Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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Listener Tom in Crane, Texas, had one wish this summer: Give "National Lampoon's Vacation" the Shat treatment. Shat Nation heard the call and crowdfunded this 1983 road trip classic that reminded us of traveling with our families, the first time Big D saw boobs, singing in the car, and American icon Cousin Eddie.
"Vacation" is full of twists, turns, and clever vignettes that inspired the Shat Crew to discuss a wide range of topics, including Dutch Bros. Coffee, how to treat servers, over-planning, desert survival, crappy funerals, and why Clark Griswold is the worst movie dad.
Big D gets wine drunk on "grinot pigio." Ash defends Walter White, and we all agree that Beverly D'Angelo is an absolute MILF.
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It was only a matter of time before Shat The Movies was asked to provide serious commentary on a film adaptation of a John Steinbeck classic. Thanks to brothers Adam R. and Josh R., we're pitting "Of Mice and Men" against "Interview with the Vampire" in the first Shat on Literature challenge.
This week, we question the wisdom of casting John Malkovich as an intellectually disabled giant, how much force it would take to crush a hand, and why commentary on racism was largely removed in the translation from book to film.
Big D confesses he would not be able to resist a hottie in the barn. Gene drools over the misery of tragic foreshadowing, and Ash puts her professor skills on full display.
Other topics include the artsy pigeon, Ray Walston's missing hand, and how having a budget sometimes hurts a piece of art.
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When Steven Spielberg calls, you take the job. That explains the unbelievable cast of 1991's "Hook" and its $300 million box office take. But updating the tale of Peter Pan takes some serious thinking. Now that he's grown up, do you emphasize the nihilism and domestic horror? Or is this a silly kids movie?
In this episode, Ash explains the literary themes that somehow got lost along the way. Gene posits that Dustin Hoffman is the greatest comedic pirate of all time (yes, even better than Johnny Depp), and Big D makes the case for having children.
The Shat Crew also discusses Thudballing, Maggie Smith's reverse aging, Peter's womanizing, Tootles' doomed future, and how the movie did Rufio wrong.
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Most Shat The Movies features can be summed up as "great ideas gone wrong," but what about a terrible idea gone right? On paper, 1993's "The Fugitive" sounds ridiculous: A vascular surgeon is sentenced to death but escapes to find his wife's one-armed killer while diving, punching, and spying his way to freedom.
But sometimes charm, practical effects, a clever script, and non-stop thrills come together to make movie magic. This episode, the Shat Crew had to ask itself, "Were Harrison Ford and Tommy Lee Jones really that good? Was the dam scene that exciting? Was Julianne Moore really in this movie?" Or were we all fooled by childhood excitement and nostalgia?
Big D explores justice versus vengeance. Ash recalls the psychological scars left by the opening murder. And Gene once again asks why the movie's smart guy isn't smarter.
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No '80s movie library would be complete without "Red Dawn," the surprisingly violent movie that pitted American high school kids against a communist invasion, debuted the PG-13 rating, and turned Shat The Movies into a warzone.
While Ash and Gene blast the laughably serious performances and meandering plot, Big D valiantly mounts a counterassault based mostly on Cold War hysteria and a cast that includes Patrick Swayze, Charlie Sheen, Jennifer Grey, Lea Thompson, Harry Dean Stanton, Powers Boothe (minus the mustache), C. Thomas Howell, and Ron O'Neal. Along the way, the Shat Crew battles over child abuse, sexual abuse, emotional abuse, and audience abuse.
They also discuss re-education camp security, a deleted "love scene," mystery supplies, and whether "Red Dawn" was a call to arms or an anti-war movie disguised so well as a pro-war movie that it just made American kids want to go to war.
Stay tuned for the wipe scores at the end. Things get bloody.
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Few sci-fi movies are so shat-tacular that people accuse them of sinking the studios that made them, but "Robot Jox" isn't your average movie.
Described by it's co-writer as, "a child who started out well and then sustained brain damage," this 1990 cult classic nevertheless won the hearts of a few rabid fans, including Shat The Movies mega-donor Jon M.
If you like towering mechs doing battle, "Robot Jox" got it. If you like post-apocalyptic worlds, this is the movie for you. Odd wardrobe choices? You bet. Faithful adaptations of Greek epics? Might wanna check with Ash on that one.
From chauvinism to chainsaw wieners to referees who make FIFA look fair, "Robot Jox" really has something for everyone. Plus you get to see the worst use of a stunt double in any major motion picture. Crash and burn!
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I've you've ever wondered why Richard Grieco never made it on the big screen, this 1991 box office flop might be to blame. But was "If Looks Could Kill" really all that bad?
The supporting cast is fantastic, the parody of James Bond films is a lot of fun, the sex appeal is there, and the memorable one-liners keep you smiling.
But this movie is far from perfect. Grieco's face looks rubbery, he's in his mid-20s, and the plot really doesn't make sense. Who sends their kid to France for failing French?
Hear why Ash thinks Tom Cruise is the last true action star, why Gene shaved his arms, and why Big D made a trip to the public library in this edition of "Shat The Movies."
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Shat The Movies super-supporter Emmett is back with a rare genre of film: apocalyptic religious horror pregnancy porn. "The Seventh Sign" features a young Demi Moore playing the most active mom-to-be in cinematic history, Jurgen Prochnow from "Das Boot" playing (spoiler alert) Jesus, and Michael Biehn from "The Terminator," "Aliens," and "Tombstone" once again refused the hero's role.
Big D takes a crash course in Biblical interpretation. Gene begs for a remake. And Ash cringes at the Hall of Souls. Along the way, we also discuss hot fish, why movie doctors don't try very hard, how easy it is to infiltrate an execution, renting rooms to strangers, and how tough the Seven Seals of God should be.
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Oliver Stone gave the '80s and '90s some of their greatest films, so it's about time Shat The Movie dove into his catalog. And what better introductory film than "Platoon," a movie that combined Stone's artistry and military experience in a brilliant reflection on the Vietnam War.
In this episode, Big D and Ash review the movie and the war through personal tales and family history. Gene digs into the social and racial aspects of the conflict, and the Shat Crew celebrates a knockout cast at its best.
Other topics include the definition of masculinity, how to tell combat veterans from glory thieves, and why "Forrest Gump" is overrated.
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Summer vacations, cabin trips, lakeside living, nature walks, and spending time with family are enough to make the most cynical Shat The Movies listener nostalgic. On this Fathers Day recording, we visit John Candy's "The Great Outdoors," a classic '80s comedy that holds a dear place in many a heart.
Brothers Adam, Josh, and John R. commissioned "The Great Outdoors" in honor of their late father and the childhood memories they built with him. Big D related to being a dad. Ash contrasted the idyllic mood of the movie with her own childhood vacations. And Gene was taken back to his summer fantasies of meeting a mean girl in a denim jacket.
Of course, the Shat Crew also covers The 96er, the endless animal gags, Dan Aykroyd's oddly enjoyable performance, and bear dumps. But the real meat of this movie is laughing at jokes and situations that work BECAUSE we've seen them—and lived them— so many times.
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