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    Music

    Drowned in Sound

    Mapping the future: exploring how culture, politics, and the climate crisis are reshaping music. From AI and activism to festival futures and the collapse of local scenes, we treat music as an ecosystem, not just entertainment. Guests include artists, changemakers, and organisers reimagining what music can be. Subscribe and join the conversation. Hosted by Sean Adams, founder of Drowned in Sound.

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    Copyright: © Sean Adams

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    Latest Episodes:
    Are Cover Bands Killing Music Scenes? (Q&A Episode) Mar 20, 2025
    Show notes

    Drowned in Sound founder and DiS podcast host, Sean Adams answers your questions. Send Qs for future episodes to sean@drownedinsound.org.

    Links mentioned in this episode

    • Article: Cafe Oto at Oscars - The Guardian
    • Artist Recommendation: Nina Versyp
    • Artist Recommendation: TTSSFU
    • Artist Recommendation: Maella
    • Video: Apple on Dolby Atmos
    • Ticket App: Dice
    • Link: Tim Burgess listening party
    • Article: Bjork immersive album Bowers + Wilkins
    • Drink: Icelandic drink Black Death
    • Venue Recommendation: Trades Club in Hebden Bridge


    Music by Sound Mirror, available on Bandcamp here: https://sound-mirror.bandcamp.com/album/lake-wind-water-mountain


    Your Questions:

    Alex Lee Thompson: Are ”scenes” over? Unpack that question as you like

    Simon Marshall: After the excellent live bands to look out for article, sponsored by Seetickets, I would be interested in your views on the ticket selling part of the music industry - as a music consumer the DICE app was and is a revelation, what is your experience, and what is the best place to buy to support artists and venues?

    Ear Protect Req: What three bands or artists should we be checking out live?

    Soundmirrorworld: Will the Atmos, immersive audio bubble burst? Or keep going ’til we’re full frontal?

    Alex Botten: What do you think about the hoards of zombie cover bands eating up local venues. Are they helping or hurting the scene? (I believe profoundly hurting)

    Eric Weiner: Would love to hear your thoughts on the listening party. Are they ever any good? What’s the perfect album release party?


    Grimes quote in full: Honestly the thing I like most about k pop is its an actual scene - reminds me Canadian punk scenes or the indie scene back in the day where like if your integrated enough there's like a constant feed of beauty with sort of known rituals, built in community, and like a collective excitement that is contagious and life affirming. I see how music scenes function effectively as a quasi religious institutions in a secular society. The extreme corporatization of music followed by Covid was very culturally harmful imo cuz a healthy modern music scene is actually a functional religious replacement - if one assumes the mind is better served by access to a healthy community that produces art, has events, shared morality and values, messiahs haha etc. Techno and emo rap similarly ensnared me over the last decade to an extent but they seem less "all ages"


    The Report That Shook the Music Industry & Exposed Inequality Mar 16, 2025
    Show notes

    Why does gender bias still dominate radio airplay? And how did one data report force the industry to face its inequalities?

    In this episode of the Drowned in Sound Podcast, Sean Adams talks to Linda Coogan Byrne, activist and music consultant behind the Why Not Her? campaign.

    Her reports have exposed gender and racial disparities in radio airplay, driving real industry change.

    This conversation reveals how data is power or as Linda puts it, “the data validates lived experiences.”

    00:00 – Introduction: How One Report Changed Music
    01:45 – Meet Linda Coogan Byrne & Her Data Reports
    04:30 – The Shocking Gender Disparity in Radio
    07:00 – Industry Reactions: Denial, Excuses & Pushback
    11:00 – Thin Lizzy, Protest Billboards & Music Activism
    15:30 – Has the Industry Improved or Is It Lip Service?
    21:00 – Can Music Ever Be Equal?
    30:00 – Why Not Everyone Can Be an Activist
    38:00 – What Needs to Change for Lasting Equality?
    45:00 – How Data Holds Power to Account
    50:00 – Final Thoughts & Actionable Takeaways


