TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    TV & Film

    Rich Text

    Claire Fallon and Emma Gray obsessively analyze our cultural obsessions, from fashion trends to books to the buzziest TV shows.

    patreon.com/claireandemma

    Advertise

    Copyright: © CLAIRE AND EMMA LLC

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    [PREVIEW] Welcome To The Netflix Holiday Cinematic Universe Dec 20, 2021
    Show notes

    A glamorous romance author tries to buy a Scottish castle from a grumpy duke. Not one, but two L.A. writers travel to the frosty East to spend Christmas with a prospective lover’s family, only to encounter a himbo who throws a spanner in the works. A foxy noblewoman joins forces with her childhood sweetheart, now a private security expert, to recover a stolen Vatican relic — and her relationship with the identical cousin whose throne she tried to steal.

    This is what Christmas in the Netflix holiday-romcom-verse looks like: Everyone is beautiful, everyone is ready to finally have someone to love at the holidays, and the plots range from classic (boring) to utterly unhinged. We watched four of Netflix’s new romances — “Love Hard,” “Single All the Way,” “A Castle for Christmas,” and “The Princess Switch 3: Romancing the Star” — for a quadruple-feature podcast in which we break down our favorite parts of each movie, ruthlessly mock our least favorite parts, and revel in the holiday spirit.

    Plus, for a more wide-ranging breakdown, Claire binged the platform’s 2021 Christmas movie slate and wrote about that surprisingly overwhelming experience for Thrillist.

    Merry Christmas to those who observe, and a restful week to all! xo

    Give a gift subscription

    We’ve been reading…

    Amanda Gorman’s gorgeous book of poetry, “Call Us What We Carry.” No surprise it was an instant NYTime bestseller. -Emma

    “Harrow” by Joy Williams (finally finished Sunday while fending off a toddler), a climate/existential crisis novel featuring a woman who perhaps came back from the dead when she was an infant, or perhaps was never born, and a 10-year-old judge named Jeffrey. It’s weird and disturbing and very worth reading.

    Also, started “The Days of Afrekete” by Asali Solomon! It’s been a minute since her debut, the coming-of-age novel “Disgruntled,” and her latest opens on a frazzled Philadelphia hostess wondering whether to cancel her dinner party (for which she did buy the flowers herself) after hearing that her husband, who recently lost his first bid for office, likely will be indicted by the FBI. Consider me hooked! -Claire

    We’ve been watching…

    I tore through Prime’s original holiday rom-com series, “With Love.” Gloria Calderón Kellett’s 5-episode miniseries follows a Latinx family over the course of a year, zeroing in on various members’ romantic triumphs and tribulations. (The series starts and ends around Christmas.) It’s joyful and sweet and prioritizes representation in a way that feels earned and natural rather than shoe-horned. Highly recommend. -Emma

    We’re finally starting season 2 of “The Great,” the first season of which defined an epoch in our household’s nightly pandemic routine of dinner-and-an-episode-of-some-TV-show. The mercurial violence has not abated much, though enlightened Catherine (Elle Fanning) is in the process of winning her coup against her brutish husband and emperor, Peter (Nicholas Hoult), but neither have the quippy and incredibly vulgar dialogue, the comedy of political maneuvers both brilliant and foolish, and the absolutely mouth-watering costumes. -Claire

    We’ve been listening to…

    My latest podcast binge is “A Death In Cryptoland,” a CBC podcast which investigates the sudden death of Gerald Cotten, the young CEO of Canada’s largest cryptocurrency exchange. When he died in 2018, he left a quarter of a billion dollars completely inaccessible to the people who had invested. (And naturally set off a wild string of conspiracy theories.) The pod came out in June, but I’m really enjoying it in December — especially as someone who is a total crypto neophyte. -Emma

    This week, it’s my turn to be all about Christmas music.

    I also listened to the latest episode of “Know Your Enemy,” a longstanding fave in my rotation, in which hosts Sam Adler-Bell and Matt Sitman talk to rising right-wing intellectual star Nate Hochman. Like most rising right-wing intellectual stars, he’s 23, drowning in conservative grants, and when he’s really pressed on any of the cruel and violent policies he lends his support to, just starts complaining about how people being too “woke” really gets on his nerves. The hosts do try to press Hochman, at least toward the latter half of the podcast, but I was left with no less doubt than I had before about the value of these kinds of conversations between the right and the left: it gave them an opportunity to chat amiably about their shared horror at the hypocrisies and failings of the liberal establishment, and no one wanted to ruin the vibe by going for the jugular when Hochman casually referred to, for example, the “corrosive” effect of “transgenderism” on our society. This episode stuck with me more than most, though, maybe because the desire to find a way out of our current hell through real, humane, open-minded conversation with our opposition is such an eternal and ever-frustrating one. When one actually tries, it often gets one absolutely fucking nowhere. -Claire

    We’ve been buying…

    I swear this is not an ad, more like a skincare PSA, but I cannot stop raving about August + Monroe’s 3-in-1 Blemish Camouflage. This product was aggressively advertised to me on IG for months before I finally caved and bought it after a friend did the same, and I couldn’t be happier that I did. It works as both a spot treatment, a primer AND a coverup! And the coolest part about it is that when you rub it in, pigment-bursting beads match whatever your skin tone is! I have acne-prone skin, and to have a product that both covers up spots and simultaneously treats them is truly game-changing. -Emma

