New Books in Gender

Latest Episodes:

Monica Coleman, "Bipolar Faith: A Black Woman’s Journey with Depression and Faith" (Fortress Press, 2016) Aug 10, 2020

Show notes

Monica A. Coleman's great-grandfather asked his two young sons to lift him up and pull out the chair when he hanged himself, and that noose stayed in the family shed for years. The rope was the violent instrument, but it was mental anguish that killed him. Now, in gripping fashion, Coleman examines the ways that the legacies of slavery, war, sharecropping, poverty, and alcoholism mask a family history of mental illness. Those same forces accompanied her into the black religious traditions and Christian ministry. All the while, she wrestled with her own bipolar disorder.

Bipolar Faith: A Black Woman’s Journey with Depression and Faith (Fortress Press, 2016) is both a spiritual autobiography and a memoir of mental illness. In this powerful book, Monica Coleman shares her life-long dance with trauma, depression, and the threat of death. Citing serendipitous encounters with black intellectuals like Henry Louis Gates, Jr., Angela Davis, and Renita Weems, Coleman offers a rare account of how the modulated highs of bipolar II can lead to professional success, while hiding a depression that even her doctors rarely believed. Only as she was able to face her illness was she able to live faithfully with bipolar.

Monica A. Coleman teaches theology and African American religions at Claremont School of Theology, where she also codirects the Center for Process Studies. Her writings cover womanist theology, sexual abuse, and the African American experience. She is an ordained elder in the African Methodist Episcopal Church a sought-after speaker and preacher.

Elizabeth Cronin, Psy.D., is a licensed clinical psychologist and mindfulness meditation teacher with offices in Brookline and Norwood, MA. You can follow her on Instagram or visit her website at https://drelizabethcronin.com.

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Alyssa Gabbay, "Gender and Succession in Medieval and Early Modern Islam" (I.B. Tauris, 2020) Aug 07, 2020

Show notes

In this episode, we speak with Alyssa Gabbay about her recent new book Gender and Succession in Medieval and Early Modern Islam: Bilateral Descent and the Legacy of Fatima (I.B. Tauris, 2020). The book shows that contrary to assumptions about Islam’s patrilineal nature, there is in fact precedent in pre-modern Islamic history of Muslims' recognition of bilateral descent, or descent from both the mother and the father – though, of course, bilateral descent was by no means universally acknowledged.

Although not the only example of this argument, Muhammad’s daughter Fatima is essential to the study because of her status in both Sunni and Shi’i societies historically as well as because especially Shi’is have used the example of Fatima, through whom Muhammad’s lineage can be traced, to argue in support of bilateral descent. In our conversation, we discuss the concept of bilateral descent and its three components of women as mothers, heiresses, and successors; Fatima’s relevance and significance to the discussion of descent and as a representative of bilateral descent; parallels between Mary the mother of Jesus and other pious women in Muslim history; Fatima’s claim to fadak as her inheritance and its impact on Sunni and Shi’i history; and female rulers in Muslim history. The book would make for an enjoyable and educational read for anyone interested in gender studies, Islam and gender, female authority, biographical studies, medieval Islam, and Islamic history, and would make for a great resource for both undergraduate and graduate Islam courses.

Shehnaz Haqqani is Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and questions of change and tradition in Islam. She also vlogs on YouTube; her videos focus on dismantling the patriarchy and are available at: https://www.youtube.com/channel/UClvnmSeZ5t_YSIfGnB-bGNw She can be reached at haqqani_s@mercer.edu.

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Donna Drucker, "Contraception: A Concise History" (The MIT Press, 2020) Aug 06, 2020

Show notes

The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily.

Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access

Dr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning.

Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.

