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    Documentary

    In Black America

    IBA profiles a diverse selection of current and historically significant figures whose stories help illuminate life in Black America.

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    Copyright: © 2019 KUT Radio | Moody College of Communication

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    Latest Episodes:
    Cathy Hughes, pt. 1 (Ep. 40, 2020) Sep 07, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. begins a conversation with Cathy Hughes, veteran radio and television professional and founder and Chairwoman of Urban One, Inc., the largest African American owned and operated media company in America.


    Leslie “Les” Payne (Ep. 39, 2020) Aug 31, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. remembers the late Leslie “Les” Payne, a Pulitzer Prize winning reporter and former Associate Managing Editor of Newsday. Payne, whose reporting, editing and leadership helped bring Newsday national and international prominence, died in March, 2018 at the age of 76.


    Dr. Rebecca Etz and Christine Bechtel (Ep. 38, 2020) Aug 23, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. discusses racism and its impact on public health with Dr. Rebecca S. Etz, PhD., Associate Professor of Family Medicine and Population Health at Virginia Commonwealth University and Co-Director of the Larry A. Green Center, and Christine Bechtel, patient advocate and co-founder of 3rd Conversation.


    Dyana Williams (Ep. 37, 2020) Aug 17, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. speaks with Dyana Williams, a veteran radio and television personality, music industry professional, member of the Board of Directors of the National Museum of African American Music, and co-originator and co-founder of Black Music Month. Intro Music [00:00:08] The In Black America theme music, an instrumental by Kyle Turner. Announcer [00:00:15] From the University of Texas at Austin, KUT Radio, This is In Black America. Dyana Williams [00:00:23] Would you like to? This month was established June 7th, 1979, and declared so at the urging of the Black Music Association, which is no longer in existence. But then President Jimmy Carter had been asked by Clarence Evans, the Godfather and numerous other people to host an event for the members of the Black music community. And it was a performance. That day was a picnic style event at the White House. I had the honor that day of sitting with Kenny Gamble and President and Mrs. Carter and their daughter Amy. So that was really exciting. It was my first visit to the White House. But that day we asked President Carter to acknowledge the African-American music industry, to recognize that Black music not only was a tremendous cultural lightning rod, but also an economic engine that is exported all over the world. John L. Hanson Jr. [00:01:18] Dyana Williams, radio and television personality, music industry, professional journalist, celebrity coach, member of the Board of Directors, National Museum of African American Music and co originator and co-founder of Black Music Month. This past June, we celebrate the 41st anniversary of the American Music Appreciation Month, first introduced on June seven of 1979 by President Jimmy Carter. When it was Black Music Month, President Barack Obama renamed a national observance as African-American Music Appreciation Month. Created to recognize and celebrate the influence of African-Americans have had on the music industry is produced to honor the many artists, writers, song and albums that have inspired music lovers and shaped American pop culture. Had it not been for Williams effort, this celebration would not have happened. I’m John L. Hanson Jr. and welcome to another edition of In Black America on this week’s program, Black Music Month and the National Museum of African American Music with Dyana Williams In Black America. Dyana Williams [00:02:30] One of the people who’ve been at the forefront of documenting and sharing Black folk contributions in America. You’ve got to see what our wonderful curators have done are doing in Nashville with the museum. I did a hard hat visit. Let me tell you a little story. After a board meeting, I went with Henry Hicks, the CEO of our museum, to a hard hat visit, and I cannot tell you the level of pride that I felt walking through this still under construction facility. But seeing the vision, knowing the vision from our countless hours of board meetings and conversations and fundraising events, I cannot wait to take my 86 year young mama in the fall to Nashville to walk her through our history. Our museum will document our contributions culturally in America, starting in the 1600s right to this day. John L. Hanson Jr. [00:03:28] Dyana Williams is a mover and shaker. She has been a constant force in the entertainment industry for over four decades. The Harlem, New York native began her career at WHUR FM Howard University’s campus. She later returned home to W Beale Film after making history as the first African-American woman to join an on-air team in Rock radio. At WRQX FM where she then landed her first on camera position as an entertainment reporter on Parade and magazine, which aired on Washington, DC. CBS affiliate WUSA. In 1980, Williams made Philadelphia how she accepted an on air position w DHS AFM. Williams has been a news and entertainment reporter for Black Entertainment Television and a music consultant for VH one’s The Soul of VH one. Along with her ex-husband Killing Gamble and broadcaster Ed Wright, she helped establish June as Black Music Month. Recently In Black America spoke with Dyana Williams. Dyana Williams [00:04:38] Born in Queens, raised in the Bronx and Harlem in Puerto Rico. I am passionate about Black culture, specifically Black music. I’m a mother. I have three grown children, very grown. I spoke to them last night and we were laughing because I’m like, Y’all are old and grown. And I’m also a man of a five year old young man who is smart and very opinionated and keeps his mama on her toes. I think that kind of concisely, you know, I’m a broadcaster, I’m a Black music activist and I love God and a life that summarizes me perfectly. John L. Hanson Jr. [00:05:21] Speaking of activism, I’m assuming that you were in Philadelphia during the 1980s. Dyana Williams [00:05:27] I was actually moved to Philadelphia in 1980. I started coming here in the seventies. However, 1980 is when I moved to Philly full time and was on the radio at a heritage station, which is still pretty major in the community. WP 105.3 But I moved here because I had fallen in love with Kenny Gamble, who is my co partner and the creator of June Black Music Month. So yes, and after we broke up in the nineties, I remained in Philadelphia with him. We raised our children together, so. But my mother tells me, John, that I was conceived in Philadelphia when my father was stationed at the Navy Yard. So I’ve got deep Philly roots. John L. Hanson Jr. [00:06:16] Having lived in Philadelphia doing some of his infamous times. What are your thoughts about the current events happening today? Dyana Williams [00:06:24] I’m thrilled to see young people and our allies peacefully protesting. It is our First Amendment right to articulate our discontent with the level of ongoing, consistent, sustained racism, police brutality and many more ills. Ironically, it’s happening during the coronavirus pandemic going on worldwide. But I admire the courageousness of everyone who was fighting the good fight to bring some equity and parity to our existence in this in this world, specifically in America. John L. Hanson Jr. [00:07:05] How did you get to the point that we need to celebrate Black Music Month in June? Dyana Williams [00:07:12] Well, June Black Music Month was established June 7th, 1979, and declared so at the urging of the Black Music Association, which is no longer in existence. But then President Jimmy Carter had been asked by Clarence Avant, the Godfather, and numerous other people to host an event for the members of the Black music community. And that was the performance. That day was a picnic style event of both the White House. I had the honor that day of sitting with Kenny Gamble and President and Mrs. Carter and their daughter Amy. So that was really exciting. It was my first visit to the White House, but that day we asked President Carter to acknowledge the African-American music industry, to recognize that Black music not only was a tremendous cultural lightning rod, but also an economic engine that is exported all over the world. So this was the original idea of Kenny Gamble. And really he started thinking about this period of