New Books in Gender

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Laura Mattoon D’Amore, “Smart Chicks on Screen” (Rowman and Littlefield, 2014) Nov 25, 2014

Show notes

One of the continuing issues of the entertainment industry is the treatment of women in movies and television. Even with a larger number of female writers, producers, and directors, roles often follow stereotypical and negative conventions.

In her new book Smart Chicks on Screen: Representing Women’s Intellect in Film and Television (Rowman and Littlefield, 2014), Laura Mattoon D’Amore brought together 13 writers to discuss issues of the depiction of the intelligence of women on film and in television. The articles cover from the 1950s to present day and include interesting views of the depiction of females in both traditional roles and in newer settings.

The four writers interviewed with Laura are:

* Stephen R. Duncan, who discusses the actress Judy Holliday and how her image was altered by the Cold War red scare.

* Stefania Marghitu, who examines the character of Peggy Olson from Mad Men, comparing her actions in the 1960s from the perspective of twenty first-century writers.

* De Anna J. Reese, who details how Kerry Washington is able to present a viable version of a black woman with power who is able to keep her racial and gender identity.

* Amanda Stone, who discusses the importance of the female characters of the popular series, The Big Bang Theory.

These writers represent a great cross-section of ideas related to gender and intelligence that runs through the book.

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Wai-yee Li, “Women and National Trauma in Late Imperial Chinese Literature” (Harvard Asia Center, 2014) Nov 24, 2014

Show notes

Wai-yee Li‘s new book explores writing around the Ming-Qing transition in seventeenth-century China, paying careful attention to the relationships of history and literature in writing by women, about women, and/or in a feminine voice. In a series of chapters that showcase exceptionally thoughtful, virtuosic readings of a wide range of texts, Women and National Trauma in Late Imperial Chinese Literature (Harvard University Asia Center, 2014) considers how conceptions of gender mediate experiences of political disorder. The first two chapters trace, in turn, the appropriation of feminine diction by men via a poetics of indirectness, and the use of masculine diction by women as a means of creating a space for political and historical engagement. The book continues from there to consider tropes of avenging female heroes, courageous concubines and courtesans, poet-historians and female knight-errants, chastity martyrs and abducted women, massacre and redemption. The conclusions to each chapter follow these seventeenth-century threads of discourse as they continue to weave themselves into the literature of modern China. It is a thoughtfully conceived and elegantly written study that serves simultaneously as a compellingly argued story and a reference packed with detailed readings of gorgeously translated primary texts.

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Edward Ross Dickinson, “Sex, Freedom and Power in Imperial Germany 1880-1914” (Cambridge UP, 2014) Nov 18, 2014

Show notes

In this interview with historian Edward Ross Dickinson we talk about sex. Well, actually we talk about the talk about sex. Since Michel Foucault’s epochal work History of Sexuality (1976) how moderns talked about sex has been a central concern of cultural and intellectual historians. Foucault linked a number of nineteenth-century phenomena, such as the growth of sexology as a discipline and the pathologization of homosexuality, to the formation of new sexual subjectivities and the emergence of biopolitical strategies of population management.

Taking a cue from Foucault, some historians of modern Germany have interpreted the talk about sex and reproduction in the Kaiserreich as the foundational stage of a discourse about eugenics that would ultimately contribute to National Socialism and its racial state. In his book Sex, Freedom and Power in Imperial Germany 1880-1914 (Cambridge University Press, 2014), Dickinson challenges this view. He likens German sex talk to a barroom brawl that started at one table and spread across a crowded room. Sex was as a field of contestation, involving Christian moralists, sex reformers and sexologists, each tied to social and political interests. In this interview, we discuss the different anthropologies that undergirded the respective positions. Christian (and some Jewish) morality activists argued that sex had to be overcome through the moral virtue, while sex reformers and sexologists understood sex in a monist vein, as a natural drive and the engine of creative production and human biological and social evolution.

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Harleen Singh, “The Rani of Jhansi: Gender, History, and Fable in India” (Cambridge UP, 2014) Nov 18, 2014

Show notes

The Rani of Jhansi was and is many things to many people. In her beautifully written book The Rani of Jhansi: Gender, History, and Fable in India (Cambridge University Press, 2014), Harleen Singh explores four representations of the famous warrior queen who led her troops into battle against the British. Analysing her various representations – as a sexually promiscuous Indian whore, a heroic Aryan, a great nationalist and a folk symbol of indigenous resistance – the book critically discusses what wider issues are stake in these depictions of such a mythical and marginal woman.

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Sahar Amer, “What is Veiling?” (UNC Press, 2014) Nov 18, 2014

Show notes

There are few concepts commonly associated with Islam and Muslims today that evoke more anxiety, phobia, and paranoia than the veil, commonly translated as the hijab. Seen by many as the most quintessential symbol of the alleged Muslim oppression of women, the veil has for some time represented a subject of tremendous rage, debate, polemics, and fantastical stereotypes. But what is the veil? What is its history? Is the veil primarily an Islamic concept and object? What are some of the problems associated with reducing the veil to religion? What is the genealogy of sensationalized representations of the veil in popular discourse and media?