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N. Achebe and C. Robertson, "Holding the World Together: African Women in Changing Perspective (U Wisconsin Press, 2019) Aug 05, 2020

Show notes

“The most interesting women in the world!” That’s how Claire Robertson describes African women, and it’s hard to disagree with her after reading Holding the World Together: African Women in Changing Perspective (University of Wisconsin Press, 2019), co-edited with Nwando Achebe. In 16 chapters, 19 contributors explore everything from issues of representation in novels and cinema, to political organizing, religious fundamentalism, slavery, love, and sexuality. Each essay is written by an expert in the field, balancing an overview of the scholarship with key examples that portray the diversity of women’s experiences on the continent. Holding the World Together represents a lively, interdisciplinary effort to invite readers into the fascinating lives of African women, past and present.

Elisa Prosperetti is a Visiting Assistant Professor in African history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at: www.elisaprosperetti.net.

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Kim Adrian, "Dear Knausgaard: Karl Ove Knausgaard’s My Struggle" (Fiction Advocate, 2020) Aug 05, 2020

Show notes

In 2009, a novel was released in Norway with a fairly simple premise; the author would simply write about himself, his life and his attempts to write. The autobiographical novel would be the first in a 6-volume series that would eventually total over 3,500 pages written in just 3 short years. The frenzied pace at which it was produced would only be matched by the frenzied pace at which it was consumed, with each volume hitting the bestseller list, and it would all eventually be translated into over 30 languages. The author was Karl Ove Knausgaard, and the novel was called My Struggle.

With the dust finally settling in the wake of the enormous controversy the book stirred up, many people are starting to move in to analyze the work with a more critical lens, trying to examine what the work actually achieves, what it’s place might be in the larger canon of literature, and elements of it we should be skeptical of. One of those critical examiners is Kim Adrian in her book Dear Knausgaard: Karl Ove Knausgaard’s My Struggle (Fiction Advocate, 2020), a collection of short letters written to the man himself where she wrestles with his work. While Adrian is herself a fan of Knausgaard, she is not uncritical of him, and even finds herself frustrated at various moments with his views on writing, literature, politics, gender and identity, but this dynamic gives the book an interesting back-and-forth as it helps her wrestle with these topics.

Kim Adrian is a visiting lecturer in English at Brown University, and is the author of the memoir The 27th Letter of the Alphabet and Sock. She has had both fiction and nonfiction appear in a number of outlets, including Tin House, The Gettysburg Review, and The Seneca Review.

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Natalia Milanesio, "¡Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina" (U Pittsburgh Press, 2019) Aug 05, 2020

Show notes

Under dictatorship in Argentina, sex and sexuality were regulated to the point where sex education, explicit images, and even suggestive material were prohibited. With the return to democracy in 1983, Argentines experienced new freedoms, including sexual freedoms. The explosion of the availability and ubiquity of sexual material became known as the destape, and it uncovered sexuality in provocative ways. This was a mass-media phenomenon, but it went beyond this. In ¡Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina (University of Pittsburgh Press, 2019), Natalia Milanesio shows that the destape was a profound transformation of the way Argentines talked, understood, and experienced sexuality, a change in manners, morals, and personal freedoms.

Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela

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Lesly-Marie Buer, "RX Appalachia: Stories of Treatment and Survival in Rural Kentucky" (Haymarket, 2020) Aug 03, 2020

Show notes

Using the narratives of women who use(d) drugs, this account challenges popular understandings of Appalachia spread by such pundits as JD Vance by documenting how women, families, and communities cope with generational systems of oppression. Prescription opioids are associated with rising rates of overdose deaths and hepatitis C and HIV infection in the US, including in rural Central Appalachia. Yet there is a dearth of studies examining rural opioid use.

RX Appalachia: Stories of Treatment and Survival in Rural Kentucky (Haymarket, 2020) explores the gendered inequalities that situate women’s encounters with substance abuse treatment as well as additional state interventions targeted at women who use drugs in one of the most impoverished regions in the US.

Lesly-Marie Buer is a harm reductionist and medical anthropologist in Knoxville, TN.