time, concentrated period of time, where we could celebrate the outstanding contributions of people past, present and the generations to come. So this is our 41st anniversary. Somewhere in the country there is some kind of Black Music Month event going on all the digital platforms services from Tidal to Apple to Spotify to Black Music Month campaigns, as well as most of the major record companies, independents and major corporations have also started chiming in and recognizing that Black music is America’s indigenous music, and it belongs to all of us. John, Even though it is created by Black people and I’m talking about all genres hip hop, jazz, R&B, soul, gospel, spiritual, all of that rock emanated from Black folk in America. John L. Hanson Jr. [00:09:16] Talk to us about some of the artists that came out of Philadelphia International Records. Dyana Williams [00:09:22] Mm hmm. Well, Kenny Gamble, his partners Leon Huff and Thom Bell, remarkable men who did not go to the Wharton School of Business. But what they did was built a multi-million dollar record company and have given us music that is indeed the soundtrack to many of our lives. They signed artists such as Phyllis Hyman, Patti LaBelle, The O’Jays, Harold Melvin and the Blue Note, Teddy Pendergrass, who came out of Harold Melvin and the Blue Note Gene Kahn. Oh, that’s the one. Zell, who also I should mention, John, was the head of the orchestra for mother, father, sister, brother. And let us be at the White House that day. There was also a performance. Billy Eckstine, Chuck Berry, one of the architects of rock and roll, Sara Powell, Andre Crouch and Evelyn Champagne. King performed that day under the direction of Dexter Wenzel, who was also a. Artist, Philadelphia International Records. Let’s see. People’s choice. Oh, my goodness. So many artists. I feel like I’m leaving some out. But it was a major roster, long forgotten world. But yeah, there were a lot of major artists on the roster and Gamble and Huff and Tom Bell did a lot of the soundtrack to America. You know, you had Motown in the Sixties, but then in the seventies, Kenny Gamble, Leon Huff and Tom Bell just dominated the top of the record charts and Black airwaves and other airwaves throughout the seventies and eighties, and they still get airplay. So, yeah. Philadelphia International. John L. Hanson Jr. [00:10:59] Records. If you’re just joining us, I’m John L. Hanson Jr. And you’re listening to In Black America from Country Radio and speaking with Dyana Williams radio and television personality, celebrity coach, member of the board of directors, National Museum of African American Music. And we’re also talking about Black Music Month. Dyana, talk to us about what was going on in Memphis in your 2002 when they were talking about putting the African American Music Museum together? Dyana Williams [00:11:31] Well, I would tell you, John, I was not a part of those discussions in 2002. But I do know that a group of people who were committed to I think initially the museum started off as a Black history museum for Nashville, but a group of people very passionate and committed about culture and Black culture in particular started the process of fundraising. And at some point, the direction changed to become music. Nashville is, you know, John is Music City and known primarily for country music, although there is a long legacy of gospel as well as soul music, R&B out of Nashville as well. And so, in fact, I would say the first Black music ambassadors from the United States to travel to Europe and elsewhere were the fifth Jubilee Singers. And that was we’re talking back in the 1800s, a long time ago. So Nashville has a rich music history as it pertains to Black music. So at some point, the direction change and the decision was made to make the museum related to Black music in all genres. And since that time, we have raised $60 million. We still have a few more money into raised, and we’re going to be constantly raising money for this endeavor. But we are very excited because we are very close to the opening of the doors of our museum. And I’ve been on the board for a few years now, and prior to that I was on the advisory board of the museum. So I’m also the co-chair of the Music Industry Relations Collective. It’s a group of people from Gail Mitchell, who is a senior Black editor at Billboard magazine, to Robyn Lyon, who is the founder and CEO of Baller Alert, which has millions of followers. So I have an aggregation of music industry super stars who are also supporting our efforts in Nashville to get the word out to the community about this 56,000 square foot facility. John, you’ve got to come. Please accept my personal invitation now, because you, as one of the people who’ve been at the forefront of documenting and sharing Black folks contributions in America, you’ve got to see what our wonderful curators have done are doing in Nashville with the museum. I did a hard hat visit. Let me tell you a little story. After a board meeting, I went with Henry Hicks, who’s the CEO of our museum to a hard hat visit. And I cannot tell you the level of pride that I felt walking through this still under construction facility. But seeing the vision, knowing the vision from our countless hours of board meetings and conversations and fundraising events, I cannot wait to take my 86 year young mama in the fall to Nashville to walk her through our history. Our museum will document our contribution culturally in America, starting in the 1600s right to this day. So all genres of Black music will be represented. So and subgenres as well. So, John, I know you love our culture and our history. You will feel a tremendous sense of pride to come to the National Museum of African American Music in Nashville, and if people want more information, they can go to Black Music Museum Board. To learn more about our movement and we invite you to join as well. We have memberships starting at $25, and it’s a small price to pay for the amount of information and. As you know, John, knowledge is power. So people will come out of that museum with a tremendous amount of power and information. John L. Hanson Jr. [00:15:29] I was looking at the layout in person. I heard that I was looking at the layout of the museum. There’s a pathway that actually takes you through the different genres. Wade in the Water Cross Rogue’s Gallery, A Love Supreme Gallery. One Nation Under the Groove and the Message Gallery. Who came up with the concept. I guess that’s the question I want to ask. When you are having those discussions, well. Dyana Williams [00:15:56] We have a great curatorial team, which is some dynamic people who have submitted their. First of all, we have Dr. Portia Mosby, who formerly was at InDyana University and created this tremendous repository of Black research and music. So she is an ethnomusicologist and one of the foremost on planet Earth. So we have an aggregation of brilliant minds, knowledgeable people. Dr. John Fleming, who when you ask, who are the people who are orchestrating those galleries? I’ve got to give direction and I’ve got to give credit to those individuals because they are some of the people who have participated in creating these tremendous galleries that you just mentioned. But if people go to the Black Museum, like Music Museum Board, they can learn more about our movement and see our galleries and some of our collections because we have an incredible collection of artifacts, some that have been donated. Our curators have literally combed the ends of the earth to get items that will be on display in our galleries. You just mentioned. John L. Hanson Jr. [00:17:09] When did you realize you had this gift for broadcasting? Dyana Williams [00:17:12] You know, I wanted to be a jazz musician of flowers. When I was 16, 17, I studied with the legendary musician Jimmy Keith out of Philadelphia. I studied in Harlem, where I grew up as a teenager, and then I met Hubert Laws. And when I heard him play, I was like, There’s no way in the world I’m ever going to be able to play like that because I had an appreciation for the music. I just didn’t have the talent. So I went to City College in Harlem when I graduated out of high school and went in as a music major, that’s where I discovered I was honey. Terrible, because when it came to jazz, it was my jazz improvization class that made it crystal clear to me that I needed to find another career. So one day I was invited to the radio station. I didn’t even know we had a radio station, KCRW. It was a carrier current station, meaning that the signal only went in the immediate campus area. But my campus was on 138th Street in Compton, in the heart of Harlem, West Harlem. And so that…

