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Summary: Amy Cook, PhD., has been training dogs for nearly 25 years and has been specializing in the rehabilitation of shy and fearful dogs for over 15 years. She's the creator of The Play Way, her process for helping dogs learn to cope with the world around them. She's also a certified dog behavior consultant, a long-standing professional member of the Association of Professional Dog Trainers, and has attended all four Chicken Camps in Hot Springs, Arkansas, taught by Bob Bailey. Amy returned to school in 2006 to get her PhD in psychology from UC Berkeley. Her research there focused on the dog/human relationship and its effect on problem-solving strategies dogs employ. She also recently started a blog at playwaydogs.com, and everyone should definitely go check it out. Links: Leave FDSA A Voicemail! We're collecting questions for our annual anniversary edition! Have a question for an instructor? Leave it here! Next Episode: To be released 11/30/2018, we'll be talking to Lucy Newton about tracking! TRANSCRIPTION: Melissa Breau: This is Melissa Breau and you're listening to the Fenzi Dog Sports Podcast brought to you by the Fenzi Dog Sports Academy, an online school dedicated to providing high-quality instruction for competitive dog sports using only the most current and progressive training methods. Today we'll be talking to Dr. Amy Cook. Amy has been training dogs for nearly 25 years and has been specializing in the rehabilitation of shy and fearful dogs for over 15 years. She's the creator of The Play Way, her process for helping dogs learn to cope with the world around them. She's also a certified dog behavior consultant, a long-standing professional member of the Association of Professional Dog Trainers, and has attended all four Chicken Camps in Hot Springs, Arkansas, taught by Bob Bailey. Amy returned to school in 2006 to get her PhD in psychology from UC Berkeley. Her research there focused on the dog/human relationship and its effect on problem-solving strategies dogs employ. She also recently started a blog at playwaydogs.com, and everyone should definitely go check it out. Hey, Amy, welcome back to the podcast. Amy Cook: Hi Melissa. Always good to be here. So happy that I get to talk to you about stuff again. Melissa Breau: I'm excited to chat. To just briefly remind everyone, can you just share a little bit of information about the dogs you share your life with and what you're working on? Amy Cook: Sure. There's over there on the couch, where you can see her, Marzipan, in her full glory, doing what she does best, which is sleep in a nice little ball. That's what she does. She had an injury a bit back, and so we're still discovering what the second half of her career will be like. And then I have Caper, who you also can see right over my shoulder. She's a little … I don't know what, terrier something or other. She's learning agility, and she's very happy that we just bought a teeter. I now have a teeter in my yard. It's my first big, expensive piece of agility equipment, because now we get to do teeters every day. It's so exciting! Melissa Breau: That is exciting! Amy Cook: It is! Melissa Breau: I want to dig into I know a topic that you've been talking about often recently: noise sensitivity. What is it? Can you describe what behaviors people might see if they have a sound-sensitive dog — both at the "slightly sound sensitive" end and the "extreme" ends of the spectrum? Amy Cook: It's an interesting topic because this runs the gamut. Everyone has a different experience with noise sensitivity, and it's one of those dog trainer catch-all terms, like reactivity, where we may mean a lot of different things about it, and in this sense I think that's OK. It does run from the slightest noise in the category of things I'm afraid of, makes me panic and salivate and run to dive under the bed, or sit there catatonically, or it might mean I have some slight trepidation about that sound out there and I'm not exactly sure what to think about it. They may turn to us in those times, and I think what we most don't want is for it to get to the extreme. It might already be there for a given dog, but it's one of those things where, because it can be so impactful in their life, we don't get to control sounds, we don't get to change where dogs are when sounds happen as much as we'd like, that we need to take almost any presentation of this really seriously. Behaviors can range and vigilance is often missed by us, I think, where a dog hears something, puts their ears a little bit back, shows a little bit of a worried face, but then maybe it's gone before we saw them worry about it. So I think doing a little bit of protective noise work, as I like to call it — not the protective part, but the noise work part — can never hurt. Teaching a dog that noises are just harbingers of fun times is a good and protective thing to do, even in dogs that don't seem to have a problem just yet. So it really runs the gamut. Melissa Breau: Is it typically tied to a specific noise? Do folks usually come to you and