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    Alternative Health

    Love & Light Live Crystal Healing Podcast

    Your weekly spot for crystal healing inspiration and teaching with Ashley Leavy of the Love & Light School of Crystal Therapy!

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    Latest Episodes:
    Water Element Crystals | Stones to Unlock the Healing Energies of Water Jul 03, 2025
    Show notes

    The elements represent the four creative energies of the universe and each has a set of archetypal energies associated with it. Getting familiar with these can help you better understand their energetic influence on you. Each element is also associated with certain healing stones based on their respective properties and energies. Let's dive into water element crystals, and discover how you can incorporate the power of water into your crystal practice... Water is a powerful ally, a companion, and a wise teacher. Water has had such a profound impact on my life... From summer walks around the pond near my grandparents' house during my childhood, to hiking the marshes near my home searching for skunk cabbages in college, to my deeply profound pilgrimage to Avalon where I connected with the Red & White Springs (which had a huge impact on my spiritual practice), water has been ever present in my life...even here in the Midwestern US! Water has held me during times of joy and deep grief, in moments of embodied presence and mystical experience. The Water element connects you with emotions, intuition, cleansing, and love. Keywords: Fluidity, Adaptation, Emotions, Intuition, Love, Memory, Wisdom, Reflection, Healing, Release Color & Symbol: Blue Crescent Moon or Blue Inverse Triangle Season & Direction: Autumn, West Parts of the Body: Belly, Adrenals, Intestines Zodiac Signs: Cancer, Scorpio, & Pisces Tarot Suit: Cups / Chalices (representing the emotions, intuition, love, and a mirror of your heart) Planets: Moon, Venus Crystals for the Water Element: Blue Lace Agate – a cooling, water element stone Botswana Agate – reminds you to go with the flow Lake Superior Agate – connects you with the energy of the water element (the life-giving source); aids you in healing the Earth’s bodies of water River Agate – helps you tap into your inner power - like a river carving through rock Amazonite – lets compassion flow like water from your heart Amethyst – connects you with the intuitive aspects of the water element Vera Cruz Amethyst – reminds you of the life-giving energy of water Aquamarine – a stone of the sea and its creatures Brown Aragonite – helps to release the fear of water Azurite – promotes mental clarity during intuitive work Aqua Calcite – facilitates a calm mind, like a pool of still water Red Coral Calcite – connects you with the energy of the water element White Calcite – offers you space for reflection Cavansite – connects you with the energy of the sea Blue Chalcedony – reminds you to shift and change according to your present circumstances (like water filling different shaped containers) Charoite – enhances water healing practices (including H.A.D.O.) Chrysocolla – instills respect for the Earth’s bodies of water White Coral – encourages communal tending of waterways and water sources Creedite – connects you to the energy of the water element to wash away feelings and thoughts that need to be released Dumortierite – connects you to the energy of the water element so that you are better able to “go with the flow” Blue Fluorite – connects you to the energy of the water element for cleansing, emotional healing, etc. Fossilized Echinoid (Sea Urchin) – enhances your connection to the water element Iolite – used to navigate the sea, this stone helps you find direction when you feel swept away by the current of life Gary Green Jasper (Petrified Bog Wood) – it took ages for this stone to form so it encapsulates the idea that good things take time and reminds you that you must have patience Blue Kyanite – a powerful energetic cleanser Lapis Lazuli – helps you recognize the powerful microcosm-macrocosm relationship of the water within your body and your cells in relation to all the water here on earth Larimar – an ancient dolphin-energy stone; said to enhance communication (especially with creatures of the sea) Malachite – reminds you of the healing power of the water element Rainbow Moonstone – assists you in recognizing cycles - like the ebb and flow of the tide White Moonstone – opens you to the creative influence of water; helps you to release fears associated with water; use for healing the earth’s oceans, seas, and other bodies of water Boulder Opal – a reminder that life is precious and there is no life without water Hyaline Opal – balances the energy of the water element within the body Pearl – a symbol of the mermaid; use for cleansing the energy body Actinolite-Included Quartz – helps you to more deeply understand the role that water plays in all life here on Earth and appreciate the differences each organism contributes to the cosmic dance of existence Blue Indicolite Tourmaline-Included Quartz (Blue Tara Quartz) – enhances your connection to water Cobalt Aura Quartz – provides you with an opportunity to learn from the water element Metamorphosis Quartz ™ – connects you with your emotions and with the water element Rose Quartz – connects you with the emotional healing quality of water Garden Quartz (Shamanic Dream Quartz / Quartz with Inclusions of Chlorite and Lodolite) – connects you with the intuitive aspects of the water element Tibetan Quartz – connects you with the element of water for emotional healing Selenite – connected with the energy of water and the moon; excellent for intuitive flow Abalone Shell – an energetic vessel for the energy of the water element (also a physical vessel for water offerings) Shungite – enhances cleansing and rejuvenation Silver – use for water element connection Blue Topaz – enhances your connection with bodies of water Blue Tourmaline – facilitates a connection to the water element Turquoise – carries the wisdom of the water element - this stone can share water’s wisdom with you Working with Your Water Element Crystals: To work with your water element crystal, place it on your altar along with something representing the water element. Your water element symbol could be something like a small dish of water, a fountain, seashells (especially an Abalone shell), a chalice or goblet, a mirror, an image or statue of a mermaid or dolphin, or anything else that helps you feel connected with the energy of water. Make yourself comfortable in front of your altar. And pick up your water element crystal. Close your eyes and take a few deep breaths. Ask the stone to help connect you with the energy of the Water Element and to provide you with clarity about what water has to share with you. Envision yourself surrounded by the energy of the water element. Take another deep breath in, and exhale. Then open your eyes and gaze at your water altar. When you feel ready, close your eyes again and think about your altar’s symbolism and imagery. What thoughts enter your mind about its energy and meaning for you at this time? What messages is the water element bringing to you? Take a few more deep breaths in and feel the energy of water move from your stone, into your hands, filling your aura and charging you up with the energy of the water element. You may wish to journal about your insights to keep a record of the messages you uncover. You can perform this ritual with any of your chosen water element crystals. Water Element Meditation: To enhance your experience at your water altar, you can perform a simple meditative exercise with your chosen crystal. Check out this classic blog post to follow along with this wonderful meditation for your water element crystals. The Water Element offers a profound pathway for nurturing these aspects of our lives. To help you align with its transformative power, I’ve created the Crystals for the Water Element Course—a unique journey into sacred flow and wisdom: In this immersive course, you’ll learn how to work with Water Element Crystals to deepen your spiritual practice, enhance emotional balance, and awaken your intuition. Whether you’re seeking personal transformation or tools to support your clients, this class provides the guidance and resources you need to connect with water’s healing energy. Course Materials Include: An hour-long class video exploring Water Element Crystals and their uses. A printable bonus handout with water element correspondences. A soothing guided meditation for connecting with water’s energy. Are you ready to bring the wisdom and nurturing flow of the Water Element into your life? Learn how to balance emotions, strengthen intuition, and embrace sacred transformation with the Crystals for the Water Element Course! Are you interested in becoming a Certified Crystal Healer? Find out more about the CCH and Advanced Crystal Practitioner Program HERE!


    Healing Properties of Orange Calcite: A Crystal for Motivation & Soul Purpose Jun 18, 2025
    Show notes

    A Crystal Message about the healing properties of Orange Calcite: "I embrace my motivation to walk my path and fulfil my soul purpose."