    Full show notes at the publisher

    A Tribute to Earl G. Graves, Sr. (Ep. 36, 2020) Aug 11, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. presents a 2001 interview with Earl G. Graves, Sr., an entrepreneur, publisher, and philanthropist who died April 6, 2020. Graves was the founder of Black Enterprise, a media company focused on black entrepreneurship and black businesses.


    Dan C. Goldberg (Ep. 35, 2020) Aug 04, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson discusses the history of African Americans in U.S. Armed Services with Dan C. Goldberg, a health-care reporter with Politico, and author of The Golden 13: How Black Men Won The Right To Wear Navy Gold.


    Dr. Steve Perry (Ep. 34, 2020) Jul 26, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. discusses the debate over how to combat racial inequalities in America’s public school system, with Dr. Steve Perry, noted educator, motivational speaker, and founder and head of the Capital Prep Schools. Announcer [00:00:15] From the University of Texas at Austin, KUT Radio, this is In Black America. Steve Perry [00:00:23] For me, education is a tool for social justice. It’s not an end unto itself. It’s just a strategy. And every revolution has begun the same way. Somebody went into a room and said, Yo, you know, we got to put up with this, right? And they broke it down as to why you have to put up with it. And people in the room like, you know what? It does make sense. And thus a revolution was born. That’s education. Dr. Martin Luther King said in his last book, Where Do We Go from Here? Community Chaos. He said that America does not know what to teach or how to teach. That’s Dr. King and Dr. King. So this desire that I have is really rooted in a commitment to social justice that was born out of living in poverty for the first 25 years of my life. And what that amounted to was my mother and another woman. They were on the tenants association and our public housing project. And seeing my mother had to fight for things that I didn’t understand, why she had to fight. What made me think that I needed to quote unquote, educate people. But I thought I would educate them through becoming a politician, which ultimately I found out was just not for me. John L. Hanson Jr. [00:01:28] Steve Perry, noted educator, motivational speaker and founder and head of Capital Prep Schools. Perry is the voice of a generation of people. Champion has been fighting for disadvantaged children and families for more than 30 years. His skills are hard fought and has been bestowed them as well. Adolescent years in Middletown, Connecticut, all the way through his graduation from an Ivy League university. On May 17, 2020, we observed the 66th anniversary of the Brown v Board of Education of Topeka, Kansas. U.S. Supreme Court decision. In a decision issued that day, Chief Justice Warren noted that in the field of public education, the doctrine of separate but equal has no place as segregated schools are inherently unequal. As a result, the court ruled that the plaintiffs were being deprived the equal protection of the law guaranteed by the 14th Amendment. Today, more than 60 years later, the debate continues. I’m John L. Hanson Jr. And welcome to another edition of In Black America. On this week’s program, Public Education in America with Dr. Steve Perry In Black America. Steve Perry [00:02:41] It could be the greatest thing to ever happen to American education, period. Sadly, because we’re allowing the teachers and the teachers unions and the teachers associations and states that they say are right to work, states to not teach. Right now, in the biggest cities in the United States of America, there are overwhelmingly minority children are not being taught at all. It’s not they’re not being taught well. They’re literally not receiving any instruction. And anyone who tells you anything different is patently lying. They’re lying. So these same people are hitting with the best man. They are literally. They’ll send home what they refer to as a packet, which is the equivalent to directions from IKEA. And basically telling you to read them yourself and figure it out. That ain’t teaching. That’s not teaching at all. And if that’s teaching, then why are we have these buildings open anyway? What we need is 40, $5,000 million buildings. If that’s teaching, let’s just keep set up. John L. Hanson Jr. [00:03:47] As we enter the 21st century. The education of children of color in this country is still fragmented today, more than 60 years after Brown v Board of Education. The debate continue over how to combat racial inequalities in the nation’s public school system, largely based on residential patterns and differences in resources mean schools in wealthier and economically disadvantaged communities across this nation. Dr. Steve Perry has been a vanguard in the fight for equal education in this country. He is the founder and head of Capital Prep Schools, the author of six books and a respected guest on many of our network news programs. Perry offers insight to parents, children and many politicians to assist them in a better understanding of what matters in the education of our children. Recently, In Black America, I spoke with Dr. Steve Perry. John L. Hanson Jr. [00:04:41] Dr. Perry, with the current events that’s taking place, particularly in Minneapolis, with the killing of George Floyd and the killing also, Mark Aubrey, as a Black man living here in America and also a father, how are those two incidents affecting you? Steve Perry [00:04:58] Last night, my son’s wife and I went out to get what I, you know, lemonade and we got back to the house. We live near the near the shore. So I said to my son, I’m about to go for a walk. And my youngest son said, I’ll go with you. I said, All right. And so when we got out the car, he said. Are we going to get shot? And as he and I walk the beach just at its core, when I say my son and I walked on the beach, that should evoke visions of placid joy arrival something good then only good notion. My son and I, both of whom had hoodies on because it was going to last night. My son kept looking over his shoulder, looking out to see who was coming to get us. Myself, about eight years old. He’s 14 years old, sophomore high school. And for him and me, it sparked a conversation about what is going on in America. And he said that I don’t oh, this sounds wrong, He said, But I look at those fires and I see beauty. He said, What else are we supposed to do? He said, I just want to live. He said, My friends just want to live. We don’t want to bother nobody. We just want to live. He said, But I’m in the neighborhood, in the suburbs, and I’m concerned about my safety. So how is it affected me? Man It’s part every day. Yesterday started with me just feeling really emotional. And this is ridiculous. You know it. It makes no sense. That when a camera because I was in 1991 when the Rodney King situation unfolded, when they tried to kill him, I remember sitting in my college dorm room. And I remember thinking, finally they caught these fools. They on tape. It’s over now. They never going to be able to do this again. I could not have been more wrong then, but to see people like that disgusting, vile murderers, police officer and the other murderous police officers that were with them in. Minneapolis. To see him looking dead at somebody with a camera phone, No one in this recording, he did nothing to alter his behavior. Nothing. He didn’t stop. He didn’t tell them to stop because he knew that he had impunity. He knew that he would not be held accountable. He lost his job. People lose their jobs so much less. He lost his job. I guarantee you, the teachers I mean, the the police union will fight for his pension. And they will sue this city. We have crossed over, ladies and gentlemen, into a very, very dark place. And what makes it dark is not that the behaviors of these victimizers have changed. Is that the people who’ve been victims for so long. Ain’t taking longer. It’s going to burn, baby, burn for a while. This one right here, they. It’s okay. Enough is enough. John L. Hanson Jr. [00:08:25] You’re right about that. Dr. Perry, also, I want to talk to you about we’re just past the 66th anniversary of the Brown Board of Education of Topeka. Looking at that