    A Christmas tree!!! This is our first Christmas tree since having a kid, and it was a tiny bit of a mess (it took forever to identify a good spot in the apartment to put one; we never had enough time to actually go get one; once I found the perfect tree another buyer snapped it up while I had my back turned; poor Greg, who doesn’t even celebrate Christmas, had to carry our consolation conifer 10 blocks while pushing the stroller because our son cries hysterically if I push it instead). BUT. But. Then I put it up in front of our window, and we played Christmas standards while I draped string lights. The toddler helped me put on my favorite ornaments; he’s old enough now to be impressed by an actual tree covered in lights being in our apartment all of a sudden. As evening fell, the whole living room smelled like pine needles and cheer. (Letter of recommendation: making your home smell like a winter forest.) We’re not sure what the rest of our holiday season will look like, thanks to Covid, but at least we have the tree. -Claire


    [PREVIEW] 'And Just Like That'... SATC Is Back Dec 14, 2021
    Show notes

    And just like that, we watched “And Just Like That…”!

    In this subscribers-only pod, we discuss the return of sad Carrie, problematic Miranda, and boring Charlotte — and, sadly, of “she-lives-somewhere-else-now” Samantha. (This time, she isn’t going to get tired of waiting for Smith under a mountain of sushi and decide to move back to New York.) The pod is, obviously, chock-full of spoilers for the first two episodes, so read no further if you don’t want to find out what happened.

    …

    …

    …

    WHY DIDN’T CARRIE CALL 911?? We ask this question, wonder if we’re being too hard on Carrie, and now conclude that we weren’t hard enough. The first episode of this series is essentially an anti-PSA: it implies that Mr. Big has a heart attack because he’s riding his Peloton (a heart-healthy activity, Peloton would very much like you to know) and then shows Carrie romantically screaming and holding him while he falls unconscious instead of calling for emergency responders and initiating CPR. He could be alive today, a cardiologist told NY Mag! He is alive today, a very savvy last-minute Peloton commercial told the world!

    We also wonder where things are going with the show’s very transparent attempts to diversify and address the racial myopia of the franchise’s entire history. Four new BIPOC central cast members are being introduced — the three so far are Carrie’s podcasting boss Che Diaz (Sara Ramirez), a queer nonbinary comedian; human rights professor Dr. Nya Wallace (Karen Pittman), who endures Miranda’s truly horrific white-lady monologue about her braids during the first session of class; and Charlotte’s intimidatingly cool and accomplished fellow private school mom Lisa Todd Wexley, or LTW (Nicole Ari Parker).

    It’s heartening that the new series wants to do better — and even, in a way, that the cast and creators are willing to show how gross and harmful the ignorance of its main characters is, rather than normalizing or even justifying the occasional overt racism they showed in previous installments. Mostly, we’re hopeful that giving these new characters their own storylines and perspectives will make them more than learning props for the original three.

    Then again, so far evidence for that is limited. Our old colleague Julia Craven argued in her newsletter on the new series, “it felt like the reboot was trying too hard to make up for the social contours they failed to address in SATC—while still trekking into stereotypes—to convince the viewers that the trio has evolved with the times.” Have they evolved? Is the current political moment just making it obvious how unevolved they’ve always been? Are their new friends of color going to “fix” them? We can’t help but wonder.

    All that, plus: What was with the fraught meta-conversation about why Samantha isn’t their friend anymore? What makes a funeral chic? Is Carrie terrible at podcasting, and why does she need to be employed by another podcaster when she’s inconceivably wealthy and has a successful media brand? The Manhattan School of Music, Carrie! The Manhattan School of Music!

    Hope you enjoy! xo

    Give a gift subscription

    We’ve been watching…

    “The Sex Lives Of College Girls,” Mindy Kaling’s new HBO Max show about four college freshman from very different walks of life who are thrown together as roommates, and it’s a freaking delight! I got to the end of the 10th episode of the season and was so mad that there wasn’t more. -Emma

    If I’ve watched it, there’s been a pod about it — except for “12 Dates of Christmas,” the HBO dating show, and lots of Netflix holiday movies. Exactly as much mindless fun as you’d expect, except for “A Castle for Christmas,” which is excruciatingly boring. -Claire

    We’ve been reading…

    Sarah Jones’ essay in New York Magazine about Josh Duggar, the oldest son of the Duggar family, the Quiverfull movement-following family who gained fame on TLC through their show, “19 Kids And Counting.” (Duggar was recently convicted of receiving and possessing child sexual abuse material, and faces decades in prison.) Jones explores why an extremist, ultra-conservative family found a welcome home in the living rooms of so many Americans, and what it says about all of us. "Hypocrisy and cruelty are as American as the flag,” Jones writes. “The Duggars merely took on the qualities of their environment and perfected them, all for willing audiences." -Emma

    Profiles! I have always found celebrity profiles really, really dull, but this is probably a function of the fact that in this era, they’re constrained by a powerful PR industry. Michael Schulman’s recent profile of Jeremy Strong, fueled by in-depth access and lots of frank quotations from Strong’s colleagues and friends, is an exemplar of what the form could be. It’s not exactly flattering — it’s hard not to come away with the impression that, for example, Kieran Culkin loathes working with his costar — but on the other hand, it actually makes him seem interesting. There’s something there to sink your teeth into. Maybe it’s actually the smartest branding play of all.

