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Reel Chat — TV & Film
Reel Chat

Latest Episodes:

CAPTAIN AMERICA: CIVIL WAR (2016) – TOP 100 GREATEST MOVIES NO. 79 – REEL CHAT 87.0 Oct 17, 2018
Show notes

Welcome to Episode 87 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

The Marvel Cinematic Universe seems to be this juggernaut that keeps pumping out successful film after successful film – there is twenty now by the way! Twenty films in 10 years!… with plenty more on the way.

The Russo Brothers’ 2016 entry “Captain America: Civil War” had a lot riding on it. Not only did it have to elevate the ensemble superhero film and try to surpass “The Avengers” but it also had to round out the “Captain America Trilogy”. The Russo’s and their collective crew have managed to do this and break all Marvel fan’s hearts along the way. Themes of friendship, family, loyalty, trust, accountability, revenge, right VS wrong are littered throughout – but in saying that, you as the individual viewer can take as much or as little of that with you when watching. This film is an explosive blockbuster, yet surprisingly steeped in emotion and character drama. But, does everyone in the Reel Chat studio share the love of Marvel? Is there a Captain America / Iron Man-style divide in proceedings!? And does this film works as a stand-alone entry in the series?

Joining your host Adam Stolfo is Reel Chat stalwarts Andrew McCaskill and Penny Jelly, as well as the always welcome Jesse O’Brien. Join the team as they discuss the juggernaut that is the Marvel Cinematic Universe, why it appears to be bucking the trend of franchise fatigue, the large (hot or not?) ensemble cast, the work of the Russo’s, the generic score of Henry Jackman, Trent Opaloch’s colourful cinematography, it’s Blu-ray and digital release (complete with digital exclusive), as well as detailed discussion on why movie-goers keep going back again and again.

So does “Captain America: Civil War” deserve it’s spot in the Top 100? And is position number 79 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 2 out of 5

Andrew 2 1/2 out of 5

Penny 4 1/2 out of 5 – RECOMMEND

Jesse 4 out of 5 – RECOMMEND

SPIRITED AWAY (2001) – TOP 100 GREATEST MOVIES NO. 80 – REEL CHAT 86.0 Oct 03, 2018
Show notes

Welcome to Episode 86 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

Hayao Miyazaki’s “Spirited Away” is the “other” film many consider to be Miyazaki’s best work, on a par with “Princess Mononoke”. It’s story recalls classic Lewis Carroll tales, in that a young girl is drawn into a magical realm, representing the boundary between childhood and adulthood, and must learn to navigate her way through it. But there are larger issues being depicted here too, not the least of which reflects the generational changes in Japanese society. There’s a kind of yearning for the old ways, as it becomes clear that greed and consumerism are taking a toll on the natural world. This film is very much about the need to find a balance in life. It’s also one of the most gorgeous examples of hand-drawn animation you’ll ever see. 2001’s “Spirited Away” is by turns strange, mysterious, funny, endearing, and thrilling. But is it for everyone? Particularly westerners.

Joining your host Adam Stolfo is Reel Chat stalwarts Andrew McCaskill, Penny Jelly and Damon Quah. Join the team as they discuss Hayao Miyazaki’s legacy and body of work, the differences between the English dubbed version and the original Japanese version, the 2 separate cast members, the restrained but evocative score by Joe Hisaishi, the gorgeous animation style, it’s high-quality Blu-ray release, as well as detailed discussion on the film’s cultural impact in both Japanese and western cultures.

So does “Spirited Away” deserve it’s spot in the Top 100? And is position number 80 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 2 1/2 out of 5

Andrew 3 out of 5 – RECOMMEND

Penny 4 out of 5 – RECOMMEND

Damon 2 1/2 out of 5

MOVIES 90-81 RECAP SPECIAL – REEL CHAT 85.0 Sep 19, 2018
Show notes

Welcome to Episode 85 of the “Reel Chat Podcast.” Well, we’re forging on! We’re officially 2/10 of the way through our “epic” countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

Joining your host Adam Stolfo for this Movies 90-81 Recap Special is Reel Chat regulars Andrew McCaskill and Penny Jelly, as well as returning guests Damon Quah and Jesse O’Brien. Join the extended team as they break down (in a little more detail) the second block of 10 movies in Empire’s prestigious Greatest Movies list. The team also discuss plans for the future of Reel Chat, including an exciting array of upcoming “spin-off” episodes. Rankings, tallies, controversy – it’s all here for even the most hardened (or opinionated) of podcast listeners.