    Emerald Meaning | Crystal for Abundance, Self-love & more! [Crystal Confab Podcast] May 12, 2025
    Show notes

    Join Adam Barralet, Kyle Perez and Nicholas Pearson in Episode #32 of the Crystal Confab Podcast as they do a deep dive into Emerald meaning, including: Manifesting abundance with Emerald Emerald as a travel companion Using Emerald for radical self-love Tune in now for a deeper look at Emerald meaning! Podcast Episode Transcript: Crystal Confab Podcast Introduction: Are you just starting with crystals? Or maybe you have a whole collection but aren't sure how to use them? Join four crystal nerds, healers, workers, and lovers for crystal confab, a casual chat about all things crystals. Adam Barralet: Welcome to this week's episode of crystal confab. We are so excited to be talking about this crystal today, and I think Nicholas is extremely excited. We've talked about stones of nobility in the last few weeks. We've talked about sapphires. We've talked about ruby. And so, of course, we must, otherwise, Nicholas would probably threaten to leave the show, talk about emerald. And that's exactly what we're talking about today. Joining me are Kyle and Nicholas, and we are talking about one of the things I really love about Emerald is that it's part of a family called the Beryl family. And I just think of a bunch of old women sitting around knitting called the Beryl's and that type of thing. But people may not realize that some of our other much loved crystals such as acmarin, heliodor, and morganite, they're all part of the beryl file family. Aren't they, Kyle? Kyle Perez: Absolutely. The beryl family is all beryllium silicates, and they are beautiful in their perfect formation. They are all hexagonal, and your pure colorless beryl is called goshenite, originally found in Goshen, The United States. I don't know exactly where it is. I've forgotten. Nicholas should be able to let me not know. I know it was named after where it was found. This is an etched Brazilian piece, really interesting, and totally colorless. You'd think it was quartz. Then you have Heliodor, yellow, named for the sun god. I love Heliodor and aquamarine because they're both colored by iron, and it is one ion of iron difference that changes the color from blue to yellow, which is really cool. And I can actually show you in this aquamarine that goes into heliodor from Namibia. I love to call it aquadore. You can call it whatever you want. Then we have red beryl. Red Beryl comes from the Wawa Mountains, which I just love to say, which is too much fun. Definitely the rarest and most expensive of your Beryls. It will cost you several tens of thousand dollars a carat cut. And then a really rare interesting one, black Beryl. Weird, included, kind of interesting. There is also a Maxixe beryl, which is a really dark, dark blue beryl that you find in Brazil that actually changes color when it comes out of the Earth. And then there's even orange Beryl and green Beryl that you find out there as well, and it's just an amazing family. And they're strong gems. Remember, Beryls are eight on the hardness, so they're good sturdy gems that actually last well in jewelry. So look for all of the colors of the rainbow, please. Adam: And do you find, Kyle, the, the Beryls are good as a family for something in particular? Kyle: I literally have all of my Beryls in one grid together. They all live together in one grid, and they all access all of the elements, and they connect to fae, and they connect to light and joy and all of this really uplifted energy. I actually have a crystal skull carved, two in morganite, three in emerald, two in aquamarine, and two in heliodor as well. I have a full collection of skulls carved in this energy, and I really love that element where you get water, you get fire, you get earth, you get air, you get it all coming in together, and it really is empowering. And I think it's a great follow on from, you know, last week talking about everything coming together. Maybe pop your Beryls in. Adam: Yeah. I love that idea. And it's funny you talk about the elemental beings. I find the Beryls to be probably the best family group for bringing in elemental energy. I love either Heliodor or Goshenite for the Fae realms. I love Acrebrine. It's said to be one of the favorite stones of the Merfolk. I think, big fight is really great or Red Beryl is really great for dragon energy. It's got real power in it. And then, of course, emerald is really great for gnome energy, and that will kind of come unpacked as we talk about this. But I think me and Kyle are just torturing Nicholas off camera at the moment because he's just like, let me talk about Emerald, and we're just having a dialogue here. Nicholas, tell us all about why you love Emerald and why it's we. I asked Nicholas if you had a ranking top, but it's in your top family. Is that right? Nicholas Pearson: Yeah. Yeah. I'm, you know, I'm sure all of us being in the public sphere working with crystals, we get asked on a pretty regular basis, what is your favorite crystal? What's your top five? And I have favorites for different reasons at different times. My favorite thing to collect, hands down, is quartz because you'll never get bored. It's what started my collection. My favorite thing to work with therapeutically for me in my journey has been a rhodonite. My favorite thing just for the sheer beauty of it is petersite, but the stone whose mythology and magic just floors me every time I get a chance to, like, have that intimate connection to it and its story is emerald. And what a magical and subversive stone it has been throughout history. So I'm gonna give us, like, the short version of the the history to today, because I really wanna, like, jump into this, like, deeper symbolism that that I've experienced with emerald. We get emerald in English from French, which is, you know, derived from Latin, which comes from Greek, which ultimately comes from even older roots. But in Greek, it just meant greenstone. So our ancient emeralds, much like our ancient sapphires and our ancient rubies, were just things that color. And what we find in emerald is a lot of history that connects it to the natural world because green things grow from the Earth. Emeralds are green and found in the Earth. They're extraordinarily rare, true. Emeralds are formed with tiny little bits of trace chromium in them. There's some debate. Some gemological institutions will honorarily allow Beryl colored by vanadium to be called Beryl or to be called emerald. Others absolutely will not. So I'm in the ‘will not’ camp. But, the magic of emeralds is in part linked to the fact that they don't form like most other Beryls. A lot of our gem quality Beryls, we're gonna find in igneous environments. We're gonna find them in pegmatites, which are thought of granite, but with much larger components because it cooled so much more slowly and gave time for these crystals to form into very high quality gems. And a lot of our really good gem materials in general come from pegmatites, but not emeralds. They form in metamorphic environments. We're gonna find them largely in schist, occasionally in some other metamorphic rocks. Very rarely, there's a well known Chinese deposit that is formed in a primary and igneous rock. But what is happening is the beryllium essential to the make of beryl, it's a beryllium aluminum cyclosilicate, and the chromium that gives it that rich green color almost never occurs together. So what we need is for literally the making of mountains, the folding of landscapes in half, the doubling of them over, the squeezing and stretching. And then the icing on the cake is a little bit of extra hydrothermal activity going on. And in those little pockets in the in between, we can bring together these other ingredients, the beryllium and the chromium with the very common, silicon and oxygen and aluminum and and and any other trace elements might be in there to give us emeralds. But because of that kind of tortuous and arduous history, geologically speaking, they're usually not very big, and they're usually not very transparent. They're often riddled with flaws of all different kinds. We usually find them in, as Kyle showed, schist kind of rock, which is a really high grade metamorphism. So I've got some Brazilian emeralds here in the matrix. This is a gift from my dear friend, Takeda. And, you know, when we're really lucky, we'll find big emeralds or we'll find transparent emeralds. Sometimes we find them both at the same time. My largest is this one here from Ethiopia, and it's got this beautiful biotite, you know, relic of the schist that came out of here. And this is unusually large for an emerald. It's not unusually high quality. I could afford only one of those modifiers, and it was not quality, so I went for quantity over quality for once. But emeralds in history have been used, like true emeralds, have been used since the Neolithic era in Northern Africa, and they were fashioned into at least one headdress or crown that has been found. There's some rough dark emeralds in it. There's also bone and natural resin holding the whole thing together. We see inventory records from Babylon that record the sale of emeralds around six thousand years ago. We can't be sure they're the same species, but they were a precious green stone. We've got large scale mining of emeralds that takes place for the very first time in Egypt in the mines at Wari Sekait, which under the kind of Roman Hellenistic occupation period was named was renamed Mons Muragnus or Mount Emerald because of how rich the emeralds were there. And this was around 1,500 BCE, so like 3,500 ago. We find stones there that were buried with the dead and worn as jewelry by the living. Inscribed stones were used as talismans. These were deeply spiritual,


