Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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Of all the '80s movies that needed a sequel, "Young Guns" wasn't one of them. But when you quadruple the budget, beef up the cast and toss in Christian Slater, the Shat Crew (and commissioner Kelly B.) certainly will saddle up.
This 1990 Western is more "The Ballad of Brushy Bill Roberts" than an accurate retelling of the events following the Lincoln County War—with questionable wound care, incredible distances traveled, oddly accurate "wanted" posters, terrible Old Face and the notion that anyone would want to boink William Petersen.
In this episode, hear about Big D's powwow adventure, play "Navajo or Shakespeare," learn how a Jenny Wright nude scene could possibly be a bad thing and decide whether Aragorn really needed to be in "Young Guns II."
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If you aren't a Kathleen Turner fan, haven't experienced a young Nicolas Cage or want to see what would happen if Francis Ford Coppola directed a time-travel fantasy rom-com, "Peggy Sue Got Married" is the movie for you.
Both Shat The Movies hosts went into this 1986 film with low expectations, and each found something to appreciate. Dick Ebert appreciated the life lessons about living "in the now." And Gene Lyons did flips when he noticed the same cast playing the older versions of themselves. Jim Carrey didn't even change his hair!
And you know the Shat Crew can't resist any movie featuring a bootstrap paradox, burrito theory, amazing grandparents and teen sex.
Was "Peggy Sue Got Married" the original multiverse movie? Would you give a finger to be 10 years younger? Do time travelers have an obligation to preserve the future? All these questions are answered in this week's episode.
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Who doesn't love a movie about making a movie? Who doesn't love Eddie Murphy? Who doesn't love Steve Martin? By the end of our "Bowfinger" podcast, you'll find out exactly who.
Along the way, you'll hear Big D downplay the tragedy of Anne Heche's death. Gene will explain his fascination with Gogglebox. And you'll discover this 1999 comedy's connection to the Church of Scientology.
As the Shat Crew considers a move to Michigan, your hosts also reveal what exactly they'd do for a shot at stardom (Big D would do a bit more than Gene would) and reflect back on the pop hit "Boogie in Your Butt."
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This year's Shat The Movies Spooktacular brings you three movies in one: It's the 1985 horror anthology "Cat's Eye." What do all the stories have in common? A cat, Drew Barrymore and a heavy dependence on Stephen King's name recognition.
In this episode, Gene questions why anyone would own a cat. Big D makes the case for rabbits being the ultimate pets, and both hosts admit to using racist terms they didn't know were racist.
The Shat Crew also debate the value of aversion therapy, speculate that Robert Hays has petite feet and consider whether all horror movies should at least be Rated R.
Was that tiny troll a puppet or a dude in a suit? Should you always believe kids? Does Scotland use miles or kilometers? We answer these questions and more while playing Stephen King Bingo. Happy Halloween!
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Shat The Movies has dabbled in films from the 1970s, but we've never reached back this far. More than 50 years ago, a Francis Ford Coppola epic changed the way America viewed organized crime and set a new standard for storytelling. This is "The Godfather."
And who better to commission this film about family than an Italian-American listener from New Jersey with fond memories of sharing mob movies with his dad?
For Matt "Don Chachi" Ciampi, the Shat Crew pays its respects to Marlon Brando, Al Pacino, James Caan, Diane Keaton, Robert Duvall, Abe Vigoda and, yes, even Talia Shire.
Shat The Movies editor Rob joins Gene and Dick as they debate "The Godfather" pacing, dissect the wedding scene and give props to Don Corleone's cat.
Gene explains why Tom Hagen is an absolute badass, while Big D finds heroes in Michael and Vito Corleone. And Rob praises the genius of the dinner scene.
This movie is full of morality questions, and the Shat Crew gets into them: Was Michael a jerk for marrying Apollonia? Were the killings personal or just business? Should Vito have been more generous? Is Michael a villain? And, naturally, could "The Godfather" have been better without all the nepotism?
This is a big one, and we hope you enjoy it. Here's "The Godfather."
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"Sneakers" is to Dick Ebert as "Hackers" is to Gene Lyons. This 1992 thriller doesn't have flashy graphics, funky fashions or a techno soundtrack—but it does have Ben Kingsley, Sidney Poitier, Dan Aykroyd and Robert Redford. In loafers.
With its playful tone, low barrier to entry and established cast, this gateway thriller appeals to the familiar to explain the cutting-edge. And Big D likes that.
"Sneakers" also has unexpected jokes, serious schemes and nostalgic tech. And Gene Lyons likes that.
But the movie isn't perfect. Among its flaws are a cavalier treatment of a superweapon, potential abuse of a blind character, unimaginative demands and a smidge too much predictability.
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"The Warriors" is a movie that many people quote but few truly appreciate, at least not as much as listeners Carlos The Mailman and Natasha The Mail Lady. And for them, Big D faced his childhood fears and ventured back to 1979 New York.
In this episode, Dick Ebert ranks "The Warriors" diverse gangs, highlights their fashion arms race and argues Cyrus' assassination was an inside job. Gene Lyons offers alternative names for The Warriors, breaks down the restroom rumble and explains why his beloved Baseball Furies really let him down.
The Shat Crew also sets the record straight on The Punks, examines the multiple versions of the film and applauds the studio's decision to portray a racially integrated street gang as the film's protagonists.
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Does Big D hate "Spaceballs" or does he hate Mel Brooks? Shat The Movies Fantasy Football champion John decided to settle the question once-and-for-all by commissioning the 1981 ensemble comedy epic "The History of The World, Part I."
Spanning from prehistoric man to the French Revolution, this movie features Brooks in FIVE different roles (although Dick questions just how different they are) and leads to conversations about ice-skating porn, the two kinds of male masturbation and when it's OK to make racial jokes.
Gene opines on using the OTHER F-word, and Edgelord Ebert goes after religious reverence. The Shat crew also discusses the inclusive power of Jews in Space and wonders how a movie so short could drag for so long.
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On a transatlantic odyssey to discover the magic of Bob Hoskins, the Shat Crew instead finds itself wondering "is this Ireland?" and "did all the English look alike in the 1970s?" Come get lost with us in "The Long Good Friday."
In this episode, Gene laments the loss of '70s pub culture and criticizes the film's wasted deaths with no emotional impact. Dick focuses on the "slasher film" vibe of the movie and praises the complexity of Harold Shand. And in a rare moment of cinematic insight, both Shat hosts critique the camera angles, sets, plot and editing of "The Long Good Friday."
Of course, we also make time to talk about Hoskins' sexy shower scene, Helen Mirren's impact on a young Dick Ebert and the technique of dramatic irony.
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Dick Ebert wonders why Damon Wayans wasn't in more movies after filming "Major Payne." Gene Lyons wonders why Damon Wayans was in any more movies after filming "Major Payne."
This 1995 comedy featuring the musical stylings of 2 Live Crew and star power of Michael Ironside and Bam Bam Bigelow had us asking what was wrong with Major Payne's romantic interest (Karyn Parsons) and why any director would allow sped-up motion in his movie.
While Gene bemoaned Major Payne's misrepresentation of JROTC, Big D found some nuggets of truth in the movie's tough-love message. And both agreed Louis Gossett Jr. was the man to take the lead role to another level.
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