New Books in Gender

Latest Episodes:

Sarah Haley, “No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity” (UNC Press, 2016) Sep 15, 2017

Show notes

Recent popular and scholarly interest has highlighted the complex and brutal system of mass incarceration in the United States. Much of this interest has focused on recent developments while other scholars have revealed the connections between the development of the prison system after Reconstruction and the legacies of slavery. In her new book, No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity (University of North Carolina Press, 2016), Sarah Haley points to an often under recognized part of this history. Haley, an associate professor of gender studies and African American Studies at the University of California, Los Angeles, focuses on the Southern criminal justice system’s treatment and exploitation of black women during the Jim Crow era. Though black women were caught up in the criminal justice system in smaller numbers than men were, Haley shows their treatment was very important to the development of Jim Crow modernity. The brutal and violent treatment, the ideological narratives surrounding black women, and the exploitation of their labor were all key in creating the ideologies of racial capitalism and patriarchy. Haley also discusses the ways black women resisted this treatment and contented the related ideologies.

In this episode of New Books in History, Haley discusses No Mercy Here and this history of gender, criminal justice, and race. She tells listeners about some of experiences of black women in this criminal justice system, explaining the development of the system from convict leasing to chain gangs with an the exploitative parole system. Haley also clearly explains the ideological role this system played in the development of the Jim Crow system. Finally, Haley also discusses some of her research and the challenges of accurately and thoroughly portraying the experiences of women whose voices were mediated by the criminal justice system.

Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. Shes currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.

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Tracy A. Thomas, “Elizabeth Cady Stanton and the Feminist Foundations of Family Law” (NYU Press, 2016) Sep 06, 2017

Show notes

In this podcast I talk with Tracy A. Thomas about her book Elizabeth Cady Stanton and the Feminist Foundations of Family Law (New York University Press, 2016). Professor Thomas is the John F. Seiberling Chair of Constitutional Law and Director of the Constitutional Law Center at the University of Akron School of Law. She is also editor of the Gender and the Law Prof Blog.

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Rosemary Lucy Hill, “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music” (Palgrave Macmillan 2016) Sep 05, 2017

Show notes

How do women experience and participate in Metal?

This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill, a lecturer in sociology at the University of Leeds. Hill’s book is both empirically detailed, drawing on analysis of Metal media, and theoretically rich, engaging with a range of work on music and gender. The book outlines the imagined community of Metal, thinking through the myths underpinning that community. By exploring myths of equality and authenticity, along with the problematic tropes of “warriors” and “groupies,” the analysis makes clear the gendered tensions of Metal fandom.The book concludes with some thoughts on how to build a new cultural vision for Metal, which will realize the promise of egalitarianism offered in much of the community and in the music. It will be essential reading across sociology, music, and media studies, as well as for all Metalheads too.

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Patricia Gherovici, “Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference” (Routledge, 2017) Aug 31, 2017

Show notes

Freudian theory laid the foundation for a felicitous engagement of psychoanalysis with transgender experience. Building on the work of sexologists, Freud not only posited a universal bisexuality, thereby implying that we are all transgender in our unconscious, but also indexed something in sexuality that exceeds our grasp. His most controversial claim, perhaps, was that human sexuality itself is faulty and symptomatic — that our confrontation with the enigma and overproximity of parental desire never leads to a resolution but rather to the formation of mediating fantasies. Freud instructed his colleagues to listen attentively to these fantasies and to be open to sexuality in all its manifestations and vicissitudes: desire and the drives, the problem of sexual difference, and the mortality of the sexed body. It was precisely these ethics, this Freud, to which Lacan urged a return and from which he believed psychoanalysis had strayed. Disturbed by ego psychologists’ focus on adaptation to prevailing sociocultural norms, Lacan instead emphasized and elaborated upon the traumatic aspect of sexuality — the difficulties of assuming a sexed body and of regulating jouissance. He stressed listening to what analysands actually say, as opposed to what they mean, in order to approach the locus from which an unbearable truth speaks.

Yet, historically, psychoanalysts and institutional psychoanalysis have been tone-deaf to transgender desire. Freudians have linked transsexuality to perversion and borderline disorders. Lacanians have deemed transgender expression an indicator of psychosis. Such pathologization has failed transgender subjects, asserts Patricia Gherovici, in her brilliant and provocative Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference (Routledge, 2017). Despite availing themselves of various forms of talk therapy, trans patients remain wary of psychoanalytic treatments and the suicide attempt rate in the trans population is astonishingly high.

Gherovici argues persuasively that psychoanalysis and the trans community have much to offer one another and that Lacan’s sinthome and sexuation formulae serve as especially productive, nonpathologizing frameworks for such a dialogue. She demonstrates how transgender discourse intervenes in and transforms key Lacanian concepts and maintains that psychoanalytic listening can alleviate the anguish felt by transgender subjects, helping them to live. When I press her on this point, inquiring how analysts might attend to the singularity of each case and still manage to generalize about the category of transgender experience, Gherovici, in an adroit dialectical maneuver, finds the universal in the particular. Transgender expression, she explains, offers novel ways of thinking about subjects not wholly dependent on phallic signification and disrupts the binary logic imposed by the phallus as universal signifier. Trans patients’ particular struggles with gendered embodiment and the symbolization of sex bring to light the trouble inherent in taking ownership of the body for all speaking beings. Covering a vast conceptual and evidentiary terrain, Gherovici moves from the public sphere to the clinic to show how increasing transgender visibility and activism paradoxically subvert identitarian claims, making explicit the constitutive elements and continual failures of Man and Woman.

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Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017) Aug 29, 2017

Show notes

What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens.

JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame.