    Chiastolite Meaning | Crystal of Higher Truth, Spiritual Crossroads & More! [Crystal Confab Podcast] May 05, 2025
    Show notes

    Join Adam Barralet, Kyle Perez and Nicholas Pearson in Episode #31 of the Crystal Confab Podcast as they do a deep dive into Chiastolite crystal meanings, including: Working with Chiastolite Crystals during Samhain & Beltane Harnessing Higher Truth with Chiastolite The history of cross-stones and the magic of the crossroads Tune in now for a deeper look at Chiastolite meaning! Podcast Episode Transcript: Crystal Confab Podcast Introduction: Are you just starting with crystals? Or maybe you have a whole collection but aren't sure how to use them? Join four crystal nerds, healers, workers, and lovers for a casual chat about all things crystals. Nicholas Pearson: Hello, and welcome back to Crystal Confab. It's Nicholas, and I'm joined by Adam and Kyle. Our crystal bestie, Ashley, is elsewhere in the universe today, and she'll be joining us again soon. And this week, we have, I think, another really underappreciated gemstone that we're gonna be confabbing about, and this is a stone that I think is probably pretty recognizable. Maybe fewer people can pronounce its name or spell it, and even fewer have worked with it. And that stone is Chiastolite, which is a really fascinating stone that has been confused with some other stuff throughout history. No surprise there. And it's a variety of a mineral species called andalusite. I happen to know that Kyle's a big fan of andalusite more generally speaking. So what do you have to tell us about this mineral species? Kyle Perez: Well, of course, I was introduced to andalusite doing my gemology degree. You have to cover pleochroic stones, and andalusite is like the poster child of pleochroism in minerals. As you can see, it has this kind of innocuous brown color, but when they are cut and faceted correctly and you see the light correctly through them, they show the traffic light system of colors, yellow, red, and green or like an amber color. And it is incredible that you can turn this stone one way to another and see these incredible colors shift and change. And I was drawn into it immediately, and I find it incredible to shift our perspective. I think anything pleochroic has that ability to perspective shift, and it helps you to see practical ways of looking at things, energetic ways of looking at things, and kind of cerebral ways of looking at things. It really gives us the ability to look at things in many ways and from many angles and that's why I really love it and that's why I think it leads into and is incredible with Chiastolite or ‘Chiastolite’ as it is supposed to be pronounced. Adam Barralet: I'd love to actually just bring that up. I've always said Chiastolite, but it's the correct Chiastolite, is it Nicholas? Nicholas: Historically, yes. So it's taken from the Greek letter, which in English, we often say Kai, but would be kind of a really guttural sound closer to that in Greek. So is marked with an x or shaped like an x, which is how it gets its name. Adam: I love that. And it is a really interesting stone, is it? Because normally when it's cut and this is how we find a cut the most, it's, you know, that beautiful brown stone, really interesting having that black cross throughout it. Nicholas: Yeah. And that phenomenon has attracted quite a lot of attention over the years. So the earliest textual references, we have to things objects just called cross stones appear in the very late, fifteenth century, so toward the end of the 14 hundreds. And around this time frame, we might encounter an occasional illustration, and they're mostly just pebbles that are crisscrossed with veins of quartz or calcite in them, and they were known as cross stones or some version of that. There's like a million permutations of this name, lapis crucifer, from lapis meaning stone and prox brass, ferere, tecere, so literally cross bearing stone. We have lapis cruciatis. We've got the crucis lapillo, the little stone of cross, the lapis cruciformis, and so on and so forth. But eventually, we get Chiastolite taken from the Greek root, but appearing in print for the first time in German. And these stones were initially discovered in a region of Spain, in the Northern part of Spain, and they occur on the Camino De Santiago De Compostela, 1 of the world's most famous Christian pilgrimage sites, arguably one of the most famous pilgrimage sites of any religion found worldwide. And, allegedly, the the destination of this pilgrimage is said to house the remains of Saint James or Santiago, we call him in Spanish, who was, the very first apostle to be martyred. When these stones were discovered in this region in the early sixteenth century, they were immediately taken as tokens of the pilgrimage, and they were worn and carried, adopted by these pilgrims. And from about the fifteen fifties onward, they began to circulate throughout a wider part of Europe. However, if we go to a neighboring country, we find another cross bearing stone that was also given the same name, cross stone, in several different languages, and that is staurolite. So staurolite and andalusite are both things that are indicators of metamorphism. They're what we call indicator species in metamorphic rocks. They are both aluminosilicate minerals. They're both pretty darn dense. It just so happens to be that they can both be twinned in a way that is cross like. Although, I mean, we hold them up side by side today, and we're gonna notice they're not the same thing. But imagine you're a sixteenth century layperson picking up a rock, and it has a cross in it, you're probably going to think it's the same thing that, you know, a country or two over someone else is finding. And so these two rocks have gotten, conflated, quite a bit over time. But what I find really interesting is that the folklore around the cross stones at large is often related to some kind of event portraying divine intervention. In some versions of the myth of cross stone, it said that the Chiastolite variety sprang out of the earth where the blood of Saint James or Santiago, touched the earth. We've got other examples of maybe the tears of fairies or the tears of the souls of the dead reaching the earth and becoming cross stones. So we get this kind of magical interface, this event. And truth be told, we recently talked about fossils for the last two weeks. But cross stones are kind of lumped into the same category as fossils. They were called formed stones just like them because they bore these unusual shapes. And so there were a lot of very similar attempts to reconcile how this seemingly perfect, seemingly lifelike, seemingly, human inspired imagery could appear in stone. In some cases, they fell from the sky. In others, it was related to the water of baptism. But what I really find magical about these rocks that relates back to that initial instance of discovery along a pilgrimage site is, for me, they depict the crossroads in miniature, and that makes them really magical stones for me. If we think about the imagery of the crossroads, when you stand in the middle of it, you're betwixt and between. It doesn't matter if you're headed in this direction or that direction. You can be in on both and neither at the same time. It is the kind of magical sight that we find in folklore connected to, deals with the devil to procure magical powers, success, wealth, fame, glory. It's also the place where we might historically dispose of things or bury problematic people we don't want returning in the afterlife because they'd be trapped in that kind of liminal space. In folk magic in several parts of the world, we find that dirt from a crossroads is a really common ingredient. It's often used to change the course of direction our life is taking for a reversal of fortune for, you know, harnessing the magic of the in between. The crossroads is also thought to be a kind of portal to the other world and links it to the fairy folk and to the ancestral abode. And when we see how all of these motifs kind of recurrently point towards the acquisition of power, towards the ability to, like, open a doorway, a gateway beyond ordinary perception. I find that the cross stone, whichever variety we're working with, becomes this perfect talisman for accessing that same liminal space, that same in betweenness wherever we are. We can make new connections. We can sever them if we need to. We can jump from one reality to the next. We can dream up new and magical things. And just as the medieval and early modern pilgrims carried the stone for safe journeys in the material, we can also use them for safe journeys in the more metaphorical, whether it's our kind of big picture journey through life, or those journeys that we take in meditation and in dream time or in ritual or trance to commune with other planes of being, other realities, whether or not we we believe in entities like spirits and fairies and other kinds of unseen forces. This stone can still metaphorically open a way to connect with the more than human world. And so when we work with it, when we carry it, when we place it on the altar, use it in ritual, it's like having that portable crossroads with you. Wherever you are is the center of the universe, is the space beyond time and place. It is the doorway to manifesting whatever our heart desires. Adam: And I think just there is a spiritual stone. You know, when we think about spirituality, a lot of people use spirituality to help them when they come to any crossroads in their life, plus there's also an interest in connecting with the other realms. And as you just mentioned, Nicholas, Chiastolite is perfect for both of those different functions. So being a bit of a maybe a boring brown stone that people overlook sometimes, what you just shared kind of is a really good case on why everyone should possibly,