    Links

    Why Not Her? Reports → https://whynother.eu/data-reports
    Gender Bias in UK Radio – The Guardian → https://www.theguardian.com/music/2020/aug/21/female-british-artists-underrepresented-on-uk-radio-survey-finds
    Book More Women (Festival Representation) → https://www.instagram.com/bookmorewomen/
    Activist Recommendations:

    • Mona Eltahawy → https://www.instagram.com/monaeltahawy
    • Emma Dabiri - Don’t Touch My Hair → https://uk.bookshop.org/a/14603/9780141986289
    • Mary Beard - Women & Power → https://uk.bookshop.org/a/14603/9781788160612
    • Ijeoma Oluo - Mediocre → https://uk.bookshop.org/a/14603/9781529353839
    • Check My Ads (Ad Funding & Misinformation) → https://checkmyads.org/


    🗣 Discuss this episode over on the Drowned in Sound Community → https://community.drownedinsound.com/
    📩 Email Sean → sean@drownedinsound.org
    🔵 Follow on Bluesky → https://bsky.app/profile/drownedinsound.bsky.social
    📩 Get the DiS Newsletter → https://drownedinsound.org


    ABOUT THE GUEST

    Linda Coogan Byrne is a music industry consultant, publicist, and activist known for her gender & racial disparity data reports. She is the CEO of Good Seed PR and founder of Why Not Her?, a campaign pushing for cultural change in music. Her work has influenced radio airplay, festival bookings, and policy decisions. She has been named among the Top 100 Most Influential Women in Ireland, inducted into the Music Week Hall of Honour, and recognized by IMPALA as a Top 20 Woman in Music Activism.


    ABOUT THE HOST

    Sean Adams is the founder of Drowned in Sound, a pioneering music webzine launched in 2000. Beyond editorial work, he manages artists like Charlotte Church and The Anchoress, operates the DiS independent record label, and contributes to strategic music industry and political advocacy projects. His passion lies in championing diverse music scenes and supporting artists worldwide.


    How Do We Save Our Music Scenes? Meet Sound Diplomacy’s Shain Shapiro Mar 02, 2025
    Show notes

    What makes a great music city? How do governments, venues, and fans keep local music scenes alive? And why is music still not treated as an essential part of a city’s economy?

    In this episode of the Drowned in Sound Podcast, Sean Adams speaks with Shain Shapiro, founder of Sound Diplomacy and a leading advocate for integrating music into urban policy. Shain has advised cities and governments worldwide on how to invest in music, build better infrastructure, and ensure that artists and venues don’t just survive but thrive.


    The future of music scenes isn’t just about artists - it’s about infrastructure, investment, and policy. Without real change, we risk losing the cultural spaces that make music thrive.

    Topics Covered:

    The future of music cities: Why local scenes are vital and how they can be protected

    Music as an economic and public good: Why governments should treat music like any other essential sector

    Emerging music markets: Where the global music hotspots of the future might be

    Live Nation: How monopolies shape local music ecosystems

    The importance of local media and community spaces in sustaining music scenes

    How cities can future-proof music amid climate, economic, and technological shifts


    Shain Shapiro explains: “We don’t make data-driven decisions about music the way we do about transit, healthcare, or housing, yet music is an essential part of a city’s fabric.”


    Episode Highlights & Timestamps:

    00:00 – Introduction: Can We Save Our Music Scenes?

    01:04 – The Future of Music: What Will 2050 Sound Like?