And please let us know if you’ve been enjoying this ongoing and revamped iteration of Reel Chat since our 2017 return. What have been your overall thoughts as a listener or a fan? Please email us or contact us through our social media channels and let us know what you think of the format.

THE SOCIAL NETWORK (2010) – TOP 100 GREATEST MOVIES NO. 81 – REEL CHAT 84.0 Sep 06, 2018
Show notes

Welcome to Episode 84 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

David Fincher’s 2010 drama “The Social Network” is the tale of a new breed of cultural insurgent: a punk genius who sparked a revolution and changed the face of human interaction for a generation… and perhaps forever. Shot with emotional brutality and unexpected humour, “The Social Network” chronicles the formation of Facebook and the battles over ownership that followed upon the website’s unfathomable success. With a complex, incisive screenplay by Aaron Sorkin and a cast including (the divisive) Jesse Eisenberg, Andrew Garfield and Justin Timberlake, “The Social Network” bears witness to the birth of an idea that rewove the fabric of society, even as it unraveled the friendship of its creators. On the surface, this film appears to be universally loved… but is it as relevant as it was in 2010? And is David Fincher’s talent sugar-coating an otherwise mundane premise? And what does your Reel Chat host have to say on the matter?

Joining your host Adam Stolfo is Reel Chat stalwarts Andrew McCaskill and Penny Jelly. Join the team as they discuss the craftsmanship of auteur David Fincher, the Academy Award winning screenplay of Aaron Sorkin, the cast, the ground-breaking music of NIN’s Trent Reznor and Atticus Ross, the wonderful cinematography, it’s high-quality DVD and Blu-ray release, as well as a detailed discussion on the film’s “creative decision” to drown out certain dialogue scenes with ambiance and background music.

So does “The Social Network” deserve it’s spot in the Top 100? And is position number 81 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 2 out of 5

Andrew 4 out of 5 – RECOMMEND

Penny 4 out of 5 – RECOMMEND

SOME LIKE IT HOT (1959) – TOP 100 GREATEST MOVIES NO. 82 – REEL CHAT 83.0 Aug 23, 2018
Show notes

Welcome to Episode 83 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

Of all the genres motion pictures have to offer, comedies tend to age the worst. Whether from an over reliance on jokes pertaining to current events, constant pop culture references, or just as a result of natural shifts in comedic trends and what society finds funny, even the best comedies have a habit of dating themselves. What was once so gut-bustingly hilarious in 1931 or in some cases just a few years ago, now falls completely flat. Thankfully though, some comedies avoid these pitfalls and somehow find a certain level of timelessness. Billy Wilder’s 1959 classic “Some Like It Hot” is a perfect example of such a film. It’s combination of wonderful performances, comedic timing, and witty dialogue, provide an experience that is still potently funny and entertaining nearly sixty years after it was first released. Though the premise is a bit ludicrous, with a few gags that do fall a little flat, and the climax of the film does rely on some pretty big coincidences, these minor issues never diminish the fun of it all. “Some Like It Hot” proves that in the right hands, humour can be timeless.

Joining your host Adam Stolfo is Reel Chat regulars Andrew McCaskill, Penny Jelly and Damon Quah. Join the team as they discuss the film’s legendary cast members Jack Lemmon and Tony Curtis, the body of work of writer/director Billy Wilder, the “background music” of Adolf Deutsch (yes, that is his real name), the film’s ground-breaking nature of it’s use of cross-dressing and homosexuality, as well as a fascinating discussion on the behind-the-scenes troubles of the one and only – Marilyn Monroe.

