Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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At Shat The Movies, we believe representation matters. And it's never been more apparent than when we sat down to review "Austin Powers: The Spy Who Shagged Me." Was Mustafa offensive? Ask Gene. Was Fat Bastard gross? Ask Big D.
And though the Shat Crew all agreed Heather Graham achieved peak hotness in this 1999 sequel, we were divided on other issues. Ash argued workplace hookups are inevitable. Gene argued Dr. Evil's "Just The Two of Us" rap was tasteless. And Dick Ebert argued that he could fight off 20 Mini-Mes.
In this episode, you'll hear the final verdict on whether Mike Myers is funny, why "The Spy Who Shagged Me" might be the most 1999 movie of all time and how Seth Green made the film funnier. Oh, and Big D gives Roger's dick pics a wipe score.
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Guy Ritchie enters the Halls of Shat with the 1998 feature film debut that revealed an unsanitized London to hip American teens and twentysomethings: "Lock, Stock and Two Smoking Barrels."
We all expected the comparisons of Ritchie to Quentin Tarantino, but none of us anticipated where the conversation would go after that: Ash's personality trait test, Big D's tips on knocking people out, and rumors of anal beads helping a chess master cheat.
Is "Lock, Stock" perfect? It might lack women characters, drag at parts and have so much English slang it should be labeled sci-fi, but the Shat Crew can't deny Jason Statham, Lenny McLean and Vinny Jones made the movie a lot of fun.
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To celebrate the 30th anniversary of "A Few Good Men," the Shat Crew dissect the military mentality, relish Aaron Sorkin's flair for dialog and hate themselves for loving Tom Cruise. Big D argues it isn't a court drama while Ash and Gene debate whether the lawyering feels real.
Along the way, your hosts cover "code reds," Demi Moore's outfits, whether Lt. Daniel Kaffee is at all redeemable, whether Jack Nicholson overacted and, of course, how "you can't handle the truth" holds up after three decades.
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Is "Dead Man" the most interesting Western of the '90s, or did Jim Jarmusch just succeed at shooting a really pretty Johnny Depp in black-and-white for two hours? That depends on what you understood of the movie, and Gene didn't understand much.
While Ash struggled to stay awake, an increasingly healthy Big D got really into this 1995 box office flop that sparked conversations on cannibalism, Savage X Fenty, how trains work, Chatroulette, Neil Young's musical score and the Texas Renaissance Festival.
The Shat Crew also took a few minutes to quiz one another on pop culture and duke it out over their taste in TV.
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Before there was "Airwolf," before there was "Fire Birds," one movie stood alone as the epitome of helicopter action: "Blue Thunder." It's the movie that inspired Big D to be a pilot, showed us how to "dust" a perp, and made JAFO a household name.
It also taught a 10-year-old in the UK how to cuss. And that 10-year-old grew up to be Shat The Movies commissioner Omar, who somehow understood "Blue Thunder" was about the surveillance state and police militarization. We just thought it was about naked high-rise yoga.
Starring three legitimate badasses—Roy Scheider, Warren Oates and Malcolm McDowell—"Blue Thunder" illustrated what happens when combat veterans and single moms don't reach out for help, why it's weird to sexualize machines, how to dodge a missile in a crowded urban area and why looping a helicopter isn't all that useful.
Warning: Do not watch this movie while sitting between co-workers on a Southwest Airlines flight. Or, if you do, make sure your tray table is covering your lap.
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Can a movie that scandalized America in 1994 continue to shock us today? Not really, but Oliver Stone's "Natural Born Killers" still has a lot going for it: a perfectly composed cast, a kickass soundtrack and incredible chemistry between Juliette Lewis and Woody Harrelson.
With Quentin Tarantino's fingerprints all over it, "Natural Born Killers" spans everything from sensationalized murders to sweat lodges and somehow manages to effortlessly serve up a love story in the mix.
In this episode, the Shat Crew explores the movie's haphazard use of black-and-white shots that look like they came from a rowboat, why Blockbuster Video employees hated Oliver Stone, Dick Ebert's rules for mushrooms, how artists change when they're clean and why all bald men should shave their heads.
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Gene's comment that he didn't "enjoy Australian cinema" triggered quite a few rebuttals in the form of Shat The Movies commissions. And neo-Nazi drama "Romper Stomper" just might be the one that changed his mind.
Before there was 2000's "Gladiator" or 2012's "Les Miserables," a young Russell Crowe was looking mighty fine while sporting tighty whities, engaging in some ultraviolence, and throwing in a little surprise doggystyle. But make no mistake, "Romper Stomper" was a serious film that straddled the line between zombie movie and "American History X." And it made some points that are incredibly relevant today.
In this episode, the Shat Crew discusses odd editing choices, racist stereotypes, the history of Footscray and the tragic tale of Crowe's co-star Daniel Pollock.
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Shat on TV listeners begging us to cover "House of The Dragon" finally get their wish in this week's Shat The Movies feature: "Arthur." This episode commissioned by David K. also explores what to wear shoplifting and features tons of listener mail.
Dudley Moore and John Gielgud aren't household names in America, but the two English legends created an 1981 comedy alongside the goddess Liza Minnelli that distilled the essence of New York.
"Arthur" led the Shat Crew to conversations about Christopher Cross' theme song for the movie, being stage drunk, surprise tears, unnecessary cruelty, Russell Brand, the pressure of growing up wealthy and how Scotch led to the prevalence of roosters in '90s New Orleans kitchens.
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Few directors have polarized the Shat Crew's wipe scores the way David Lynch has, and few David Lynch movies are as polarizing as "Blue Velvet." With odd peccadillos, unsettling violence, over-the-top symbolism and entrancing dreamlike sequences, this 1986 had Ash gushing and the boys cringing.
But talk about a career-builder! "Blue Velvet" changed the way moviegoers saw Isabella Rossellini, Dennis Hopper, Laura Dern and Kyle MacLachlan. It gave us a more straightforward Lynch tale, and it recalibrated the Shat The Movies definition of surprise boobs.
Whether you view it as a masterful depiction of primal human behavior hidden behind a suburban veneer or just a really weird movie with some of the worst dirty talk ever filmed, "Blue Velvet" is definitely one to watch ... but maybe not rewatch.
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"The Rocky Horror Picture Show" is, without a doubt, a Halloween movie. It's got blood, gore, murders, a creepy castle — what more do you want? And the best way to see it is in a crowd, so Big D flew 5,000 miles to experience his first viewing in a theater with props, a shadow cast and Gene Lyons.
In this Shat The Movies Halloween Spooktacular commissioned by listener Jeremy, Ash joins Dick and Gene to discuss whether the "Time Warp" deserves to be the film's most famous song, whether Dr. Frank N. Furter is hot or dangerous and whether film reviewers should consider audience participation when rating a movie.
The Shat crew also drools over young Susan Sarandon, discovers changes in Big D and retells the story of how this cult classic nearly was a flop.
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