    02:33 – The Big Challenges Facing the Music Industry

    04:44 – Music as an Economic & Public Good: Why Governments Should Care

    09:11 – Shain’s Journey: From Record Shops to Global Music Policy

    14:08 – Music Cities: How Governments Can Invest in Local Scenes

    19:51 – Global Music Growth: Why Africa & Southeast Asia Are the Future

    28:25 – Community & Local Government’s Role in Music Sustainability

    35:50 – The Live Nation Monopoly, Local Media, & How Cities Can Push Back

    40:00 – Final Thoughts: What Needs to Change & What Fans Can Do



    Further Reading & Resources:

    Sound Diplomacy – Leading global consultancy on music and city planning

    Making Places Better Newsletter – Shain Shapiro’s insights on improving urban spaces through music and culture

    Music Venue Trust – Protecting grassroots venues

    Cardiff Music Strategy – A model for city-led music investment

    Fonds de la Musique Canada – Canada’s funding model for music exports

    Live DMA – European network for live music venues


    Join the discussion on the Drowned in Sound Community, message me on Bluesky, or email me at sean@drownedinsound.org.

    Get More Music Insights – Subscribe to the Drowned in Sound Newsletter for deep dives into the future of music.


    About the Host:

    Sean Adams is the founder of Drowned in Sound, established in 2000 as a pioneering music webzine. Beyond his editorial work, Sean manages artists such as Charlotte Church and The Anchoress, operates the DiS independent record label, and contributes to strategic communications for music initiatives like Music Venue Trust. His passion lies in championing diverse music scenes and supporting artists across genres.

    About the Guest:

    Shain Shapiro, PhD is the founder and executive chairman of Sound Diplomacy, the leading global consultancy on music and city planning. He also serves as the executive director of the not-for-profit Center for Music Ecosystems. Shain has authored This Must Be The Place: How Music Can Make Your City Better, exploring the intersection of music and urban development. His work has influenced over 130 cities worldwide to invest in music and culture, redefining the value of music in urban settings.


    Festivals For Future: Frances Fox on Music’s Role in Climate Justice Feb 23, 2025
    Show notes

    Music has long been a force for change but as extreme weather disrupts events and the industry grapples with its own environmental footprint, can music be a meaningful part of the climate justice movement?

    In episode 2 of season 3 of the Drowned in Sound Podcast, Sean Adams speaks with Frances Fox, founder of Climate Live and a leader in the UK’s youth climate strikes.

    Frances shares her journey from music fan to activist, why festivals are powerful spaces for engagement, and how the music industry can move beyond greenwashing to drive real action.


    This episode explores:

    Why festivals are at risk from the climate crisis

    How music fans can help shape the climate conversation

    The role of artists, venues & labels in pushing for a sustainable future

    The reality of music’s carbon footprint and what needs to change

    The Solar-Powered Pink Bus—and why Climate Live is taking a message of climate justice straight to festival crowds whilst applying glitter and temporary tattoos


    From touring impacts to activism strategies, this episode breaks down the intersection of music and climate justice, offering real insights into what fans, artists, and the industry can do next.


    “Engaging the unengaged is my jam—when you meet people where they're at, like at a festival, it's very chill.”

    – Frances Fox


    Episode Highlights:

    00:00 – Introduction: Can Music Be a Force for Climate Justice?05:00 – Frances Fox’s Journey: From Festival-Goer to Climate Activist09:20 – Festivals & Climate Change: How Extreme Weather Is Reshaping Live Music15:40 – Touring, Vinyl & Streaming: The Hidden Environmental Cost of Music22:00 – The Solar-Powered Pink Bus: Taking Climate Conversations to Festivals30:00 – Roles in the Resistance: How Fans & Artists Can Push for Industry Change40:00 – Call to Action: What’s Next & How Listeners Can Get Involved


    Further Reading & Resources:

    Climate Live – Join the movement and apply to perform

    Fridays for Future – Global climate strike movement

    Choked Up – Campaigning for air quality in marginalized communities

    Disha Ravi – Indian climate activist's Wiki

    Roles in the Resistance Poster – Find your place in climate activism

    Julie's Bicycle – Sustainability in the creative arts

    Tori Tsui – Climate activist and author of It's Not Just You

    Dominique Palmer – Climate activist and speaker

    Music Declares Emergency – Musicians demanding climate action

    Music Venue Trust – Protecting grassroots music venues

    Safe Gigs for Women – Creating safer environments for women at gigs

    Teach The Future - teachthefuture.uk

    Rozzi - Artist who wrote a song about LA fires

    Stop Rosebank – Campaign against new oil fields

    Fossil Fuel Non-Proliferation Treaty – Ending fossil fuel expansion

    EarthPercent – Brian Eno’s initiative for climate funding

    Make My Money Matter – How your bank funds fossil fuels

    Rainforest Foundation UK – Protecting the Congo Basin

    Reverb – Eco-friendly music tours

    Massive Attack's Climate Initiatives – Band's efforts for sustainable festivals


    📩 Get More Music Insights – Subscribe to the Drowned in Sound Newsletter for deep dives into the future of music: http://drownedinsound.org

    🎵 Music by SoundMirror


    Why This Matters:

    Festivals are already being disrupted—Boardmasters, Standon Calling, and others have faced cancellations due to extreme weather, and independent festivals may not survive rising insurance costs.

    The music industry still relies on fossil fuels—From plastic-heavy vinyl production to major labels backed by oil & gas investments, there’s a deeper connection than many realise.

    Musicians & fans have power—From sustainable touring to rethinking sponsorships, music can lead the way—but only if more people demand change.


    How We Open Music’s Doors to Everyone (Not Just the Rich) Feb 16, 2025
    Show notes

    From grassroots venues and youth music programs to Mercury Prize winners, early support shapes who gets to make music—and who doesn’t. But is access to music a right or a privilege?

    Music should be for everyone - but is it becoming a luxury only the privileged can afford?

    Episode one of season 3 of the DiS podcast, explores how Youth Music -a UK charity funding grassroots projects - is fighting to create fairer opportunities for young musicians facing financial, social, and industry barriers.

    In this episode of the Drowned in Sound Podcast, Sean Adams speaks with Matt Griffiths, CEO of Youth Music, about hidden inequalities in the music industry and the work being done to create opportunities for the next generation of musicians.

    From youth-led projects and grassroots funding to the systemic barriers keeping working-class musicians out, this episode explores how music’s future can be more inclusive, diverse, and fair.

    This episode also features Ezra Collective’s Mercury Prize-winning speech, where they credit their success to the support they received early on:

    “This is not just Ezra Collective’s moment, this is a moment for every single organisation that’s championing young people making music.”

    Read the full speech here:The Line of Best Fit

    The Drowned in Sound Podcast maps the future of music and explores what's happening in the industry right now, with a strong moral compass. It connects music, culture, and ethics, offering deep dives into the issues shaping the way we create, consume, and sustain music.

    Why This Matters:

    Music has the power to change lives - but only if everyone has the chance to participate. Rising costs, funding cuts, and industry gatekeeping are making it harder than ever for working-class musicians to break through. In this episode, we explore what’s at stake, what’s changing, and how we can fight for a better future in music.

    Topics Covered:

    • Why music is increasingly a career for the privileged
    • From youth projects to Mercury Prizes: why access matters
    • How the industry is shutting out working-class talent
    • The critical role of Youth Music in opening doors
    • The funding crisis: why 25% of grassroots projects are at risk
    • “It’s not a pipeline, it’s flight pathways” – how opportunity shapes careers
    • What real change looks like - and how to make it happen


    Further Reading:

    • Youth Music – Find out more and get involved: https://youthmusic.org.uk/
    • "I Will Forever Remain Faithful" Essay – Read more: Oxford American
    • Drowned in Sound Newsletter – Subscribe for music insights: http://drownedinsound.org


    Episode Timestamps:

    • 00:00 Introduction: Is Music Becoming a Privilege?
    • 01:15 Why Youth Music Exists & What It Does
    • 04:30 How the Industry Is Failing Young Artists
    • 07:50 What Happens When You Can’t Afford to Make Music?
    • 11:10 From Youth Projects to the Mercury Prize – Success Stories
    • 14:40 The Funding Crisis: What’s At Risk?
    • 18:20 How We Ensure Music’s Future Is For Everyone
    • 21:30 Ezra Collective’s Speech & the Power of Community
    • 40:00 Final Thoughts & Call to Action