decision, can you give a thumbnail history for those that aren’t familiar with that Supreme Court decision? Steve Perry [00:08:46] Gladly. In short, our family, like so many of us, decided that enough was enough. They didn’t want their child to go to a substandard school, and so they sought a remedy. And Topeka, Kansas, just like so many communities today, wanted to keep. Black people enslaved. And so it refused to provide them with the opportunity to have the kind of education that their family felt like their job and job deserved. And so they sued and ultimately won. What did they win? Not really much. At the end of the day. Virtually nothing has changed as it relates to public education. You still go to the school closest to your house, unless, of course, you’re wealthy enough to buy your way out, which was the case back then. Fortunate enough to get out. Which was the case back then. Or break the law and lie your way out. Which was the case back then. So. Virtually nothing has changed. Sadly, and I say virtually nothing, because despite the fact that I’ve run charter schools and before the magnet school, they’ve always been alternate routes to education. They’ve always been that. This is not a new phenomena. It’s just that we, as is typically the case, have window dressing. Well, we believe that because there are a couple of charter schools and there really are only a couple, it’s come out. 4 million kids out of 40 million children somewhere thereabouts, don’t go to traditional schools. They go to charter schools. And then there are some magnet schools again. But most of those magnet schools are zoned. So meaning you go to the magnet school based on where you live. You can just go. So your zone is adjacent to another zone, which means potentially that your house is closer to that school than the school into which you are zone. But there’s this imaginary but very real line separating you from that school. Then you can go. So the lines that were in place are still in place. And in recent years, there are 33 states that still have secession laws, which means that there are neighborhoods because that’s what they really amount to. Mhm. That are seceding from the school district thereby creating a school district within a school district. Think of it this way. You’re on a basketball court. And at center court where you’d have jump ball. Is a neighborhood. That neighborhood calls itself another school district. The rest of the basketball court is one school district. The center court is another school district. They are succeeding now to make sure that they keep school districts white, wealthy and segregated. John L. Hanson Jr. [00:11:50] When did you develop this passion for education for yourself, but also for those that are being denied quality education? Steve Perry [00:12:02] So it’s been a process, but it happened. See, for me, education is a tool for social justice. It’s not an end. Unto itself. It’s just a strategy. And every revolution has begun the same way. Somebody went into a room and said, Yo, you know, you got to put up with this, right? And they broke it down as to why you have to put up with it. And people in the room like, you know what? It does make sense. And thus a revolution was born. That’s education. Dr. Martin Luther King said in his last book, Where Do We Go From Here? Community Chaos. He said that America does not know what to teach or how to teach. That’s Dr. King is Dr. King. So this desire that I have is really rooted in a commitment to social justice that was born out of living in poverty for the first 25 years of my life. And what that amounted to was my mother and I and another woman, they were on the tennis association and our public housing project. And seeing my mother have to fight for things that I didn’t understand why she had to fight for. It made me think that I needed to, quote unquote, educate people. I thought I would educate them through becoming a politician, which ultimately I found out was just not for me. And in the interim, I thought, well, why don’t I start a program to help kids like me? Mhm. Because I had gone through one of those programs and it was an Upward Bound program. And then when I started to work in the schools, I started to see firsthand, you know, it’s like being in a room with the lights off and feel like somebody keeps hitting you. You just don’t know who it is. When I started to work in the schools, I turned the lights off. Or the lights were turned on. And as I would go to visit my kids in these schools, I would hear teachers talking about kids like dogs, and I would hear principals letting them get away with it. And I saw these people. Who I once trusted, putting kids into classes that were beneath them academically. And then when I, I, I can tell you specific, for instance, there’s a school district in Connecticut, the Windsor Public Schools, and that doesn’t mean anything to most people except for the fact that it’s said to be the second wealthiest Black suburb in America. And one would think with the with, you know, Black people doing all right, that their kids would be in the advanced placement classes or the seminar classes or the international baccalaureate classes. But you could walk through that school and you could tell the highest ranking classes by the number of white kids in the school. In a classroom. Sorry. So the greater the number of white kids, the higher the classes, the greater number of Black kids, the lower the classes. And I thought, well, damn, I could. I could do worse than this. You know, I mean, I can this bad while on my own school. And it was during that process of seeing those things happen that I started to realize that there’s nothing wrong with our kids. It’s just that they’re in a system that was designed to destroy them. So I felt I got some brothers together. And, you know, I say brothers. I mean brothers not just of color, but in the ball colors. Because I played myself initially, I put together a group of just Black people and we do nothing. And so I put together a group of people, small cultures, who are about their life, say, Yo, we got to do better than this. And and we agreed and we started our first school in Hartford. Wasn’t easy. Still anything. I was on the phone with one of the states today that we operate schools in sitting there arguing with them about. I mean, educating Black kids is hard as hell. I mean, it’s not because our kids are dumb because everybody makes so damn hard. John L. Hanson Jr. [00:15:55] I was going to go there. Would you, Dr. Perry, what do you think the problem is with our school systems and their attitude or lack thereof of educating people of color? Steve Perry [00:16:11] They hate us. Oh, man. The things that other kids get away with it. To see that you are precocious are criminalizing our kids. Come on. I mean, you know, my son, last night we were walking. He said, Dad, I don’t want to believe. The things are the way that they are. He said, I want to believe. He said, I don’t support Donald Trump. He said, I just see that he’s the president. I just want to I want to believe that people are inherently good. That’s what my supporters. Your saying. Okay. I’m saying you guys are saying what they are. You can’t do it that way. I do not want you to walk around with Black eyes on. And I’m saying, us facing gentlemen. Every single city in the United States of America can list the failed schools. Every single one. What are your. John L. Hanson Jr. [00:17:05] I’m in Dallas, Texas, and the program is produced out of Austin, Texas. So Texas. Steve Perry [00:17:11] Okay. So I guarantee you, if I asked you what did Raggedy Schools in Dallas or what a writing schools in Austin, if you knew what you wanted to make, you tell me, not only could you tell me. Everybody could tell me. So the question that you ask yourself is, then why on earth would you send any child to a school? You know that educating kids is because you don’t see the kids as human beings. You don’t care. And I don’t want lest anyone think that I’m talking about white people, I am not. They are Black people, Latinos, Latinas on boards of education that are selling Black people out. Fashion. You could say Jackie Robinson, don’t get it twisted. Don’t think because you got a Black mayor or a Latinas Congress person tha…