    In a similar vein, Lauren Collins’s riveting new profile of Alison Roman doesn’t sand all the rough edges off the already-controversial food writer and influencer. It astutely diagrams the components of her appeal and the type of public figure she has become, the elements of a Roman recipe, dinner party, and room decor. It follows her through her 2020 explosion of fame during Covid lockdown — and implosion after making glib comments calling Marie Kondo and Chrissy Teigen sell-outs for collaborating on branded product lines. I left not necessarily liking Roman more (perhaps even less) than I did before, but she was more real to me, more textured. In this day and age, not many celebrity profiles actually accomplish that. -Claire

    We’ve been listening to…

    So much Christmas music! I may be Jewish, but I just threw a holiday party and making the playlist required a lot of very holiday-cheerful research. -Emma

    The new season of “One Year,” which is about 1995! Though I was actually alive during this year, most of the stories — big news stories at the time — are completely unfamiliar to me. American students who think they’ve gotten into Oxford only to find they’ve been scammed by a low-rent school in the same city with misleading marketing materials! A popular website claiming to be the dramatic ongoing diaries of a group of hot, arty housemates in Santa Monica, which turned out to be the fictional creation of a group of aspiring screenwriters who worked at an ad agency! There’s also a heartbreaking episode on the suspicion and hostility faced by Muslim Americans in Oklahoma City after the bombing, including a man who became a suspect for no apparent reason. -Claire

    We’ve been buying…

    These J. Crew tapered leg plaid wool pants. I love a trouser, especially one that comes in petite sizes for us shorties. -Emma

    This jewelry-cleaning brush!!! After years of trying various at-home cleaning products for my wedding set, plus occasional quick cleans at jewelry stores, I still wasn’t satisfied with any of the options. This thing is the truth. My ring actually sparkles again.

    Also, I have been trying to figure out how to style mom jeans in the winter, and decided to try clog boots. Which are $400, apparently. So I got these Target ones to experiment with, and they’re great?! And hopefully durable, because I’m not sure when I’ll have $400 to spend on clogs. -Claire


    [PREVIEW] 'Sex And The City' Revisited: Season 1 Dec 06, 2021
    Show notes

    As 2021 winds to a miserable conclusion — a couple highlights: a new Covid variant, Supreme Court hearings over a case that could overturn Roe v. Wade, the acquittal of Kyle Rittenhouse — we found our thoughts turning inexorably back to a simpler time (in the sense that we were, personally, ten years old). After a long day of catching up on the latest soul-crushing news and trying to find toddler-sized N95 masks, we craved the sweet escape of Cosmopolitans and Manolo Blahnik strappy sandals. And rather than wait for the upcoming, Samantha-free series “And Just Like That…”, we decided to indulge in a rewatch — and a journey back in time.

    The year: 1998. The show: “Sex and the City,” HBO’s hottest new sex-com. The reviews: decidedly mixed. When the escapades of Carrie Bradshaw, Miranda Hobbes, Samantha Jones, and Charlotte York debuted that year, it wasn’t foreordained that it would become a juggernaut that would revitalize HBO and profoundly influence the way a generation of (predominantly white, affluent) women would think about sex, shoes, being a writer, and New York City.

    But ohhh, it did. In this episode, we talk about how season one of the show worked — the blunt diagnoses of different types of single men, single women, married couples, and moms; the endless debates among the foursome about how single, professional women in their 30s could and should navigate a world full of toxic men; the flawed yet charming women whose misadventures we follow — and how it hits us now, over 20 years after it first aired.

    Hope you enjoy! xo

    Give a gift subscription

    Action items…

    For obvious reasons, we’ve been spending the last week thinking a lot about reproductive justice, and the way that this country exhibits a fundamental lack of care, even an outright hatred, towards women and other people with uteruses. We fetishize motherhood, but do not support mothers. We force birth, but do not let the people doing the birthing heal afterwards or support children once they have been born. We are so fucking tired, and we bet you are too.

    If you have some extra money this holiday season, consider giving to one of these amazing organizations doing the work to keep abortion care safe, accessible and legal:

    Indigenous Women Rising

    National Network of Abortion Funds

    Shout Your Abortion

    Aid Access

    Mississippi Reproductive Freedom Fund

    Fund Texas Choice

    We’ve been watching…

    Netflix’s entire holiday romcom slate, for… reasons. Thumbs up to “Single All the Way,” thumbs down to almost everything else, as of this writing. -Claire

    I’ve been binging terrible made-for-TV holiday movies across Netflix, Lifetime and Hallmark for ~research~ and I think my brain has officially turned into red and green holiday cheer mush. Brb while I move to a small town named Snow Globe in order to reconnect with my elementary school boyfriend and rediscover the meaning of Christmas/ the value of a successful, small, family-owned business. -Emma

    We’ve been reading…

    A deeply moving piece in Airmail by Bill Adair (initially with the rather mean headline “Stephen Glass’s Biggest Lie,” now apparently changed to “Loving Lies”) about the disgraced ex-journalist Stephen Glass who lost his New Republic gig after fabricating splashy scoops. In the 20 years since then, Glass has rebuilt his life outside of media — going to law school, finding a new career, and scrupulously trying to make amends — only to find himself in the midst of a slowly unfolding tragedy that required him to deny reality again.

    Also, author Merritt Tierce’s searingly honest, generous essay in the New York Times Magazine about the abortion she didn’t have at 19, the son she gave birth to too young, and the tangled knot of regret and love that has lived inside her ever since. Her story celebrates the profound love she has for her son and the joy he’s brought her, but it doesn’t flinch away from exploring precisely how his unplanned birth destroyed the life she had dreamed for herself and left him with a mother who, she argues, wasn’t ready to be the parent he deserved.

