Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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"Airplane!" ranks sixth on Bravo's 100 Funniest Movies and has more laughs per minute than any other film, but none of that matters. The real question is: Did Gene Lyons like it?
In this episode commissioned by listener Kiki, the Shat Crew covers a long-overdue '80s comedy classic that mixes heavy parody, genius non-verbal jokes and delightfully offensive material.
Dick Ebert explains that every time he watches "Airplane!" he discovers a new punchline. And Gene applauds performances from Peter Graves, Robert Stack and Julie Hagerty. The guys also cover the infamous Otto scene, the line that keeps giving and whether Johnny was gay.
If you enjoy episodes where Big D and Gene disagree, give this one a listen.
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Remember when we covered "Mortal Kombat: Annihilation" and wondered why Christopher Lambert had be replaced as Raiden? This week, we got our answer: Shat The Movies' favorite Frenchman was busy filming "Beowulf."
On paper, this 1999 sci-fi adaptation of the Old English epic poem sounds like a disaster. In fact, movie commissioner Emmet in Orange had never even seen "Beowulf" when he requested a review.
Filmed on a $3 million budget, this Mortal Kombat-style action-adventure is loaded with anachronistic dialogue, comically odd weapons, overcomplicated gadgets, incredible cleavage and combat that mostly consists of doing flips.
This movie's plot armor makes "Game of Thrones" Season 8 seem reasonable. The soundtrack and bring-your-own-costume style feel like we've slipped into a 1990s Romanian rave, and watching poor Rhona Mitra seduce Christopher Lambert hurt our souls.
In this episode, we discuss the monster who could have been beaten by Kevin McCallister, the succubus who stepped right off the set of a Whitesnake video and how Big D gained 24 pounds in just four days of hanging out with Gene.
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Charlie Sheen scored some hits in the 1980s: "Red Dawn," "Ferris Bueller's Day Off," "Young Guns," "Platoon" and "Major League." But only one movie featured him as a resurrected racer with a killer Dodge M4S Turbo Interceptor. It's "The Wraith!"
Independent films in the '80s were wild, and "The Wraith" is no exception. Antifreeze-chugging punks, made-up slang and something called a "digital radio killer" didn't seem strange in a time when Randy Quaid could play an indifferent sheriff, bullies could just own girls and cars could put themselves back together with zero explanation.
In this episode, Big D quizzes Gene on the names of Arizona landmarks; Gene explains how "The Wraith" killed one of its cameramen; and both Shat hosts agree the hero of the movie is a jerk.
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"Tango & Cash" was the final major motion picture released in the 1980s. Like a fish born with legs, this 1989 action-comedy showed signs of evolution into a new age but sucked ass at swimming.
Big D didn't know "Tango & Cash" was supposed to be comedy. Gene wondered why the movie failed so hard at depicting journalism and court proceedings. And both hosts were shocked at the entire prison plotline.
In this episode, The Shat Crew asks A.I. to assist with new action-star pairings (Chuck Norris and Van Damme, anyone?), apologizes to Teri Hatcher, wonders if Jack Palance is OK, and braces for an HBO reboot from the makers of "True Detective."
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If you've ever wondered what went wrong with Fairuza Balk's childhood, listener David D. has the answer. That's why he commissioned the dark-ass 1985 Disney flop "Return to Oz."
Don't be fooled by the made-for-TV movie poster, this sequel to 1939's "The Wizard of Oz" is loaded with terrific effects including an animatronic talking chicken and a princess who can swap out her heads. The sets are amazing, the costumes are at least interesting, and the messages about childhood and mental illness are pretty advanced for a kids' movie.
In this episode, the Shat Crew weighs Oz villains against one another, asks what exactly Wheelers do, suggests design improvements for Tik-Tok, shames Auntie Em and pays respects to an overlooked movie that never got the praise it deserved.
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In a surprisingly educational episode, the Shaw Crew learns that sharks are playful, '70s parenting was utterly irresponsible and Richard Dreyfuss was the original hipster. It's the summer blockbuster that started it all: "Jaws!"
When listener Tracy C. commissioned this Steven Spielberg masterpiece, we knew we'd be talking about Big D peeing his pants, how good the movie looks in UHD, how what you don't show can be as scary as what you reveal and why good horror movies kill children.
But we didn't expect to be praying for Dick's TV to die, groaning over criminal foreshadowing or praising "Jaws" for its character development.
Was the shark a dick or just hungry? Were Brody, Quint and Hooper just bad at hunting great whites? Did you catch those boobs at the beginning? Dive into these questions and more, plus hear voicemail from Hot Sauce Steve, Jimmy J and a Canadian named Ryley who is definitely a man.
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Do you like pirate movies? How about insurance fraud thrillers? Action films with giant sea monsters? Well, one 1998 movie decided to combine them all and cast Famke Janssen as an international master thief. It's time for "Deep Rising!"
In this episode, Big D imagines a world where artificial intelligence writes movie screenplays and has the common sense to keep the monster secret until the characters have been established. Gene notes how the entire cast is made of second-stringers, and the King Bee salutes Shat The Movies' first tentacle-through-a-toilet kill.
The Shat Crew also discusses the M1-L1 Triple Pulse Rifle, overpowered weaponry and how the movie absolutely neglected its most promising character.
The CGI was bad, the continuity was questionable, and the King Kong tie-in was a bit of a surprise, but the Sea Doo stunts might have made the whole experience worth it. Maybe all we needed was Harrison Ford.
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What do you get the mermaid fanatic who has everything? Might we suggest Dick Ebert discussing the sex lives of cryptids and Gene drooling over Daryl Hannah? It's 1984's "Splash!"
In this episode celebrating listener Stephanie Q's birthday, the Shat Crew praises one of the few '80s slow-motion scenes that works, applauds surprisingly well-developed characters, and worries about how long Tom Hanks would survive under the sea.
"Splash" was Touchstone Pictures' first release, allowing Disney to flex some of its adult muscles, and we're grateful. It gave us the chance to talk about The King Bee ghosting Gene on their movie date, Eugene Levy typifying the incels of the '80s, and "The Boys" venturing into utterly unwatchable territory. Through it all, we witnessed a terrific protagonist in Allen Bauer, who had his priorities straight and dove headlong into love.
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In a rare trip to the 1970s, Big D and Gene examine the Jim Henson film that started it all: "The Muppet Movie."
Sharing a respect for the wild characters and expert puppeteering in this 1979 road comedy, the Shat Crew digs into the surprisingly adult themes, delightfully quiet jokes and clever self-awareness. On the other hand, "The Muppet Movie" drags at times before culminating in a gorgeous ensemble ending.
In this episode, the Shat Crew covers a real-life Orson Welles, songs that go on too long, "The Muppet Movie" legacy and whether Animal is overrated.
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We can thank Kevin Costner's "Dances With Wolves" for reinvigorating Westerns for the '90s, leading to other Shat movies like "Tombstone" and "Unforgiven." For '80s kids, it also served as a gateway to exploring American Indian culture and history.
Despite questionable mustaches and a conspicuous score, "Dances With Wolves" was visually stunning, emotionally effective and, in Ash's case, occasionally terrifying. Yes, it still had some corny narration and gratuitous slow-motion. But that's the '90s, baby!
In this episode, Gene applauds Costner for casting a "kinda old" lead lady. Ash hails "Dances With Wolves" as the model of using a simple story to great impact, and Big D asks how John Dunbar became fluent in Lakota. The Shat Crew also discusses the buffalo hunt, the noble savage, brain damage from repeated blows to the head and how much Americans suck.
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