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    Michael Meyerson (Ep. 33, 2020) Jul 19, 2020
    Show notes

    On this week’s edition of In Black America, producer and host John L. Hanson, Jr. speaks with Michael Meyerson, the DLA Piper Professor of Law and Director of the Fannie Angelos Program For Academic Excellence at the University of Baltimore School of Law. The Fannie Angelos Program assists law students from Maryland’s historically Black colleges and universities. Announcer [00:00:15] From the University of Texas at Austin, KUT Radio, this is In Black America. Michael Meyerson [00:00:23] I went to historically Black colleges which are by long race neutral. Though in the state of Maryland, overwhelmingly African-American. Not entirely, but overwhelmingly. And we went to the fourth schools and we started recruiting people. And from there, we finally figured out in large ways how to really identify those who were not only academically talented, but kind of personally motivated. And then we spent time with them working to both explain the system and then get them ready for the LSAT, which gets them into law school, the entrance exam. And then we found that’s not enough, because in law school, when you’re going from a predominantly African-American community to a predominantly white institution. There are still lots of obstacles. It’s institutional racism, this individual, and of course, in this, the world of environment and life that people have to sort of deal with. John L. Hanson Jr. [00:01:15] Michael Meyerson, the DLA Piper Professor of Law and Director of the Fannie Angelos Program for Academic Excellence, the University of Baltimore School of Law. The Fannie Angelos Program for Academic Excellence, formally called the Baltimore Scholars Program, has been in its current form for the past seven years. The program represents a revolutionary and comprehensive approach for addressing the lack of diversity in legal education and the legal profession. Meyerson and his team has created in collaboration between the University of Baltimore School of Law and Maryland’s four historically Black colleges and universities. More than 100 students have been accepted into law schools across the country. Students have served on law journals, won national Moot Court competitions graduated at the top of their class and obtain prestigious judicial clerkships and jobs at law firms and public interest organizations. I’m John L. Hanson Jr., and welcome to another edition of In Black America. On this week’s program, the Fannie Angelos Program for Academic Excellence by Professor Michael Meyerson. In Black America. Michael Meyerson [00:02:28] So one is that you over time you identify certain traits. For example, if you don’t take personal responsibility for your failures, if you always blame others, it’s really hard to self improve. So that sort of thing. Second, if you don’t believe that you should help others, that you can work as a team. The program isn’t right for you because what we’ve learned is that it’s the community that makes people strong. So you have to accept that. And finally, I don’t do the selection process myself. We have not just other faculty members, but we have people from the program who are incredibly protective of both to the program and sort of the the students who come in. And so they have to know because, you know, we don’t bat 1000, one of the things about a program, any program that wants to make change like this is I think you have to recognize that, you know, you’re not going to be perfect. But we’ve gotten better over time. And, you know, basically, you also you always, you know, fight the last war. So if one year you realize that you don’t have a sense of community, then the next year you put extra effort when you interview and talk to people and then you bring them in to work on the basic skills. John L. Hanson Jr. [00:03:39] Law professor Michael Meyerson has devoted his entire life to fighting for the underdog and disenfranchized. Since the mid 1990, he has worked tirelessly to level the playing field for minority law school students, according to the 2017 National Association for Law Placement Report on Diversity in U.S. Law Firms. Only about 4% of legal associates and fewer than 2% of partners at law firms across the country are African-Americans. In 2013, with a $1 million donation from a Baltimore attorney to the University of Baltimore School of Law, the Baltimore Scholars Program was renamed The Fannie Angelos Program for Academic Excellence. The program provides law school admission test training for students from Maryland’s historically Black colleges and universities, as well as scholarship, mentoring and financial assistance to students admitted to UAB Law School and other law schools. Recently In Black America, I spoke with Professor Meyerson from his home. Michael Meyerson [00:04:42] So in many ways it was much better because people were much more open because they could sort of have their anonymity guaranteed and protected. So I was able to like, read their private questions out loud and we got a much forward discussion. So I was actually way better. But, you know, it’s easy for a lazy student to hide online. I haven’t had not figured out a way to, uh, to capture that. So that that’s, that’s a work in progress. John L. Hanson Jr. [00:05:06] So when they’re online is a whole class. Yeah. Plugged in to your particular lecture? Michael Meyerson [00:05:12] Yeah. Yeah, It’s a, it’s through Zoom. But the other trouble is, you know, when you’re in front of a classroom, you can gaze and watch everyone when you’re doing it on Zoom. I’m not going to watch 60. You know, and I, I, you know, and then they say, Oh, I can’t use my screen. I have to use my phone. And, you know, and of course, some of my students are, you know, you know, are absolutely true, you know, and they may not have good wifi, but but the trouble is online lets slackers be slackers. And I just, you know, you know, I like to be a hard ass and I just can’t capture them yet. But, you know, I like to think I’ll get better at that. I was born in New York City, in the Bronx, and ended up moving down, getting a job in Baltimore and living around here now. John L. Hanson Jr. [00:05:52] What was it like, like growing up in New York? Michael Meyerson [00:05:55] Well, it’s it’s it’s it’s fascinating in ways because you do meet lots of different people, even, you know, almost without helping it because it’s such a crowded place. But reality is also with it can still be somewhat segregated based on income and and where you live. And so you see people, but you don’t get to know them. So you have an illusion when you’re a New Yorker that you’re really in a diverse city. But I think in reality, most of us were not. John L. Hanson Jr. [00:06:21] And you did your undergraduate work where?. Michael Meyerson [00:06:24] I started at, uh, Middlebury College in Vermont, and ended up graduating from a place called Hampshire College in Amherst, Massachusetts, which is known for having no exams and no grades. John L. Hanson Jr. [00:06:35] And your law degree is from where? Michael Meyerson [00:06:37] University of Pennsylvania School of Law. John L. Hanson Jr. [00:06:40] What excited you to go into law? Michael Meyerson [00:06:42] Oh, being sort of a baby boomer, the lawyers seemed to be the heroes of the of the movement, the civil rights movement. They seemed to be the ones who were changing society. And so also lacking any any any particular skill in my life, I can’t sing, I can’t dance, I can’t do much athletically. Law seems to be the best way I could do things. John L. Hanson Jr. [00:07:06] I also understand that you work for the American Civil Liberties Union. Michael Meyerson [00:07:10] In fact, that was probably the best part of my legal education. I spent six months working full time at the national ACLU office, and I met these extraordinary lawyers who were doing extraordinary things. And they also just taught me to be a