Claire Fallon and Emma Gray obsessively analyze our cultural obsessions, from fashion trends to books to the buzziest TV shows.
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Claire Fallon and Emma Gray obsessively analyze our cultural obsessions, from fashion trends to books to the buzziest TV shows.
patreon.com/claireandemma
Copyright: © CLAIRE AND EMMA LLC
In this episode of Rich Text, we watch the final four episodes of Netflix’s “Sex/Life” (now with 17% more Betty Friedan!). Billie’s journey to figure out whether she’s too horny for marriage continues, and she’s ever more torn between her edgy ex-lover Brad and her clean-cut husband Cooper; meanwhile, Columbia professor and party girl Sasha agreeably devotes all her free time to Scotch-taping together her bestie’s marriage by babysitting Billie’s children on a moment’s notice or pretending to be Brad’s girlfriend to make Cooper less suspicious of him.
As the series draws to a close, flailing efforts are made to make Billie’s desire to have a hot sidepiece into a profoundly feminist act, and we’re left with many questions about what “having it all” means and the feminism of wealthy white women behaving badly. And by the way, why weren’t we into the endless, acrobatic, purple-lit sex scenes? We discuss all of this and more in this recap — hope you enjoy!
ShareWe’ve been reading…
People We Meet On Vacation, by Emily Henry. It’s scratching my itch for rom-com fare. -Emma
Coventry, Rachel Cusk’s 2019 essay collection. I’m currently on my first family vacation since my son’s birth, which involved a long drive upstate, and so it feels fitting that the first two essays are on driving as a metaphor and on narrative control and suspension of disbelief within the family unit — and, of course, they are extraordinarily insightful and crisply written.
Also, my friend Laura Hankin’s gorgeous essay on mourning her mother while planning her wedding, and the return of the cicada swarms to D.C. after 17 years. -Claire
We’ve been listening to…
The latest season of Rom Com Pods. It’s pure, frothy delight. -Emma
A Spotify playlist of various versions of “Baby Shark,” including pop punk and jazz renditions, played on repeat. -Claire
We’ve been buying…
This Charlotte Tilbury Airbush Flawless Setting Spray, which the woman at Sephora told me was “Tik Tok famous.” I used it and it is in fact extremely effective, especially great for New York City humid summers. -Emma
I am being really, really good about my spending fast. -Claire
We’ve been watching…
“The White Lotus” on HBO Max, Mike White’s brilliant examination of privilege via the guests and staffers at a luxury resort in Hawaii. -Emma
Share Rich TextThis is the free edition of Rich Text, a newsletter by Claire Fallon and Emma Gray. Rich Text is a space for the indulgent and the incisive, for witty and wistful explorations of the cultural, the personal, and the political in both written and audio formats. If you like what you see and hear, consider becoming a paid subscriber. Rich Text is a reader-supported project — no ads or sponsors!
We’ll admit it: we weren’t exactly champing at the bit to watch “Sex/Life,” the new lightly pornographic Netflix drama. The trailer, and first twenty minutes, suggested that the show would be both heavy-handed (a butterfly in a jar to symbolize a hot mom being smothered by the confines of domesticity? groundbreaking) and bizarrely menacing in tone. If we’re going to watch a campy, graphically sexual romance, we prefer a bit more spark and frothy fun and a bit less foreboding voiceover.
But then, well, everyone started watching it. A lingering moment of male full-frontal fueled a think-piece cycle. Reviews were, uh, less than kind. Against our own initial instincts, we grew intrigued. And so, at last, we binged.
“Sex/Life” tells the story of Billie, a ragingly hot and miserable Greenwich stay-at-home mom. She has a preschooler and a newborn, a sculpted Greek god of a husband who is also a successful hedge funder and living saint, a long-abandoned career as a psychologist and PhD candidate, and a throbbing need for sexual adventure and fulfillment that has begun to explode messily all over her life.
In a melodramatic voiceover, taken from the pages of her Word doc journal, Billie recalls the explosive sex she used to have with her bad-boy ex, Brad, who broke her heart, and yearns for a rekindling of that part of herself. And then, oops, her husband reads the diary — AND she runs into Brad, who she learns has been hooking up with her best friend, Sasha, but still has feelings for her. Who will she choose? What will her husband do? The drama unfolds from here, but all the plot is crammed into a handful of minutes in between endless explicit sex scenes, which manage to feel more grim than sensual.