    Jet Meaning | Crystal for Moon Energy, Minimalism & More! [Crystal Confab Podcast] Apr 28, 2025
    Show notes

    Join Adam Barralet, Kyle Perez and Nicholas Pearson in Episode #30 of the Crystal Confab Podcast as they do a deep dive into Jet crystal meanings, including: Working with Jet Crystals during the Full & New Moons Adopting the 'less is more' approach with Jet crystal energy Jet's historical significance, including its connection to queer identities in the ancient world Tune in now for a deeper look at Jet crystal meanings! Podcast Episode Transcript: Crystal Confab Podcast Introduction: Are you just starting with crystals? Or maybe you have a whole collection but aren't sure how to use them? Join four crystal nerds, healers, workers, and lovers for a casual chat about all things crystals. Kyle Perez: Hello, and welcome to another crystal confab. Today, we're staying with another, not necessarily ‘gemstone-gemstone’, and I'm joined by Adam and Nicholas, and we're going to dive into Jet. How many of you love a bit of Jet action? Nicholas Pearson: I've grown fond of it over the years. Adam Barralet: Yeah. Me too. I think one of the really interesting things a lot of people find is just tactile-wise, how it feels so different to a crystal. And, you know, one of the problems I think all of us probably get is people sending pictures or trying to identify what this crystal is. And the great thing about when it comes to black crystals, Jet is so much lighter. So if it's a really, really light crystal, then it's going to be really, really easy to go up that Jet type of thing. So that's one thing. But I, you know, I've had experiences and I'll share them later on about just the tactileness of Jet is really, really nice. But, I believe it's been used for a long, long time and has a really great history about it as well. And who better to tell us about the history than Nicholas? Nicholas: Yeah. This is one of those rocks that I think we can trace approximately 30,000 years of human use of. Going back a really long time. In, you know, the earliest instances, people didn't necessarily make the strong geological distinction between Jet and related materials. Kennel coal and lignite and sometimes black shale were treated very similarly. So we kinda have to have a little grace in interpreting the data. But it is a stone that is inherently in between, and I find that really magical. One of the most important sources for Jet in the ancient world was in Whitby and what is now modern day Whitby in Yorkshire. I have a bit of Whitby Jet here from the coast of England, and it is my favorite piece in my collection, of very few pieces of Jet. But I think it is really marvelous to imagine that particularly during the Roman occupation of Britain, this material was traded across thousands upon thousands of miles. We find evidence of Whitby Jet carvings in faraway Switzerland and Germany, as well as in Rome proper. So this was a commodity that was traded for a very long time. In other parts of the world where Jet can be found, we find similarly ancient uses of it. But when this kind of Romano British center production was in full swing about thirty five hundred years ago, Jet seemed to acquire, if we read between the lines, a number of uses that are a little bit weird, a little queer, we might even say. And one of my favorite examples is, the remains of a a skeleton found in a a Roman period burial. The skeleton is officially known as skeleton six five two, because we don't have names and dates and ages for all of these figures. And there are a lot of confusing data points about this. This person was interred with a lot of very lavish expensive funeral goods, including jewelry, but they were buried in the part of the cemetery that you would put people who were on the outskirts, the fringe, the beggars, the thieves. So we have a little bit of contradictory information there. When this area was being excavated for the first time, doing, osteological analysis, looking at the the bones of the remains, researchers came to the conclusion that this person could be identified as and it's a problematic term, but we'll say to use use the terminology they did, anatomically male by by their bone structure. But all of the trappings are of what a female identified body would be buried with, including, most importantly, a multi strand necklace consisting of more than 600 rather beads of Jet said to be scattered among the rib cage because, you know, the thread had broken like a swarm of ants. And so we have to do a little bit of reconstruction about what this might have meant. And, there's probably a very strong influence from a cult of a particular goddess who came from the Far East, and she was symbolized by a great black stone. Her name is often anglicized, Cybelle or Cybelle or Cybele. I'm not really sure what the original pronunciation was or worship would have originated in the Anatolian Peninsula where there's a material very similar to Jet found. Looking at some gemological analysis, there's actually debate over what we should classify it. That's somebody else's problem. We're gonna consider it to be socially akin to Jet and treat them very similarly. And, worship was one that we find very similar mythic cycles in other parts of the world. We have a kind of eternal goddess who is the mother of the earth. She has a dying and resurrected lover. We've seen this motif with Adonis and Aphrodite. We see it with Irushtar, Ishtar and her consort. We see it with Isis and Osiris. So it's a, we'll say a mythic motif or theme that recurs in many parts of the world. But one thing special about Kibele's worship was that she had a unique class of, we'll say, priestly people. And I'm using those words in particular because by modern day terms, we would consider Munich. They were the third gender. They underwent a process to to become third gender, if you catch my drift, and occupied a kind of liminal space, an in between space that was neither male nor female. And the kind of resurrecting power of the goddess was said to work through them and to grant them great gifts in the next life, but they were the shamans and the priestesses of this cult. They entered ecstatic trance. They were ferocious when they needed to be, tender and loving when they could be. They didn't necessarily operate by all the rules of society. To engage in the worship of the goddess this way was a really transgressive act. And the fact that her worship was also marked by a very curious stone, something that we find in geological environments, but it floats in seawater. Something hard and enduring, but also flammable, something ancient and of the earth, but still organic, means that Jet has, we'll say, received quite a lot of unusual imagery over the years. And, we can associate Jet with this in between space. It is a stone and not a stone. It is a fossil, but it is not a mineral. Unlike petrified wood, it hasn't undergone the process of permineralization where something like silica or another mineral comes in and replaces the organic tissue. In fact, it is the organic remains of an ancient class of trees called auricaria that were probably swept out to sea, or to bodies of water, we'll say, by a great and cataclysmic event or series of events. And the two rough categories of Jet that are out there, hard Jet and soft Jet, which actually has a lot more to do with their oil content than their brittleness because they have the same hardness range on the Mohs scale. But one one would have gone in seawater and the other into freshwater, immediately be buried by sediment and compressed by the sands of time. And that hypoxic environment prevented decay and putrefaction. It prevented microorganisms from breaking it down like other organic materials tend to. And so living in this in between zones in the earth, in the water, but not really either, it becomes this other thing. And so Jet for me has been a stone of embracing the otherness, the queerness, the liminal spaces of life. I think of it as a stone that I turn to when I need to feel surrounded by my queer ancestors and the people who have been the trailblazers for me to live the life that I live as openly as I live it. It is protective. It is a stone that helps us face our fears and maybe examine where they come from. And at the same time, it's a stone of incredible mystery. You know, we have expressions like black as Jet because the color of the stone is so iconically dark, unknowable, impenetrable. It is not transparent in thin sections like obsidian and some onyx and even some tourmalines would be. It is opaque, and there is something about the opacity that it represents of the unknown that when we surrender to, we can come out really empowered and transformed. And so when I need a little extra queer magic in my life, Jet is one of my go to stones. Adam: Nicholas, black stones are often seen as being good for protection. Would you say that maybe Jet might be a good one for queer people who feel that they need extra protection? Nicholas: Yeah. I do. And, you know, the reason for this, I think, is manyfold. Jet has been associated with another stone we'll eventually talk about, amber, because they're found in similar environments. They both float in seawater. They're both flammable. So they kinda share a little bit of one another's functions in different historic periods, and both are considered very protective. We can find references in medieval and earlier and later texts, but, describing how either of these stones were placed on coal and allowed to smoke because they're organic materials that smoke will drive out demons and spirits. And I think of that as something symbolic. Like, sure, you can burn Jet. I actually have a Jet incense recipe coming up in the witching stones, which will be out in the fall. But,