they're like, "Hey, this particular beeping thing," or is it more generally just noise? What have you seen? Amy Cook: I do see both of those. There's definitely dogs that feel like anything sort of sudden that makes a noise is worth worrying about and is scary for them. And I don't know if, when we have "environmentally sensitive dogs," if part of that or a lot of that isn't just that environments have a lot of strange noises in them and if it isn't noise sensitivity folded into general environmental sensitivity. So I do see that a lot, where we don't have just one specific noise, it's just this, and all the rest of the noises "I'm OK with all of the suddenness." I see dogs like that as being tense in a lot of ways all the time. Not a hundred percent of the time, of course, but dogs who are tightly tuned can be affected by all sorts of unexpected noises in the environment. And then there are dogs who have very specific triggers. The ones that we commonly hear about or think of are the ones who are afraid of large booming noises that we find on Fourth of July or New Year's Eve, and then the thunderstorm-type noises, because those are the big, very dramatic, out of the norm, completely scary, gunshot-type noises. But it doesn't cover all of them, because a lot of dogs are afraid of, weirdly, beeping or high-pitched metallic or electronic sounds, so the sounds from your microwave, the sounds from an electronic timer, sounds from a whistle at flyball, from a timer at flyball trials, sounds you might make in the kitchen that are high-pitched, something metallic hitting your kettle, for example. Those can be really distressing to dogs. And then I would say anything that your dog hasn't had a lot of exposure to. Maybe you've moved somewhere … I don't live somewhere where there are thunderstorms, so it's not something that I tend to see a problem with, but if I were to move to places with summertime thunderstorms, which is pretty common across the country, I would expect them to feel a bit sensitive to anything that's new like that. So noises can run the gamut too, just like the behavior that shows from them. We never really know what it's going to be probably until we see it, but again, not a bad idea to prevent it if we can. Melissa Breau: Is it typically something people see show up early in the dog's life? Is it something they have forever? Do they develop it? Do we know anything about what causes it? Amy Cook: I don't personally know anything super-scientific about what causes it, but as a practitioner of helping dogs, I see a lot of dogs develop it later in life. It certainly won't be all dogs, but it's so many of them that we have that sort of dog trainer lore of, if someone says, "Hey, my dog has become noise sensitive," the question you first ask them is, "Is your dog 7?" Because it's so super-common that somewhere in middle life, middle age, and that's of course going to range for breed, it can just develop. It's some kind of brain change where there's a noise processing change, the areas of the brain that process noise, are they changing, are they aging, is something happening there? Also some say, "It's been seven years now, you've had seven years of storms, seven years of fireworks, you've had them long enough that you could sensitize." It could be something like that, although I would expect to see it happen more gradually if that were true. But that's not necessarily the way it would present. Maybe you're hiding it, or you're dealing, you're coping, and now you just can't cope, and so you show it. That's possible. Or it could be that hearing is changing around that time, and so the way things sound have just become a bit distorted. But this is just speculation. It's hard to say. You can certainly have noise sensitivity your whole life. It can be a thing that shows in puppyhood or adolescence as a thing they just don't know how to process and don't have a positive opinion about, and they definitely need our help at that point, for sure, so they can get through that. I think dogs who develop it later in life, who didn't have a problem before, can accept and change, I think, at least in my experience, more quickly from an intervention because they've had a fair amount of time in their life of doing OK with it, and maybe just learning something new about whatever this new sound feels like to them can stick pretty well. But of course if it shows up in puppies or young dogs, we really want to get on it, because we certainly don't want the dog to have a lifetime of feeling terrible about the normal sounds of their environment. Melissa Breau: I know from reading through some of the things you've written, this is one of those problems that often gets worse if folks ignore it. What are some ways that it can escalate? What might that look like? Amy Cook: It is one of those things that I feel is really important to get on right away, and I suppose I would apply that argument to almost any fear-based behavior problem. Dogs are suffering when they're afraid. If they're afraid often, that's a terrible feeling, so we want to get on almost any