Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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Before Rambo was an action figure, cartoon character, and lunchbox cover, Sylvester Stallone starred in "First Blood," an action-drama that spotlights the displaced and disillusioned veterans of the Vietnam War. Big D and Gene recorded this episode live on Twitch.
Of course, the Shat Crew debated the movie's biggest controversy: Did John Rambo kill Art Galt? But the conversation also took us to some unexpected places: Is this an accurate depiction of the veteran experience? What was with Rambo's POW mustache? Is Col. Sam Trautman a hero or a monster? And is the Yamaha XT250 the coolest dual sport motorcycle ever built?
This episode also covers Gene's failed childhood booby traps, the effectiveness of the W.A.N.G., Stallone's meltdown and, of course, the film's theme song, "Long Road."
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Sam Mendes earned an Oscar for his debut film, "American Beauty." But more importantly, he gave the Shat Crew fuel for discussing couch sex, Chekov's dick, the ignorance of youth and world peace through blowjobs.
Longtime Shat listener Lucas passed on a chance to commission "Beastmaster," and instead requested a true masterpiece that explores how parents mess up their kids, what can happen when you fall in love young and grow old, and how flexible Annette Bening is.
In this episode, the Shat Crew discusses The Plastic Bag Scene, Ash's attraction to creepy-ass Ricky, Gene's try-hard tendencies and unexpected parallels to "Uncle Buck."
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Brothers and prolific Shat The Movies commissioners Josh, Adam and Jon R. have always been there for us. When a shooter attacked their beloved Highland Park on July 4, it was our duty and honor to be there for them. Thanks to some very generous Shat listeners, this recording raised $1000 for the shooting response fund.
In this special live episode, the Shat Crew celebrates the 1989 love letter to Highland Park and Chicagoland as a whole: "Uncle Buck." One of John Hughes' lesser-known films, this John Candy comedy gave us Macaulay Culkin before his breakthrough role in "Home Alone." It also touched Big D's heart as a father and sexually confused a young Gene Lyons.
As always, we dive into unexpected topics like fat shaming, menacing comedians, '80s montages, and missed opportunities with clowns.
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We made it to Episode 300! This "Ghostbusters II" review has it all: Ash learns about New Coke; Gene learns he might not like young Bill Murray; Big D teaches us all about "Tears in Heaven;" and a plot summary is so ridiculous we can't stop laughing.
In our second discussion of the Ghostbusters franchise, the Shat Crew examines birthday packages, debates the quality of Vigo's painting, contrasts movie montages, dives deeper into the new Ghostbusters logo, weighs when it's OK to clean your host's apartment, discovers someone's been throwing out her partner's belongings and outlines the appropriate use of children in comedies.
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Shat The Movies has covered "The Silence of The Lambs," but that wasn't enough for film elitists who scoff at the mainstream appeal of Sir Anthony Hopkins' Hannibal Lecktor and Jodi Foster's Clarice Starling. They insisted we review the movie that started it all: "Manhunter."
It was hard to validate this movie without comparing it to everything that came after: Buffalo Bill dancing to "Goodbye Horses," Mads Mikkelsen bringing sex appeal to the series or Frederick Chilton getting some flesh to his character. But that's OK, because those comparisons revealed some of "Manhunter's" subtle strengths.
In this episode, Gene admits he doesn't understand some of Michael Mann's artsy decisions; Big D illuminates some of the guerilla filmmaking that went into "Manhunter;" and Ash gets pissed on behalf of murder victims' families.
The Shat Crew also discusses Brian Cox's version of Hannibal, chuckles at William Petersen's spirited self-talk and explores whether a little romance can help elevate an '80s thriller.
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Big D returns from a booze cruise just in time to tackle a 1998 sci-fi sleeper that explores the nature of individuality, the impact of memories and the allure of Jennifer Connelly's mustache. Pack your bags for "Dark City!"
In this episode, Gene laments the movie's opening spoiler, and Ash ties together the look and feel of pretty much every '90s goth-industrial-hacker-vampire film while drooling over Rufus Sewell. Meanwhile, Big D takes a shot at Kiefer Sutherland, and everyone agrees "Dark City" has some badass set design.
Is there a difference between time travel and the mastery of telekinesis? Are Riff Raff and Mr. Hand the same person? Why wasn't this movie 10 minutes long? We raise these questions and more on behalf of longtime listener and author Ryan C.
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"Reservoir Dogs" isn't the kind of movie a rookie podcaster should touch. It's an icon of the '90s, the debut of a game-changing director, perhaps even the birth of a new genre. So we waited, and we learned, and we put nearly 300 movies in the toilet before accepting the challenge laid out by listener Jody G: Question whether the 1992 heist flick holds up after 30 years.
Anyone who's seen "Reservoir Dogs" remembers the nonlinear storytelling, the violence, the snappy dialogue, and the shots that would end up as T-shirts, coffee mugs, car decals. But you almost never hear movie fans talking about Tim Roth's horrible accent, the long run time or the logical flaws.
In this episode, the Shat Crew discusses how Mr. Blonde inspires Gene to be better in the office, why Big D loves the "Reservoir Dogs" soundtrack, and how Quentin Tarantino saved money while blowing Ash's mind.
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When a listener dedicates a podcast commission to his late wife, you treat it with respect. When the movie is about death and the afterlife, you add a degree of reverence. When one of your podcast hosts is dealing with a recent loss, you take the whole thing personally. And when Albert Brooks is the romantic lead, you have to throw all of that out the window.
"Defending You Life" is a 1991 romantic comedy destined for a good shatting, and it treated the Shat Crew to some lively discussion of past lives, simpler times, biggest fears, and crimes against Meryl Streep. The podcast also took us to places we never imagined we'd go: highlighting the difference between Albert Brooks and Larry David, worshipping Rip Torn and earnestly drawing parallels between purgatory's legal proceedings and Franz Kafka.
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Shat The Movies has brought us so many dynamic pairings: Riggs and Murtaugh, Goose and Maverick, Dick Ebert and Gene Lyons. It's only fair that we reach back to 1977 for the quickest duo to deliver Coors beer from Texarkana to Atlanta: Snowman and The Bandit.
"Smokey and The Bandit" triggered an explosion in trucker romanticism, CB radio fetishism and Pontiac Firebird Trans Am sales. Stuntman Hal Needham's directorial debut also gave audiences a fresh look at Jackie Gleason and convinced America (but not Gene) that Sally Field could be hot.
It had everything you could ask for in a bootlegger movie: Jerry Reed songs that literally tell you what's happening on screen, '70s style, sexy cars, Burt Reynolds and inexplicable pit stops. But does "Smokey and The Bandit" hold up as a comedy with a pinch of romance? You might be surprised.
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Each Shat The Movies host brought unique insights to shed light on 1997's "The Devil's Advocate." Dick gifted us with his knowledge of Gainesville, Fla. Gene examined the justice system. And Ash explained scripture and social pressure.
And then the conversation quickly devolved into rants about Keanu Reeves' excessive kissing, body hair, Al Pacino's sex appeal, how the Antichrist works, incest, weird boobs, Southern accents and parental controls.
Big thanks to Andy in Norway for commissioning this supernatural horror that proves sometimes a quiet ending is the best ending.
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