    Ammonite & Fossils Meaning | Crystals for Kitchen Witchery & More! [Crystal Confab Podcast] Apr 21, 2025
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    Join Adam Barralet, Kyle Perez , Ashley Leavy and Nicholas Pearson in Episode #29 of the Crystal Confab Podcast as they do a deep dive into Ammonite & Fossils meaning, including: Kitchen witchery & Fossils Opal and Fossils combining to make Ammolite Horns of Ammon, Avalon connection and Ammonite Tune in now for a deeper look at Ammonite & Fossils meaning! Podcast Episode Transcript: Crystal Confab Podcast Introduction: Are you just starting with crystals? Or maybe you have a whole collection but aren't sure how to use them? Join four crystal nerds, healers, workers, and lovers for a casual chat about all things crystals. Adam Barralet: Hello, and welcome to this week's episode of crystal confab. Each week, we like to talk about things that are buried in the ground and have been waiting for a long, long time for us to discover them. But today, we're doing something a little bit different because we won't be talking about a crystal. We're gonna be exploring the world of fossils and things like amylenite and ammolite. So I'm gonna be honest with you. Fossils don't really thrill me. So I've set a challenge to the other three to see if they can win me over by the end of the episode. So to dive in and explore these, welcome, Kyle, Nicholas, and Ashley. Kyle, I know you like the ammolites and ammonites. Talk us a little bit through them. Kyle Perez: Well, for me, I am kind of like you in the way that I'm not a huge fossil person, but I know other people around the confab are much much bigger. I will start with fossil light, ammolite. But what I wanna talk about first is what I've seen as an explosion of interest in fossils recently. I don't know if the rest of you have seen this as well, but last year at the gem show that I worked at, people gave no crap about the crystals. I had to learn on the fly about the fossils that we had because that's where a huge amount of interest was. Our ammolite shells, our ammonites, the megalodon teeth, like amber, green ambers, all of these sorts of things were, like, really exciting. Have you seen that sort of thing, or is it maybe just a niche thing that's happening here? Nicholas Pearson: Yeah. I'm pretty much seeing it industry wide, but I would love to say that it's probably people like Ashley and me who might be bringing some more crystal folks to the dark side. I haven't been to any, like, really big trade shows in a hot minute, but I know Ashley frequents them. So she might have some more insight there too. Ashley Leavy: Yeah. I think if I really reflect on it, the fossil boots might have been a little bit busier than they normally are. Usually, I'm one of, like, two or three people shopping at those booths for the store. So maybe that is the case. I haven't noticed it yet trending amongst the crystally people, the healy feelies, like all of us. I feel like I'm always being like the fossil evangelist out there, trying to get people to appreciate them a little bit. I know Nicholas is the same. We actually did an amazing event last year hosted by Anwen Avalon who did, like, a fossil symposium, and it was Anwen, Nicholas, myself, Brett Holyhead, and Moss Matthew. And it was just, like, five days of fossils, and it was super fun. But that is very much not the norm. I think it takes a little, a little bit of special interest to get people going. Are you captivated by the ancient wisdom of fossils? Elemental energies shape the world and guide our spiritual practice. By working with fossils, you can access these ancient forces and bring balance, empowerment, and connection into your life. That’s why I created the Fossils for Elemental Magic Course—a beginner-friendly journey into the magic of Earth, Water, Air, Fire, and Spirit. In this course, you’ll explore how fossils act as conduits for elemental energy, empowering you to align with nature’s forces in your rituals, divination, and healing work. Perfect for those seeking to deepen their connection to the natural world, this class offers both practical techniques and spiritual insight. Course Materials Include: A 30-minute video on fossils and elemental magic. Printable slideshow notes with key teachings and techniques. Are you ready to uncover the timeless wisdom of fossils and the elements? Enhance your spiritual practice and unlock elemental energy with the Fossils for Elemental Magic Course! Kyle: I love that. I think it's really interesting to see these trends that we see in the industry. Now we digress. I'm going to talk about amylites. Now amylites are the very niche ammonites that have a really beautiful opalized shell that you find in the Upper Western Territories of Canada, I believe, is where you're finding it. And it's the, sorry. I can never remember exactly where it is but I know it's on the West Coast Canada, Alaska like that bridge between the two and that you're kind of only finding them there. And what's amazing about them is they take these shelves, these ammonites that we all know and love that we've seen all over the place and they become opalized and really saturated in color and I'm just gonna be a little bit annoying and pop my light on and hopefully you'll be able to see it in full quality. We love it when we do this live because we're not as prepared as we want to be. There we go you can sort of see it's opalized that this one has a really beautiful color. What I love about it is, for me, it's about illumination. The spiral path that the ammonites show us for me is really omnipresent. It's like we're on this spiral. When you work with them, you're going inwards, you're going outwards. Energy is coming and going in this beautiful flow. And analytes have shown me the spiral path can be beautiful. We can illuminate and expand. We can draw in magic when we work with it in the right way as opposed to feeling like I'm going round and round in circles and I can't get off the loop. Right? That's the dichotomy of the spiral path. When we think about going round and round in circles we can't get out of it. We can't break the cycle. That's really really frustrating. But when you look at ammonites, they radiate. Right? And as they go outwards, they expand. So as we go out and grow and go forward and do more and break through these cycles they get easier. We get further perspective from them. We're able to shift what we're seeing and shift what we're doing with our life. We're feeling more capable. We're seeing more options. We're seeing a bigger spectrum of color being illuminated in front of us. That's the lesson for me that amylite has really shown me. It's been like yes it does go around. Yes you will find these lessons come around again. Yes you will hit a point where you're seeing it again but that's what we do. Right? The earth goes around and around in cycles and it's going around the sun. And the sun is going around the center of our galaxy, and the galaxy is spinning and expanding, and everything is spinning and expanding in this universe. And that's a big thought process to think about when we're thinking about fossils. But if we can bring it back down to us, the journey is always expanding and growing. And, yes, we will hit points where we've come around and I thought I dealt with that problem, but maybe you need to just grow from it again. Maybe we need to continue to experience these things because otherwise history repeats itself. Right? When we get too far away from the problem and we've healed it all of a sudden and it hasn't been around, it comes back around again because we've stopped talking about it. We've stopped thinking about it. It hasn't been a problem anymore. All of a sudden, a couple of generations down the line, you see the same thing happening. And we're all seeing it happening, right, on the planet. It's really important that we're like, okay. Yes. It's a cycle. How can we expand? How can we grow? Right? We're in a different place and time than we were when we were going through similar things. How can I use a shift in perspective that is more illuminated? And this is where Amalites have really come into their own for me because they show that full spectrum. All opals reveal a full spectrum of possibility, a full spectrum of what you can do, what you can dive into, what you can actually achieve, and it really lifts instead of the spiral going down and the spiral going inwards and the spiral coming to that point of my cart and closing us off. I like to work with it in that way. If I'm drawing it in, I'm drawing it into me because I'm trying to create something. I'm trying to bring energy in. I'm not using the spiral to go down. Does that make sense? Like, it's that kind of spiral thing. So when you work with your beautiful ammonites, it doesn't have to be opalized, but you do find ones like this that have a little bit of that opally sheen. There are other ones that are like light that really sort of gray light opally. Really beautiful. You can see them. They're so affordable. They're everywhere. Start with one of those because the Ammolite from Canada is a bit harder to get and a little bit more expensive. Ashley: I have a question for you, Kyle. A lot of times when people are considering the ways in which they work with their stones, they're looking at color as part of that. And when we have these, like, completely beautiful rainbow filled amylites, do you notice any difference? Because it's rare to find a piece that has, like, all the colors of the rainbow. They kind of tend to be, like, a little warmer colors or, like, red, orange, gold or a little cooler colors, kinda blue, green, violet. Do you notice any difference between the two? Do you have any, like, anything to share with folks who might be wondering about, like, the color part of that and how that fits in? Kyle: Absolutely.