In this discussion, we cover the first four episodes of “Sex/Life”: getting to know the paper-flat characters, unpacking the themes, and breaking down the credulity-stretching plot turns. We hope you enjoy!
We’ve been reading…
Filthy Animals, the new short story collection by Brandon Taylor, author of the recent novel Real Life, which I absolutely adored. There’s a thread of linked stories, about an unusual relationship that forms between three young people at a university — two dance students, who are dating, and a man who becomes entangled in a sexual game between them — that serves as a spine for the collection, but the stories also dip into the lives of a desperate nanny, a tenuously closeted woman in her first lesbian relationship, and more. The whole collection is acutely observed and emotionally nuanced, a true pleasure to read. -Claire
We’ve been watching…
“My Unorthodox Life,” a reality show on Netflix about Julia Haart — current CEO of Elite World Group, and former member of an Ultra-Orthodox community in Monsey — and her four children. It’s a fascinating look at religious fundamentalism and the path one family took in walking away from it. -Emma
The second season of “I Think You Should Leave”! I almost cried with joy when I saw a new season of Tim Robinson’s relentlessly uncomfortable, painfully funny sketch comedy show in my Netflix carousel. The new season is rife with absurd bits that spoof office politics, social niceties, and the death throes of capitalism. (If you’ve never watched the show, start with this season 1 sketch and then watch all two seasons.) -Claire
We’ve been listening to…
“Drama Queens,” the podcast where former “One Tree Hill” stars Bethany Joy Lenz, Sophia Bush and Hilarie Burton recap the series, episode by episode. The first episode gave me all the nostalgic feels about my days of WB-watching. -Emma
We’ve been buying…
Heeled sandals from Zara. I decided I needed to mix up my shoe collection and wanted some fun heels that also weren’t super high and weren’t super expensive. I landed on these fun pearl-trimmed ones! -Emma
I’m on a personal spending fast after months of trying to figure out what my summer style would be, in a postpartum world — I’ve figured it out, it’s floaty dresses and high-waisted shorts with tank tops, next question — but my neighborhood park has a composting drop-off site, so I got a compost pail for our kitchen counter! It’s part of my long-term plan to suck less at making sure everything in our home is recycled and disposed of in the most sustainable possible way. Recently I’ve also been trying out Bee’s Wrap and Stasher bags to cut down on our plastic use, and reusable paper towels. -Claire
Happy Friday! Last week we dug into the divide that seems to spring up between women with and without kids, especially in our own millennial milieu. We loved opening up to each other and all of you about the resentments and pressures and societal structures that conspire to sort moms from non-moms, and how we try to foster friendship and community across those lines in our own lives.
We got so many wonderful messages about this episode, and we want to build off of it and address many of the important topics you brought up — women who have always known they want to be childfree, women who are unpartnered, women who are also taking care of elderly parents, and so much more — in future episodes. (Some will be public, and some will be subscriber-only.)
But we have a much more frivolous topic today, because this was actually going to be the second half of last week’s episode, and we didn’t want our notes to languish forever. So our topic today: the nap dress and cottagecore for moms and non-moms!
We both read Anne Helen Petersen’s Culture Study essay “Unpacking the Nap Dress,” which traces the historical precedents for romanticized, pastoral styles like the current crop of gauzy, ruffly nap dresses and the corresponding trend of mommy-and-me dressing, and draws out the ways in which these styles have been harbingers of backlash against change and attempts to reassert conservative values around women’s roles and the domestic sphere. She zeroes in on the ways that these dresses appeal to millennial moms, in particular, and work to signal class, politics, and race.
As big fans of the nap dress, we were intrigued, and it inspired a long and enthusiastic chat about dressing our changing bodies, reimagining a world without the capitalist rat race, and finding common ground through fashion. Hope you enjoy!
ShareThis is the free edition of Rich Text, a newsletter by Claire Fallon and Emma Gray. Rich Text is a space for the indulgent and the incisive, for witty and wistful explorations of the cultural, the personal, and the political in both written and audio formats. If you like what you see and hear, consider becoming a paid subscriber. Rich Text is a reader-supported project — no ads or sponsors!
