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    Arts

    Motion Hatch: Helping Motion Designers Do Better Business

    Motion Hatch is a bi-weekly podcast hosted by veteran motion designer Hayley Akins, discussing the business side of animation and motion design that so many creatives struggle with.

    Offering quality practical advice and insight for freelance, full-time or aspiring animators, illustrators and motion designers, hear from a wide range of voices within the industry, including how leading animators started out, tips on managing your business and career advice.

    For more info on how to take control of your motion graphics career and to join our community of amazing, talented designers, head over to http://motionhatch.com.

    Advertise
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    Latest Episodes:
    078: How to discover your unique voice and find work you're passionate about w/ Monique Wray Dec 15, 2020
    Show notes

    Sometimes we create outstanding work that doesn’t mean that much to us personally. Should you include it on your site anyway?

    Today’s guest suggests that we cut that out and only include the type of work that we really truly want to make. That will get you to the heart of using your unique voice to drive your business.

    About Monique Wray

    Monique Wray is a San Francisco based animator, illustrator, and director. She specializes in creating character-focused illustrated and animated content for a wide range of companies.

    What Makes You Unique is an Asset

    As Monique pivoted her business from freelance to studio owner, she went on a mission of discovery to find her unique voice.

    There is something that differentiates everyone and sets us all apart. Monique found that focusing on that not only helps her get noticed by clients but also leads to more personally fulfilling work.

    Simply put, when you present the work that you want to do the most, you’ll attract the clients who want to hire you to do that sort of work.

    Being Yourself to Find the Right Clients for You

    We all want to create work that gets us hired. Monique finds that doing so should not be separated from your values, identity, and the impact that you want to make.

    It may take intentional work to discover or rediscover what those elements are, but it’s worth it.

    When your work is imbued with your values and identity, the right clients will resonate with it and be all the more eager to work with you.

    Read the full show notes

    Links and resources

    Find Monique Wray online

    Follow Monique on Instagram

    Find Your Artistic Voice by Lisa Congdon

    The Subtle Art of Not Giving A F*ck by Mark Manson

    Big Magic by Elizabeth Gilbert

    Related episodes

    Episode 77: How to Plan Your Best Motion Design Year Ever

    Additional resources

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative


    077: How To Plan Your Best Year Ever Dec 01, 2020
    Show notes

    It’s nice to get paid for your work. But for many of us, that’s not the ultimate reason we’re in this business. We need to find a purpose in what we do and understand how we can positively impact the world with our creations.

    Working Towards a Bigger Goal

    Once we are earning enough to cover basic needs, the desire to work towards something bigger takes root. I find that motion designers are generally a group of people who care about what happens in the world. Finding work that aligns with your values is perhaps the best way to make a contribution. But before you can find the clients who will give you this work, it’s important to really identify the values that drive you.

    Discovering Core Values

    Identifying your core values means knowing what makes you unique. Take a step back and think about it. What is your unique perspective? How do you look for meaning? What would you do if money weren’t a concern? These are hard questions, but asking them will lead you to finding your true values and purpose.

    An Exercise to Find Your Vision

    To identify your vision, go somewhere quiet with a pen and paper. Break your vision into two categories: personal and career. What do you want these to look like in three years? Write it as if you’re living it now. Brainstorming about what you want your life to look like will bring your values to the forefront.

    The next thing to do is learn how to attract the clients who align with these values. You’ll need to make a plan and implement it. This can be hard to do when you’re already busy, but taking small actions now will inevitably move you closer to achieving your vision.

    Read the full show notes

    Links and resources

    Apply to the Mograph Mastermind

    Ruined by Design by Mike Monteiro

    Vivid Vision by Cameron Herold

    Additional resources

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative


    076: How to use Behance to get more clients w/ Felipe Vargas Nov 17, 2020
    Show notes

    Clients can come from many different places. In this line of work, we motion designers can take advantage of numerous resources for this. Today’s guest explains how he does it using Behance and how you can too.

    About Felipe Vargas

    Felipe Vargas is a freelance illustrator and motion designer from Chile. His specializations include designing, directing, and animating a wide range of motion projects. He also enjoys editorial illustration work. He finds many of his opportunities from his Behance page. This has led to opportunities to work with many great brands, such as Adobe, Yahoo!, The World Bank, The WHO, Facebook, Citi, JP Morgan, and many others.

    Breaking New Ground in Chile

    Felipe entered the world of motion design when it was relatively unheard of in his country. He credits his early success to a combination of having a top-notch portfolio reel, his tenacity, and luck. Today, motion design is growing in popularity in Chile. By being there from the start, Felipe finds himself well-positioned to take advantage of this new trend.