    Calendula Salve Recipe | Simple DIY Kitchen Witchery! Apr 17, 2025
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    Make your own ultra-nourishing and joy-boosting balm with this simple Calendula Salve Recipe - with a touch of herbal magic of course!


    Libyan Desert Glass Meaning | Crystal for Transformation, Leadership, & More! [Crystal Confab Podcast] Apr 14, 2025
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    Join Adam Barralet, Kyle Perez , Ashley Leavy and Nicholas Pearson in Episode #28 of the Crystal Confab Podcast as they do a deep dive into Libyan Desert Glass meaning, including: Varuna Direct & Libyan Desert Glass Libyan Desert Glass for transformation and unity Enlightened Leadership with Libyan Desert Glass Origins and history of Libyan Desert Glass Tune in now for a deeper look at Libyan Desert Glass meaning! Podcast Transcript: Crystal Confab Podcast Introduction: Are you just starting with crystals? Or maybe you have a whole collection but aren't sure how to use them? Join four crystal nerds, healers, workers, and lovers for a casual chat about all things crystals. Kyle Perez: Hello and welcome to Crystal Confab. We are, of course, here for another week talking about something that jumps into the crystal realm without technically being a crystal. I am, of course, joined by Ashley, Nicholas, and Adam, and we're going to talk about Libyan desert glass, also known as Libyan gold tektite. Are you all as excited as I am to talk about this rather interesting one? Ashley Leavy: I definitely am. I love this stone so much. I was first introduced to it years and years ago, and we were just talking a little bit before we started recording. There's sort of this, like, moldavite to Libyan desert tektite pipeline that many of us follow to sort of find this stone. And I remember just being so taken with it. Adam Barralet: I know I had so many people come to me and go, oh, what do you think of moldavite? And I'm like, that's moldavite. And, of course, moldavite got, you know, it's kind of a time of glory a few years ago, and I think it was being shared a lot on social media and TikTok and so on. And its price skyrocketed. But I'm like, you don't want moldavite. You want me to be in desert class. And in my opinion, maybe that's why we're doing the episode before a moldavite episode. I think it's actually better than moldavite. But there's amazing other tech types as well, that I love that are found all around the world. Kyle: Absolutely. This is one of the, I think, underappreciated gems that we really should work with a little bit more. And I think of all of us, it is always appropriate for Nicholas to dive into the amazing information that we have about Libyan desert glass. Nicholas Pearson: Thank you. This is a special piece to me. I'm wearing my favorite one, which Ashley, of course, will recognize that I bought and treated myself to. I saw this on a store shelf in Glastonbury A Couple Years back, and I had to do a double take because I really thought this pendant was on the wrong shelf. It's just too perfect, and I thought I was looking at some really flawless citrine with an emerald set in the bezel. And on close inspection, I could see these little wispy waves running through it, which tell us that it has an amorphous silica structure, which we call Lechatelierite. And it is like the juiciest piece of Libyan desert glass I've ever seen in my life. But, I do have a few pieces. I've been fascinated by this rock for a really long time, and we have evidence that may stretch as far back as 30,000 years of human history with this stone. And there are some mysteries about it that remain unsolved. We don't have a really rich record of use. We don't have, like, an overwhelming amount of materials that have been made from it. We've got some lithic points, things like, you know, spear points, arrowheads, knives, that kind of thing. And obviously, the most famous thing that I think all of us here have seen is the pectoral of King Tut. So King Tutankhamun was buried with a really resplendent piece of Libyan desert glass carved into the shape of a scarab and set literally over his heart, which is pretty significant in Egyptian history and culture. I'm not the expert in that though, but what I would really love to talk about is our evolution of the understanding of what makes this particular rock. So we often see in literature that it was discovered in the nineteen thirties. We know, of course, now that it was discovered 30,000 before then, but we'll let some white people take credit, I guess, because they do anyway. And the initial theories about the formation of this material were kind of at odds with one another. Other impact glasses had been found but weren't very well understood, and the processes behind them are are were were and continue to be debated to this day. But because of the extraordinary clarity and the brightness of color that we see in Libyan desert glass, there's been a lot of controversy in trying to figure out where it comes from. The first two theories were, well, this might be a kind of fulgurite, the great sand sea. Where it comes from is mostly pure quartz. So it stands to reason that if we get some kind of lightning activity, we're gonna get pretty clear fulgurites from it, except none of them are in the right shapes to be fulgurites. This forms large blocks quite large blocks by natural glass standards, outside of the realm of obsidian at least. Another theory that was popular in this era was that it was created by volcanic activity on the moon and eventually reached its way to us probably with the help of, you know, something, we'll say impactful in more ways than one, with regards to the moon. But we've, like, discredited that theory time and time again. And there in the last maybe ten or fifteen years, there have been a couple theories that have gone back and forth on who is the most likely. And the challenge here is that we can very safely say, albeit we also would very pedantically say, that this is not a tektite, because there's a specific definition in that term. But exactly what it is is still slightly open to debate, but I think the most recent papers are really indicative of getting close to an answer. So for a long time, I favored a theory of what we call radiative melt. So this is like an airburst. A meteor is coming through the sky. It explodes in the atmosphere. It sends huge shock waves, rippling around. And we have evidence of this kind of thing producing glasses, both from New York activity as well as, like, trinitite, the glass that was created from the Trinity testing site with atomic bombs. And it seems very plausible. And at a surface level kind of analysis, this makes a lot more sense for the sheer volume of this material that has been uncovered. The other main theory that's been out there, of course, is that like other impact processes, it's from a meteorite striking the earth. The challenge with this is that no crater has ever been found. No definitive locus for the impact site, therefore creating a predictable stone field has really been located. And around about 2013, an unusual black rock was analyzed, and the composition of it is congruent with fragments of comet cores. So rather than our standard kind of meteorite, it is possible that we have a comet responsible for one of these two events, either the explosion in the atmosphere with radiated melt or an actual impact. And the challenge is that when we start to look at the ingredients inside the glass, not just the glass itself, which behaves like most glasses, it it has quite a few anomalies, but we start to look at the actual crystalline components in there because we started by saying it's not a true crystal, but it actually contains a number of naturally occurring minerals. The most obvious that we can find, my little piece here has them, but they're probably not gonna show up on camera. They're little, like, puff balls of cristobalite, which is a high temperature polymorph of quartz. It could definitely form under this condition where we have something explode in the atmosphere. The challenge is that it can't get hot enough by that event alone to create some of the other things that are in there. This is considered to be one of the hottest events to have created geologic material on the Earth in excess of, I think something like 1,300 degrees Celsius, and that tells us something pretty remarkable. Now one of the byproducts of this is a kind of a polymorph of zirconium oxide, and we often just refer to it as zirconia, and it forms with a cubic crystal system. When we make it in a lab, it's a diamond simulant, but it does actually occur in nature. There is natural cubic zirconia out there. It is appreciably rare. And that could happen by either of these processes. But more importantly, in some recent microscopy, really, really detailed analysis, they found some anomalies with little bits of zircon in there. So zircon is a silicate of zirconium, a distant, distant, distant relative, chemically speaking and process speaking, of our cubic zirconia. And when you look at the structure of this, it is apparent that it didn't start out as zircon. It wasn't just all the ingredients, zirconium, silicon, and oxygen coming together to form one crystal structure. Instead, it's almost like a patchwork quilt or maybe like a better example would be like a Rubik's cube. And when you look at how the pieces fit together, it's apparent that they weren't shaped like this and that it was actually a very unstable polymorph called Reidite, which has only ever been found on the Earth in one kind of event, and that's meteoric impact. It is the only thing that gives us both the heat and the pressure required to create this unstable polymorph. Now, when the temperature gets hot enough, it doesn't stick around, but zircon is a heck of a lot more stable. So they've actually been able to analyze this and figure out that it is created by meteoric impact. However, that still doesn't make it a tektite. And here's where we get to, split some hairs. When we look at these kinds of impact processes, which includes the event and the stuff made by it,


