New Books in Gender

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Nishant Shahani, "Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India" (Northwestern UP, 2021) Nov 30, 2021

Show notes

Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India (Northwestern UP, 2021) describes how queer politics in India occupies an uneasy position between the forces of neoliberal globalization, on the one hand, and the nationalist Hindu fundamentalism that has emerged since the 1990s, on the other. While neoliberal forces use queerness to highlight India’s democratic credentials and stature within a globalized world, nationalist voices claim that queer movements in the country pose a threat to Indian national identity. Nishant Shahani argues that this tension implicates queer politics within messy entanglements and knotted ideological triangulations, geometries of power in which local understandings of “authentic” nationalism brush up against global agendas of multinational capital.

Eschewing structures of absolute complicity or abject alterity, Pink Revolutions pays attention to the logics of triangulation in various contexts: gay tourism, university campus politics, diasporic cultural productions, and AIDS activism. The book articulates a framework through which queer politics can challenge rather than participate in neoliberal imperatives, an approach that will interest scholars engaged with queer studies and postcolonial scholarship, as well as activists and academics wrestling with global capitalism and right-wing regimes around the world.

Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).

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An Ethnography of Tourism and Globalization: In Conversation with Dr. Annie Hikido Nov 29, 2021

Show notes

How do Black women entrepreneurs in South Africa play off westerners’ fear and desire for impoverished townships through home-based tourist accommodations? This episode’s guest is Dr. Annie Hikido, Assistant Professor of Sociology at Colby College. She tells us how her racialized experiences growing up as a Japanese-American woman in California pushed her to become an ethnographer and race scholar. She then describes the ethnographic experiences behind her wonderful new article in Qualitative Sociology, “Making South Africa Safe: The Gendered Production of Black Place on the Global Stage,” in which she stayed with Black women in marginalized South African townships who open their homes to mostly-white tourists. She explains both these women’s public-facing performances of themselves to their visitors, as well as the behind-the-scenes and community efforts that went into presenting the townships as a safe space. She then reflects on how the women and community members understood her as an Asian-American woman and researcher, before describing her ongoing relationships with the women and the current state of her research given the pandemic.

Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.

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Yael Levy, "Chick TV: Antiheroines and Time Unbound" (Syracuse UP, 2021) Nov 26, 2021

Show notes

Yael Levy examines the underexplored antiheroine of early twenty-first century television in Chick-TV: Antiheroines and Time Unbound (Syracuse UP, 2022). Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of “chick TV” and the radical feminist potential of these shows.

Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Rana M. Jaleel, "The Work of Rape" (Duke UP, 2021) Nov 24, 2021

Show notes

In The Work of Rape(Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.

Work of Rape is the recipient of Duke University Press Scholars of Color First Book Award.

Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor.

Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.

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Shelby Criswell, "Queer As All Get Out: 10 People Who've Inspired Me" (Street Noise Books, 2021) Nov 24, 2021

Show notes

On this episode of Queer Voices of the South, I talk with Shelby Criswell, whose book Queer As All Get Out: 10 People Who've Inspired Me (Street Noise Books, 2021) follows the daily life of one queer artist from Texas as they introduce us to the lives of ten extraordinary people.

The author shares their life as a genderqueer person, living in the American South, revealing their own personal struggle for acceptance and how they were inspired by these historical LGBTQIA+ people to live their own truth. Featuring biographies of Mary Jones, We'wha, Magnus Hirschfeld, Dr. Pauli Murray, Wilmer "Little Axe" M. Broadnax, Sister Rosetta Tharpe, Carlett Brown, Nancy Cardenas, Ifti Nasim, and Simon Nkoli.

Shelby Criswell is a queer comic creator and graphic designer thriving in San Antonio, TX. They studied studio arts at the Santa Fe Institute of Art and Design as well as illustration at Academy of Arts University. They have been creating comics and drawing since childhood and haven't found anything more fulfilling to take its place. When Shelby is not creating comics or working on graphic design projects for clients, they are playing banjo, going on overnight bike trips, or drinking far too much coffee.

Shelby has had work in a few comic anthologies including Sweaty Palms, Everything is Going Wrong, and is in the Ignatz and Ringo Award-winning book Be Gay Do Comics. Shelby made their debut into mainstream comics as the artist on TERMINAL PUNKS published by Mad Cave Studios. They have also illustrated online comics for Oh Joy Sex Toy and The Nib.