Last year, it seemed like everyone was predicting a pandemic baby boom; this year, it turned out to be a baby bust (maybe because, thanks to reliable and accessible birth control, it takes more to get even straight people pregnant than forcing them into lockdown with their partners for months on end).
Cue the media freakout. “Experts sound the alarm on declining birth rates among younger generations: ‘It's a crisis’,” blared a CBS headline. Time went with “Why the COVID-19 Baby Bust Is Bad for America.” Arguments swirled about the need for stronger benefits to encourage young people to start producing kids in order to replace the population, or, conversely, the oppressive nature of pro-natalist policies. Should everyone be pushed to have lots of kids? Should everyone, rather, be discouraged from it?
As a mom and a non-mom belonging to the fail-generation in question — those hapless millennials — we were both vaguely aghast by this discourse, which seemed to betray parents and non-parents alike. In our free time, we talk a lot about motherhood and the ways in which it’s both fetishized as a concept by our society (especially for white women) while actual mothers are left without the resources or support they need.
We talk about the ways in which a lower birth rate can be reflective of hard-won and valuable new freedoms for women, but also of a failure by our country to provide economic and healthcare benefits that would make having kids feasible for more people. We talk about how non-mothers are made to feel as if they’re simply mothers-in-waiting, or as if they’ve failed to achieve the pinnacle of female value and experience; we also talk about how once women become mothers, their material needs are ignored and their individual identities are viewed as disposable.
We also talk about how fraught it can be for women to talk with each other about the big question of motherhood from different experiences. Moms and non-moms are often set in opposition, resentful of the freedoms or plaudits offered to women who made the other choice, rather than being encouraged to connect across different experiences and find shared purpose in improving the lives of women who have kids — and their children — and the lives of women who don’t.
So we decided to have a talk about it! We unpack some of the discourse around the baby bust news cycle, look back at the Elizabeth Bruenig essay on early motherhood that fueled days of controversy back in May, and try to sort through our feelings about parenting, or not parenting, in a society that is hostile to parents and yet, at the same time, hostile to childfree people.
We hope you enjoy! (And let us know if there are other topics like this one that you’d like to see us discuss!)
ShareWelcome to another bonus pod here on Rich Text. As always, we are so very grateful to you, our paying subscribers, for keeping this project afloat!
Today we are discussing “Hacks,” an HBO Max series starring Jean Smart as Deborah Vance, a veteran comic in the stylings of Joan Rivers who has come to be seen as a bit of a hack, and Ava, played by Hannah Einbeinder, a 25-year-old upstart comedic writer who has been “cancelled” for a tasteless joke. The two are thrown together by their mutual agent, and growth, arguments and a whole lot of comedy writing ensues. We get into the characters in “Hacks,” and the generational divides and gender issues explored.
Happy listening and happy (almost) weekend!
ShareWe’ve been reading…
The heart-wrenching and infuriating transcript of Britney Spears’ court testimony. -Emma
We’ve been listening to…
Lately I’ve been digging more into the back catalog of Citations Needed, a leftist media crit podcast hosted by Nima Shirazi and Adam Johnson, and I really recommend it to anyone who pays attention to the news (hopefully everyone?!). Their episodes push back on common tropes in mainstream media — such as, recently, the wave of stories about how workers were too lazy to apply for jobs at restaurants because they’re surfeited on overly generous unemployment benefits — and help break down the easy, often misleading frames in which we’re accustomed to seeing political issues presented. -Claire
I’m deep into the archives of “Dear Shandy,” the relationship podcast our bud Sharleen does with her husband Andy. Even when I don’t agree with the advice given — which definitely happens! — I always feel better for listening. -Emma
We’ve been watching…
The second season of “Breeders,” an FX comedy about a London couple who adore their children, but have, uh, serious anger issues. As someone with a tendency to snap, I find it to be a cautionary tale of the awful parenting than can ensue when you don’t learn to control your temper with your kids, but it’s also pretty funny, and sometimes even heartwarming. -Claire
We’ve been buying…
Along with making an ironclad pledge to stop buying things (maybe slightly not ironclad), I’ve finally found jean shorts that are cute and comfortable: the Madewell curvy perfect jean short in lunar wash. I did have to size down a full size from my usual, but they’re soft, flattering, and don’t give me an insta-wedgie. -Claire
This perfect 1-quart cold brew maker from Takeya. My morning quality of life has been wildly improved from being able to pour myself a not-watered-down ice coffee. -Emma
After watching the finale of “Cruel Summer,” Freeform’s twisty-turny summer teen soap, we had THOUGHTS. So naturally, we decided to podcast about them. And then, due to some technical difficulties, the entire file was lost, so we decided to podcast about them again. Here is the fruit of our labors. (Warning: This episode is VERY spoiler-y, and contains discussions of sexual abuse, grooming and suicide.)