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.

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Melissa J. Wilde, "Birth Control Battles: How Race and Class Divided American Religion" (U California Press, 2020) Aug 03, 2020

Show notes

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel.

In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today.

Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values.

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Asma Barlas, "Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an" (U Texas Press, 2019) Aug 03, 2020

Show notes

In this revised edition of her classic and groundbreaking work, Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an (University of Texas Press, 2019), Asma Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence. The intervention she makes is thus as useful to those studying the Quran (and scriptural interpretation more broadly) in the western academy as it is to Muslims searching for renewed ways to interpret their Divine Scripture in a more egalitarian spirit.

Barlas cogently argues that just as patriarchy is read into the text, it can also be unread, and provides a methodology by which this can be done. In the process, she critiques both those within her tradition who hold to fixed patriarchal or authoritarian readings of scripture and those outside of her tradition who believe that her efforts are futile. Barlas’s hermeneutic privileges the text without being strictly textualist. That is to say, she is conscious of—and likewise calls her readers to be attuned to—the role played by power in the construction of interpretive knowledge. For example, she argues that even if the Qur’an is emphatic and explicit in affirming that God is genderless, this has not prevented a masculinization and an anthropomorphization of God through certain (male-dominated) theological and spiritual discourses and language.

In our interview, we take a journey through the three parts of her book: (1) Texts, Contexts, and Religious Meaning (2) God, the Prophets, and Fathers and (3) Unreading and Rereading Patriarchy. With deep moral clarity, Asma Barlas aims to recover what Leila Ahmad (1992) has called the ‘stubbornly egalitarian’ voice of Islam by illuminating the polysemic voice of the Qur’an. We additionally discuss the two new chapters in this revised edition of the book: “Abraham’s Sacrifice in the Qur’an: Beyond the Body” which elaborates on the Qur’anic rejection of representations of fathers as surrogates of a divine patriarch; and “Secular/Feminism and the Qur’an” where she engages with—and responds to—her secular and feminist interlocutors/critics on the subject of Qur’anic interpretation. This book is a passionate clarion call to dig deeper into how we receive, understand, and interpret scripture regardless of our faith commitments.

Asad Dandia is a graduate student of Islamic Studies at Columbia University.

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Gabriel Dattatreyan, "The Globally Familiar: Digital Hip-Hop, Masculinity, and Urban Space in Delhi" (Duke UP, 2020) Aug 03, 2020

Show notes

In his book The Globally Familiar: Digital Hip-Hop, Masculinity, and Urban Space in Delhi (Duke University Press, 2020), Gabriel Dattatreyan departs from the existing literature on masculinity in India, which focuses on largely middle-class, upper-caste embodiments of the same. His focus is on non-elite, urban, lower caste/class embodiments of masculinity, in the context of globally familiar soundscpaes, images and aesthetics. There is an interesting way in which the author provides a nuanced understanding of the “other”, which takes into account the heterogeneity of those who are usually lumped together in the category of that “other”.

The book provides not just caste, and regional contexts for these “working class” men but also lays out the generational shifts in the “aspirations” and future imagination of these young men. This futurization of urban participation then is highlighted in conversation with the official, policy and bureaucratized imaginations of the urban and urban Delhi in particular. In doing so, the “other” emerges as not just the passive recipient of the imaginations imposed on them by people in power but as being capable of refashioning and materially reimagining urban spaces as well. The internet and social media in particular emerge as critical sites of global engagement for the young men, who are Dattatreyan’s interlocutors and collaborators. Social media is not simply a site for getting familiar with and consuming that which is global but also the site for producing this familiarity in creative ways. It is through the labor of these young men taking immense pain to aesthetically re-produce the globally familiar that these circulations take on meaning. These re-creations and embodied re-productions also become sites of traversing newer and older forms of inequalities as well as creating political disruptions through the use hip-hop aesthetics.

Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.

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