New Books in Gender

Latest Episodes:

Arti Dhand, "Woman as Fire, Woman as Sage: Sexual Ideology in the Mahabharata" (SUNY Press, 2008) Aug 24, 2020

Show notes

The Hindu tradition has held conflicting views on womanhood from its earliest texts—holding women aloft as goddesses to be worshipped on the one hand and remaining deeply suspicious about women’s sexuality on the other. In Woman as Fire, Woman as Sage: Sexual Ideology in the Mahabharata (SUNY Press, 2008), Arti Dhand examines the religious premises upon which Hindu ideas of sexuality and women are constructed. The work focuses on the great Hindu epic, the Mahābhārata, a text that not only reflects the cogitations of a momentous period in Hindu history, but also was critical in shaping the future of Hinduism. Dhand proposes that the epic’s understanding of womanhood cannot be isolated from the broader religious questions that were debated at the time, and that the formation of a sexual ideology is one element in crafting a coherent religious framework for Hinduism.

Today we speak with Arti Dhand on her teaching, her research on the Hindu epics and her exciting new podcast on the Mahābhārata!

For information on your host Raj Balkaran’s background, see rajbalkaran.com.

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Kareem Khubchandani, "Ishtyle: Accenting Gay Indian Nightlife" (Michigan UP, 2020) Aug 24, 2020

Show notes

Ishtyle: Accenting Gay Indian Nightlife(University of Michigan Press, 2020) follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance.

Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism.

The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire.

Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies.

Kareem Khubchandani is Mellon Bridge Assistant Professor of Theatre, Dance, and Performance Studies and Women's, Gender, and Sexuality Studies at Tufts University. Khubchandani was awarded the 2019 CLAGS Fellowship from CLAGS: Center for LGBTQ Studies for the Ishtyle manuscript.

Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.

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F. Henry and D. Plaza, "Carnival Is Woman: Feminism and Performance in Caribbean Mas. (UP of Mississippi, 2019) Aug 21, 2020

Show notes

Through a feminist perspective, Carnival Is Woman: Feminism and Performance in Caribbean Mas (University Press of Mississippi, 2019) examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which they participate in the festivities. Exploring different themes, the authors in this volume explain the power of women in the evolution of Carnival mas’ in Trinidad and the Caribbean diaspora.

Dr. Dwaine Plaza is a Professor of Sociology in the School of Public Policy. From 2016-2018 he served in the College of Liberal Arts as an Associate Dean with a portfolio of student success and engagement. He has been at Oregon State University for twenty-three years and teaches a wide slate of classes both at the undergraduate and graduate levels. He has written extensively on the topics of Caribbean migration within the international diaspora, gender, racism, social justice and inequality.

Dr. Frances Henry, Professor Emerita, is considered to be one of Canada's leading experts in the study of racism and anti-racism and has published many books on this subject. However, she began her professional career as a Caribbeanist and did her Ph.D. research in Caribbean studies. She has maintained this interest and in addition to the current work, co-authored a book on Caribbean migration with Dwaine Plaza. Now retired from York University in Canada, she is still an active fellow of the Royal Society of Canada, and the Inter-American Network of Academies of Science and maintains an active research career.

Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.

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Beth Pickens, "Your Art Will Save Your Life" (The Feminist Press at CUNY, 2018) Aug 21, 2020

Show notes

As a teenager visiting the Andy Warhol Museum, Beth Pickens realized the importance of making art. As an adult, she has dedicated her life to empowering working artists. Intimate yet practical, Your Art Will Save Your Life (The Feminist Press at CUNY) helps artists build a sustainable practice while navigating the world of MFAs, residencies, and institutional funding.

Beth Pickens is a Los Angeles-based consultant for artists and arts organizations. She provides career consultation, grant writing, fundraising, and financial, project, and strategic planning services for clients across the US. Before relocating to Los Angeles in 2014, Pickens was based in San Francisco and served as Senior Program Manager at Yerba Buena Center for the Arts and Managing Director of both RADAR Productions and the Queer Cultural Center.

Dr. Christina Gessler’s background is in women’s history, literature, and anthropology. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.

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Valerie Wayne, "Women’s Labour and the History of the Book in Early Modern England" (Bloomsbury, 2020) Aug 20, 2020

Show notes

Women’s Labour and the History of the Book in Early Modern England (Bloomsbury, 2020) reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books.

Valerie Wayne is Professor Emerita of English at the University of Hawai‘i at Mānoa in Honolulu. She was associate general editor for Thomas Middleton: The Collected Works (Oxford UP, 2007) and editor of Cymbeline for the Arden Shakespeare, third series (Bloomsbury, 2017). She has edited three collections of essays and is Past President of the Society for the Study of Early Modern Women and Gender.

Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London

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Elspeth H. Brown, "Work! A Queer History of Modelling" (Duke UP, 2019) Aug 20, 2020

Show notes

From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In Work! A Queer History of Modelling (Duke University Press, 2019), Elspeth H. Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality—whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s—became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism.

Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.

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Lisa Levenstein, "They Didn’t See Us Coming: The Hidden History of Feminism in the Nineties" (Basic Books, 2020) Aug 19, 2020

Show notes

Lisa Levenstein is the Director of the Women’s, Gender and Sexuality Studies Program and an associate professor of history at the University of North Carolina, Greensboro. Her current book They Didn’t See Us Coming: The Hidden History of Feminism in the Nineties (Basic Books, 2020) shows how American feminists joined a global women’s movement for women’s rights as human rights.

At home feminists engaged such issues as race, economics, labor and the environment as important concerns that went beyond the interest of white middle class women. Feminists activists deployed new communication technologies, built networks around the world and found significant sources and methods for fund raising. Feminist activism became increasingly professionalized. A key event was the 1995 Fourth World Conference on Women, sponsored by the United Nations in Beijing, China that ultimately led to the Women’s March on Washington in 2016. During the 1990s the movement became more diverse, intersectional, globally interconnected and professionalized.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the cultural and intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.

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Kimberly Brown Pellum, "Black Beauties: African American Pageant Queens in the Segregated South" (History Press, 2020) Aug 17, 2020

Show notes

Florida A&M University professor and former Miss FAMU Kimberly Brown Pellum, Ph.D., recently released her book, Black Beauties: African American Pageant Queens in the Segregated South (History Press, 2020). The book explores the glamorous history of African American beauty queens by using the stories of former contestants to address colorism and racism still prevalent in the industry. “My mother and grandmother took me to parades to see Miss Alabama State and Miss Tuskegee University…I loved the glamour,” Pellum said. “I wrote the book to capture that experience and address the politics of beauty within our own culture.” Kimberly Brown Pellum served as the model for the new Rosa Parks monument in Montgomery, Alabama.

The allure of pageants, Pellum said, often masked the social and political challenges experienced by contestants. She said their personal stories not only illustrated their unique definitions of beauty, but also served to explain the political identities contestants created for themselves in the quests for their crowns. “So often, public discourse about black beauty is narrated by persons without an intimacy or expertise in the culture. Black beauty is a topic often exploited. This book lifts and centers the voices of black women,” she said.

Pellum specializes in the history of women’s images and southern culture. Her contributions include work at the Smithsonian Institution’s National Museum of American History, the Rosa Parks Museum and Google’s Arts & Culture series. Pellum, Miss FAMU 2005, was used as the model for the Rosa Parks statue erected in Montgomery, Ala., in fall 2019. Pellum is also the director of the digital archives project, The Museum of Black Beauty.

Latif Tarik is Assistant Professor of History at Elizabeth City State University located in Elizabeth City, NC. He is the history program coordinator, editorial board member for the digital journal Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Dance and Theatre, and serves as book review editor for the Southern Conference of African American Studies. Latif is a contributor to Race and Ethnicity In America From Pre-Contact the Present, Islam and the Black Experience African American History

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Danielle Knafo, "The New Sexual Landscape and Contemporary Psychoanalysis" (Confer Books, 2020) Aug 17, 2020

Show notes

The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities.

In The New Sexual Landscape and Contemporary Psychoanalysis (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs.

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Ghassan Moussawi, "Disruptive Situations: Fractal Orientalism and Queer Strategies in Beirut" (Temple UP, 2020) Aug 17, 2020

Show notes

Disruptive Situations: Fractal Orientalism and Queer Strategies in Beirut (Temple UP, 2020) challenges representations of contemporary Beirut as an exceptional space for LGBTQ people by highlighting everyday life in a city where violence is the norm. Ghassan Moussawi, a Beirut native, seeks to uncover the underlying processes of what he calls “fractal orientalism,” a relational understanding of modernity and cosmopolitanism that illustrates how transnational discourses of national and sexual exceptionalism operate on multiple scales in the Arab world.

Moussawi’s intrepid ethnography features the voices of women, gay men and, genderqueers in Beirut to examine how queer individuals negotiate life in this uncertain region. He examines “ al-wad’,” or “the situation,” to understand the practices that form these strategies and to raise questions about queer-friendly spaces in and beyond Beirut.

Disruptive Situations also shows how LGBTQ Beirutis resist reconciliation narratives and position their identities and visibility at different times as ways of simultaneously managing their multiple positionalities and al-wad’. Moussawi argues that the daily survival strategies in Beirut are queer—and not only enacted by LGBTQ people—since Beirutis are living amidst an already queer situation of ongoing precarity.

Alongside the main contours of the book, our conversation covered discussions of “queer flexible methodology,” navigating disruption throughout fieldwork, and assumptions accompanying “insider/native ethnography.” This book will be of interest to those interested in gender and sexuality studies, sociology, anthropology, and urban studies.

This interview is part of an NBN special series on “Mobilities and Methods.”

Ghassan Moussawi is an Assistant Professor of Gender and Women’s Studies and Sociology at the University of Illinois at Urbana-Champaign.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey.

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