New Books in Gender

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Harrod Suarez, “The Work of Mothering: Globalization and the Filipino Diaspora” (U Illinois Press, 2017) Feb 08, 2018

Show notes

Harrod Suarez‘s new book The Work of Mothering: Globalization and the Filipino Diaspora (University of Illinois Press, 2017) focuses on the domestic workers that make up around a third of all overseas Filipino/a workers, and whose remittances back to the Philippines contribute to about 9% of its GDP or around twenty billion dollars. These migrants circulate through the world serving in positions of nurture, care, and service. Suarez examines literary, film, and cultural representations of these figures as part and parcel of a broader historical movement that structures the Philippines under globalization. To understand the multiple sites and histories of these figures, Suarez employs a framework that he calls “the diasporic maternal,” which focuses on the various forms of care and service that these migrants occupy throughout the world. Through a reading method that Suarez calls “archipelagic reading,” Suarez attempts to trace the undercurrents of these narratives that expose the feelings, desires and strategies that exist outside of motherhood and maternal care.

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Sasha Turner, “Contested Bodies: Pregnancy, Child-Rearing, and Slavery in Jamaica” (Penn Press, 2017) Feb 08, 2018

Show notes

Sasha Turner’s Contested Bodies: Pregnancy, Child-Rearing, and Slavery in Jamaica (University of Pennsylvania Press, 2017) reveals enslaved women’s contrasting ideas about maternity and raising children in plantation-era Jamaica. Turner argues that, as the source of new labour, these women created rituals, customs, and relationships around pregnancy, childbirth, and childrearing that enabled them at times to dictate the nature and pace of their work as well as their value. Drawing on a wide range of sources—including abolitionist treatises, legislative documents, slave narratives, runaway advertisements, and proslavery literature—Contested Bodies yields a fresh account of how the end of the slave trade changed the bodily experiences of those still enslaved in Jamaica.

Sasha Turner is an Associate Professor of History at Quinnipiac University, where she teaches courses on the Caribbean and the African Diaspora, women, piracy, colonialism, and slavery.

Tyler Yank is a senior doctoral candidate in History at McGill University (Montreal, Canada). Her work explores bonded women and British Empire in the western Indian Ocean World.

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Kathryn Troy, “The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890” (SUNY Press, 2017) Feb 01, 2018

Show notes

In a meticulously researched study The Specter of the Indian: Race, Gender and Ghosts in American Seances, 1848-1890 (SUNY Press, 2017), Kathryn Troy investigates the many examples of Indian ghosts appearing to Spiritualists in the latter half of the nineteenth century. The book explores non-judgmentally the ways in which these ghosts motivated their mediums and other Spiritualists to engage with the rights of living Native Americans.

James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy.

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Becky Aikman, “Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge” (Penguin Books, 2017) Jan 30, 2018

Show notes

Thelma and Louise is rightly considered a great film that went through an incredible journey to the screen. It is also an illustration of how dedicated women still had to fight hard to get it made. Becky Aikman‘s book Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge (Penguin Books, 2017) presents a great overview of both the movie and its societal and cultural importance.

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Zoe Wool, “After War: The Weight of Life at Walter Reed” (Duke UP, 2015) Jan 29, 2018

Show notes

Zoe Wool‘s ethnography of rehabilitation After War: The Weight of Life at Walter Reed (Duke University Press, 2015) describes how soldiers injured in the war on terror are pulled towards a normal and idealized American life (Duke University Press, 2015). She describes how the iconic military hospital orients its patients (mostly men) towards normative masculine domestic ideals in an attempt to assimilate them to ordinary life. By closely following their lives in and out of rehabilitation (clinical and domestic), Wool shows us how impossible and fraught this “ordinary” is as the men subvert and are caught between multiple desires and realities: to be home, whole, ordinary fathers and husbands, heroes and symbols of exceptionalism. The weight of life is carried by these soldiers and veterans who are asked to do so much cultural work in the service of their nation on and off the battlefield.

Zoe Wool is Assistant Professor of Anthropology at Rice University, where her teaching and research includes queer theory, personhood and the body, critical disability studies, science and technology studies, and violence and care.

Dana Greenfield, PhD is a medical anthropologist and an MD candidate at the University of California, San Francisco. Next year, she will begin a residency in pediatrics. Reach her at dana.greenfield@ucsf.edu or on Twitter @DanaGfield.

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Angus McLaren, “Playboys and Mayfair Men: Crime, Class, Masculinity, and Fascism in 1930s London” (Johns Hopkins UP, 2017). Jan 23, 2018

Show notes

In December of 1937, four men robbed a representative of the diamond company Cartier of eight diamond rings in the Hyde Park Hotel. What made this crime unique was the identity of the perpetrators: all four men were from well-respected, wealthy London families. The trial and eventual punishment of these four men sent the London presses into a frenzy. In his brilliant historical analysis, Professor Angus McLaren (Professor Emeritus, University of Victoria) documents the crime, trial, and tribulations of these four Mayfair men. In this analysis Playboys and Mayfair Men: Crime, Class, Masculinity, and Fascism in 1930s London (Johns Hopkins University Press, 2017), McLaren discusses how this particular crime and the perpetrators involved intersected with larger societal forces of 1930s Britain such as appropriate sex roles, class differences and anxieties, crime and punishment as well as growing fascistic ideas. Significantly, these men and others like them were referred to as “playboys” decades before the 1950s—which is largely regarded as the era that the playboy emerged onto the social scene. Anyone interested in masculinity and gender studies generally will be fascinated by the crimes of these playboys.