    Join the Conversation:

    • Who really gets a chance to make music today? Join the discussion on the Drowned in Sound forum or leave a review with your thoughts.
    • Support Youth Music – Help fund grassroots music projects: https://youthmusic.org.uk/
    • Get More Music Insights – Subscribe to the Drowned in Sound Newsletter for in-depth analysis on the future of music: http://drownedinsound.org



    Will music survive the next 25 years? - Season 3 Prologue Feb 16, 2025
    Show notes

    How will music survive until 2050? Will streaming monopolies and economic pressures lead to music’s decline, or can we build a fairer, more sustainable future?


    In this season three prologue of the Drowned in Sound Podcast, host Sean Adams (founder of Drowned in Sound) reflects on his lifelong love of music, the systemic challenges facing artists, and what the next 25 years could mean for independent musicians, grassroots venues, and the future of the industry.


    In this series, expect big questions, deep dives, and conversations with artists, industry leaders, and changemakers who are shaping what comes next.


    Drowned in Sound’s podcast is about a life built around music—but also how music shapes culture, communities, and change.


    Topics in this episode:

    Why grassroots venues are struggling

    How streaming giants control music discovery

    The economic realities of being an artist today

    Lessons from past music movements and how they shaped the industry


    Why music’s future depends on the choices we make now


    🎵 Music by Sound Mirror – https://www.soundmirror.co.uk/


    📩 Subscribe to the Drowned in Sound newsletter: http://drownedinsound.org


    00:00 Introduction: The Future of Music in 2050

    00:25 Personal Journey with Music

    01:45 Climate Activism & Music’s Role in Change

    02:20 Challenges Facing Artists & the Music Industry

    03:34 Streaming, Labels & Who Holds the Power

    06:13 Economic Disparities & the Struggles of Independent Artists

    07:36 The Importance of Community in Music

    10:46 Conclusion: The Power & Potential of Music


    What do you think the future of music looks like?What challenges should the industry fix first?


    💬 Leave a review on your podcast app.


    🔔 Follow, rate & subscribe to never miss an episode.


    Introducing... 2025 Theme: What will music be like in 2050? Jan 02, 2025
    Show notes

    This year marks 25 years since Drowned in Sound launched, and rather than obsessing about the past, we will be gazing into the future, trying to work out what music will be like in 2050.

    In this prologue episode, Sean Adams, the founder of Drowned in Sound, reflects a little bit on his 25-year journey and examines the current challenges facing music, from economic barriers to the impact of technology and AI. He discusses the importance of grassroots venues, the role of music in our lives, and the potential for both dystopian and utopian futures. Along the way, he plans on speaking with industry experts, musicians, and pioneers to uncover insights and envision solutions for a sustainable and vibrant music ecosystem. Join this open research project to explore how we can shape a better future for music.

    This was an unscripted ramble, so you can read a little more in our recent newsletter.00:00 Introduction: The Big Question for 202500:35 Reflecting on 25 Years of Drowned in Sound02:07 Challenges Facing the Music Industry04:22 Exploring Solutions and Innovations06:53 The Future of Music: Utopia or Dystopia?08:36 Join the Journey: Open Research Project


    How does music get discovered? Favourite venues? Brexit? - Q&A Special: Part 2 Dec 14, 2024
    Show notes

    In part two of this Q&A experiment, Drowned in Sound founder Sean Adams delves into various topics, including the process of discovering new music, the complexities of the music industry, and nostalgic reflections on MySpace and defunct London music venues.

    He also touches on the importance of human connection in music curation, potential improvements for music streaming platforms, and the socio-political challenges affecting the UK's music industry post-Brexit. Additionally, Sean reflects on memorable interviews.