    At a moment when the Supreme Court is weighing a woman’s right to an abortion, and looks almost certain to take it away, the conservative justices and amicus briefs seem to be presenting various formulations of “women don’t need abortions now that they can easily give up their babies for adoption, or now that there are more policies to help them continue their careers after starting a family, etc. etc. etc.” Essays like Tierce’s, and Elizabeth Spiers’s heartbreaking piece on the trauma left behind when women see no choice but to give up a child for adoption, put the lie to such facile, callous arguments. Horrifyingly, our Supreme Court, and the conservative movement, aren’t listening. But the rest of us should be. -Claire

    I also read Tierce and Spiers’s essays, and I can’t say it better than Claire just did. -Emma

    We’ve been listening to…

    “Gone South,” a Cadence13 podcast about the 1987 murder of prosecutor Margaret Coon. It starts like a more run-of-the-mill true crime podcast, but ends up going into the history of the LGBTQ+ community in Louisiana, and the systematic failures of law enforcement. -Emma

    We’ve been buying…

    A washable rug to put under our kitchen/dining table! My cat used to claw up carpet in chunks, so we went pretty much rug-free for years. But I was sick of the table and chairs sliding around on our bare wood floors, and how unfinished the whole apartment looked, so we finally sprung for a Ruggable. It’s incredible how much more like a “room” our dining area now looks, and how much more homey our apartment feels. Rugs: has everyone heard about these? -Claire

    I finally caved and ordered a Dyson vacuum after finding a V8 Fluffy Cordless model on major Black Friday sale. I look forward to gleefully sucking up all the dust off of my floor and other surfaces in my apartment. -Emma


    [PREVIEW] RHOSLC Part 2: Arrests And Cults And Sister Wives, Oh My! Nov 29, 2021
    Show notes

    Pour us a shotski of Vida and fry us an egg: we’re back in Salt Lake City, babies! When we last convened here in the frozen realm of the newest “Real Housewives” franchise, Claire was just getting the lay of the land as we discussed the first two episodes of the second season. We toured rented 7-bedroom ski chalets; we heard about who (Jen) had liked mean tweets about whose (Meredith’s) child; we joined Jen Shah and Heather Gay in an ice palace for a cozy truce. Table-setting, really.

    Nine episodes later, shit’s getting real. The timeline of the show has finally caught up to Jen’s arrest on charges of wire fraud and money laundering, and whispers that Gucci-clad preacher Mary Cosby might be running a cult have swelled to shouts.

    It’s just too juicy to ignore. So we’re not! Emma summoned Claire out of her (really, really) early RHOSLC retirement to unpack some of the wildest threads of the last nine episodes, including Jennie and Duy Nguyen’s child-bearing drama, the Whitney Rose-Lisa Barlow-Angie Harrington friendship shuffle, and the above-mentioned Jen Shah and Mary Cosby scandals.

    As we prepare this episode the week of Thanksgiving, we’re deeply grateful to have had so much fun binging this bananas show and taping our conversation about it, and we’re thankful to all of you for subscribing and listening. Hope you enjoy! xo

    Share

    We’ve been watching…

    “The Shrink Next Door,” the new Apple TV original starring Paul Rudd and Will Ferrell (in dramatic roles!) based on the Wondery podcast of the same name. It’s such a gripping story and so Jewish, that while the show isn’t perfect, I’m still really enjoying the ride. -Emma

    Nothing. Parents of small kids, remember when a long holiday weekend meant vegging out for Hallmark movie marathons or binging an entire season of “The Sopranos”? Yeah, that’s a distant memory now. -Claire

    We’ve been reading…

    I’m still reading Harrow by Joy Williams, and it’s only getting weirder and more unsettling in how it depicts an ecologically ravaged and temporally unmoored world much like ours.

    Also, Nandini Balial’s gorgeous meditation on cardamom, pandemic cooking, and finding sweetness in unexpected places. (Plus a delicious-sounding parfait recipe.) -Claire

    This Washington Post feature on the rise and fall and rise again of Abercrombie, a brand that was best known for cultivating an air of exclusivity and positioning men with chiseled abs outside of its stores, and now has pivoted in a big way. -Emma

    We’ve been listening to…

    Blake Moynes’s interview with on “Talking It Out” with Bryan Abasolo and Mike Johnson, including the sad postscript about his ex-fiancée Katie Thurston’s announcement that she’s dating one of the guys who was eliminated early on her season (and who became a close friend after filming), John Hersey.

    Aside from that … mainly Cocomelon. The toddler is sick (AGAIN) and “Wheels on the Bus” sung by round-headed cartoons is the only thing that eases his misery. -Claire

    I too listened to Blake’s “Talking It Out” interview. (I mean… DUH. The tea!)

    Also, the true crime podcast, “Shadow of Truth,” which is about a twisty and turny Israeli murder case. -Emma

    We’ve been buying…

    These gold-plated huggie hoops (sadly this specific pair now seems to be available only in silver). I’ve been wearing the same pair of earrings every day, sleeping in them, etc., for years. They are classic post studs in a triangle shape, so when I lay on my side (I am a side-sleeper, so this was frequent), there would be four sharp points to dig into the soft skin of my ears and neck. And I just accepted this! When I put my head down at night now, I take a few moments to marvel at the fact that my little hoop earrings don’t poke me in even ONE place. I can’t even feel that they’re there?! Why was I living with pain for so long?? May all our purchases bring us this perfect blend of frivolous enjoyment and substantive life improvement. -Claire

    I’ve been staring at Sheertex’s allegedly un-rippable tights for months, but could never justify spending $100 on something so un-fun. So when I saw they were having a major Black Friday week sale, I bought the bullet and got a pair of the Classic Sheer Tights. They just arrived, and let me tell you, they are FANTASTIC. And hopefully they’ll last for a few years! -Emma

    Do you love Rich Text? Give the gift of a subscription this holiday season!