These are among the questions addressed by Sahar Amer, Professor of Arabic and Islamic Studies at the University of Sydney, in her brilliant new book: What is Veiling? Published by the University of North Carolina Press in 2014. Remarkably nuanced and thoughtful, this timely book takes readers on a riveting intellectual journey that brings into focus the complexities of the veil as a discursive, political, and material object. Amer moves seamlessly between multiple texts and contexts, while showing the diversity of ways in which Muslims and non-Muslims have approached, contested, embraced, or resisted the veil in different historical conjunctures. Just as there is no one “Islamic” position on the veil, there is no one or predetermined meaning that the veil or veiling carries, Amer argues. Puncturing essentialist and stereotypical narratives about the veil, Amer convincingly argues that while seemingly a purely sartorial object, the discourse on the veil is in fact invested in and embroidered by a multiplicity of normative commitments, hopes, fears, and anxieties, irreducible to any singular history, text, religion, or motivation. Beautifully written and exhaustively researched, this book is a must read for novices and experts alike; a helpful summary of the argument after each chapter should prove particularly useful in the undergraduate classroom. In our conversation, we talked about the history of the veil, discussions on the veil in major normative Muslim textual traditions, progressive Muslim reinterpretations of the veil in Islam, the veil and orientalism, competing imaginaries of the veil in Europe and the US today, Islamic fashion, and resistance to conservative understandings of the veil in contemporary art and poetry.

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Ayona Datta, “The Illegal City: Space, Law and Gender in a Delhi Squatter Settlement” (Ashgate, 2012) Nov 12, 2014

Show notes

The Illegal City: Space, Law and Gender in a Delhi Squatter Settlement (Ashgate, 2012) by Ayona Datta is a detailed account of how the law interweaves in everyday life in a squatter settlement in Delhi. The book forefronts space and gender as it explores the what it means to be illegal, not just informal, and how this distinction plays out in both public and private spaces. Rich in theory and ethnography the book is a beautiful exploration of how macro process invade the most intimate of spaces.

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Bonnie J. Mann, “Sovereign Masculinity: Gender Lessons from the War on Terror” (OUP, 2014) Nov 12, 2014

Show notes

In the aftermath of 9/11, the American political landscape and its discourses took a peculiar turn. America’s national sovereignty-conceived as the expression of its indomitable masculinity-had been challenged. Its mythical invulnerability had been crushed. The response of the United States to these events was both disturbing and enlightening. It revealed the darker underbelly of the American mythos, and revealed the highly gendered nature of American politics. Making use of gender testimony and other widely-shared cultural phenomena that arose during the ‘War on Terror’, Bonnie J. Mann constructs a notion of gender as bound up with the political. Listen in to our discussion of Dr. Mann’s new book Sovereign Masculinity: Gender Lessons from the War on Terror (Oxford University Press, 2014).

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Nadine Hubbs, “Rednecks, Queers, and Country Music” (University of California Press, 2014) Nov 05, 2014

Show notes

Academics don’t pay enough attention to class. And when we do, too often we only magnify the tendency for working class subjects to be defined according to middle class norms; and according to those norms, they, not surprisingly, fail in one way or another, justifying their position beneath the middle class. There are many unfortunate consequences of this dynamic. Among them, we seldom see what’s really happening in, say, the performance of a country song.

Nadine Hubbs, Professor of Music Theory and Women’s Studies at the University of Michigan, is an exception to this rule. In Rednecks, Queers, and Country Music (University of California Press, 2014), she discusses subjects that range from a Foo Fighters tour-promotion video, the role of taste in class distinction, and the blinders that members of the middle class seem to wear when they notice working-class culture. Then she removes the blinders and takes a look at some country, noticing an artistic richness and political agenda that academics and critics seldom see. Along the way, she investigates a few of the prominent assumptions about country–its bigotry and political conservatism, for example. She discusses research that undermines these assumptions, noting the work they do to maintain class distinctions and privilege. And finally she makes the case for paying more attention to class, working-class culture, suggesting the potential for real political collaboration between the working and the middle classes.

Here are some of the videos mentioned in the interview:

https://www.youtube.com/watch?v=vsrqw0oElHQ

https://www.youtube.com/watch?v=6e5hRLbCaCs

http://www.gretchenwilson.com/media/videos/41683/56793

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Amrita Pande, “Wombs in Labor: Transnational Commercial Surrogacy in India” (Columbia UP, 2014) Nov 04, 2014

Show notes

Amrita Pande‘s Wombs in Labor: Transnational Commercial Surrogacy in India (Columbia University Press 2014) is a beautiful and rich ethnography of a surrogacy clinic. The book details the surrogacy process from start to finish, exploring the intersection of production and reproduction, complicating and deepening our understanding of this particular form of labour.

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Denise Cruz, “Transpacific Femininities: The Making of the Modern Filipina” (Duke UP, 2012) Nov 04, 2014

Show notes

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.

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