    Using Behance to Find Work with Many Different Clients

    Felipe credits a lot of his success as a freelancer to Behance. This platform creates opportunities to network that few other platforms provide. Since many clients are just as interested in your process as they are with your final product, Felipe finds that Behance is a great tool for showing how he creates his work. He credits consistency and attention to detail when using it to create a successful portfolio.

    Although Felipe creates a lot of work for advertisers, he also sees the value of working for a variety of client types. If you can be the first motion designer that someone works with, you can guide them through the possibilities of your creations. This gives you more freedom and opens up possibilities that may not exist elsewhere.

    Read the full show notes

    Links & Resources

    Download the free portfolio checklist!

    Find Felipe Vargas on Behance | Vimeo | Instagram

    Additional Resources

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative


    075: How to get hired for your unique style w/ Jess Herrera Nov 03, 2020
    Show notes

    All of us have something unique to offer, something that sets us apart. Yet, many motion designers ignore that and become generalists instead. Today’s guest finds that it’s her unique niche that lands her more work while allowing her to develop a style all her own.

    About Jess Herrera

    Jess Herrera, aka Herrerasaurus, is a freelance 3D character artist based in Australia. Whether it’s design, modeling, animation, lighting, or rigging, Jess has been there. Having worked for studios in the past, Jess understands and appreciates what it means to go freelance.

    Becoming a Master of Your Niche and Style

    Take a quick glance at Jess’ work and you can see that she makes her style all her own. Rather than being a jack of all trades, Jess is hyper-focused on her own form of 3D character design. To her own surprise, Jess found that her specialization attracts more clients than she would find as a generalist. By honing her own style, Jess sets herself apart for prospective clients.

    That doesn’t mean that you need to work entirely on your own. Jess frequently collaborates with others to come up with fresh new ideas and projects.

    Taking the Leap into Going Freelance

    Jess discusses her initial hesitations about going freelance. At first, she was hesitant because freelancing involves a lot of work beyond motion design. However, she found that for her the freedom that working for yourself provides far outweighs the other work. Most of all, the freedom of freelancing allows Jess to control her own schedule and location. As a freelancer, she has travelled the world and found some amazing work opportunities along the way.

    Read The Full Show Notes

    Links & Resources

    Find Jess Herrera online

    Follow Jess on Instagram | Vimeo | Twitter | Linkedin

    The Freelance Manifesto

    Additional Resources

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative


    074 :How to Start Your Own Motion Design Studio w/ Joel Pilger Oct 20, 2020
    Show notes

    For those of us who start a studio, we think it will lead to a new level of freedom. Before too long, we realize that it’s a business and that creativity is just one part of it. Today’s guest helps creative business owners improve the business side of what they do so that they can focus on the parts that they love.

    About Joel Pilger

    Joel Pilger of RevThink is a consultant who helps creative studios become industry leaders. He focuses on helping owners in specific areas – genius, expertise, positioning, marketing, and sales – so their firms can produce their greatest work in the world.

    Finding your freedom, genius, and niche

    We all want the freedom to produce great work. Having your own motion design studio often gives you this freedom. But it’s not that simple. Joel explains how you can get the clients you’re after by curating a community, showcasing your expertise, and crafting your unique message. These aren’t simple and easy things. Yet, with the right approach and guidance it is completely achievable.

    Work is very personal to creatives. Joel urges creatives who are searching for a niche to serve to look within their own genius to find it. Identifying your genius will lead you to your niche. If you can focus on what you love to do, you can serve the best clients for you and find joy and inspiration in your work.

    Your community is the key to your success

    In the end, much of a studio’s success is derived from its community. Reaching out within your network is the best place to find the employees you want and the best clients. Joel explains how this community doesn’t happen by accident. It takes regular and intentional curation and engagement. Joel describes how identifying people’s problems and offering yourself as a solution is an effective way to become an integral part of this community.

    Quotes

    “The foundation is focusing on your genius. You have to identify your genius and focus on it. That informs your positioning, you build your community, you work with those best clients, and great work shows up.” [10:43]

    “Yes, I’m a big fan of working and focusing on a niche. However, niching down is a byproduct or a symptom of focusing on your genius.” [11:32]

    “That’s ultimately the shift that we’re all going through if you’re in this business - from being an order-taker and providing services to becoming an expert and providing value, results, and outcomes.” [34:35]

    In This Episode

    • How consultants help studios improve various parts of their business [1:48]
    • The different challenges of freelancing and owning a studio [4:40]
    • How your niche derives from your genius [11:10]
    • Growing a studio without giving up your creative pursuits [16:45]
    • How curating a community can lead to new work [27:20]
    • The shift that needs to happen to become a leader in your field [35:00]
    • The one thing every motion designer needs to do to survive tough times [40:38]

    Key Takeaways

    Creativity is just one ingredient in owning a business. It should be the source of what you do and who you serve, but you’ll need help with the rest of the operation. Reaching out within your community will help you find the right people for your studio.

