New Books in Gender

Latest Episodes:

Jeffrey Lazarus and Amy Steigerwalt, “Gendered Vulnerability: How Women Work Harder to Stay in Office” (U Michigan Press, 2018) May 17, 2018

Show notes

Research has demonstrated that women legislators face tougher re-election campaigns, often confronting stiff general election and primary competition. They typically received less favorable media coverage and get less support from their parties. How do they respond to this very different electoral context?

In Gendered Vulnerability: How Women Work Harder to Stay in Office (University of Michigan Press, 2018), Jeffrey Lazarus and Amy Steigerwalt say that they work harder. Lazarus is associate professor of political science at Georgia State University; Steigerwalt is professor of political science at Georgia State University.

Lazarus and Steigerwalt show that in a number of areas, women members of Congress simply do more. They introduce more bills and bring more money back to their districts. They spend more time on constituent services than men and are more responsive to their constituents’ policy preferences. The authors attribute this in part to the disproportionate level of vulnerability that women legislators feel.

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Gillian B. Fleming, “Juana I: Legitimacy and Conflict in Sixteenth-Century Castile” (Palgrave Macmillan, 2018) May 17, 2018

Show notes

Labeled in history as “mad,” Juana of Castile was in fact a complex figure whose sometimes emotional nature was exploited by the men around her as a way of limiting her ability to exercise her power as queen. Gillian B. Fleming’s Juana I: Legitimacy and Conflict in Sixteenth-Century Castile (Palgrave Macmillan, 2018), a volume in the publisher’s “Queenship and Power” series, examines the struggles she faced in ruling that were posed by her husband, her father, and her son. The second daughter of Fernando of Aragon and Isabel of Castile, the bright and willful Juana was raised to assume the traditional duties of a royal woman. It was the death of her brother Juan and her older sister Isabel of Aragon that placed her in line to succeed her mother. Though designated as the ruler of Castile in her mother’s will, when Isabel died in 1504, Juana soon found herself confined as part of a struggle between her father and her husband Philip, over control of Castile. As Fleming explains, many of the steps she undertook to assert herself during this time often played into the arguments made about her unsuitability for ruling, which became a recurring theme in the efforts to deny her rightful authority. Even after the deaths of first her husband and then her father, her son Charles continued her confinement as a means of ensuring his control over her kingdom, a confinement that continued until her death in 1555.

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Gillian M. Rodger, “Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage” (U Illinois Press, 2018) May 16, 2018

Show notes

In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger, author of Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage (University of Illinois Press, 2018), introduces the reader to some of the stars of these shows—male impersonators, women who dressed and performed as men on stage. Focusing on the period between about 1870 and World War I, Rodger traces how their acts changed over time as American ideas about gender and class also changed. Along the way, Rodger presents a fascinating cast of characters who defied social and sexual norms on stage and off. A few women even managed to marry their same-sex partners. But Rodger’s book is about more than just an obscure theatrical performance practice because her work illuminates the intersections and connections between class, sexuality, and gender. Historical musicology tends to skew to the middle class, but male impersonation was entertainment for the working class. Through examining the content of these acts, as well as their reception, Rodger argues that during the second half of the nineteenth century, working class men began to guard their access to employment and the public sphere against competition from women, just as middle-class women began to break into the public sphere through work and political activity in support of women’s suffrage. The more realistic acts that lampooned middle-class masculinity that male impersonators once performed for an all-male working class audience became more focused on respectability and upholding conservative social values by the early twentieth century as audiences became mixed gender and more middle-class.

Gillian M. Rodger is a professor of ethnomusicology and musicology at the University of Wisconsin-Milwaukee. Her research centers on popular musical entertainment in the nineteenth century and American white working-class culture. In all her work, Rodger is interested in the dramatic function of songs in non-narrative entertainments and how those songs reflect contemporary ideas about gender, class, and sexuality. She has published articles in several journals including American Music and Musical Quarterly. Her first book, Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century (2010), surveys the history of variety beginning in the 1840s.

Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

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Patricia Leavy and Victoria Scotti, “Low-Fat Love Stories” (Sense Publishers, 2017) May 16, 2018

Show notes

Patricia Leavy and Victoria Scotti‘s Low-Fat Love Stories (Sense Publishers, 2017) is a collection of short stories and artistic portraits focusing on women’s dissatisfying relationships. What makes these stories different from conventional fictions is that all the stories are based on extensive interviews with women of different ages and from different racial, ethnic, and cultural backgrounds across the United States. In the book, readers will read extremely candid and moving personal stories, identity struggles, and painstaking self-reflection. As a product of art-based research, the book also critically interrogates how popular culture shapes women’s self-perception, influences their understanding of romantic relationship, and eventually contributes to their sufferings of low self-esteem, depression, or anxiety. A methodological conversation and an interview guide are attached at the end of the book to reflect on the rigorous research that the authors have conducted.

The book is very versatile in the sense that it will attract not only social science researchers but also general audience. In addition, the authors provide several innovative approaches to engage with the stories and encourage course instructors from various social science disciplines to use this book as teaching material.

Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are qualitative research methodology, youth culture, identity formation, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.

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Sophia Rose Arjana, “Veiled Superheroes: Islam, Feminism, and Popular Culture” (Lexington Books, 2017) May 14, 2018

Show notes

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation. Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students.

M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at mxavier@ithaca.edu.

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Mark Rifkin, “Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination” (Duke UP, 2017) May 11, 2018

Show notes

Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies.

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Rense Nieuwenhuis and Laurie C. Maldonado, “The Triple Bind of Single-Parent Families” (Policy Press, 2018) May 08, 2018

Show notes

What kind of barriers and risks do single parents face? In their new book, The Triple Bind of Single-Parent Families: Resources, Employment and Policies to Improve Well-Being (Policy Press, 2018), editors Rense Nieuwenhuis and Laurie C. Maldonado argue that understanding inadequate resources, employment, and policies matter for understanding single-parent families. They refer to these as the “Triple Bind.” Part One explores resources, including exploring education, wealth gaps, and school settings. Other chapters in this section also explore how single-parenthood is often a transitory phase and the importance of co-parenting. Part Two explored inadequate employment and starts with an important chapter about taking a life course perspective when researching single-parents. The chapters in this section also tackle income transfers, paid parental leave, and other workplace characteristics. Part Three focuses on redistributive policies, including cash benefits, universal vs. targeted polices, daycare, and minimum income. Part Four concludes the book with important discussions around framing single-parents in a “deficit model” way, the importance of gender in the discussion of single-parents, and ideas for future research.

This book is free to download in its entirety online and therefore is made accessible to anyone who may be interested in one or all of the topics contained within! Overall, this book tackles important topics around single-parents around the world and would be useful for an upper level undergraduate course in the Sociology of Family or Family Studies. It would also be the perfect addition to a graduate level course that focus on families.

Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch.

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Sarah Schulman, “Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair” (Arsenal Pulp Press, 2016) May 04, 2018

Show notes

Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict.

Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer.

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Emilie Lucchesi, “Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz-Age Chicago” (Chicago Review, 2017) May 02, 2018

Show notes

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

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Marie E. Berry, “War, Women, and Power: From Violence to Mobilization in Rwanda and Bosnia Herzegovina” (Cambridge UP, 2018) Apr 30, 2018

Show notes

How can war change women’s political mobilization? Using Rwanda and Bosnia as case studies Marie E. Berry answers these questions and more in her powerful new book, War, Women, and Power: From Violence to Mobilization in Rwanda and Bosnia Herzegovina (Cambridge University Press, 2018). Berry provides the reader with a solid history and background of how war came to be in each of these countries respectively. The book starts off by shedding light on the transformative nature of war and women’s political mobilization. Berry notes three major changes that are key throughout the book: demographic, economic, and cultural shifts. Starting with Rwanda, Berry sheds light on women’s roles as caregivers during and after the war, and how groups they formed for emotional support lead to starting programs and organizations. Moving to Bosnia, Berry lays out how this situation was similar and also different from Rwanda, noting, interestingly, that NGOs were basically non-existent there before the war. She concludes by noting the ways in which women mobilized politically but also the ways in which the changes that occurred have been limited by systemic issues like victim hierarchies or patriarchal backlash. Overall, the book is rich with information and written in a very clear, organized, and accessible way.

The book will be enjoyed by anyone interested in women and war. Folks in sociology, political science, history, women’s studies, as well as those interested in Rwanda and Bosnia specifically, will find this book fascinating. This would fit well in a graduate level Sociology course and would be a solid anchor for a substantive class on women and war.

Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch.

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