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What Role Did World War I Play in Women Gaining the Right to Vote? Jan 23, 2018

Show notes

In the fifth podcast of Arguing History, Lynn Dumenil and Christopher Capozzola consider the relationship between America’s involvement in World War I and the granting of women the right to vote. As they note, when the war broke out women were enjoying considerable momentum at the state level, having won the right in several states. Together they discuss the impact of the war upon their efforts, looking at how the war fractured some organizations, led to the creation of new ones, and introduced new concepts of citizenship and participating into the public discourse that challenged both the suffrage movement and its opponents.

Lynn Dumenil is Robert Glass Cleland Professor of American History, Emerita at Occidental College and the author of The Second Line of Defense: American Women and World War I; The Modern Temper: American Culture and Society in the 1920s; and Through Women’s Eyes, which she coauthored with Ellen Carol DuBois.

Christopher Capozzola is associate professor at the Massachusetts Institute of Technology and the author of Uncle Sam Wants You: World War I and the Making of the Modern American Citizen and co-curator of The Volunteers: Americans join World War I, a multi-platform public history initiative commemorating the centennial of America’s First World War.

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Monica Mattfeld, “Becoming Centaur: Eighteenth-Century Masculinity and English Horsemanship” (Penn State UP, 2017) Jan 19, 2018

Show notes

Monica Mattfeld’s Becoming Centaur: Eighteenth-Century Masculinity and English Horsemanship (Penn State University Press, 2017) explores the complex relationship between men and their horses, and reflects upon how these interactions defined a man’s gendered and political positions within society. Focusing on training manuals, memoirs, images, satires, and other rich materials produced by some of the periods most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life.

Monica Mattfeld is an Assistant Professor of English and History at the University of Northern British Columbia and specializes in animal studies and the literature and history of eighteenth-century England. She has published on early-modern horsemanship practices, theatrical animals, the early circus, and performances of gender. In addition to authoring Becoming Centaur (2017), Monica is also the co-editor of multiple animal-studies publications.

Tyler Yank is a senior doctoral candidate in History at McGill University (Montreal, Canada). Her work explores bonded women and British Empire in the western Indian Ocean World.

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Ula Yvette Taylor, “The Promise of Patriarchy: Women and the Nation of Islam” (UNC Press, 2017) Jan 11, 2018

Show notes

The Nation of Islam and other black nationalist groups are typically known for their male leaders. Men like the Honorable Elijah Muhammad and Minister Malcolm X or Martin Delany and Marcus Garvey are notable examples. But what about the work of black women in these groups? Ula Yvette Taylor’s new book, The Promise of Patriarchy: Women and the Nation of Islam (University of North Carolina Press, 2017), expands our knowledge of the role of black women from the Depression-era development of Allah Temple of Islam in Detroit to the formal group known as the Nation of Islam that expanded under the leadership in the 1960s and 1970s of the Honorable Elijah Muhammad. Women like Clara Muhammad, Burnsteen Sharrieff, and Thelma X Muhammad were essential to the development of the Nation of Islam’s goal of creating a black nation within the American nation. The Promise of Patriarchy shows how black women created notions of black womanhood and black motherhood that best helped them deal with the daily indignities of living in Jim Crow America.

Ula Yvette Taylor is Professor and H. Michael and Jeanne Williams Department Chair in the African American Studies and African Diaspora Studies at University of California, Berkeley.

Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.

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Rebecca Janzen, “The National Body in Mexican Literature: Collective Challenges to Biopolitical Control” (Palgrave Macmillan, 2015) Jan 10, 2018

Show notes

In The National Body in Mexican Literature: Collective Challenges to Biopolitical Control (Palgrave MacMillan, 2015), Rebecca Janzen explores the complex interaction between the national body created by the rhetoric of the 1910 Mexican revolution and those bodies that did not find a space in the new national project. Through the literary fictional work of Jose Revueltas, Juan Rulfo, Rosario Castellanos, and Vicente Lenero, the book explores the contradictions of the state through the literary representations of people that lived at the margins of its ideology. Drawing on feminist and disability studies, Janzen explores unusual bodies—peasants, prostitutes, indigenous people, and garbage sorters, among others—and their intense relationship of control, resistance, and power with the government and its bureaucracy. In these literary works, illness, body fluids, or bodies reduced to their basic functions demonstrate the inconsistencies of a national project that failed to fulfill promises such as agrarian reform, health services or labor rights. Each chapter of the book shows an analysis deeply engaged with the profound changes of almost three decades. The characters created by Revueltas, Rulfo, Castellanos, and Lenero span from the 1940s to the end of the 1960s, which allows Janzen to show not only the construction of a national discourse and its flaws, but also its interaction with other important institutions, such as the Catholic church.

Pamela Fuentes is an Assistant Professor in the Women’s and Gender Studies Department at Pace University—NYC campus.

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