    Communities do not happen by accident. You need to curate your community and continually make offers within it. This will provide you with the best resource your studio needs to succeed and grow.

    Links & Resources

    Find Joel Pilger online

    Follow Joel on Instagram | Linkedin

    RevThink Podcast

    Additional Resources

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative

    Show Notes


    073 : How to Leverage Personal Projects to Improve Your Motion Design Career w/ Qais Sarhan Oct 06, 2020
    Show notes

    Do you ever feel that you have too much client work to focus on personal projects? It can be tough making the time for something that doesn’t bring you any direct income. However, these personal projects are an important part of your craft. They’ll help you sharpen your skills while imparting a sense of satisfaction that other work doesn’t.

    About Qais Sarhan

    Qais Sarhan is a 2D motion designer based in Reading. He creates simple, succinct animations in order to promote and explain complex marketing messages. When not creating for studios and agencies, Qais creates silly gifs about cats and food.

    The Rewards and Challenges of Remote Work

    As someone who works on all aspects of a project, Qais is able to work remotely. In this capacity, he seldom needs to come in-house and has the freedom to live outside of the major hubs. Even though you might not be physically in the room with clients, Qais urges you to stay in frequent communication. Regular emails, calls, and messages will put them at ease and let them know that their project is in good hands.

    Leveling Up with Personal Projects

    When not working for clients, Qais is constantly refining his own skills. Personal projects are a great avenue for this. By investing in yourself, not only will your craft improve, but you will also gain a sense of satisfaction that only comes creating for your own development. It will also help you avoid being too harsh on yourself so you can focus on the joy in what you do.

    Full Show Notes

    Links & Resources

    Join Client Quest

    Find Qais Sarhan online

    Follow Qais on Linkedin | Twitter | Instagram | Facebook | Vimeo | Behance | Dribble

    Wipster

    Feck Perfuction

    Additional Resources

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative

    Show Notes


    072: The Future of the Motion Design Industry w/ Ryan Summers Sep 22, 2020
    Show notes

    There’s certainly a lot of unknowns in the world these days. This is true for the motion design industry as much as anything else. Long-term survival is likely going to involve both adaptability and keeping focused on your priorities.

    About Ryan Summers

    As 2D creative director at School of Motion, Ryan is busy making courses to help other motion designers move forward in their career. This allows him to keep a close eye on trends in the motion design world and get ready for what the future brings to this industry.

    The New Landscape of Motion Design

    The world is changing fast. While many of these changes bring new challenges, they also involve new opportunities for motion designers. Ryan shares his observations and predictions for what this means for us. For one thing, remote work is more accepted and widespread than ever. It also presents more opportunities for individuals and small studios which can operate without the massive overhead required by the big studios.

    Specialization as a Key Elements of Success

    In the crowded field of motion design, it’s crucial to set yourself apart. With all the generalists put there, Ryan sees the importance of specializing in something that shares your unique voice. It may weed out some potential clients, but it will make sure that you work with the right ones in the end.

    “There’s great opportunity when the world changes as fast and as all-encompassing as it has.” [5:14]

    “That’s the part of every artist’s challenge and every studio’s challenge; You have to redefine yourself while the world changes around or you’ll get lost.” [7:43]

    “You have different processes on the creative side based on your needs at the moment. Why shouldn’t you have the same thing business-wise?” [28:49]

    • How new trends are affecting the world of remote work [4:30]
    • The importance of agility during unpredictable times [10:03]
    • Why specializing will not only set you apart but also keep you focused on your passion [18:55]
    • What it takes to set your portfolio apart from the competition [24:55]
    • Creating long term connections by passing work off to others and having partners [28:36]
    • Maintaining your own passions and taking care of yourself as a necessary part of staying in business [35:43]

    The business and creative world is quickly changing. Being adaptable and agile in order to avoid pitfalls and take advantage of new opportunities is a must. This means being creative about how you operate your business. Even though how you run your business may need to change, maintaining your creative passions as priorities will give you the drive to keep going.

    Just as you cultivate your artistic skills, you need to tend to your own wellbeing. Your work can be a great way to feed your own creative self. However, getting caught up in just the money-making aspect is not sustainable in the long run.