lawyer. So I always think the quality of my lawyering was very much based on the luck of having six months working there. John L. Hanson Jr. [00:07:33] I also read somewhere that you said the Bible greatly influenced you. How so? Michael Meyerson [00:07:38] Well, in the sense of it’s a oh, it’s sort of like a mandate. I’m Jewish and I’m told that, you know, remember, you were a stranger in a strange land, and that always seemed to be the moral command. And it you know, it transcends religion. But in that sense, it just seemed to be every time you felt settled, you had a responsibility to help those who were not. John L. Hanson Jr. [00:08:00] Also, I understand that you joined the faculty there in 1985. Michael Meyerson [00:08:05] Yes. I’m old as dirt. John L. Hanson Jr. [00:08:08] And any prior positions before you went to the University of Baltimore? Michael Meyerson [00:08:11] I done sort of like, uh, teaching elsewhere for a few years at Brooklyn Law School. I had done a little work in a sort of a political office, in the governor’s office in New York State, doing consumer protection. John L. Hanson Jr. [00:08:22] I also understand that through your tenure, you said that a law professor gave you some good advice, that the legal profession affects the lives of ordinary people. Michael Meyerson [00:08:33] Oh, it really does. And I was told early on that as a teacher, my responsibility was not so much to my students, but to their future clients. And I didn’t really have the right to affect their politics, but I had an obligation to affect their ability to be professionals and respectful. And then I had also the opportunity as an academic to find ways to make the world better, or at least how I saw the world being better. John L. Hanson Jr. [00:09:01] Talk to us about the Fannie Angelos Program for Academic Excellence. Michael Meyerson [00:09:05] It sort of began as a reaction. I was asked with a colleague to to sort of review the law school’s affirmative action program after they were started being challenged in the 1990s. And our program, you know, met constitutional muster. But like so many affirmative action programs, it did very little. And I had been sort of pondering since law school how to do this thing right, how to do, I guess, what we now call pipelines, but how to do something that really, you know, discovered talented people and gave them a chance they would not otherwise have. So, Sunny, in the mid 1990s, I and a colleague sort of created this program. But I’ll be honest, it took about 15 years to do it right. I thought originally all you have to do is sort of open a door and then life is fine. What I learned over the years was how much it took to level the playing field, because the motto of the program is that we’re not a diversity program. We’re a talent search. Because if you find talent and level the playing field, diversity happens. So what we found is the other thing to be constitutional at the state University, we had to be race neutral. And so we went to historically Black colleges, which are by long race neutral, though in the state of Maryland, overwhelmingly African-American, not entirely, but overwhelmingly. And we went to the four schools and we started recruiting people. And from there, we finally figured out in large ways how to really identify those who were not only academically talented but kind of personally motivated. And then we spent time with them working to both explain the system and then get them ready for the LSAT, which gets them into law school, the entrance exam. And then we found that’s not enough cause in law school, when you’re going from a predominantly African-American community to a predominantly white institution, there are still lots of obstacles. There’s institutional racism, there’s individual. And of course, then there’s the world of environment and life that people have to sort of deal with. And then we learned after they graduate, that’s not enough, because they’re going from a predominantly white institution to an overwhelmingly white profession. And if you look at the numbers of African-Americans who were like in law firms and partners, it is it’s it’s virtually Jim Crow level. And so we created we now have a system where we’re sort of working to support and mentor, you know, people throughout the process. John L. Hanson Jr. [00:11:36] What was the HBCU president, his immediate reaction when you all told him that you wanted to develop this program? Michael Meyerson [00:11:46] Well, on one level, it was sort of like, you know, go have at it. I think that part of the problem with institutions is that they’re nervous about sharing. And I think, you know, rightfully so, a lot of the CEOs are not very trusting, you know, don’t have a lot of instant trust in a predominantly white law school. I think over the years, we’ve proven the most important thing. And this is, by the way, there’s sort of a two side note, but it’s it’s I think it’s relevant. To me, the biggest problem with affirmative action programs is how many of them are built on disrespect. Will lower standards will overlook this. We don’t really expect quality if people don’t do well with. Well, of course. What do you expect? And that’s always I mean, it’s a lie, but I think it’s a real poison. So the program we run is all based on the absolute confidence that the students we are finding are either as good or in most cases better than the students will be competing with at the law school and in the profession at large. And the institutions we’re working with, we treat with respect because what they are accomplishing is so extraordinary. And over time, when you treat people with respect, they begin to believe it, that you actually do respect them. And so that’s become a whole lot better. John L. Hanson Jr. [00:12:58] I know this is extract type of collusion, but how do you all decide which students that you all select with you all help? These individuals can actually make it. Michael Meyerson [00:13:12] That’s a that, by the way, first of all, it’s an art, not a science. And I, I don’t swear we’re that good at it or I’m not good at it. So one of the things I’ve learned is program like. Like what? Like mine. You learn humility early and often. So one is that you you over time you identify certain traits. For example, if you don’t take personal responsibility for your failures, if you always blame others, it’s really hard to self improve. So that sort of thing. Second, if you don’t believe that you should help others, that you can work as a team. The program isn’t right for you because what we’ve learned is that it’s the community that makes people strong. So you have to accept that. And finally, I don’t do the selection process myself. We have not just other faculty members, but we have people from the program who are incredibly protective of the program and and sort of the the students who come in. And so they have to know because, you know, we don’t by 2000, one of the things about a program, any program that wants to make change like this is I think you have to recognize that, you know, you’re not going to be perfect. But we’ve gotten better over time. And, you know, basically, you also you always, you know, fight the last war. So if one year you realize that you don’t have a sense of community, then the next year you put extra effort when you interview and talk to people and then you bring them in to work on the basic skills, you know, again, and this years, I mean, we have a really good group, so I’m feeling better, but it’s still it’s still personalities. John L. Hanson Jr. [00:14:43] Is there any certain number of students that you all matriculate through this program every year? Michael Meyerson [00:14:48] Well, it’s an interesting point, because the other thing it because there are so few programs that are predominantly white law schools reaching down to collaborate with historically Black colleges and do it in such a holistic way. I mean, there are a lot of programs like help people with the…