    [PREVIEW] 'Love Life' Should Make Us Happier Than It Does Nov 22, 2021
    Show notes

    Season 1 of “Love Life,” starring Anna Kendrick as the unlucky-in-love Darby, left both of us underwhelmed. Though it was very watchable, and undeniably spoke to our passion for love stories, it was also weirdly lugubrious for a happily-ever-after tale. The chapter structure felt a bit choppy. The British (why??) narrator overexplained Darby’s emotional journey, and lent an odd whiff of pomposity to the whole proceeding.

    So when season 2 rolled around, we might have given it a pass — except that the new lead was William Jackson Harper, playing unlucky-in-love Marcus. And look, we watched “The Good Place” and developed crushes on philosophy prof Chidi just like every other male-attracted person with a pulse. We were back in!

    Harper’s Marcus is, like Chidi, a neurotic intellectual type, a 30-something book editor in New York with a ripped physique so unlikely that one of his lovers is compelled to ask him whether he is actually a CrossFit instructor. When the show opens, he’s at a wedding (Darby’s doomed union with Magnus, for viewers of season 1) with his wife, Emily, when he meets Mia (Jessica Williams). He and Mia have an immediate, electrifying chemistry and strike up a flirtatious friendship, which also prompts him to question his marriage to Emily, a white woman he loves but doesn’t feel truly understands him. Though Mia herself has a boyfriend, his crush on her eventually blows up his marriage, and after his separation, he begins to date again. The series follows his attempts to find love (or at least sex) with other women, even as he carries a torch for Mia.

    Under showrunner Rachelle Williams, season 2 is thematically ambitious, taking on the Covid-19 pandemic and Black Lives Matter protests of 2020, and in Marcus delivers a complicated, flawed hero who spends most of the show in search of his own identity both within and outside of his romantic relationships.

    It also suffers from some of the same elements that most bothered on us in season 1: the unctuous narration (again, British??), the gloomy vibe, the choppiness. The worst parts of “Love Life” season 2, in other words, are the “Love Live” brand kit parts.

    In this episode, we break down the major plot points and themes, the show’s overall approach and aesthetic, and try to figure out why the “Love Life” recipe isn’t quite to our taste.

    Share

    We’ve been reading…

    “Harrow” by Joy Williams, a climate despair novel set in a terrifyingly possible-seeming future.

    Also, Rolling Stone’s stomach-turning Marilyn Manson exposé. In the report, numerous ex-girlfriends accuse him of rape, physical abuse, and confining them in a soundproofed booth. Just as horrifying as the actual allegations are the frequent citations of previous published interviews and Manson’s own memoir, in which he openly boasts about abusing his mom, getting turned on by making young girls afraid, and having done things that could get him sent to prison. Another fun reminder that just a decade or so ago, men not only hurt women with impunity, they were considered impish and cute for bragging about it. -Claire

    Haley Nahman’s essay on the value of structure and commitment, two things I have been trying to craft since being laid off in my professional life.

    Also, this NYT Magazine deep dive into the terrifyingly intense post-pandemic real estate market. -Emma

    We’ve been listening to…

    “Red (Taylor’s Version)” has been on constant rotation, and I’m even getting into gems I’d never listened to much before, like “State of Grace” and “Begin Again.” Especially loving the new verses on the 10-minute “All Too Well,” which seem to introduce some of her recent, more indie-girl-in-the-woods sound into her all-time classic. -Claire

    Adele’s “30.” I continue to love Adele, and continue to love a breakup album. What is it about heartbreak and reflection that consistently seems to produce the most emotionally resonant, beautiful art? (Also, there’s a whole song titled “I Drink Wine”!!! Relatable content!!!) I’ll be listening to this album and weeping for the foreseeable future. -Emma

    We’ve been watching…

    “Real Housewives of Salt Lake City,” in preparation for an upcoming Rich Text pod! I’m at episode 8 and I’ve already collected a new mortal enemy (watch your back Duy) and so many questions about what the fuck is going on for Emma. -Claire

    “Winter House,” because apparently I really enjoy subjecting myself to watching hot, 20 and 30-somethings be drunk in the snow. Also, a man builds an igloo with his bare hands in this show and it is absurd. Also also, my dear friend Miriam worked on this show, which isn’t absurd but is very cool. -Emma

    We’ve been buying…

    Slip-on high-tops! Now that I’m a Mom™ I have been more and more reliant on comfortable shoes that can slip on in three seconds, handle a little dirt, and stay securely on my feet as I carry a toddler down two flights of stairs. Now that it’s fall, they also need to keep my ankles warm. I just installed elastic laces in a pair of Gola high-tops, eliminating the lacing and unlacing process that made wearing them a hassle. Also easy and cute: These zip-up black leather Clarks, a splurge but perfect with leggings, joggers and jeans. -Claire

    As we head into winter, I’ve fully committed to the look, feel and vibe of vegan leather. I recently purchased this vegan leather pleated skirt from Abercrombie — a bunch of sizes are now sold out, but this Nasty Gal one (currently 70% off) and this South Moon Under one achieve a similar look — and I also invested in a second pair of Commando vegan leather leggings. They are lined, so they fit super nicely and don’t stick oddly to your legs. -Emma

    Share Rich Text

    [PREVIEW] 'Maid' And The Endless Work Of Being Poor Nov 16, 2021
    Show notes

    By the end of the Netflix series “Maid,” Alex Russell (Margaret Qualley) is an expert at having the rug pulled out from under her. (And an expert at cleaning it neatly as she’s thrown to the floor.) A single mom who left an abusive relationship with the father of her toddler, Maddy (Rylea Nevaeh Whittet), Alex dreams of going to college in Missoula, Montana and becoming a writer. Instead she’s cleaning houses for Value Maids, scrubbing stovetops and toilets and baseboards for rock-bottom wages while her bank account balance constantly hovers near zero.