Our conversation gets into the big twists of episodes 9 and 10, the complicated nature of depicting grooming, gaping plot holes, skin suits, and how we feel about where Kate and Jeanette ended up in the final moments of the finale.
Happy Friday and happy listening!
We’ve been reading…
A searing deep-dive by our former colleague Jess Schulberg on the story of Kip Kinkel and the battle over juvenile life without parole. -Emma and Claire
This NYTimes investigation into the reality of what it was like to work at New York City’s only Amazon fulfillment center during the pandemic — and what it says about the culture and labor practices that billionaire Jeff Bezos is building. -Emma
We’ve been listening to…
“HiberNation,” our friend Mallika Rao’s gorgeous new podcast about what happens when we sleep. Mallika is a brilliant journalist, insightful critic, and matchless conversation-haver, and the first episode, about why people sleep with their partners (despite it being harder to actually get good sleep that way), left me in floods of tears. -Claire
“To Live And Die In LA” season 2. There are some very real issues with the true crime genre of podcasting, and yet I can’t stop listening to this one. -Emma
We’ve been buying…
The new Hill House summer drop. The Nap Dress brand has done it again with its expanded apparel collection and I will be living in fun prints and smocking all summer long. (If you wanna check it out, here is a discount code. And no, this is still not an ad. I am just a genuine enthusiast lol.) -Emma
Same, and this is why we’re always accidentally matching on Zoom. -Claire
We’ve been watching…
“Starstruck,” a short, sweet lil rom-com structured series on HBO Max about a woman who has a one-night-stand on New Year’s Eve and realizes afterwards that the guy is a giant movie star. -Emma
The finale of “Hacks.” I know I’ve recommended this show before, but it has really stuck with me. If you haven’t yet watched the HBO Max show, get on it right now. You can binge the whole thing straight through. -Emma
This is the free edition of Rich Text, a newsletter by Claire Fallon and Emma Gray. Rich Text is a space for the indulgent and the incisive, for witty and wistful explorations of the cultural, the personal, and the political in both written and audio formats. If you like what you see and hear, consider becoming a paid subscriber. Rich Text is a reader-supported project — no ads or sponsors!
Welcome to another book club episode of Rich Text. Our second! Three times will make it official, right? Our book today is God Spare the Girls, a powerful exploration of American evangelical girlhood and coming of age, by Kelsey McKinney. (If you missed our first book club episode with Laura Hankin, you can listen to it here.)
McKinney is a features writer and cofounder of Defector Media, as well as the author of God Spare the Girls, which will be out on June 22. Her novel tells the story of two young women, the daughters of a wealthy megachurch preacher, who begin to question their lives and their faith in the wake of a scandalous revelation about their father. You can pre-order the book here!
On this episode of Rich Text, we chat with Kelsey about the appeal of celebrity pastors, what it’s like to grow up in a community whose tenets you come to question, and the way the capitalism intersects with American evangelicalism (and other organized religion) in icky ways.
We also get into one of our favorite topics: the way that evangelical Christianity has become inextricably linked to “The Bachelor.” Come for the book talk, stay for the in-depth conversation about Ben Higgins’ Bible verse tat.
Share Rich TextThis is the free edition of Rich Text, a newsletter by Claire Fallon and Emma Gray. Rich Text is a space for the indulgent and the incisive, for witty and wistful explorations of the cultural, the personal, and the political in both written and audio formats. If you like what you see and hear, consider becoming a paid subscriber. Rich Text is a reader-supported project — no ads or sponsors!
Subscribe nowBe warned: This chat contains ALL THE SPOILERS.
Who murdered the durder? We finally found out on Sunday night, after a spasm of national curiosity so intense that it overloaded HBO Max and left “Mare of Easttown” fans hanging.
