He was a "connecter" and, as Rob reports, very good at smoothing things over. The jewelry industry mourns his passing, and he will be deeply missed at JCK Las Vegas this week.

    The Oak Collection

    Victoria was one of 65 journalists invited to London in late May to attend an event at the Design Museum. There, she saw the Oak (one-of-a-kind) collection. The Oak's owner, Patrick Getreide, has been collecting watches for 40 years. He has more than 600 of them (heavy on Patek Phillipe and Rolex), and 130 of them were on display for just one week. Victoria said the event felt like the gilded age of watches. Rob briefly mentions the Apple Watch and its effect on the watch industry.

    De Beers' Blockchain

    Rob talks about De Beers and its blockchain technology. Basically, Rob says, it’s a way to track diamonds through the chain in a trade-facing, rather than consumer-facing, manner. De Beers says it can trace all of its diamonds of 1 carat and above and believes it can scale this technology. Rob says this technology has been a long time coming, and De Beers has the most ambitious technology out of everyone trying their hand at it.

    What Is Recycled Gold?

    Rob recently wrote a story on recycled gold, and Victoria asks what prompted him to write it. Rob says he was recently part of a webinar about recycled gold, and it made him consider what recycled gold really is. As it turns out, there are many definitions if recycled gold—including the one the Federal Trade Commission uses: something that would otherwise go in the trash. The problem is, gold isn’t thrown out. Rob talks about why labeling anything as recycled gold is a problem and why the industry should start being clearer on what recycled gold really is.

    JCK Las Vegas

    Victoria and Rob’s schedules are packed for JCK Las Vegas. All of the events are back on, there’s tons of excitement, and Victoria is hoping for some good weather (not too hot!). From what Victoria understands, there is a great need to restock, which will make for a great show. JCK will be giving talks from the JCK stage and various educational classrooms. Victoria and Rob both look forward to meeting everyone there and give a little review of what to expect. Rob will also be signing copies of his novels!


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