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Johanna Neuman, “Gilded Suffragists: The New York Socialites Who Fought for Women’s Right to Vote” (NYU Press, 2017) Aug 29, 2017

Show notes

In the late 19th century New York socialites enjoyed a newfound celebrity status thanks to their conspicuous wealth and the attention of the rapidly expanding newspaper industry. Many of these women sought to use their status to promote causes important to them, most notably the suffrage movement. Johanna Neuman‘s Gilded Suffragists: The New York Socialites Who Fought for Women’s Right to Vote (New York University Press, 2017) describes the role they played in the suffrage campaigns in fin-de-siecle America, one that saw social rank exploited to advance a radical cause. As Neuman explains, their efforts in support of the enfranchisement of women were the most dramatic example of their growing degree of involvement in public affairs, as elite women worked to advance a variety of causes dear to them. Coming at a time when the suffrage movement was becalmed by setbacks and disagreements over goals, their participation gave the effort much-needed resources and energy. By organizing rallies, raising funds, and even campaigning personally on behalf of suffrage measures and against anti-suffrage politicians, their contributions played a vital role in winning for women the right to vote, both in New York and nationally.

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Mengia Hong Tschalaer, “Muslim Women’s Quest for Justice: Gender, Law and Activism in India” (Cambridge UP, 2017) Aug 27, 2017

Show notes

In her inspiring new book, Muslim Women’s Quest for Justice: Gender, Law and Activism in India (Cambridge University Press, 2017), Mengia Hong Tschalaer charts the strivings and creative struggles of Muslim women’s organizations in contemporary North India for gender justice. Carefully historicized and brimming with nuanced analysis, this book shows the discursive and political strategies through which overlapping and at times competing women’s organizations navigate a contested and complicated public sphere, as they seek to curate a gender emancipatory understanding of Islam. The major strength of this book is the way it presents a vivid picture of the quest for gender justice on the ground, leavened by such critical processes as the composition of gender-just nikah-namas. This important book will engage the interests of a range of scholars and courses on Islam, gender, South Asia, and Islamic law and society.

SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome.

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Jocelyn Olcott, “International Women’s Year: The Greatest Consciousness-raising Event in History” (Oxford UP, 2017) Aug 25, 2017

Show notes

Jocelyn Olcott is an associate professor of History and Gender, Sexuality, and Feminist Studies at Duke University. Her book International Women’s Year: The Greatest Consciousness-raising Event in History (Oxford University Press, 2017) examines the genesis of the UN’s 1975 International Women’s Year (IWY) and the two-week conference of NGOs and government officials held in Mexico City. From the planning to the gathering itself there were conflicts regarding what were the significant women’s issues among the worlds geopolitical divides. Cold War competition colored how delegates, often from the same nation, differed in their expectations. Women from third-world nations expressing concern with the status of subsistence labor, gender violence and racism clashed with women from first-world nation’s concern with marketplace and sexual rights. Conservative, liberal, and radical groups competed for attention and the opportunity to influence the official World Plan of Action. In identifying the most pressing concerns global politics and intersectionality experienced by many could not be avoided. Olcott offers insight into the riveting back stories, conflicts, personalities, and enduring legacy of the IWY a pivotal event for what became known as global feminism.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation forthcoming from Oxford University Press.

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Marcia Walker-McWilliams, “Reverend Addie: Faith and the Fight for Labor, Gender, and Racial Equality (U. Illinois Press, 2016) Aug 22, 2017

Show notes

Addie Wyatt stands at the intersection of unionism, feminism, and civil rights activism in post-World War II America. In Reverend Addie Wyatt: Faith and the Fight for Labor, Gender, and Racial Equality (University of Illinois Press, 2016), Marcia Walker-McWilliams recounts her life within the context of a nation she helped to change. Born in Mississippi, Addie Cameron grew up in Chicago, where despite her skills as a typist she could only find employment on the floor of a meatpacking plant. As a member of the interracial United Packinghouse Workers of America, she soon moved full time into union work, organizing workers and fighting for their rights. In her capacity as a union official she began a lifelong participation in the civil rights movement by raising funds on behalf of Montgomery Improvement Association during the 1955 bus boycott campaign, and in the 1970s formed coalitions designed to promote African American and female participation in the labor movement. As Walker-McWilliams demonstrates, throughout the many struggles she undertook Addie Wyatt’s faith was an important constant, providing her with a set of values and a source of emotional strength that helped her to persevere against the difficulties she faced.

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Lori Marso, “Politics with Beauvoir: Freedom in the Encounter” (Duke UP, 2017) Aug 21, 2017

Show notes

Lori Marso’s new book, Politics with Beauvoir: Freedom in the Encounter (Duke University Press, 2017), delves into Simone de Beauvoir’s political thought, feminism, and activism. The text is a fascinating exploration of these topics and complexities, but Marso takes Beauvoir’s work even further, connecting these concepts to what Marso has defined as the encounter interpreting Beauvoir’s account of the idea of freedom and the experience of freedom not only as an individual but in its relationality. Marso’s impressive engagement with Beauvoir is not just in exploring the theoretical partnering that Beauvoir has with her intellectual contemporaries like Richard Wright and Frantz Fanon, but also in putting Beauvoir into conversation with other theorists and artists, like Lars von Trier–through Beauvoir’s work on Marquis de Sade, or Allison Bechdel–as a fellow feminist theorist, or Hannah Arendt–on the topic of confronting evil and violence. The book is structured into three sections, focusing the reader’s attention on the concepts of enemies, allies, and friends, and how these personal relationships are, by definition, political, and how Beauvoir’s work and thought can and should be used to analyze contemporary cultural artifacts as well as the urgent issues of her day. Marso interrogate Beauvoir’s concept of freedom but not without also connecting that concept to its relational engagement with violence, with oppression, with colonialism, and with the broader expanse of how we think about ourselves within personal and political structures and encounters.

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