    Thank you to everyone for your questions, please submit any for the next edition to sean@drownedinsound.org and be sure to subscribe to the newsletter at drownedinsound.org


    Why weren’t [insert band] massive? Music’s true value? Gaffes? - Q&A Special: Part 1 Dec 12, 2024
    Show notes

    To mark Drowned in Sound's 24th anniversary and before we begin a new season of the podcast, Drowned in Sound founder Sean Adams answers your questions.

    Here are some links related to topics covered in the Q&A in case you'd like more context.

    • Listen to: Choose a Bright Morning by Jeniferever on Bandcamp
    • Read: Wendy Roby's brilliant review of Plastic Beach by Gorillaz
    • Listen to: Mystery Jets featuring Laura Marling
    • Read: Mike Diver's 2005 interview with Saul Williams
    • Read: DiScover Santigold

    Questions for this episode submitted by our social media followers and over on the Drowned in Sound forums:

    Sweetsonix on Twitter: A nice easy one. How do we return respect to, and appreciation of, the arts?

    Anthony Gibbons who wrote for DiS in the early days: I've had my fair share of interviewing gaffes in my time, so what is the most cringeworthy question you've asked an interviewee and what was their response?

    Body in the Thames: If you had to do it all over again, what one thing would you change?

    My Yada on DiS forums: What was the first review on the site?

    Drastic Measures: Were you aware that Drowned rhymed with Sound when you came up with the name, or was it just a happy coincidence?

    Icarus Smicarus: If you could be a DiS album review, which DiS album review would you be?

    Jamie Cameron: What happened to Jeniferever?

    Rose Wiles: Favourite gig at Verdis?!

    Karl Hamilton: Why weren't Microdisney massive?


    Sign up to our newsletter at http://drownedinsound.org


    What is the function of record reviews in 2024? Feb 27, 2024
    Show notes

    Elijah is a profound thinker and this conversations draws on his influential grime nights with Stormzy & Skepta, writing about music, DJing and to his Yellow Square instagram posts, which are a form of community-building journalism that act as prods and prompts that agitate thoughts into focus.

    DiS021 | S2: The Future of the Music Press EP13

    From his experience as a pirate radio DJ to running Butterz label & clubnights to being a musician and artist manager, Elijah considers yellow squares to be a former of journalism and the conversation explores the ecosystem that feeds into it and swirls around it.

    In this conversation with Drowned in Sound founder Sean Adams, we discuss mediums and spaces, online platforms and club cultures. The conversation sways from curation as a form of journalism, the YouTube mindset, Twitter, 10 minute or 10 hour radio shows.

    We also try to deconstruct the gatekeeper and the creative challenges facing people working in music, journalism and anything that involves publishing online. We also discuss the joy of Tumblr, yow electronic music in the UK clusters around its pirate radio, BBC media structures, and why not all clubs closing is a bad thing.

    Quotes out of context:

    “What’s the musical equivalent of a community note?”

    “Some people say ‘I don’t make any money’. Well, what do you sell?”

    “Imagine if a review is all the possibilities that the album lays down”

    “It's one bit of work. With all these different mediums, but it’s just the language hasn't adjusted to, to serve that yet, you know what I'm saying?”

    “…there's a hundred thousand, ten thousand histories happening at once. And that's like something that music journalism, the box, cannot fully capture.”

    “People just think, ‘oh, that's their job to write about music.’ And it's like, no, their job is to sell advertising space wrapped around the coverage of music. That's what magazines have been historically. Right?”


    Links

    • Eli1ah on Instagram
    • Various links: https://linktr.ee/Eli1ah
    • YouTube recommendation: Super Eyepatch Wolf
    • YouTube recommendation: Nathan Zed
    • Make The Ting album
    • Eli1ah's Resident Advisor Takeover
    • Further reading: "Close The App, Make The Ting": Elijah's Yellow Squares are making a difference by cutting through the noise (DMY)
    • Podcast referenced with Bandcamp founder

    Please note, this conversation took place in November 2023.

    If you're enjoying this podcast, please sign up and support our new newsletter at DrownedinSound.org.


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