New Books in Gender

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Jacqueline Jones, “Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical” (Basic Books, 2017) Jun 18, 2018

Show notes

The award-winning author Jacqueline Jones is the Ellen C. Temple Chair in Women’s History at the University of Texas. Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical (Basic Books, 2017) is a biography of the riveting life of Lucy Parsons. As an activist, writer and speaker, Parsons embodied the most radical expression of the battle for labor rights in American history, yet her life remains a mystery. Born an enslaved woman in 1851 of mixed lineage, the circumstances of her birth and early life are unknown. Exceedingly beautiful and articulate, she met and married Albert Parsons, a confederate army veteran, in Waco, Texas in 1872. Their politics shifted from loyal Republicans to socialism and finally to anarchism advocating for white labor in Chicago. As a dynamic and radical duo engaged in extensive writing, charismatic speaking and alliances across multiple labor organizations, they became symbols of unrelenting agitation against industrial capitalism. Their call for armed resistance and involvement with the Haymarket bombing and trial, led to the execution of Albert leaving Lucy Parsons to carry their mutual legacy alone. Jones has brought to life an enigmatic figure whose compelling presence left a mark on the history of the radical movement for labor rights.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology, forthcoming in August, 2018 from Oxford University Press.

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Sami Schalk, “Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction” (Duke UP, 2018) Jun 12, 2018

Show notes

What do werewolves, enslaved women and immortal beings have in common? And how can they shed light on contemporary questions of ableism and police brutality? In Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction (Duke University Press, 2018), Sami Schalk argues that black women’s speculative fiction changes the rules of literary and textual interpretation by opening up productive spaces of conversation at the intersection of (dis)ability, race and gender. Schalk undertakes a close reading of a variety of genres of speculative fiction including science fiction and neo-slave narratives by authors such as Octavia Butler, Nalo Hopkinson and N.K. Jemisin. Her book shows the range of black women authors’ exploration and critique of marginalizing social and political structures and their visions for more just, equitable futures.

Sami Schalk is an Assistant Professor of Gender & Women’s Studies at University of Wisconsin-Madison. Her interdisciplinary research focuses broadly on disability, race, and gender in contemporary American literature and culture, especially African American literature, speculative fiction, and women’s literature. She has published on literature, film, and material culture in a variety of peer-reviewed humanities journals.

Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements.

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Lisa Walters, “Margaret Cavendish: Gender, Science, and Politics” (Cambridge UP, 2014) Jun 12, 2018

Show notes

As a 17th-century noblewoman who became the first duchess of Newcastle-upon-Tyne, the writer and philosopher Margaret Cavendish has often been viewed as a royalist and a conservative within the context of the social and political issues of her time. In Margaret Cavendish: Gender, Science, and Politics (Cambridge University Press, 2014), Lisa Walters offers a very different interpretation of Cavendish’s thought, revealing the nuance and complexity of Cavendish’s thinking on a variety of subjects. As an aristocrat, Cavendish served as a lady-in-waiting to Queen Henrietta Maria and her family served the Royalist cause during the English Civil War in the 1640s. Yet as Walters demonstrates, Cavendish’s writings contain many radical ideas about women and gender relations, about the makeup of matter, and of political systems. Through an analysis of Cavendish’s writings that draws out commonalities between her fictional works and her nonfiction treatises, Walters provides a very different understanding of this under-appreciated contributor to Western thought.

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Yasemin Besen-Cassino, “The Cost of Being a Girl: Working Teens and the Origins of the Gender Wage Gap” (Temple UP, 2017) Jun 11, 2018

Show notes

With the rise of the #MeToo movement following dozens of high-profile cases of sexual harassment and assault by professional men against women colleagues, gender equality has become a popular topic of discussion and a policy goal. Among the many topics under consideration is the persistent gender wage gap and how to close it. Most of the conversation of equal pay between men and women revolves around such issues as family leave policies, the undervaluing of feminine jobs, and gendered approaches to salary negotiation, among others. And almost all of the discussion concerns adult women during their peak earning years. But are there other factors that we must consider to fully understand why women continue to earn less than men despite earning bachelors and even some graduate degrees at higher rates? Does an explanation perhaps reside before women even go to college? In her timely and intriguing book, The Cost of Being a Girl: Working Teens and the Origins of the Gender Wage Gap (Temple University Press, 2017), sociologist Yasemin Besen-Cassino considers the first jobs that women have, as teenagers, and how their work conditions and treatment by employers help shape their self-understandings as workers and approach to being a worker. Focusing on people who work as babysitters and in retail, she shows how girls learn to accept such inequities as having to work extra hours for no pay and to have their work regarded as naturally “caring,” and therefore not something worth compensating. Through an innovative mixed-methods approach, Besen-Cassino goes a long way toward revealing how the seeds for the gender wage gap get sown.

Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City & Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City & Community, and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography.

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Nicole Von Germeten, “Profit and Passion: Transactional Sex in Colonial Mexico” (U California Press, 2018) Jun 07, 2018

Show notes

In Profit and Passion: Transactional Sex in Colonial Mexico (University of California Press, 2018), Nicole Von Germeten explains the most important changes, in both ideas and practices, over three centuries of commercial sex in New Spain. By using literature and extensive archival records, the author explores the gradual criminalization of places and people involved in transactional sex from the 16th to early 19th centuries. By avoiding the anachronistic introduction of terminology, debates, and depictions of current debates in regards to sex work, this book shows the complexities of sexual exchanges in the way they were accepted, rejected, and contested at the time. This broad historical perspective allows the reader, for instance, to understand the origins and causes of the stigma that words like prostitute/prostitution acquired during the 18th century, paving the way for debates that would take place in the following centuries, not only in Mexico, but in other parts of the world. Profit and Passion is an important contribution not only to the history of sexuality but also to ongoing debates in regards to sex work.

Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus.

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Halifu Osumare, “Dancing in Blackness: A Memoir” (UP of Florida, 2018) Jun 04, 2018

Show notes

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment.

Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves.

Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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Kyla Schuller, “The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century” (Duke UP, 2017) Jun 01, 2018

Show notes

Beginning with a discussion about Black Lives Matter may seem like an unlikely place to start a book about nineteenth century science and culture. However, by contrasting Black lives with White feelings, Kyla Schuller sets up the central conflict of her book. The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (Duke University Press, 2017) interrogates the role of sexual difference in the management of racialized populations, making this book a necessary read for understanding the history of such current social movements as Black Lives Matter and the trans* exclusionary “Pussy hat” feminism.

From the very beginning of the book, our conceptions of nineteenth-century science are challenged. For much of the century, many US scientists championed Jean-Baptiste Lamarck over Charles Darwin as their most prominent influence. In their quest to refute determinist theories of heredity, the neo-Lamarckians of the American School of Evolution advocated for a self-directed version of evolution. These scientists argued that Anglo-Saxons have the most adaptable features and impressionable heredity. This impressionability was what made Whites more sentimental and civilized than other races, who were not as impressionable and seen as largely stuck in a prior stage of progressivist evolution, according to E.D. Cope and the American School of Evolution. Whites were also seen as having greater sexual dimorphism than other races, while women of color were not seen as achieving true womanhood. Kyla therefore finds the origin of binary sex enveloped in racialized difference.

Beyond the subject of evolutionary science, this book introduces us to the Black uplift project of Frances Harper, the vagina politics of Dr. Elizabeth Blackwell and Dr. Mary Walker, the biophilanthropy of Charles Loring Brace, and the assemblage theories of W.E.B. DuBois. The Biopolitics of Feeling is packed with interesting, and sometimes shocking, historical anecdotes, such as Walker’s sex advice book to men in 1878, E.D. Cope’s sometimes destructive and violent rivalry with O.C. Marsh, and the “orphan trains” that took two hundred thousand kids out West for educational and labor purposes. The breadth of this book shouldd be of interest to a number of scholars interested in the history of science, literature, and medicine. Meanwhile, Kyla’s engagement and challenge to New Materialist theories is likely to be canonical for future Feminist STS scholars.

Chad J. Valasek is a Ph.D. Candidate in Sociology & Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. You can follow him on Twitter @chadjvalasek.

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Amy Sueyoshi, “Discriminating Sex: White Leisure and the Making of the American ‘Oriental'” (U Illinois Press, 2018) Jun 01, 2018

Show notes

In Discriminating Sex: White Leisure and the Making of the American ‘Oriental’ (University of Illinois Press, 2018), Amy Sueyoshi argues that Americans did not always regard Chinese and Japanese in the U.S. as pan-ethnic “Orientals” in ways that are familiar to Asian Americans today. Rather, this conflation occurred against a backdrop of troubling stereotypes that enabled white Americans in turn-of-the-century San Francisco to explore changing ideas and practices of gender and sexuality. Sueyoshi uses a wide variety of sources including newspapers and magazines, morgue and court records, novels, plays, and oral history to reconstitute differing images of Chinese and Japanese American men and women, while at the same showing that their lives defied these misrepresentations. In this conversation, Sueyoshi shares insights from Discriminating Sex, and talks about her journey through academia and activism in pursuit of equity for queer Asian Americans both on and off the page.

Ian Shin is C3-Mellon Postdoctoral Fellow and Lecturer in the History Department at Bates College, where his teaching and research focus on the history of the U.S. in the world and Asian American history. He is currently completing a book manuscript on the politics of Chinese art collecting in the United States in the early 20th century. Ian welcomes listener questions and feedback at kshin@bates.edu.

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Christina Scharff, “Gender, Subjectivity, and Cultural Work: The Classical Music Profession” (Routledge, 2018) May 29, 2018

Show notes

What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of Michel Foucault, and a critique of the entrepreneurial self, the book offers a comparative study of London and Berlin. In doing so it positions classical music as a crucial site for understanding not only cultural and creative industries, but the entirety of our unequal, post-feminist economy and society. It will be required reading and citation for all creative industries scholars, as well as an important text for cultural and media studies, sociology, music, and anyone interested in the relationship between culture and social inequality.

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Jenny Coleman, “Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885” (Otago UP, 2017) May 25, 2018

Show notes

In her new book, Polly Plum: A Firm and Earnest Woman’s Advocate, Mary Ann Colclough, 1836–1885 (Otago University Press, 2017), Jenny Coleman, a senior lecturer and Director of Academic Programmes in the College of Humanities and Social Sciences at Massey University, explores the life and letters of early New Zealand feminist Mary Ann Colclough, who wrote under the name Polly Plum. Coleman offers a biographical portrait of a too-long forgotten advocate for girls’ education, women’s rights and social reforms in New Zealand and around the world.

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