    Blue Sapphire Meaning | Crystal for Commitment & More! [Crystal Confab Podcast] Apr 07, 2025
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    Join Adam Barralet, Kyle Perez , Ashley Leavy and Nicholas Pearson in Episode #27 of the Crystal Confab Podcast as they do a deep dive into Blue Sapphire meaning, including: Blue Sapphire for commitment Sharpening the mind with Blue Sapphire History and folklore of Blue Sapphire Blue Sapphire and Full Moon in Libra Tune in now for a deeper look at Blue Sapphire meaning! Podcast Transcript: Crystal Confab Podcast Introduction: Are you just starting with crystals? Or maybe you have a whole collection but aren't sure how to use them? Join four crystal nerds, healers, workers, and lovers for Crystal Confab: a casual chat about all things crystals. Nicholas Pearson: Hello, and welcome to another edition of the crystal confab. My name is Nicholas, and I'm joined by three of my crystal besties, Kyle, Ashley, and Adam, and we are gonna confab about another gemstone. So this week, we are going to talk about the sibling gem of one we just recently covered. And although we alluded to the fact this was coming, I think it's gonna be really fun to talk about sapphires. And before we really, like, dive into our our separate topics, I would love to just kinda open the floor to, we'll say, the the cornucopia of things we see labeled sapphire on the market from maybe different flavors and colors of it to things that are maybe a little disingenuous that can also be out there. Kyle Perez: I am so excited to talk about a little bit of sapphire. Sapphire is a stone that is very important to me. I spoke about this in our last episode. I have orange sapphire in my wedding band as one of my important stones of connection, but I would really like to talk about fakes first. Fakes, synthetics, imitations because sapphire being one of the big four, emerald, diamonds, sapphire, and ruby, it is one of the most imitated and faked stones. Right? It's one of the most and I've been doing it the longest. Right? Because these stones have been loved for so long. And I've got a couple of examples that I have and you're not going to be able to see it as well as I'd like you to, but this is a really pretty blue sapphire pendant. It's got a lovely little clear stone on the top. But this is one of the lyres that is out there. And what I know with my little loop when I look at it sideways is it has a clear portion on the top, a tiny little sliver of dark blue, and then clear underneath. That means it's a foil scented stone, so it's an imitation. It's not even a real sapphire. It's totally, totally imitation. And then within this little box, you can see a lovely bright blue stone in the middle. This was actually our gift. There's a couple of real ones on the outside, but it's, you know, gotta keep them together because they're all sapphires. The one in the middle is actually a synthetic manmade sapphire that was a gift to all of our gemology class when we graduated. We were told it was. It's one full carat. It's really, really beautiful, but it is a lab grown example. And it's really interesting to know that we have lab grown. We have synthetic. We have, like, imitation. There's all of these different layers of fakes that are out there. So it's really important that if you can, when you're looking at jewelry, fine jewelry, especially examples, a nice triplet loop as a base is an amazing place to start. These have come a long way in a really long time. They've got UV lights on them. They've got lights on them, so you can really dive into and look at stones and see within them. And that's something that reveals a sapphire. Sapphires will often have layers of blue color, which I alluded to with Ruby last week. That dichroic nature of showing more than one color is something that is very common in our sapphires. So it's important to look for that subtle difference in color, but not necessarily clear blue in such dramatic spaces. Ashley Leavy: Let me ask you, Kyle. In your training, did you ever come across, like, where you had to inspect different types of sapphires and see if they were fully genuine or not? Because I have read that there are sapphires that are glass filled, where it would be like a natural sapphire, and they would actually fill any little tiny microscopic holes with glass to make it a little bit more solid for use in jewelry. And they'll typically be disclosed, and they'll typically be a little bit more affordable, but maybe not always. Is that something people have to look out for when they're buying fine jewelry, or have you ever seen any examples of that? Kyle: Honestly, in sapphire, it's not something I've seen a lot because it's quite dramatic. The refractive difference between glass and sapphire, it's quite dramatic. So it's not something that you'll see too much. If they have to, they will and it should be disclosed. Obviously, they probably won't. But basically, there's this really big difference in diffraction that you see with the glass and the sapphire. So it looks different. It looks odd. It won't sit correctly within it, if that makes sense. Adam Barralet: It's all I'm going oh, sorry, Ashley. Go on. Ashley: That's okay. Thank you for that. I also know that we have to look out for, heat treated and artificially irradiated enhancements, which are obviously gonna make the color of the sapphire more blue, but I wanted to kind of tell everyone about something that I've seen for pretty much, like, my whole career out there, but I didn't know what it was until just about a year ago. So have you ever? I know we have jewelry vendors come to my shop all the time and they'll be like, oh, let me show you all these great things we have. And a lot of times you'll find some fantastic, really unique pieces. But I kept having this one jewelry vendor come up from Chicago to my shop to bring some things to sell wholesale, and she had rubies, emeralds, and sapphires in her jewelry that I could tell were not rubies, emeralds, or sapphires. And I was like, what on earth is this? All of the stones looked very similar and they looked unusually bright, and it looked like, from my research at least, from what I could find, it turns out that it's dyed sillimanite. I don't know if I'm even saying that right. Nicholas is, like, shaking his head. Nicholas, do you have any, like, knowledge of this? Because I see it a lot now. Nicholas: Yeah. It's gotten really pretty common. I actually bought a large piece of this material faceted in, like, your classic kind of rectangular emerald cut, like, chunky, oversized because it looked from a picture on the Internet to be a lower grade kind of matrixy emerald. And we took a picture of it and put it in a book. And then later, I would find out that this is dyed fibrous sillimanite. So forms in really big masses. Sometimes if it's good enough quality, it will have the kind of cat's eye effect. It will, when cotton cabochon, be really nice to look at if the fibers are really well organized. If you cut it differently so the fibers are oriented in a different way, it's also fiber optic the way selenite could be. But most of the material that we're seeing in in the gem trade that's being dyed in offensively bright colors and being sold as more precious gems, is more like a kind of felted mass of these fibers that's the result of, like, metamorphic activity kind of squishing the the rock together to produce them. Silimanite is an indicator species that we often use to understand how strongly metamorphosed a rock that contains it can be. So it's not uncommon to find it in this kind of format, but it seems to be getting more and more widespread as the years go on to sell it off as these other gems. Adam: Well, I can imagine as people are listening and watching this, they're kinda getting worried about how do I pick you know, I'm gonna go buy an engagement ring on the weekend. How do I know? And that type of thing. And one technique I learned from, another jewelry vendor that I knew, who used to buy a lot of his stones in parts of, like, Southeast Asia and so on, is he relied on the good old Mohs hardness scale, which is a scale of hardness from one to 10. And, of course, rubies and sapphires, are nine. So what he would do is he'd take a little quartz point with him and which is of Mohs hardness of seven. So in reality, I guess what happens is a harder stone will always dent or scratch the softer stone. So he would go to these stores or these distributors and go, hello, I'd like to see your rubies. And they're like, oh, here we go, sir. And, it got these real rubies. They're like, yes, sir. Real rubies. And that's why if I get this quartz point and scratch them, it's not gonna scratch them because they're harder. Is that right? They're like, sir, come out back. We show you other rubies and that type of way. So that's a kind of real basic way of telling, you know, a ruby and a sapphire from something. Do you know what the Mohs hardness scale of selenide is, guys? Nicholas? Nicholas: Yeah. It's a seven like quartz, but this is where we also have to remember that hardness is not the only trait that is going to influence the reading. We have to talk about tenacity and toughness, which don't get numerical scales like our hardness scale. The hardness scale is actually a comparative chart and not a scale of absolute hardness because a nine is in reality many, many, many, many times harder than an eight. And a 10, like, inconceivably harder than a nine, but, like, a two and a three, they're pretty darn close. So it's a ranked chart, and the challenge here is because we've chosen some indicator species, we're gonna have to group things similarly that may not read the same way. So because of that, like, fibrous structure that the sillimanite has when it's when it's in that kind of big massive form,


