Stay ConnectedSnoozecast is the podcast designed to help you fall asleep.
Episodes air every Monday, Wednesday and Friday.
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Copyright: © ℗ & © 2020 Snoozecast: Stories for Sleep
Tonight, we’ll read the 28th chapter of “Anne of Green Gables”, the classic 1908 novel by Lucy Maud Montgomery. This chapter is titled “An Unfortunate Lily Maid”
In the last episode, Marilla returns home one spring evening thrilled by the season’s promise, only to discover there’s no fire, no tea—and no Anne. After fuming in the kitchen and questioning Matthew, she fetches a candle in Anne’s room and finds her hiding tearfully among the pillows. Anne confesses she spent her chicken-money on a peddler’s hair dye, hoping for raven-black locks but ending up with a ghastly green mane. When daily washings fail, Marilla decrees the only cure is to cut Anne’s hair off, leaving her shingled head looking “like a scarecrow.” In the aftermath, Anne resolves to be good instead of vain, and Marilla—even amid her headaches—admits she rather enjoys Anne’s lively chatter.
— read by 'N' —
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Tonight, we’ll read an Icelandic fairy tale called “Litill, Tritill, the Birds, and the Peasant Lad” translated and edited by Mrs. A. W. Hall and published in 1897.
Like many folk and fairy tales, the exact origins are complicated and sometimes unclear. The more well-known Crimson Fairy Book edited by Andrew Lang cites this story as having Hungarian origin. However, there are at least two earlier publications that are specifically Icelandic compilations that include this story.
Iceland has a rich tradition of storytelling, with folktales passed down through oral tradition for centuries before being committed to print. Stories often traveled across borders and were reshaped by local customs, so it’s not surprising to find the same tale appearing in different collections with varied national attributions. What remains consistent in this version is its distinctly Icelandic sensibility—featuring a humble protagonist, mysterious helpers, and a clever unraveling of magical obstacles, all set against the stark yet enchanted landscapes typical of Northern European lore.
— read by 'N' —
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Tonight, we’ll read the opening to “Ghost Beyond the Gate” written by Mildred A. Wirt and published in 1943.
In this story, Mr. Parker is taken to the hospital by another driver after getting into an accident. However, Mr. Parker never arrives at the hospital. Penny takes over running the newspaper in her father's absence and discovers a clue to her father's whereabouts at an old abandoned mansion.
If you enjoy this episode, be sure to check out our other Penny Parker series episodes by searching for our show titled “Snoozecast Presents: Penny Parker” wherever you listen to Snoozecast. Or, you can find Penny at snoozecast.com/series.
— read by 'V' —
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Tonight we'll read the next chapter of Good Wives, written by Louisa May Alcott, titled "Learning to Forget". This is also known as the second half of the Little Women novel, and is considered the 41st chapter.
As part of that work as a whole. In our last chapter, the March family drew closer together as they cherished their time with Beth and prepared for the inevitable. And now we pick up with Lori as he strives to better himself after Amy's scathing advice. Realize he must move on from Jo's rejection. He attempts to channel his sorrow into music, but finds himself distracted and uninspired.
— read by 'V' —
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Tonight, we’ll read “The Door in the Wall,” a short story written in 1911 by H.G. Wells. Considered to be one of his finest short stories, it explores the tension between the rational and the fanciful experiences in life.
Wells is best known today for pioneering modern science fiction with works like “The Time Machine” and “The War of the Worlds”, but he also wrote thoughtful, bittersweet tales that delved into memory, regret, and the mysteries of childhood. “The Door in the Wall” belongs to this more reflective side of his writing, offering a meditation on the costs of ambition and the longing for lost innocence.
The story first appeared in “The Daily Chronicle” before being included in collections, and it quickly became a favorite among readers and critics alike. Its ambiguous ending continues to invite discussion. Wells leaves the answer suspended between reality and imagination, much like the choices we face in life itself.
— read by 'N' —
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Tonight, we’ll read from the opening to the 1923 travel memoir Peaks of Shala by Rose Wilder Lane. It is about a walking tour of mountainous Albania.