behavior. I don't mean to overly highlight noise in that way. But one thing that happens to noise phobias, noise sensitivities, that doesn't seem to happen at least the same way as, say, a fear of strange men, is that it escalates and can escalate really quickly. A dog who shows some sensitivity to a beep, beeping sounds — say they were in your house when your smoke alarm batteries went bad. Now it's been six months, they need replacing, and it beeped all day while you were at work and they couldn't escape that. You could come home to a dog who's sensitized to that sound. Of course not all of them, but some will, and then they start hearing anything that's similar to that and feeling the same triggered way. And then things that are not terribly similar to it, such as the microwave beep, which would be similar, but now a fork on a plate can do it. Once you're afraid of noise and you're vigilant about noise, dogs can become more and more sensitive very, very quickly, whereas fear of men tends to stay relatively stable, if you control the trigger some and nothing much is happening. It's not like that's going to make them better, but they're not likely to get massively worse over the next few months, whereas in noise sensitivity that's coming up really quickly, you need to get on top of it because it can spread too quickly, and once it's all over the place, and as most noises or many noises that are sudden, we really do have to be talking about medical intervention because of how difficult that is. So if you see something in your dog that shows he might be getting a little sensitive to the banging of the metal door at that trial that you go to, or the gunshots that you know you're going to hear a lot in hunting season, you want to get on it right away and really quickly, just in case this is going to be one that spreads to a point where your dog will be suffering. Melissa Breau: Looking at your syllabus for your class on this, it looks like there are a few pieces that you use to help sound-sensitive dogs — starting with classical conditioning. I want to talk about that, but can you just start by explaining what classical conditioning is, for anyone who might not be familiar with the terminology? Amy Cook: Yes, definitely. There's two models we use in dog training, or in changing behavior in dogs. One is the one that everyone is familiar with, whether the terms or not, where we reward things we like and we punish things we don't like. We of course try to minimize any of those experiences, but that's part of the model of operant conditioning, and it's about responding to a behavior and having that behavior work or not work for the dog. In classical conditioning, it happens irrespective of a dog's behavior. What you're trying to draw a picture of the dog, draw the line between for the dog, is that, "Hey, this thing that just happened is a predictor of this next thing that's going to happen, and that's it. It doesn't matter what you do about it. You can have any reaction at all, but these two things are tied." When it comes to noise work, which I'm saying distinctly so it doesn't sound like nosework — it's just a cute thing I like to call it, noise work — when it comes to working with noises, what you're trying to say is, "Hey dog, this sound that you hear — you don't know it yet, but it's actually the thing that comes right before this other thing that you might enjoy." If you can set things up such that they come to that conclusion, they see the connection between those two, that noise that has been troubling them up until now will take on new meaning. It's like, "That thing I don't like … oh wait … but doesn't that always mean that this other thing is going to happen?" When you can crack that door open a bit and let them see that the relationship exists, and it's not just, "Hey, the noise happened and now you're just scared," but "The noise happens and now you have something to look forward to," it can help them change their reactions and their feelings about the whole thing. So classical conditioning is just saying, "I will draw a connection between one event and another event, one stimulus and another stimulus, technically, and through drawing that connection for you so that you can see that relationship, it can help you, dog, feel better," or at least take new meaning from the sound that before maybe had a pretty terrible meaning and give it something that hopefully has a positive meaning, if we can get in there carefully and do it just right. I do it mathematically, I guess … that's not fair to say because there's no math involved. Don't be afraid! There will be no numbers! But I do it strictly. I really think about the relationships of those two elements, those two pieces that I'm trying to put together, the strength of the noise and the strength of the thing I'm following it with, so that I'm much more able to make that conclusion for the dog as clear and as powerful as I can. So it's doing classical conditioning, but the way I do it for this class is very strict and very specif…
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