The show ultimately revealed itself to be as much of a family drama as a whodunnit, following the titular detective Mare (Kate Winslet) as she attempted to finally grieve for her late son, solve the disappearances of two young women and the murder of another in her small community, and hold her own crumbling family together. In the finale, the central mystery of the show — who murdered young mom Erin McMenamin? — is dramatically solved, and the relationships between Mare and her loved ones are further tested.
Special guest Esmé Wang joined us to discuss whether “Mare” is actually a good show, the Delco accent PR blitz, how the show explores motherhood and friendship, and the thorny question of how to make murder mysteries without making copaganda.
ShareThis is the free edition of Rich Text, a newsletter by Claire Fallon and Emma Gray. Rich Text is a space for the indulgent and the incisive, for witty and wistful explorations of the cultural, the personal, and the political in both written and audio formats. If you like what you see and hear, consider becoming a paid subscriber. Rich Text is a reader-supported project — no ads or sponsors!
Subscribe nowIt’s been a minute since we’ve podcasted, so this week we’re trying something a little bit different. There’s so much in pop culture world we want to talk about and dissect — sometimes in obsessive detail. And we’ve absolutely loved getting to expand beyond “The Bachelor” here on the newsletter.
That’s something we will continue to do on “Rich Text,” in both audio and written formats. Some episodes, like this one, will be public. Others will continue to live behind a paywall, for subscribers only.
Today’s episode is all about The Kids (sort of). First, we talk about Pilot Pete and Kelley Flanagan, who can’t stop giving long-winded, extremely vague podcast interviews (well Pete’s was really just a monologue on his own podcast) about the messy end of their relationship.
Then we really get into The Teens with a discussion of Freeform’s soapy, ‘90s-set, teen thriller, “Cruel Summer.” Beyond just being a fun watch, the show is really a meditation on the power and danger of being a teenage girl, dressed up as a fast-paced, nostalgic mystery.
Finally, we dive into Olivia Rodrigo’s debut album, “Sour.” Is it creepy that adults — like us! — have been listening to it on repeat? What does it say about our culture that even we adults form obsessions over the things teenagers produce? Should we all just stop worrying and give into the ecstasy of playing “traitor” and “good 4 u” at high volume while dancing around our living rooms and/or driving down the highway?
Happy weekend, and please enjoy our (slightly long, extremely fun) conversation about Kids These Days!
ShareYou asked, and you shall receive!
And by “you asked,” we mean we really wanted to keep talking about “The Circle” and a few of you said that you might enjoy that as well! So here we are.
“The Circle” finale was frankly everything we hoped it would be. On today’s pod, we dive into the gender and racial dynamics of the show, the genius of “The Circle” casting, and why we are so damn happy with how it all played out in the end.
Happy listening, friends! And happy weekend.
ShareWe’ve been reading…
This fantastic piece on the GOP obsession with critical race theory by Adam Harris.
The excellent labor reporter Sarah Jaffe on the crisis in conditions for care workers (both paid and unpaid) that was laid bare by the pandemic.
Alexandra Kleeman’s upcoming dystopian satire “Something New Under The Sun,” a terrifying yet hilarious exploration of a future marked by accelerating climate change, resource scarcity, and the capitalist vultures poised to strip humanity for parts as we all careen into oblivion! Claire highly recommends preordering for a blistering August read.
We’ve been listening to…
“Welcome to the OC, Bitches!,” the new, deeply nostalgic, OC recap pod from Rachel Bilson (who played Summer) and Melinda Clarke (who played Julie Cooper). It’s freaking delightful.
“Poog,” a lightly ironic, self-aware wellness podcast by comedians Kate Berlant and Jacqueline Novak, whose riffs on sunscreen and cellulite remedies will leave you haunted by both the certainty that you should be doing more self-care and the suspicion that it’s all bullshit.
We’ve been watching…
RHONY’s return — specifically for the debut of Eboni K. Williams, the first-ever Black New York housewife.
We’ve been buying…
This week I (Emma) have been mostly filling my Zara cart and then NOT buying anything, which I take as a sign of progress.
Baby clothes from H&M, one of the only affordable places where a gal can find adorable toddler outfits that aren’t covered in sharks driving racecars or unicorns eating cupcakes.