New Books in Gender

Latest Episodes:

Rebecca Joyce Kissane and Sarah Winslow, "Whose Game?: Gender and Power in Fantasy Sports" (Temple UP, 2020) Nov 05, 2021

Show notes

Today we are joined by Rebecca Joyce Kissane, Professor of Sociology at Lafayette University, and Sarah Winslow, Professor of Sociology at Clemson University, who together are the authors of Whose Game?: Gender and Power in Fantasy Sports(Temple University Press, 2020). In our conversation, we discussed why people play fantasy sports, how men and women experience fantasy sports differently, and what possibilities might exist for real transformation of the masculinist sports world.

Whose Game is an incisive analysis of the classed and gendered politics of fantasy sports. Kissane and Winslow take fantasy sport seriously and unpack the ways in which fantasy sports reify and reproduce the class and gendered relations of power in social networks, workplaces and families. They argue that fantasy sports privilege behaviours typically coded male such as competitiveness, the pursuit of dominance, and the need for control. They examine how those elements of fantasy gameplay shape men’s and women’s experiences of playing fantasy sports.

Kissane and Winslow develop the concept of jock statsculinity, as a mediated form of fantasy sports masculinity that challenges more normative notions of hegemonic masculinity. Through fantasy sports, a wider range of men can participate in traditionally masculinity activities, including competition and banter, without regard to their physical capabilities. Fantasy sports thus open normative masculinity to a wider range of people than hegemonic masculinity. At the same time, Kissane and Winslow stress that not all men have equal access to jock statsculinity – white, professional men are much more likely to take part in it.

Women who want to participate in the fantasy sports world learn to navigate the space as a powerfully masculine and hetero normative space. Fantasy sports ostensibly offer women an opportunity to compete with men on a level playing field, but those spaces and the common behaviours there are coded as male. Women who play fantasy sports may face harassment, but they almost always experience marginalization and belittlement. Nevertheless, for many women, fantasy provides a way to win some of the social benefits of masculinity and/or transgress them.

Fantasy sports offer both men and women new opportunities to build connections with their relatives, co-workers, and people with similar interests, but in the realm of fantasy sport, both men and women prioritize building relationships with other men. At the same time, as Kissane and Winslow point out, even though they occupy a privileged position in the fantasy sports world social structure, men also suffer from their engagement with jock statsculinity. Men report much higher rates of emotional impact from fantasy sport. Many men spend considerable amounts of time – perhaps too much time away from their loved ones - setting their line-ups and researching matchups.

Whose Game is a wide-ranging analysis and discussion of many of the key issues facing both male and female fantasy sports fans from two leading sports sociologists. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports sociology, gender and politics.

Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.

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Zakiya Luna, "Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice" (NYU Press, 2020) Nov 05, 2021

Show notes

How did reproductive justice—defined as the right to have children, to not have children, and to parent—become recognized as a human rights issue? In Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice (New York University Press, 2020), Zakiya Luna highlights the often-forgotten activism of women of color who are largely responsible for creating what we now know as the modern-day reproductive justice movement.

Focusing on SisterSong, an intersectional reproductive justice organization, Luna shows how, and why, women of color mobilized around reproductive rights in the domestic arena. She examines their key role in re-framing reproductive rights as human rights, raising this set of issues as a priority in the United States, a country hostile to the concept of human rights at home.

An indispensable read, Reproductive Rights as Human Rights provides a much-needed intersectional perspective on the modern-day reproductive justice movement.

Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID

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Samantha Durbin, "Raver Girl: Coming of Age in the 90s" (She Writes Press, 2021) Nov 05, 2021

Show notes

A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.

Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.

Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Carlos M. Piocos, "Affect, Narratives and Politics of Southeast Asian Migration" (Routledge, 2021) Nov 04, 2021

Show notes

In Affect, Narratives and Politics of Southeast Asian Migration(Routledge, 2021), Carlos M. Piocos explores the politics of gendered labor migration in Southeast Asia through the stories and perspectives of Indonesian and Filipina women presented in films, fiction, and performance to show how the emotionality of these texts contribute to the emergence and vitality of women's social movements in Southeast Asia. By placing literary and filmic narratives of Filipina and Indonesian domestic workers in Hong Kong and Singapore within existing conversations concerning migration policies, he offers an innovative approach towards examining contemporary issues of Asian migration. Furthermore, through rich ethnographic accounts, the book unpacks themes of belonging and displacement, shame and desire, victimhood and resistance, sacrifice, and grief to show that the stories of Filipina and Indonesian migrant women don't just depict their everyday lives and practices but also reveal how they mediate and make sense of the fraught politics of gendered labor diaspora and globalization. Contributing to the "affective turn" of feminist and transnational scholarship, the book draws insight from the importance and centrality of affect, emotions, and feelings in shaping discourses on women's subjectivity, labor, and mobility. In addition, the book demonstrates the issues of vulnerability and agency inherent in debates on social exclusion, human rights, development, and nation-building in Southeast Asia. Offering an innovative and multidisciplinary approach to analyses of Asian migration, this book will be of interest to academics in the fields of Asian Studies, literary and cultural studies, film studies, gender and women's studies, and migration studies.