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    Erika Rickard and Michael Meyerson (Ep. 32, 2020) Jul 12, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. discusses rising unemployment and the subsequent rise in personal debt amid the Covid-19 pandemic, and how African American consumers can protect themselves, with Erika Rickard, Director of Civil Legal Modernization at The Pew Charitable Trusts. Also, a preview of next week’s program, with University of Baltimore Law School Director Michael Meyerson. Intro Music [00:00:08] The In Black America theme music, an instrumental by Kyle Turner. Announcer [00:00:15] From the University of Texas at Austin, KUT Radio, this is In Black America. Erika Rickard [00:00:25] I think there’s a lot of potential causes here. When we were examining this trend, we also noticed that during that same time when court cases were starting to increase, we also saw the increase in what’s called the debt buyer industry. So these are companies that purchased debts from banks or other original creditors, and then they pursue consumers to try to collect on those debts. John L. Hanson Jr. [00:00:47] Erika Rickard, Project Director Civil Legal Systems Modernization, The Pew Charitable Trust. From 1993 to 2013, a number of debt claims filed in civil courts across this country increased to the point where became the single largest share of civil court cases over that period. Particularly as people use civil courts less for other issues. An analysis conducted by the Pew Charitable Trust found out as a category that claims have largely one sided outcomes, raising troubling questions about legal proceedings and case disposition. Reports uncover how the court system has become a debt collectors tool or businesses suing consumers, many of whom show up in court without an attorney or don’t show up at all. As the COVID 19 pandemic continues to show the businesses that disrupt the national economy, experts expect the number of people facing burdensome debt default and collections will grow dramatically. I’m John L. Hanson Jr. and welcome to another edition of In Black America. On this week’s program, How Debt Collectors Are Transforming the Business of These Courts. Erika Rickard with the Pew Charitable Trusts In Black America. Erika Rickard [00:02:03] That’s an interesting question. And what that speaks to is it would be really nice to know which policies are the most effective. But unfortunately, these cases are really flying under the radar. There’s not a lot of data about what’s actually happening. So in 38 states, we don’t have any data about the number of debt collection cases that were filed or what happened in them. So it’s really hard to tell which policies are having the greatest impact. John L. Hanson Jr. [00:02:26] From 1993 to 2013, a number of debt collection lawsuits more than doubled nationwide from less than 1.7 million to about 4 million, and consumed a growing portion of civil court dockets, rising from one in nine cases to one in four in a handful of states. The available data extended to 2018, and those figures suggest that the growth of debt collection as a share of civil court dockets has continued to outpace most other category of cases that claims were the most common type of civil court cases in nine of the 12 states, for which at least some court data was available even before the COVID 19 pandemic brought the economy to a standstill, forcing millions to lose their jobs. American household debt was on the rise, climbing $1.5 trillion between 2009 and 2019, with the unemployment rate at 14.7% at the time of this production. Household debt is expected to climb. Echo Report with the Pew Charitable Trusts recently coauthored a report entitled How Debt Collectors Are Transforming the Business of the Courts. She spoke with In Black America regarding how consumers can protect themselves and how the COVID 19 pandemic presents a critical opportunity for courts to address the challenges of debt claim cases ahead of a likely surge in filings. Erika Rickard [00:03:56] I was a kid who grew up wanting to watch Law and Order, and I wanted to be a lawyer, and I eventually made my way to law school. And then I had to figure out what being a lawyer actually meant. John L. Hanson Jr. [00:04:09] And prior to working for a few charitable trusts, what were some of your other occupations? Erika Rickard [00:04:15] I worked as an attorney and as a researcher, starting with the Attorney General’s office in Massachusetts and working as a researcher at the Harvard Access to Justice Lab. John L. Hanson Jr. [00:04:25] And how did we get to this point where some of the civil courts in this country have totally did a 180? Erika Rickard [00:04:32] So it’s interesting. We’ve been looking at the trends that we see in state courts and who is using our courts and for what kinds of cases. And what we’ve seen is that over the past 30 years, debt collection lawsuits have become the single most common type of civil court case. There are now one in four civil court cases is a debt collection case. John L. Hanson Jr. [00:04:52] And how did we get to the point where debt collectors are now using state court, state civil courts as a tool? Erika Rickard [00:05:00] So I think there’s a lot of potential causes here. When we were examining this trend, we also noticed that during that same time when court cases were starting to increase, we also saw the increase in what’s called the debt buyer industry. So these are companies that purchased debts from banks or other original creditors, and then they pursue consumers to try to collect on those debt. John L. Hanson Jr. [00:05:24] And one. Go ahead. Erika Rickard [00:05:26] And more and more of the share of their workload has been on bringing debt collection cases in court. So we started to see a really high number of just a few companies using the courts to pursue these deaths. John L. Hanson Jr. [00:05:39] Now, there is no way in the half in which we have to articulate the full report. But there’s some some items that I wanted to go over with you. When a debt collector goes to court, I assume that they are representing a particular company. Erika Rickard [00:05:59] That’s right. So it’ll be it may even be one attorney who is there for the day that’s representing a lot of different companies. But the different companies, banks, credit card companies, sometimes medical care providers will have a lawyer that’s representing them in court. John L. Hanson Jr. [00:06:12] And how does the process work? Once a debt collector is involved in collecting a debt, what does he or she need to do and must do so. Erika Rickard [00:06:23] In order. John L. Hanson Jr. [00:06:24] To don’t do? Erika Rickard [00:06:25] In order to bring a debt collection case to court. The company or the lawyer representing that company will file paperwork in the courthouse and will, in most states serve that court paperwork on the consumer. So make sure that the consumer knows about the court case. What happens next might be that the consumer might have to respond to that case in writing. Or the next step might be that both sides are in the courthouse together. So that’s what’s supposed to happen. But what usually happens in these cases is the debt collector represented by a lawyer filed the paperwork and comes to court. And in 70% of the time or more, the consumer doesn’t respond. The consumer doesn’t file the paperwork or the consumer doesn’t come to the courthouse. John L. Hanson Jr. [00:07:06] And I was reading in a report that most consumers aren’t aware that the debt collectors collect you for a company because they don’t recognize who the debt collector is. Is that still the case? Erika Rickard [00:07:17] So we’re not sure that it’s the majority, but it certainly has happened where a consumer will not recognize the name of the company that’s suing them. So in the case of a debt buyer, the name of that company is different from the name of the company that where you took out the original credit card, for example. So so there have been reports of people either not receiving the court paperwork at all or receiving it and not thinking it applied to them because they didn’t recognize the name of the company suing them. John L. Hanson