So does “Some Like It Hot” deserve it’s spot in the Top 100? And is position number 82 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 3 out of 5 – RECOMMEND

Andrew 3 out of 5 – RECOMMEND

Penny 4 out of 5 – RECOMMEND

Damon 2 1/2 out of 5 – RECOMMEND

TRUE ROMANCE (1993) – TOP 100 GREATEST MOVIES NO. 83 – REEL CHAT 82.0 Aug 08, 2018
Show notes

Welcome to Episode 82 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

Given that it was the second of his scripts to make it to the big screen, following “Reservoir Dogs”, it’s understandable that Quentin Tarantino is indelibly linked with 1993’s “True Romance”, a film that emerged at the midst of his 90s hype. And his fingerprints are all over it: the snappy dialogue, the sheer feeling of “cool” about it all; all factors that time has utterly refused to dilute here. But all that overlooks late director Tony Scott. At the time of the film’s release, Scott was arguably entering his best period to date as a movie director – with mega-hits “Top Gun” and “Beverley Hills Cop 2” under his belt. Scott didn’t mess around too much with Tarantino’s screenplay, save for adjusting the ending, and on the basis of the end product, there’s an argument that he was a better choice to direct the film than QT himself. But has “True Romance” aged well? Could it be argued that it’s a fun but tiresome (and superficial) flick that will either appeal to your deviant sensibilities or send you off in search of a “real” Tarantino film?

Joining your host Adam Stolfo is Reel Chat regulars Andrew McCaskill, Penny Jelly and special guest Melbourne-based composer Asher Pope. Join the team as they discuss the film’s legacy, it’s origins as a teenage Quentin Tarantino’s wildest dream come true, it’s big-name cast, the late career of director Tony Scott, Hans Zimmer’s repetitive (and low-budget) score, as well as the difficulty of tracking down the film here in Australia.

So does “True Romance” deserve it’s spot in the Top 100? And is position number 83 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 2 out of 5

Andrew 3 out of 5 – RECOMMEND

Penny 2 out of 5

Ash 3 out of 5 – RECOMMEND

ROCKY (1976) – TOP 100 GREATEST MOVIES NO. 84 – REEL CHAT 81.0 Jul 26, 2018
Show notes

Welcome to Episode 81 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

The story of 1976’s “Rocky” is so well known, that it really doesn’t need a plot synopsis. It is also so fundamental as to be almost mythic. Moviegoers had been used to their heroes coming from the pages of pulp fiction novels, but Rocky Balboa was an every man thrust into extraordinary circumstances – the schlub next door who only wanted to go the distance. And with a grittiness of locale to match, an unpretentious script (also by Stallone) and a non-intrusive, honest direction by John G. Avildsen, the combination was incredibly potent. America fell in love with Rocky Balboa, and in a way, learned to root for themselves all over again, following the soul-crushing years after Vietnam and Watergate. What “Rocky” still possesses in spades – and what its numerous sequels all failed to understand – was verisimilitude. Authentic, rousing and inspirational, “Rocky” remains a sparkling gem of ’70s American cinema.

Joining your host Adam Stolfo is Reel Chat regulars Andrew McCaskill, Penny Jelly and Damon Quah. Join the team as they discuss the film’s legacy, it’s memorable cast, the work of director John G. Avildsen, it’s racial undertones, Bill Conti’s iconic score and theme song, it’s numerous VHS, DVD and Blu-ray releases and much, much more! Damon also gives us a crash-course on the entire 7-film “Rocky” franchise.

So does “Rocky” deserve it’s spot in the Top 100? And is position number 84 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 3 1/2 out of 5 – RECOMMEND

Andrew 3 out of 5 – RECOMMEND

Penny 2 1/2 out of 5 – RECOMMEND

Damon 4 out of 5 – RECOMMEND

LÉON: THE PROFESSIONAL (1994) – TOP 100 GREATEST MOVIES NO. 85 – REEL CHAT 80.0 Jul 12, 2018
Show notes

Welcome to Episode 80 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

Director Luc Besson’s taste for wacky plots, extravagant action and grandiose romance reached its climax with 1994’s “Léon: The Professional” – a deeply strange and much-loved crime movie about a 12-year-old girl, Mathilda, (Natalie Portman), who is rescued by a hit man after her family is massacred by a crazed NYPD detective, played with paint-scrapping vigour by Gary Oldman. Jean Reno is Léon, a hired killer with ‘a heart of gold’; innocent and childlike, he dotes on his house plant, drinks milk and loves Gene Kelly movies. Mathilda, of course, falls in love with him. In the extended version there are quite a few scenes included that US preview audiences rejected; like Mathilda getting drunk in a restaurant and another where she suggests she become Leon’s ‘lover’. According to producer Patrice Ledoux, this kind of content… no, this kind of relationship, was in no way mysterious to the French filmmakers of “Léon: The Professional”. Still, the relationship in the film stays ‘innocent’. No matter what uncomfortable undercurrents the film gives rise to, Besson’s skill with action is inventive and creative (and of course over the top).

