Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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"Back to the Future Part III" is a master class in how to make a time-travel comedy. It's a love letter to Old Hollywood Westerns. And it's the final note in a legendary trilogy.
Guest host Kevin Brackett (Reel Spoilers podcast) joins Ash and Gene this week to discuss the countless callbacks, outstanding action, and brilliant performances that elevated what some consider the weakest of the Back to the Future series.
We get into Christopher Lloyd's puppy-dog brown eyes, the Back to the Future theme park ride, elaborate dioramas, the movie's "Gilligan's Island" tendencies, Gene's Two-DeLorean Conundrum, and a hotly debated ending that involves a small child pointing at his genitals.
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Before Tom Sizemore and Mickey Rourke made flops of their careers, they starred in one of the most epic box office failures of the '90s: "Harley Davidson and the Marlboro Man." Was the world just not ready for an action comedy that played out like a comic book, or is this movie truly rushed and sloppy?
The Shat Crew was fully divided on this forgotten film, but not in the ways you might expect. A few things we did agree on: Don Johnson is a charming S.O.B., Harley-Davidsons are garbage motorcycles, Daniel Baldwin was cheated by the gene pool, and sometimes you need to just let a movie end.
Listener Lachlan H. commissioned this cinematic collection of life advice from all the way down in Australia, reminding us "it's better to be dead and cool than alive and uncool."
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Think you can identify '80s and '90s movies based on descriptions from Big D's elderly Swedish mom? Put your skills to the test with this special episode of Shat The Movies for your chance to win a free commissioned movie review.
How It Works: Simply listen to Big D's mother describe 5 actors and 5 movies and decode the correct answers. When you think you know the actors and movies enter them in the form here.
Rules: The single entry with the most correct answers will win one free movie commission. If there are multiple entries with the same number of correct answers, one among them will be selected at random. The contest will end Sunday, June 20th, 2021. One entry per person… so choose wisely.
Before there was "Scream" or "Scary Movie, a little movie called "Student Bodies" pioneered the slasher-film spoof. But was it too far ahead of its time, with too few movies to parody?
In Dick Ebert's estimation, "two out of eight jokes" are funny in this 1981 trailblazer that made him laugh as a boy. Gene and Ash think that's generous as the Shat Crew discusses The Breather, jokes about the differently abled, and the magic of Malvert.
Film commissioner Dan in Park Ridge, IL, makes Shat history with this episode, and we discover the racially charged background of the eggplant.
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Most '80s and '90s cop movies are cheesy, unfunny, offensive, unintelligent, or a combination of the four. But 1990's "Internal Affairs" joins "L.A. Confidential" as a rare police drama that delivers on quality and thrills.
Sporting the worst haircuts of their careers, Andy Garcia and Richard Gere spent two hours trading lethal glares, filthy innuendo, mind games, and silky fabrics. Of course, "Internal Affairs" had the typical '90s slow-mo shots and hideous sets, but all that was balanced by a buffet of beautiful butts and some forward-thinking filmmaking.
Care to guess the wipe score before listening? We think you'll be surprised.
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An '80s movie doesn't have to be the funniest, the most dramatic, or the most action-packed film we've ever seen to be important. It doesn't even need to be popular.
Sometimes, a movie just needs to bring families together, give us a few chuckles, and bridge the gap between the young mind of a child and the memories of a parent.
"Johnny Dangerously" isn't Michael Keaton's best-known film. And it isn't the pinnacle of Amy Heckerling's skills as a director. But it's definitely worth watching.
In the edition, the Shat Crew discusses premarital sex, running gags, eyeliner, John Stamos versus Christian Slater, "Gung Ho" versus "Mr. Mom," and whether crime actually pays.
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Some say Paul Newman is the greatest actor of all time. Some say Martin Scorsese is the greatest director of all time. And some say "The Color of Money" is his greatest film.
We are not those people.
But the Shat Crew is mature enough to appreciate a film with sets you can smell, jaw-dropping performances, and the magic of a young Tom Cruise.
In this edition, we discuss how "The Color of Money" influenced other gambling movies ("Rounders," anyone?) and brought out Dick Ebert's inner detective. Ash explores the art of the hustle, and Gene defines the line between games and sports.
Throw in one of the '80s weirdest montages, an unexpected ending, and the ultimate question of money versus pride, and you'll see why this Academy Award-winning film can be both outstanding and outdated.
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Bust out your surfboards and Stunned Mullets, we're going "Back to The Beach" with Frankie Avalon and Annette Funicello! This 1987 parody of '60s movies packed in appearances from OJ Simpson, PeeWee Herman, the casts of "Leave It to Beaver" and "Gilligan's Island," Dick Dale, Stevie Ray Vaughan, and the "two dollars" kid from "Better Off Dead."
This edition of Shat The Movies explores the importance of following through on threats, deal breakers in dating, Big D's mall walking, and East Coast vs West Coast beaches.
Ash and Big D crush Gene's ideas on parenthood while revealing a fear of losing their identities as they age. Dick body-shames beachgoers and Gene explains why you should seek a partner you fear.
Note: Gene survived a car accident 30 minutes before recording this podcast, then proceeded to down a double whiskey.
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We owe you an apology. In more than 200 movies, Shat The Movies somehow neglected to select a film starring Adam Sandler. Listener Steve W. decided to make things right by commissioning the 1996 golf comedy classic "Happy Gilmore."
Hot on the heels of "Billy Madison," this cameo-filled gut-buster hit the ground running without wasting a minute, made us question what it means to be a winner, championed the everyman, and was endlessly quotable.
Who doesn't love to hate Shooter McGavin? Who doesn't love to love Chubbs? And who ever expected to see Bob Barker kick the crap out of the hero?
"Happy Gilmore" was full of surprises in an era when we thought we'd seen it all. It took a boring game and made it exciting. And it taught each of us to find our happy place.
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The '80s gave us two major movies about shrinkage: "Honey, I Shrunk The Kids" and "Innerspace." The former was a wholesome, heartwarming, at times tragic tale of a family sticking together to survive. The latter—a sci-fi jumble of sexy Dennis Quaid, overly complicated tech, annoying Martin Short, and for some reason, a rabbit— is what we're reviewing today.
"Innerspace" mixed impressive visual effects that gave us all warm fuzzies as we recalled our days at the science museum. And the chemistry between Short and Quaid led to some feel-good moments. But when Quaid was in Meg Ryan's body after being in her body, then saw his own overly developed child in her womb ... man, what the fuck?
You probably haven't seen this movie. You probably won't see this movie. But we did. And we're here to tell you all about it.
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