    The Motion Designer Client Challenge

    Follow Ryan on Twitter

    School of Motion

    Episode 22: Art School vs Online Courses: The Pros & Cons

    Episode 64: How to price your work as a motion designer

    Podcast production & marketing support by the team at Counterweight Creative

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net


    071: How To Go From Freelancer To Studio Owner w/ Karl Doran Sep 08, 2020
    Show notes

    Karl Doran explains what he’s learned by going from freelance motion design to owning his own studio. He describes his process for landing clients without the use of traditional advertising. He also talks about setting clear expectations with clients so that everyone is happy with the results of his work.

    Both freelancing and running your own agency have their advantages. There’s a sense of freedom to both, but they come with different responsibilities. My guest on this episode started his own successful agency after years of freelancing. Today, he’s sharing some lessons he learned from this switch.

    About Karl Doran

    Karl Doran is a creative director and founder of Flow Creative, an animation studio and branding agency in Manchester. His team of eight illustrators, designers, and project managers has created animated explainer films, brand films, and social content for numerous companies and arts and culture organizations.

    How can you leverage your network to land the next big job? We would love to hear from you. We are @motionhatch on Twitter and Instagram.

    Have you transitioned from freelance to studio work? What’s one lesson you learned from the switch? Let us know on Twitter or Instagram.

    Find full show notes here.

    Join the Motion Design Client Challenge

    Join the waitlist for our brand new course Client Quest.

    Find Karl Doran online

    Follow Karl on Twitter | Instagram | Facebook | Linkedin

    Motion North Meetup

    Harvest

    Xero

    Thanks for Listening!

    Podcast music licensed by Big Waves

    sonosanctus.com

    dankoch.net

    Podcast production & marketing support by the team at Counterweight Creative


    070: Why You Can’t Find Consistent Clients Jul 07, 2020
    Show notes

    Freelance life can go from feast to famine in an instant. As a Motion Designer, it can be easy to get discouraged when your business is down. Plus, even when you have a project, there’s no guarantee that you’ll have work waiting when it’s done. That’s why I love consistent clients.

    In this solo episode, I want to talk to you about what it takes to land clients that keep coming back to you. To be successful in Motion Design you should regularly be engaging in client outreach. It may not be your favorite part of the job, but it’s critical to your long-term success and sanity.

    Maker Time vs Manager Time

    In the episode, I talk about two distinct ways to structure your work time, “maker” time and “manager” time.

    • Maker Time - Large blocks of time (~4 Hours) used to focus on creative work.
    • Manager Time - Smaller blocks of time (

    069: How to grow your freelance motion design business with Erica Gorochow Jun 23, 2020
    Show notes

    How to build your freelance business to just the right size.

    As freelancers, most of us would like to see our business grow. While you may work a lot on your own, meaningful and sustainable growth is a group effort. There are also reasons to limit how big you grow your business. Today’s guest successfully grew her practice to just the right size with the help of strategic collaboration and teamwork.

    Erica Gorochow is a Brooklyn-based director and designer at PepRally. She fluctuates between building teams as a studio, independent directing, and doing her own freelance work. Erica focuses on making high-quality work for brands, networks, agencies, and startups. In addition to client work, she produces projects internally to continue exploring new technologies, techniques, and ideas.

    Should you have a studio or be a freelance motion designer

    There’s a lot to consider as you expand your work as a freelancer. Even what to call your practice is something Erica dealt with. She really recommends establishing yourself with studio work before scaling up as a freelancer. That way you’ve already built up a name and reputation for your work.

    Collaboration with others can add more value to your motion design work

    Although she does a lot of solo work, Erica loves collaborating with others. Mostly, it’s just more fun to succeed as part of a collaborative effort. Working with others adds more value to the work and fosters personal growth as a creator.

    In this episode
    • Considerations for naming your studio or practice
    • Deliberate steps to take when scaling up your freelance work
    • Advantages that come when working in a coworking space
    • Collaboration as a way to foster personal and professional growth
    • Tips for creating a budget with prospective clients
    • Why you shouldn’t scale up simply for the sake of scaling up
    • Getting big clients without creating a studio
    Quotes

    “If I’m not going to toot my own horn, how can I expect others to do it for me?” [13:14]

    “I don’t know that I always have the absolute best idea. I think you’re much more likely to get to the best idea vis-à-vis collaboration.” [15:09]

    “Growth is whatever you define it to be. It can be personal. It can be scaling. It can be anything in between. Try to be honest with yourself about what kind of growth will lead to happiness knowing you’re allowed to change your answer.” [47:07]

    Links

    Find Erica Gorochow online

    Follow Erica on Instagram | Twitter | Vimeo

    Company of One by Paul Jarvis

    Join the Client Quest waitlist


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