Joining your host Adam Stolfo is Reel Chat regulars Andrew McCaskill, Penny Jelly and Jesse O’Brien. Join the team as they discuss the film’s controversy, it’s legacy, it’s amazing cast, the work of director Luc Besson, it’s two different cuts, eclectic composer Eric Serra’s score, and much, much more!

So does “Léon: The Professional” deserve it’s spot in the Top 100? And is position number 85 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 4 out of 5 – RECOMMEND

Andrew 4 out of 5 – RECOMMEND

Penny 3 1/2 out of 5 – RECOMMEND

Jesse 3 1/2 out of 5 – RECOMMEND

ADAM’S RUN IN WITH JAMES CAMERON (BONUS) – REEL CHAT 79.5 Jul 03, 2018
Show notes

Welcome to Episode 79.5 of the “Reel Chat Podcast.”

Short bonus episodes are somewhat of a rarity here on Reel Chat, but this week is definitely an exception!

A couple of weeks back your host Adam Stolfo ventured up to Sydney with his wife Helen to attend the Sydney Vivid Festival’s “Game Changers” discussion and Q & A with the one and only James Cameron.

Cameron, of course, is a polymath — a filmmaker, marine explorer, NASA advisor and leading advocate for the protection of our oceans and environment. You probably know him best as the highest-grossing filmmaker in history with blockbusters “Avatar”, “Titanic”, “The Abyss”, “True Lies”, the GOOD “Terminator” movies and “Aliens” to his credit.

Presented here is your host Adam Stolfo in a short 10 minute discussion with Reel Chat regulars Andrew McCaskill, Penny Jelly and Jesse O’Brien about his experience in attending the talk and somehow managing to ask his filmmaking idol a very personal question.

INDIANA JONES AND THE LAST CRUSADE (1989) – TOP 100 GREATEST MOVIES NO. 86 – REEL CHAT 79.0 Jun 28, 2018
Show notes

Welcome to Episode 79 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.

For the 1989 third installment in the adventures of Indiana Jones – “Indiana Jones and the Last Crusade”, Steven Spielberg and George Lucas change the mood once more and with far better results than its predecessor. To rinse away the awkward aftertaste left behind by “Temple Of Doom” (frankly, it’s not bad, it’s just… different), the filmmakers revisit many of the ingredients which made the first movie special and add a splash of something new to give the franchise a nice kick. In fact, there are quite a few kicks in “The Last Crusade” which make it almost the equal to “Raiders” — one of them being the return of the Nazis as the central villains and Hitler’s pursuit of occult-related artifacts. Also, audiences get to travel the world with Dr. Jones as he tries to stop one the most evil forces of the planet. And the best kick of all, Sean Connery joins the adventure as Indy’s father and brings a great deal of comedy to the mix.

Joining your Indiana Jones loving host Adam Stolfo is Reel Chat regulars (and fellow Indy fans) Andrew McCaskill and Penny Jelly, as well as returning new semi-regular Jesse O’Brien. Join the team as they discuss their love of the franchise (well… the first 3), the work of legendary director Steven Spielberg, it’s fabulous cast, the film’s origins and screenplay, John Williams’ iconic score, it’s DVD and Blu-ray releases, it’s many humorous moments, as well as why this should of been the final film in the franchise.

So does “Indiana Jones and the Last Crusade” deserve it’s spot in the Top 100? And is position number 86 where it belongs?

THE TEAM’S REVIEW SCORES

Adam 5 out of 5 – RECOMMEND

Andrew 4 out of 5 – RECOMMEND

Penny 5 out of 5 – RECOMMEND

Jesse 5 out of 5 – RECOMMEND

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