    Healing Properties of Black Obsidian: A Crystal for Personal Growth Apr 03, 2025
    Show notes

    A stone used for millennia in both toolmaking and ritual, Black Obsidian is a form of naturally occurring glass, formed when volcanic lava cools rapidly. It's a powerful stone known for its ability to reveal hidden truths, dissolve energetic blockages, and support deep emotional healing. Whether used for energy clearing, scrying, or shadow work, the healing properties of Black Obsidian carry profound potential for clarity, transformation and empowerment. In this post, we’ll explore how to work with the raw, untamed power of Black Obsidian to help you navigate deep healing and uncover your most authentic self. A Crystal Message about the Healing Properties of Black Obsidian: "I consciously tap into divine wisdom and knowledge and embrace my intuition and inner knowing." Common Healing Properties of Black Obsidian: Promotes energetic protection Reveals the truth in any situation Exposes areas of yourself that need growth and development Blocks negative energies from entering your auric field Enhances grounding Banishes negative energy Brings peace and calming Encourages living in a virtuous manner Increases courage Encourages personal growth Facilitates compassion Enhances accuracy in scrying divination Aids in acceptance of your weaknesses so that you can begin to heal and correct them Helps you to address issues of control and power struggles Enhances the experience of ceremonies and rituals Removes negative thought patterns and conditioning Black Obsidian Companions: Colors: Opaque black (sometimes with transparent banding) with a glassy surface. Zodiac Signs: Capricorn, Scorpio Elements: Earth, Fire Companion Flowers: Fireweed Companion Essential Oil: Camphor Companion Stone: Howlite Common Origins: Mexico Notes: A natural volcanic glass. Wanna’ Get Science-y? Click Here to get information about the chemical composition, hardness, streak, etc. of this crystal from one of my favorite sites! One way to work with the Healing Properties of Black Obsidian: Scrying Divination Obsidian mirrors, made by polishing thin slices of Obsidian into mirror-like discs, serve as potent tools for scrying divination. With their glassy, reflective surfaces, Obsidian mirrors provide a gateway to the realm of the subconscious. These mirrors give you the ability to look at yourself, so you are better able to reflect on your life paths, your behaviors, and your identity. Obsidian mirrors have been esteemed for their connection to the underworld and the spiritual realm. In the last few years, the popularity of Obsidian mirrors has surged again, but they have long served as tools for scrying divination. Practitioners like John Dee, the famous crystallomancer, worked with one of these mirrors in his scrying practice to communicate with otherworldly entities and gain profound insights. By gazing into obsidian mirrors, you can receive messages from your intuition, your guides, and your ancestors as part of your crystal scrying practice. If you’d like to stick with natural stones, rather than glass mirrors for your work in divination with crystals, a Black Obsidian tumbled stone or small palm stone will also work well as a scrying tool, and these are typically much more affordable than the round disc-shaped mirrors. The staff at my new age shop, Mimosa Books & Gifts, had this to share: Obsidian is the most abundant form of naturally occurring glass, the result of volcanic lava cooling quickly. Technically obsidian may have any composition, but usually, it’s a glass with inclusions of hematite and rhyolite. Because it’s easy to chip and forms a sharp point, it has been an invaluable material for toolmaking throughout history, thus contributing to the evolution of the human race’s evolution. Many cultures also used it to make mirrors and figurines. In fact, one way that archaeologists can trace the development of trade is by testing the composition of obsidian objects found along trade routes to find out where it originated, and thus how far it had traveled. More recently, obsidian lore has made its way into popular culture as “dragon glass” in Game of Thrones, or as a “witch’s blade.” Black Obsidian Safety and Care: Obsidian breaks easily and forms sharp edges, so be careful you don’t get cut, and keep this in mind if children will handle it. When buying obsidian, be careful of sellers promoting obsidian in various bright colors; this material is usually fake. From energetic protection to past life healing, Obsidian is the crystal of transformation. When used with the right intentions, Obsidian acts as a guardian, truth-seeker and mirror to the soul, offering its ancient wisdom to guide you toward deep inner healing. This is why I've created my Unlocking Obsidians Course - to help you uncover and harness the raw, untamed power of Obsidian for empowerment, clarity, and a stronger connection to your authentic self. In this immersive course, you’ll discover: Obsidian’s Origins & Formation – What makes this natural glass so unique? The Many Types of Obsidian – Black, Rainbow, Mahogany, and beyond—each with its own distinct energy. Practical Techniques – Learn how to use Obsidian for energy clearing, scrying, protection, and deep healing. How to Spot Fake Obsidian – Ensure your crystals are the real deal. Whether you're a crystal lover, healer, or spiritual seeker, this course is designed to help you embrace Obsidian’s transformative power in a way that feels supportive rather than overwhelming. Are you interested in becoming a Certified Crystal Healer? Find out more about the CCH and Advanced Crystal Practitioner Program HERE!


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