    Alex, a bright, pretty, white woman who had gotten a scholarship to college before getting pregnant with her daughter, navigates the bureaucratic obstacle course of accessing government benefits (SNAP, daycare grants, subsidized housing) as ably and comfortably as anyone is likely to. She has work. She’s doing her best. And still, at every turn, she’s thwarted by the merciless realities of American capitalism and our moth-eaten social safety net.

    She has little choice but to supplement her own income and government aid with assistance from her community — what little of it there is. She has to ask a friend for shelter when she flees her ex, Sean (Nick Robinson), in the middle of the night. She has to ask her eccentric mom, Paula (Andie McDowell) for babysitting so she can do a trial shift with Value Maids. She has to accept more and more help from a well-off former coworker, Nate (Raymond Ablack): a hot breakfast for her and Maddy after he finds them sleeping on the floor of the ferry terminal, an old car he no longer drives, a place to stay when she’s left homeless yet again. She also has to accept a place to stay from her estranged father and stepmother, and eventually from Sean.

    And each time, she’s eventually left twisting in the breeze. Her friend won’t hide her from her furious ex, who is her own boyfriend’s best friend. Her mom can’t handle the responsibility of babysitting for more than a couple hours. Nate wants to be kind to her, but he also wants to date her, and when he’s tired of being rejected, he also gets tired of helping. Both her estranged father and Sean, she painfully remembers when she stays with each of them, are abusive.

    Throughout “Maid,” Alex desperately tries to erect boundaries to keep her and Maddy safe and stable. She resists taking help from her unreliable parents, her ex, from Nate. She resists accepting additional favors, like the offer of her new landladies to have Maddy’s third birthday party in their gazebo. Letting these boundaries down means introducing risk into a life already so fragile, so close to falling apart. Allowing someone to help her or do her a casual kindness means allowing them leverage over her. It gives them space to develop expectations of her gratitude, her obligation to them. It might even involve them in the mess of her life, a mess they will likely regret touching.

    But drawing a healthy boundary is a luxury Alex doesn’t often have. Her existence is so precarious, so dependent on the goodwill of those with power over her, that she can neither afford to let her boundaries down nor to keep them up. Sometimes she needs what they can offer her too desperately — an address where Maddy will be eligible for a good preschool, childcare or transportation for a crucial work shift. Sometimes she simply needs not to offend them by rejecting their kindness too emphatically. She navigates their moods, their whims, their shifting levels of generosity.

    This morning I (Claire) was reading Anne Helen Petersen’s newsletter about living in community, which touched on another that really spoke to me this week, Kathryn Jezer-Morton on the cozy aesthetic. Both essays are engaged with something that I’ve been wrestling with over recent months: how desperately we need the comfort of a community, and how desperately many of us try to fill that hole with our earning and spending power. If we buy something (a throw blanket, a candle, a day of childcare, a latté), it belongs to us. We can have it when we want it, on our terms. Its inertness is why we cling to it (it can’t resist us, it will always comply) and also why it will always disappoint.

    This is, of course, a very middle-to-upper-class experience of being socially alienated by capitalism. Paying for things is easier and more straightforward than being in community, so we choose that path and then, perhaps, feel empty among our bought-and-paid-for things. For Alex, there is no easier or more straightforward option; she has to accept help, and she has no control. In one scene, Alex tries to explain to Nate that she can’t date him because things aren’t equal between them. He disagrees, saying that he doesn’t care about the economic differences. But she’s right. He can walk away from their friendship on a whim, whereas she needs the shelter he’s providing to survive.

    Left in such dire straits, doing hard labor for hourly wages that nearly disappear after paying for gas and cleaning supplies while keeping her paperwork updated to receive meager government benefits, Alex is thrown back on a community that’s mostly unable or unwilling to be a true community for her. For her wealthier friends and acquaintances, she has little to offer in exchange that they can’t easily buy once they’re tired of dealing with the complications of her life; other poor people she knows have little emotional or financial bandwidth to truly help her. The financial stratification, commodification, and grinding need of American life has blasted her social fabric to hell.

    In this week’s podcast, we talked a lot about this, and much more, including the depiction of Alex and Sean’s relationship, the endless labor of being poor, the cruelty of means-testing, and the fantastical touches that bring Alex’s personal experience to life.

    Share

    [PREVIEW] The Blunt Force Trauma Of 'Squid Game' Nov 08, 2021
    Show notes

    This is the “Squid Game” recap you’ve been waiting for: the perspective of two women so squeamish they probably missed, at a conservative estimate, 15% of this ultraviolent show because they were covering the screen with their hands and whispering “no no no no no no no noooooo whyyyy.”

    But whatever! The violent parts aren’t important, right? The important thing is that we know what this show is about: capitalism, wealth inequality, the myth of meritocracy, ugly Americans, and nice cops who restore your faith in humanity.

    In this episode, we discuss all this and more. Let the games begin!