Carlos M. Piocos III is a professor in the Literature Department at De La Salle University. He has published widely on gender and transnationalism in international peer-reviewed journals and his monograph, Narratives, Affect and Politics of Southeast Asian Migration, was published in 2021.

Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta.

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Ruby Hamad, "White Tears/Brown Scars: How White Feminism Betrays Women of Color" (Catapult, 2020) Nov 03, 2021

Show notes

Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, Ruby Hamad's White Tears/Brown Scars: How White Feminism Betrays Women of Color (Catapult, 2020) is a breakthrough work of history and cultural criticism. The book reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color.

Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront.

Connect with Ruby Hamad (she/hers) @rubyhamadwriter on Instagram and click here to read Ruby's breakaway opinion piece for The Guardian.

Connect with your host Lee Pierce (they/them) @rhetoriclee on Instagram and Twitter.

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Genevieve Yue, "Girl Head: Feminism and Film Materiality" (Fordham UP, 2020) Nov 03, 2021

Show notes

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well?

Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.”

In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies.

Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar.

Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura.

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Alice Collett, "I Hear Her Words: An Introduction to Women in Buddhism" (Windhorse, 2021) Nov 02, 2021

Show notes

Is there gender equality in Buddhist traditions? What do Buddhist texts say about women? How have Buddhist women responded to misogyny? Alice Collett's new book, I Hear Her Words: An Introduction to Women in Buddhism(Windhorse, 2021), reviews both recent scholarship and original writing in an accessible and compelling format. She shows that core Buddhist doctrines provide no justification for the notion that women are inferior to men. But Buddhism was born and took root in societies that held traditional views of women, and social norms positioning women as inferior to men have found their way into Buddhist tradition. This book tells the stories of many inspiring Buddhist women who overcame attempted constraint to gain liberation and become esteemed teachers. Not only do we hear about them in this book, but we also hear from them in their own words. An ideal introduction to gender studies in Buddhism and the history of women in the tradition.

Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, kingship and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley.

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Sarah Eppler Janda and Patricia Loughlin, "This Land is Herland: Gendered Activism in Oklahoma, 1870-2010" (U Oklahoma Press, 2021) Oct 28, 2021

Show notes

Cori Simon (Assistant Professor, University of Oklahoma) speaks with Sarah Eppler Janda (Professor, Cameron University) and Patricia Loughlin (Professor, University of Central Oklahoma) about their new edited volume, This Land is Herland: Gendered Activism in Oklahoma from the 1870s to the 2010s (University of Oklahoma Press, 2021).

This collection of essays documents the impact of women activists on the history of tribal nations and the state of Oklahoma, and is the first book in a new series “Women and the American West,” at the University of Oklahoma Press. The chapters showcase the stories and strategies of thirteen individuals, including Indigenous, Black, and white women, who strived to transform their communities through political, economic, or civil action. Progressive reformer Kate Bernard, civil rights activist Clara Luper, or Comanche leader LaDonna Harris might be known to some readers. But contributors highlight less-famous Oklahomans as well: including Cherokee historian and educator Rachel Caroline Eaton, NAACP organizer California M. Taylor, and Equal Rights Amendment (ERA) advocate Wanda Jo Peltier Stapleton. In this conversation, we learn about how the editors—colleagues and friends—conceived of the volume, recruited contributions from scholars at all stages of their careers, and modified the plan in response to feedback from contributors, colleagues, students, and readers. They provide an orientation to the volume’s structure and briefly discuss each chapter before turning to reflect on how the history of women in Oklahoma intersects with broad national and global political movements for racial justice, gender equality, and sovereignty.

Davis Cline is Associate Professor of History, University of Oklahoma and Co-Editor, Journal of Women's History

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Chinmay Murali and Sathyaraj Venkatesan, "Infertility Comics and Graphic Medicine" (Routledge, 2021) Oct 27, 2021

Show notes

Infertility Comics and Graphic Medicine (Routledge, 2021) examines women’s graphic memoirs on infertility, foregrounding the complex interrelationship between women’s life writing, infertility studies, and graphic medicine.

Through a scholarly examination of the artists’ use of visual-verbal codes of the comics medium in narrating their physical ordeals and affective challenges occasioned by infertility, the book seeks to foreground the intricacies of gender identity, embodiment, subjectivity, and illness experience. Providing long-overdue scholarly attention on the perspectives of autobiographical and comics studies, the authors examine the gendered nature of the infertility experience and the notion of motherhood as an ideological force which interpolates socio-cultural discourses, accentuating the potential of graphic medicine as a creative space for the infertile women to voice their hitherto silenced perspectives on childlessness with force and urgency.

This interdisciplinary volume will be of interest to scholars and students in comics studies, the health humanities, literature, and women’s and gender studies, and will also be suitable for readers in visual studies and narrative medicine.

Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.

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Barbara Grabher, "Doing Gender in Events: Feminist Perspectives in Critical Event Studies" (Routledge, 2021) Oct 27, 2021

Show notes

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events.

Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria.

Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg.

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