The daughter of writer Laura Ingalls Wilder, Lane was an American journalist, travel writer, novelist, and political theorist. Though she is perhaps best known today for her work editing and shaping her mother’s Little House series, Lane led a bold and independent life that took her far from the American frontier. In the early 1920s, she spent time as a foreign correspondent in postwar Europe, traveling through parts of the continent still recovering from World War I. Albania, then newly independent and largely unknown to the Western world, captured her imagination with its dramatic landscapes and fiercely traditional mountain communities.
Peaks of Shala recounts her journey on foot through the northern Albanian highlands, a region governed more by ancient tribal codes than by any central government. Her writing blends observation and introspection, offering glimpses of rugged hospitality, isolated customs, and the physical demands of mountain travel. The book remains a rare first-hand account of a Western woman’s experience in one of the most remote corners of Europe during a period of great transition.
— read by 'N' —
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Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife.
In the last episode, concluding chapter 16, Mr. Elliot continues his frequent visits to Camden Place, charming Sir Walter and Elizabeth with his polished manners and apparent desire to reconnect with the family. Lady Russell, once indifferent to him, now views him as a highly suitable match for Anne.
Anne, however, remains cautious. Though she acknowledges Mr. Elliot’s attentiveness and refinement, she is not fully at ease with his motives. His flattery feels calculated, and she senses a lack of emotional sincerity.
She compares his composed charm with the deeper, more genuine feeling she once shared with Captain Wentworth. As Mr. Elliot’s admiration grows more obvious, Anne is left feeling both flattered and wary of his true intentions.
— read by 'V' —
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Tonight, we’ll read “The Mirror of Matsuyama,” a story found in Japanese Fairy Tales by Yei Theodora Ozaki in 1908.
This tale explores the quiet strength of familial love and the power of memory, all seen through the lens—literally—of a small hand mirror. It begins with a mother who gives her daughter the mirror as a keepsake, and unfolds into a story that blends gentle superstition with emotional resilience. The mirror itself becomes a symbolic object, reflecting not only appearances but also devotion and loss.
Yei Theodora Ozaki was born in England to a Japanese father and an English mother, and she devoted much of her life to retelling Japanese folktales in English with great care and lyricism. Her collection introduced many readers in the West to the stories and moral traditions of Japan. “The Mirror of Matsuyama” is one of the more intimate tales in the collection—less about mythical creatures or grand adventures, and more about the enduring connection between a mother and her child.
— read by 'V' —
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Tonight, we’ll read the complete story of “East of the Sun, West of the Moon”, a Norwegian fairy tale, collected by Asbjørnsen and Moe.
In this story, a talking bear approaches a poor peasant and asks if he will give him his daughter as a wife in return for making the family rich.
The tale belongs to a broader class of folktales known as “Animal Bridegroom” stories, where a maiden is betrothed to a mysterious creature whose true identity is hidden. It shares roots with stories like Cupid and Psyche and Beauty and the Beast, though its northern setting and surreal imagery give it a distinct, dreamlike quality. The journey “east of the sun and west of the moon” evokes a place that lies just beyond the edges of the known world—a poetic way of describing an impossible quest.
In the second half of the story, a “gold carding-comb” is mentioned several times. Not well-known nowadays, but in the past readers were more likely to know that a carding-comb is a tool used to brush and untangle wool before it’s spun into thread. The one in this story, made of gold, is more symbolic than practical—a glittering gift meant to dazzle, rather than do chores.
Asbjørnsen and Moe, sometimes called the “Grimms of Norway,” gathered this story during the 19th century as part of a national effort to preserve the country’s oral traditions. Their collections helped shape the image of Norwegian folklore: filled with towering mountains, icy winds, trolls, talking animals, and brave heroines who outwit enchantments. This story in particular has captivated readers for generations with its eerie beginning, evocative landscapes, and a heroine whose strength lies not in spells or swords, but in her persistence.
--read by 'V'--
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