    Share

    We’ve been watching…

    “Love Life” season 2! Which I am enjoying significantly more than season 1. (Though it is by no means perfect.) We will probably have to podcast about it, as two rom-com lovers. -Emma

    I have also been watching “Love Life” season 2, and it is better… but there’s still something about the whole concept that doesn’t seem to work for me. The portentous voiceover? The gloomy aesthetic? The way we only get to know our leads as unsatisfied lovers? So much to ruminate on as the season continues. -Claire

    We’ve been reading…

    Don’t laugh — I’m finally finishing “Great Circle” by Maggie Shipstead. Long books are back, baby.

    On a darker note, Insider’s horrifying investigation of Barstool founder Dave Portnoy’s (recent) history of seeking out teenagers for very rough, coercive sex. Being an unapologetic misogynist is sort of his brand, so it remains to be seen whether this will do anything more than burnish it, but the details are deeply distressing. -Claire

    We’ve been listening to…

    “Fallen Angel,” an investigative podcast from journalists Vanessa Grigoriadis and Justine Harman into the rise and fall of Victoria’s Secret. Fascinating, especially if you are also a member of the microgeneration that spent afternoons at the mall browsing through drawers of lacy thongs. -Emma

    I think my podcasts are making me anxious (?!?) so I’ve been trying to get back into music (has anyone heard of this?). Highlights: putting on Brendan Benson’s “Cold Hands, Warm Heart” and delighting my toddler into starting a dance party; cooking chickpea stew with a glass of wine and the Wet album “Still Run” in my earbuds. -Claire

    We’ve been buying…

    I’ve been on the hunt for a soft, layer-able, cute, cream-colored quarter-zip sweater, and I *finally* found one — at a reasonable price point! — from Quince. -Emma

    This is so humiliating (in addition to the humiliation of doing product recs on a post about “Squid Game”) but I got influenced by Serena P. to buy a hand/jewelry soap called Radiance Wash from Shinery. It reportedly keeps her giant rock from Grocery Store Joe shiny, and now it (actually) keeps my perpetually filthy wedding set shiny.

    The heart-wrenching origin story: the founder tried to clean her ring with “luxury hotel soap” before her wedding and it didn’t work. “I got married with a cloudy film on my ring. I was devastated.” May no one else ever suffer this way again. -Claire

    Share Rich Text

    [PREVIEW] 'You' Is Full Of Bloody Gender-Role Play Nov 01, 2021
    Show notes

    We’ve been obsessed with — fixated on, really — “You” since it premiered on Lifetime in 2018. Three years and three seasons later, the thriller has taken Joe Goldberg (Penn Badgley), the sensitive, intellectual stalker/murderer at the center of the show, from a single bookseller in New York City to a married dad in the (fictional) tony NorCal suburb of Madre Linda. It’s been a journey littered with one true loves, heartbreaks, betrayals, hope, and, of course, heaps of dead bodies.

    Now that Joe has started a family with Love Quinn — a woman he adored until he learned at the end of season two that she would ALSO kill to protect her loved ones, thus ruining her virtuous feminine image — he would seem to have everything. But Joe loathes the lush suburban hell where they now live, an enclave saturated with athleisure-wearers, bio-hackers, and anti-vaxxers, and he also loathes his new wife. Soon he’s finding new women to receive his attention, and new complications arise.

    At long last, we have a podcast outlet to have the long, juicy conversation about this show that we’ve been longing to have. This week, we chatted about season three and all the themes it brought to the fore: stealth toxic masculinity and the Nice Guy, the constriction and seduction of gender roles, girlboss feminism as a weapon of affluent women, wellness and mommy influencing, and the agonies and ecstasies of modern marriage and parenting.

    We hope you enjoy this chat! xo

    Share

    More reading about “You” which we mention in the podcast:

    “Netflix’s New No. 1 Show Found Something Worse Than Serial Killers,” Julia Craven, Slate

    “Penn Badgley Gets Meta About His Return To TV As A Very Charming Stalker,” Emma Gray, HuffPost


    [PREVIEW] We're All Famous Here: Live Episode With Sharleen Joynt! Oct 26, 2021
    Show notes

    Last week, we held a live panel discussion at SaksWorks with the always eloquent Sharleen Joynt of “Dear Shandy” about navigating the parasocial waters we swim in — specifically as podcasters and as reality TV commentators (and, in Sharleen’s case, as a one-time participant on “The Bachelor”), but also as people who live in a society that is increasingly structured by parasocial, rather than social, relationships.

    We talked about John Mulaney and how he disappointed us by getting a divorce and also how he must be protected from us. We talked about making fun of people on reality TV and also feeling deep empathy for them. We talked about how almost everyone is now in a position to be watched on social media by people who don’t know them, and how close even a not-at-all-public figure is to going viral and experiencing the crush of mass attention. We talked about Chris Hayes’s wonderful essay in the New Yorker, “On the Internet, We’re Always Famous,” and how it captures the destabilizing nature of fame (whether brief or enduring), and the way in which the surveillance powers of social media have brought on an age of democratized fame. We talked about influencing, and how monetizing a relatable version of your own personality inevitably invites massive, overwhelming feedback on who you are as a person — both positive and negative.

    The event was a lot of fun for us, and while we wish you all could have been there in person, we hope you enjoy this taped version.

    We were hosted by SaksWorks in Manhattan, which is lovely and full of hydroponic herb gardens. Many thanks to Rachel Sklar for inviting us, all of the wonderful people at SaksWorks for making this happen, and Ron Passaro for recording the conversation for us!