Morris Ardoin is author of Stone Motel: Memoirs of a Cajan Boy (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin

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Jasmine Mitchell, "Imagining the Mulatta: Blackness in U. S. and Brazilian Media" (U Illinois Press, 2020) Nov 22, 2021

Show notes

Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed race women of African and European descent, the two countries claim to have perfected racial representation-all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates.

In Imagining the Mulatta: Blackness in U. S. and Brazilian Media (U Illinois Press, 2020), Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an "acceptable" version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire.

Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter

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Gila Ashtor, "Homo Psyche: On Queer Theory and Erotophobia" (Fordham UP, 2021) Nov 22, 2021

Show notes

In this episode, I interview Gila Ashtor, a practicing psychoanalyst and critical theorist, about her new book, Homo Psyche: On Queer Theory and Erotophobia(Fordham University Press, 2021). This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations.

Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.

Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.

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Nicole C. Bourbonnais, "Birth Control in the Decolonizing Caribbean: Reproductive Politics and Practice on Four Islands, 1930–1970" (Cambridge UP, 2016) Nov 19, 2021

Show notes

Over the course of the twentieth century, campaigns to increase access to modern birth control methods spread across the globe and fundamentally altered the way people thought about and mobilized around reproduction. This book explores how a variety of actors translated this movement into practice on four islands (Jamaica, Trinidad, Barbados, and Bermuda) from the 1930s-70s. The process of decolonization during this period led to heightened clashes over imperial and national policy and brought local class, race, and gender tensions to the surface, making debates over reproductive practices particularly evocative and illustrative of broader debates in the history of decolonization and international family planning. Nicole C. Bourbonnais' book Birth Control in the Decolonizing Caribbean: Reproductive Politics and Practice on Four Islands, 1930–1970 (Cambridge UP, 2016) is at once a political history, a history of activism, and a social history, exploring the challenges faced by working class women as they tried to negotiate control over their reproductive lives.

Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.

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Tanya L. Roth, "Her Cold War: Women in the U.S. Military, 1945–1980" (UNC Press, 2021) Nov 19, 2021

Show notes

Tanya L. Roth's Her Cold War: Women in the U.S. Military, 1945–1980 (University of North Carolina Press, 2021) explains that while Rosie the Riveter had fewer paid employment options after being told to cede her job to returning World War II veterans, her sisters and daughters found new work opportunities in national defense. The 1948 Women's Armed Services Integration Act created permanent military positions for women with the promise of equal pay. Her Cold War follows the experiences of women in the military from the passage of the Act to the early 1980s. In the late 1940s, defense officials structured women's military roles on the basis of perceived gender differences. Classified as noncombatants, servicewomen filled roles that they might hold in civilian life, such as secretarial or medical support positions. Defense officials also prohibited pregnant women and mothers from remaining in the military and encouraged many women to leave upon marriage. Before civilian feminists took up similar issues in the 1970s, many servicewomen called for a broader definition of equality free of gender-based service restrictions. Tanya L. Roth shows us that the battles these servicewomen fought for equality paved the way for women in combat, a prerequisite for promotion to many leadership positions, and opened opportunities for other servicepeople, including those with disabilities, LGBT and gender nonconforming people, noncitizens, and more.

Jane Scimeca is Professor of History at Brookdale Community College. You can watch Professor Scimeca's YouTube channel on Women's History here.

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Amy Aisen Kallander, "Tunisia's Modern Woman: Nation-Building and State Feminism in the Global 1960s" (Cambridge UP, 2021) Nov 18, 2021

Show notes

Following Tunisian independence in 1956, President Habib Bourguiba centered women’s liberation as part of the identity of the new nation. In Tunisia’s Modern Woman: Nation-Building and State Feminism in the 1960s (Cambridge University Press, 2021), Amy Aisen Kallander uses this political appropriation of women's rights to look at the importance of women to post-colonial state-building projects in Tunisia. She explores how the notion of modern womanhood was central to a range of issues from economic development and family planning to intellectual life and the growth of Tunisian academia. Looking at political discourse, popular culture, the women's press, fashion, and ideas about love, the book traces how this concept was reformulated by women through transnational organizing and in the press in ways that proposed alternatives to the dominant constructions of state feminism. Situating Tunisia within broader Afro-Asian networks and global Cold War politics, it highlights comparisons with other state-feminist projects, and how women served as symbolic envoys for the new Tunisian state in the international arena.

Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.

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