Jr. [00:07:40] As you say, that is that being looked at as far as who is the original debt holder? Erika Rickard [00:07:46] So we have started to see states try to identify more information in their court notice. So Maryland, for example, changed some of their rules to make sure that more information was required on the court papers so people could see who it was that was doing them. John L. Hanson Jr. [00:08:01] Now, I also read that when one is is is notified nine times out of ten one, we just articulate that they are not familiar with the debt collector or the company that they’re suing them. But they had to take off from work, find babysitters and the amount that they owe, they can’t pay. Erika Rickard [00:08:21] That’s right. We are seeing the kind of the additional costs on top of that debt that might be that somebody might be sued for. There’s also the costs of coming to court. So the cost of taking the time off of work, the cost of child care, and most notably, I think nine out of ten times the consumer does not have a lawyer to represent them. So they’re representing themselves if they’re participating in the case at all. John L. Hanson Jr. [00:08:40] And majority of the cases are settled by default judgment. Erika Rickard [00:08:44] That’s right. So a majority of the time, 70% or more in a court that we studied, the debt collector wins almost automatically. So a default judgment means that the court doesn’t review to make sure that the right person was being sued for the right amount or that the case was filed in a timely manner. John L. Hanson Jr. [00:09:01] So what kind of toll does this have on the consumer as a default judgment is issued? Erika Rickard [00:09:05] So a default judgment, even though it doesn’t come with that court review, carries the same weight as any other court order. So that means that there can be court costs, there can be attorney’s fees that get tacked on top of the original debt. And it also means that the court order gives the debt collector more avenues for pursuing the consumer for the money that is alleged to be owed. So that can mean garnishing somebody’s wages. It can mean freezing a bank account or putting a lean on someone’s property. John L. Hanson Jr. [00:09:31] So how convoluted are these particular policies and procedures from state to state? Is one state doing better than another state? Erika Rickard [00:09:40] That’s an interesting question. And what that speaks to is it would be really nice to know which policies are the most effective. But unfortunately, these cases are really flying under the radar. There’s not a lot of data about what’s actually happening. So in 38 states, we don’t have any data about the number of debt collection cases that were filed or what happened in them. So it’s really hard to tell which policies are having the greatest impact without any data about the court records. John L. Hanson Jr. [00:10:07] Are there any racial disparities in these debt claims? Erika Rickard [00:10:10] Unfortunately, yes, we have. We have observed racial disparities. One study from ProPublica a few years ago documented racial disparities and a handful of cities where they were able to look at the court records and see based on zip code and location information that even if you account for income in mostly Black neighborhoods, the default judgment rate was higher than in neighborhoods that were mostly white. John L. Hanson Jr. [00:10:33] Can we talk about code in force collection? How does that work? Erika Rickard [00:10:37] So court enforced collection is the idea that a court order provides some additional leverage that’s provided by the government for debt collectors to then approach someone’s employer or to approach someone’s bank. Armed with that court judgments, a private debt can then become the subject of government enforcement, and that in addition to wage garnishment and seizing of assets, there’s one more avenue that’s perhaps the most extreme, which is civil arrest. So in 44 states, there is a law on the books that would permit a civil arrest for for contempt of court, for failure to comply with a court order. In this case, the court ordered judgment against the consumer. John L. Hanson Jr. [00:11:19] What made you all take up this particular study? Erika Rickard [00:11:23] So we’re starting from the position of thinking about courts and how courts can better interact with people who are trying to use them today. So we’re looking at how you can modernize courts, thinking about the fact that today’s modern court user is usually somebody who doesn’t have a lawyer. So we were looking at which kinds of cases are really being brought either by people without lawyers or against people without lawyers. And what we found was that the most common type of court case is brought by a business with a lawyer against an individual who doesn’t have a lawyer. John L. Hanson Jr. [00:11:53] If you’re just joining us, I’m John L. Hanson Jr. and you’re listening to In Black America from KUT Radio. And I’m speaking with Erika Rickard, director of the Civil Legal System Modernization Project at the Pew Charitable Trust and author of coauthor of How Debt Collectors Are Transforming the Business of State Courts. Erika, what should one, if they’re consumer, receive a notice that they’re being sued by a debt collector? Erika Rickard [00:12:19] So our research focuses primarily on what states can do. But for consumers, there are some good resources out there. So one one resource is the Federal Trade Commission, which has a website for consumers about how to respond to debt collectors in court and out of court. And that’s consumer.FTC.gov. John L. Hanson Jr. [00:12:37] I also read that there is a service or something to the to the point of suing service. What is that sewer service? Erika Rickard [00:12:48] So there have been a couple of states that have investigated cases of what’s called sewer service, which means where instead of serving somebody you may have seen on TV, folks say, you know, you’ve been served and that’s personal service where you get handed court papers. A lot of times in states you’ll see you’ll have service by mail where someone can mail the court papers to you. And sewer service is the idea that the plaintiff or the process server is just throwing your court papers in the sewer. While it may not be literal, the idea that in some cases folks are not actually receiving the court papers. Whether that’s intentional or simply because the wrong address was the address that received the court papers. John L. Hanson Jr. [00:13:29] So are debt collecters obligated to actually send it to the correct address or there’s just like a paper mill. We just send it out. And if it if it is received fine and if it doesn’t, it still fine. Erika Rickard [00:13:42] It depends on the state. So some states have different requirements for how you serve a consumer in a debt collection case. But there are some states where you can serve by mailing to the last known address. So that’s not a guarantee that the person still lives there or that the person actually receives the court papers. John L. Hanson Jr. [00:13:58] Was the data readily available for you all through Texas research? Erika Rickard [00:14:03] So what we did was we looked at each state puts out an annual statistical report about all the statistics about their court cases, and we looked at each one for several years leading up to 2018. And what we found was that while almost all states do report something about their case loads, very, very few actually report about debt collection cases, or only 12 states that report anything about debt collection cases in their most recent court reports. And of those 12, very few of them actually report on default judgment…

    Full show notes at the publisher

    Cheryl Grace (Ep. 31, 2020) Jul 05, 2020
    Show notes

    This week on In Black America, producer and host John L. Hanson, Jr. speaks with Cheryl Grace, Senior Vice President of Strategic Community Alliances and Consumer Engagement with the Nielsen Company, discussing the cultural and technological influences behind the global proliferation of African American creativity in the entertainment industry.


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