    More reading about parasocial relationships:

    “On The Internet, We’re Always Famous,” Chris Hayes, The New Yorker

    “John Mulaney Was Performing A Role All Along,” Aja Romano, Vox

    “John Mulaney And The Great Celebrity-Sympathy Overcorrection,” Lili Loofbourow, Slate

    “Podcasters Are People: The Intimacy of Medium vs. Parasocial Relationships,” Wil Williams

    Share

    We’ve been watching…

    “Only Murders in the Building,” which I just finished. It’s so charming and zany, with all the darkness heavily couched in scenery-chewing camp, and while I feared the true crime satire would peter out by the end, the finale was one of the funniest and sharpest episodes yet. Plus, it perfectly sets up a season two, which will reportedly be here next year.

    Also, has anyone heard that “Succession” is back? -Claire

    GUYS I FINALLY WATCHED THE MARBLES EPISODE OF “SQUID GAME” AND I COULDN’T STOP WEEPING. -Emma

    We’ve been reading…

    Haley Nahman’s beautiful essay about “feeling like yourself.” -Emma

    We’ve been listening to…

    “Celebrity Book Club with Steven and Lily,” a podcast in which comedians Lily Marotta and Steven Phillips-Horst read celebrity memoirs, coffee table books, and cookbooks in order to gaily rip them into a tattered pile of clichés, clunky prose tics, faux authenticity and diet tips. I’ve actually had to stop listening to it in public because people are weirded out when I giggle quietly while I shop for groceries. -Claire

    “Queen of the Con: The Irish Heiress,” a podcast hosted by a reality TV producer in his 40s who got scammed by a woman who he thought was his best friend — and turned out to be a serial con artist. I’m a sucker for a scam story. I can’t help myself. -Emma

    We’ve been buying…

    Tartan. -Claire

    Velvet. -Emma


    Carefree Black Girls Oct 18, 2021
    Show notes

    On Rich Text Book Club this week, we’re talking about “Carefree Black Girls,” a new book from culture critic Zeba Blay, who also happens to be (full disclosure) our friend and old HuffPost colleague!

    In 2013, Zeba tweeted a post with the hashtag #carefreeblackgirl. She was an early popularizer of the term, which reached toward a conception of Black girlhood that could be joyful, relaxed, at ease in the world — carefree in a way that white girls were often shown as being. Almost a decade later, her hashtag has evolved into the title of a book of essays about Black women in pop culture and her own experiences as a Black woman and critic. In “Carefree Black Girls: A Celebration of Black Women in Popular Culture,” Zeba blends the personal and the critical in order to explore how Black women have created our culture, how they’ve been depicted in it and treated by it, and how these narratives affect how Black women and girls experience the world.

    As the subtitle suggests, it’s a celebration of women like Josephine Baker, Mel B, Serena Williams, Countess Vaughn, Viola Davis, and Cardi B — but it’s also a searching, tender excavation of the humanity of these women. Zeba examines how societal demands of and cultural tropes about Black women limit them, demand that they appear smaller or flatter or less complex than they truly are; she also, through her own experiences and those of the women she writes about, does an accounting of the suffering this causes.

    It’s a beautiful and illuminating book, and we were so thrilled to talk to Zeba about it. This was also a mini-reunion, since we all worked together at HuffPost Culture for years — and getting to talk pop culture on Zoom again was, simply put, a huge treat.

    You can buy “Carefree Black Girls” here, or wherever you get your books!

    Share

    We’ve been watching…

    The new “Great British Baking Show” season. It’s not quite like it used to be — I preferred it when the showstopper for Cake Week involved making a nice Victoria sandwich rather than an anti-gravity illusion cake (what is this, “Nailed It”?) — but I’ll accept it. -Claire

    I’m still making my way through “Squid Game,” because I am a MASSIVE baby when it comes to violence. But I still am loving it. -Emma

    We’ve been reading…

    “Carefree Black Girls,” “Crossroads,” and this horrifying deep dive on a series of brutal murders at Woodson Houses, a public housing complex in Brooklyn. -Claire

    “Carefree Black Girls,” of course, and our bud Jess Goodman’s great Bustle piece on the perils of being a Very Online author. -Emma

    We’ve been listening to…

    Michael Hobbes’s goodbye episode of “You’re Wrong About,” which broke my heart (all-time fave pod, changing forever!) but also inspired many thoughts about how we decide where to expend our creative energy and how to keep the joy alive in projects that were once passion projects and became, well, work.-Claire

    In the spirit of keeping this Michael Hobbes-themed, I really loved the deep dive his other podcast, “Maintenance Phase,” did on Rachel Hollis. As someone who was only peripherally aware of Hollis before her TikTok/IG scandal, I really loved having Hobbes and his co-host Aubrey Gordon walk me through it all. -Emma

    We’ve been buying…

    We’ve both been saving up for next week’s Hill House Holiday drop. Yes, we’re extremely predictable.


    Previous 1 21 22 23 24 25 26 Next

    Related Podcasts

    You Must Remember This

    1

    You Must Remember This Games & Hobbies
    Seincast: A Seinfeld Podcast

    2

    Seincast: A Seinfeld Podcast TV & Film
    Watch What Crappens – Ben Mandelker & Ronnie Karam

    3

    Watch What Crappens – Ben Mandelker & Ronnie Karam Arts
    The Watch

    4

    The Watch MZGenre.Podcasts.TVFilm
    NetFreaks: Covering Netflix Originals

    5

    NetFreaks: Covering Netflix Originals TV & Film
    Punch Drunk TV

    6

    Punch Drunk TV TV & Film
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights