Bulletproof Screenwriting™ Podcast

Latest Episodes:

BPS 182: Inside Pixar's Brain Trust Turning Red with Julia Cho Mar 16, 2022

Show notes

Award-winning playwright and co-writer of Pixar’s TURNING RED, Julia Cho was born and raised in the arid suburbs of Southern California and Arizona. After a fairly uneventful childhood, she unexpectedly discovered theater as a teen and subsequently foiled her parents’ expectations of a life of respectability and normalcy.
Instead, armed with an MFA in writing from NYU and a prestigious fellowship at The Juilliard School, Julia launched herself into the New York theater scene. She soon landed residencies at the Sundance Lab and New Dramatists and productions at high-profile theaters in NYC and across the country. Memorable productions include “The Language Archive” (winner of the Susan Smith Blackburn Award), “Aubergine” and “Office Hour.” For her body of work, she received the 2020 Windham-Campbell Literary Prize for Drama which wrote: “Alternately lyrical and sharp, rigorous and whimsical, Cho’s plays demand that we listen.”
Alongside her theatrics, Cho has also cultivated a career as a writer and producer of a broad range of television shows from cult sci-fi (“Fringe”) to character-driven drama (“Big Love,” “Halt and Catch Fire”). She also adapted the critically-acclaimed novel The Madonnas of Echo Park for HBO and Starz, which showcased her ability to transform eloquent fiction into dynamic and propulsive narrative.
Driven by keen curiosity and a passion for language, Julia strives to create work that expands our worlds and sparks our deepest empathies. She’s currently under commission for South Coast Repertory to write a new play and is a Co-Executive Producer for the Amazon series, “Paper Girls.” In other words, she’s following a movie about four thirteen-year-old girls with a series about four twelve-year-old girls. A project about four eleven-year-old girls is forthcoming.
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BPS 181: Clerks, Sundance and Making $500 Million+ at the Box-Office with Scott Mosier Mar 11, 2022

Show notes

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories that come to life.
We have a 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.
From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.
Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit, they followed up with the embattled Mallrats. The film was not well received and did no money at the box office. Kevin and Scott were essentially discarded and called a one-hit-wonder. For most filmmakers that would be all she wrote but not for Kevin and Scott.
They decided to go back to their roots and make another low-budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.
After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.
Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.
Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.
I had a ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane, and much more.
Enjoy my conversation with Scott Mosier.
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BPS 180: Nicolas Cage and Jumping Into Willy's Wonderland with Kevin Lewis Mar 09, 2022

Show notes

Get ready for a crazy ride! On the show this week we have indie filmmaker and screenwriter, Kevin Lewis. He’s been active on the scene and directed several indie films between 1996 to the present. Kevin's vastest film is the trippy indie (soon to be a cult classic) feature, Willy’s Wonderland, starring the legendary Nicolas Cage.
Lewis has definitely paid his dues. He started out making films in Highschool with his VHS and Super 8 comers. Between the short film releases amongst his peers earlier on, to internships at Columbia Pictures, he was in the right position to secure a scholarship into USC Film School where he graduated from.
The Method, Lewis’ directorial debut was his first feature film right out of college. It is about four guys' college life centered around a theater production of a bank robbery and how to make it better.
In 2003, he directed and wrote Malibu Springbreak, about two Arizonan girls who headed out to the Malibu beaches for a spring break of partying and fun in the sun.
He met an actor on the set, Jeremy Daniel Davis who didn’t play a big role in the film, but Lewis stood up to producers and kept Davis's scene. Fast forward to some years later, Davis joined the production team of a project he was working on at the time and the two kept in contact.
The universe realigned and Davis popped up with the script of Willy’s Wonderland for Lewis out of the blue. This cosmic aligning of a movie, Willy’s Wonderland was directed by Kevin and released in Feb 2021, after his thirteen years of filmmaking sabbatical.
The action-comedy horror film stars Academy Award® Winner Nicolas Cage - A quiet drifter who is tricked into a janitorial job at the now condemned Willy's Wonderland. The mundane tasks suddenly become an all-out fight for survival against wave after wave of demonic animatronics. Fists fly, kicks land, titans clash -- and only one side will make it out alive.
Get ready for a wild ride. Enjoy my entertaining conversation with Kevin Lewis.
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BPS 178: Navigating the Hollywood Machine with Oscar® Winner Taylor Hackford Mar 02, 2022

Show notes

Sitting down with one of the big names in this business this week was a really cool opportunity. I am honored to have on the show today, Academy Award-winning director, producer, and screenwriter, Taylor Hackford.
Taylor's has directed films like An Officer and a Gentleman (1982), White Nights (1985), Proof of Life (2000), Dolores Claiborne (1995), Against All Odds (1984), Parker (2013), the iconic Ray Charles biopic, Ray of 2004, and The Comedian (2016) just to name a few. He also has served as president of the Directors Guild of America and is married to the incomparable acting legend Helen Mirren.
Long before gaining popularity, Hackford had an interesting journey on his climb-up. Taylor served in the US Peace Corps in Bolivia after college. Before then, while pursuing his studies in law there was an odd turn of events. Inspired by mutual friends who were film students, Hackford, quit school and sought out an entry-level position with KCET TV in LA. There, he learned and grew. He did everything. From office assistance to investigative reporting, which earned him two Emmys and an Associated Press Award, to documentaries, short films, and directing.
Hackford racked up his first hit directing and writing Teenage Father in 1978. The film won an Academy Award for Best Short Subject. It explores the life of a 17-year-old senior boy who is a soon-to-be father with his girlfriend, a 15-year-old sophomore. They evaluate the decisions about how they got here, and the decisions on what they will do next.
He then went on to direct the very successful romantic drama film, Officer and a Gentleman in 1982. Recognized as the best film of the year and grossing $190 million from a $7 million budget. The film also made history at the Academy Awards where a black man, Louis Gossett Jr. won the Oscars for Best Supporting Actor for the first time in Academy history. The film tells the story of Zack Mayo (Gere), a United States Navy Aviation Officer Candidate who is beginning his training at Aviation Officer Candidate School. While Zack meets his first true girlfriend during his training, a young "townie" named Paula, he also comes into conflict with the hard-driving Marine Corps Gunnery Sergeant Emil Foley training his class.
Besides winning two Academy Awards, the film also won a BAFTA, two Golden Globes, one Grammy, one NAACP Image Awards, a Japan Academy Film Prize, National Board of Review 10 best films of the year awards, and a Writers Guild of America Awards.
If this isn’t every director’s dream, I don’t know what is. Of course, success like this sets the bar even higher for oneself and can make or break any filmmaker.
Another of Taylor's classics is 1997 The Devil's Advocate starring Al Pacino, Keanu Reeves, Charlize Theron, Connie Nielsen, Craig T. Nelson, Judith Ivey
An exceptionally adept Florida lawyer is offered a job to work in New York City for a high-end law firm with a high-end boss - the biggest opportunity of his career to date.
Taylor Hackford delivered another outstanding film in 2004. Ray. The biographical musical film on the three decades journey of the legendary blues musician, Ray Charles---from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s. It starred triple threat actor, Jamie Foxx.
Ray received riveting reviews from the critics and multiple awards including Best Actor at the Academy.
Hackford’s most recent work he produced or directed is The Comedian, starring Robert De Niro, Leslie Mann, Danny DeVito, and other big names.
The film plot has Jackie (Robert De Niro) who is a comic icon, attempting to reinvent himself despite his audience only wanting to know him as a television character he played earlier in his career. It is a look at the life of an aging insult comic named Jack Burke.
It was certainly incredible to sit back and chat with Taylor. His Ray Charles story alone is worth the process of admission, trust me. Enjoy my conversation with Taylor Hackford.
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BPS 177: Pretty Woman and Producing Hollywood Hits with Gary W. Goldstein Feb 25, 2022

Show notes

Today, we are hearing from one of the cultural influencers of the 90s film industry, and that’s non-other but Gary Goldstein, producer of the iconic rom-com, Pretty Woman, starring Richard Gere, and Julia Roberts.
A man in a legal but hurtful business needs an escort for some social events and hires a beautiful prostitute he meets… only to fall in love. The film’s story centers on down-on-her-luck Hollywood sex worker Vivian Ward, who is hired by Edward Lewis, a wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him.
Pretty Woman was most of your introduction to Gary’s work, but mine was Cannibal Women in the Avocado Jungle of Death.
I know. After all these years, the title still makes me chuckle. Years later, I would reference the title to people. And in case you were curious, Gary goes into the movie title origin story in this interview.
Gary films have generated well over one billion dollars – consistent box office hits. Pretty Woman, for example, grossed $463.4 million – more than 30 times its budget. After the massive success of Pretty Woman, Gary collaborated once more with his filmmaking partner, writer, Jonathan Lawton to produce the action thriller, Under Seige in 1992. Like Pretty Woman, this too performed successfully at the box office and critically – including an Academy Award nomination. An ex-Navy Seal turned cook is the only person who can stop a group of terrorists when they seize control of a U.S. battleship
As an undergraduate student, Gary briefly did talent scouting for Columbia Records and is credited for producing music concerts and cabarets for Berkeley, where he studied.
After college, he practiced law briefly as a criminal defense attorney in San Francisco. Soon, he lost interest in the legal field and sought out a passion. Film and TV became the apparent choice since he had lots of friends who were in the business he could learn from. A year later, Gary opened up a management company where he put his talent scouting skills and experience to work. There, he worked with writers and directors.
By cosmic aligning, he met the young brilliant writer, Jonathan Lawton who wrote the script that became Pretty Woman.
In 2013 he authored Conquering Hollywood: The Screenwriter’s Blueprint for Career Success, which is a compilation of strategies to help anyone; whether looking to sell a spec script, option a screenplay, land a writing assignment and get hired, attract an agent, or manager of your dreams…or get a producer to take a meeting with you.
Gary blessed us with knowledge bombs in this interview, including tips on entrepreneurship and film as a business.
Enjoy my conversation with Gary Goldstein.
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BPS 176: Behind the Curtain of Great Television with Dan Attias Feb 23, 2022

Show notes

If you have ever been interested in directing television or a series on Netflix then this is the episode for you. Today on the show we have legendary television director Dan Attias.
Dan has worked as a director in the film and television industry for 37 years. As a director of series television he has received the Directors Guild of America award for outstanding direction of dramatic television and has been nominated for multiple Emmy awards for his comedy directing. He continues to work on some of the most celebrated and critically acclaimed American television shows, including Homeland, The Americans, The Marvelous Mrs. Maisel, Billions, and The Boys.
Previously he has directed The Sopranos, The Wire, Six Feet Under, True Blood, Entourage, The Killing, The Walking Dead, True Detective, Ray Donovan, Bloodline, Friday Night Lights, Northern Exposure, House, Lost, Alias, among many others. His first professional directing assignment was the feature film, Stephen King’s Silver Bullet, produced by Dino DeLaurentiis. Dan started his career studying acting, then worked as an assistant director under Steen Spielberg on E.T. The Extraterrestrial, Airplane!, One From the Heart and several other feature films.
He has taught acting and directing workshops in the United States, and has appeared as a guest speaker at festivals in Italy, Brazil, Greece, Mexico and Canada. Before working in the film and television industry, Dan was enrolled in a Ph.D. program in English literature at U.C.L.A., then transferred to the Theater Arts Department where he earned an M.F.A. in film production.
His new book Directing Great Television: Inside TV’s New Golden Age dives deep into his career, techniques and amazing behind the scenes stories of some of the best television shows in history.
Sharing his own process honed over a decades-long career, Emmy-nominated director Dan Attias brings you into the actual experience of directing series television. Whether it’s the high-stakes pressure of solving a last-minute problem on set, or the joy of pulling off a perfect shot by the skin of your teeth, Attias brings you right into the director’s chair, sharing his knowledge and taking you through the process one challenging episode at a time.
Offering a fundamental focus on story, and eschewing industry language for plain talk, Attias offers in-depth guidance how best to work with actors, how to “speak” through the camera, how to work with a showrunner, and how to be ready for the many ways a director will be challenged, large and small. Directing Great Television is a fascinating window into television’s best shows, compelling to directors and non-directors alike.
Attias’s book transcends other filmmaking guides by detailing his journey to a surprising place of self-discovery, one with applications beyond entertainment.
Enjoy my conversation with Dan Attias.
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BPS 175: Making El Mariachi and Troublemaker Studios with Elizabeth Avellán Feb 18, 2022

Show notes

Get ready to have you mind blown. If you ever wanted to know the TRUE STORY on how the mythical El Mariachi, written and directed by Robert Rodriguez, then this is the conversation you want to listen to.
Today on the show we have producer Elizabeth Avellán.
Elizabeth Avellan was born in Caracas, Venezuela, where her grandfather, Gonzalo Veloz, pioneered commercial television. At thirteen, she moved to Houston with her family and later graduated from Rice University, where she had her first behind-the-scenes experience working as stage manager and prop master for several student productions.
She moved to Austin in 1986 to work in the Office of the Executive Vice-President and Provost of the University of Texas, continuing her studies in film production, art, and architecture. There she meet Robert Rodriguez - cult filmmaker and her husband to be.
Avellan worked as an animator on Rodriguez's award-winning 16mm film, Bedhead, which aired on PBS after gathering acclaim on the festival circuit. She and Robert co-founded Los Hooligans Productions when the two began work on El Mariachi (1992) in 1991. Since then, Avellan has co-produced Robert Rodriguez's From Dusk Till Dawn (1996), Desperado (1995), The Faculty (1998), and upcoming Spy Kids (2001).
Besides she developed several scripts and produced with Pamela Cederquist and Rana Joy Glickman, Real Stories of the Donut Men, a dark comedy written and directed by Beeaje Quick, which premiered at the South by Southwest Film Festival in March, 1997. Additionally, Avellan served as producers' rep. with Rana Joy Glickman for Love You Don't Touch Me, a romantic comedy premiered at the 1997 Sundance Film Festival.
She co-founder Troublemaker Studios with Robert and have been causing "trouble" in Hollywood ever since. Elizabeth and I have an epic two-hour conversation spanning decades in the history of her, Robert and Troublemaker Studios.
We did a bit of myth busting on the now legendary indie film El Mariachi. Elizabeth also discussed what it was like working inside the Hollywood machine, the moment she introduced Robert to Quentin Tarantino, the uphill battles she faced becoming a producer and so much more.
Get ready for one heck of a ride. Enjoy my conversation with Elizabeth Avellán.
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BPS 174: Producing Films in Today's Hollywood with Oscar® Nominee Chris Moore Feb 16, 2022

Show notes

Every once in a while I have a conversation on this show that blows my mind, this episode did just that. Today on the show we have Oscar® Nominated producer Chris Moore. He produced films like Good Will Hunting, American Pie, Waiting, The Adjustment Bureau, and Manchester by the Sea. Chris' profile grew from his appearance as the producer on the early 2000's filmmaker reality show Project: Greenlight.
I have a short, and I mean short, history with Project: Greenlight. You can see below.
After graduating from college, Chris Moore moved to Los Angeles after sometime working in the mailroom of a major agency he got promoted to literary agent. He championed projects like: The Stoned Age, PCU, Airheads, Last Action Hero, and My Girl.
When Chris' agency was acquired by ICM, he left and became an indie film producer. With some friends, he raised the budget to produce the indie film Glory Daze, which starred an unknown Matt Damon. Damon turned down the leading role in favor of paid work on another paid project but introduced him to his friend Ben Affleck, who ultimately starred in Glory Daze.
Afterward, Affleck and Damon wrote the screenplay for what would become the Oscar® winning Good Will Hunting, and they asked Chris help them produce the film that was directed by Gus Van Sant.
Will Hunting (Matt Damon) is twenty years old, and already stands out in his rough, working-class neighborhood in South Boston. He's never been to college, except to scrub floors as a janitor at MIT. Yet he can summon obscure historical references from a photographic memory, and almost instantly solve math problems that frustrate Nobel Prize winning professors. The one thing this remarkably bright, impossibly angry young man can't do - after his latest bar fight - is talk his way out of a pending jail sentence.
His only hope is Sean McGuire (Robin Williams), a college professor-turned-therapist with an admiration for Will's emotional struggles, and a keen understanding of what it's like to fight your way through life.
Chris and I had a remarkable conversation about how to produce films in today eco-system. We also discuss what it's like working in the studio system, some of the issues he has with the system, how filmmakers are treated, and so much more. This an EPIC 2-hour conversation full of knowledge and truth bombs so prepare to take some notes.
Enjoy my conversation with Chris Moore.
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BPS 173: How To Shake The Film Investor Money Tree with Morrie Warshawski Feb 11, 2022

Show notes

Today, we are going to be talking all about one of my favorite topics; how to raise money to get our films made. I think every filmmaker wants to know how to make or get money for their films. But it becomes very challenging.
My guest is an expert fundraiser, film financing consultant, facilitator, and author, Morrie Warshawski. He’s facilitated a lot of fundraising throughout his 35 years career and has authored Shaking the Money Tree: The Art of Getting Grants and Donations for Film & Video, and The Fundraising Houseparty: How to Party with a Purpose and Raise Money for Your Cause.
Shaking The Money Tree demystifies the art of fundraising for independent film and video projects for students, emerging, and seasoned media makers.
Morrie has assisted artists, filmmakers, and non-profit organizations with strategic planning, organizational development, and marketing across the entertainment and other sectors. Some of his clients are Habitat for Humanity, The National Endowment for the Arts, and Western States Arts Federation.
I really wanted to talk about the mistake filmmakers make when trying to fundraise. Morrie seemed like the right guy for the job and he delivered.
It was interesting learning that Morrie initially studied at USC in hopes of going into filmmaking but ended up majoring in English. And followed on with an MA in English and the graduate Writers Workshop at the University of Iowa.
He started working with independent videographers and filmmakers through the Bay Area video coalition in San Francisco and that's when he transitioned to fundraising.
Morrie was generous with knowledge bombs and tips we all need when it comes to fundraising.
He highlights in this interview how vital it is for filmmakers on the look for donors to have good comportment --- the basis of presenting oneself to the world. Another component is, understanding why they're doing the work and having a strong feeling that the work you're making must be made. And lastly, understanding where your strengths lie, and how you can surround yourself with workarounds for your deficits.
Our conversation was pretty much enlightening and fun. Check the show notes for links to learn more about the work Morrie does and his books.
Get a notebook and pen to jolt down gems and enjoy my conversation with Morrie Warshawski.
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BPS 172: The Art of Writing Adaptations with Joe Wright Feb 09, 2022

Show notes

Today on the show we have Oscar® nominated filmmaker and screenwriter Joe Wright.
Joe has established himself as one of Hollywood’s top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.
Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.
Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill’s early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture’ and won for ‘Best Actor’ and ‘Best Makeup and Hairstyling’. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film’ and ‘Best British Film’, four Critics Choice awards, and a Golden Globe award.
Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.
Wright received the BAFTA Award for ‘Most Promising Newcomer’ and also won the ‘Best Director of the Year’ award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted’, four Academy Award nominations including ‘Best Actress’ for Knightley and ‘Best Original Score’ and two Golden Globe nominations including ‘Best Film’.
His sophomore directorial feature was an adaptation of Ian McEwan’s ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.
The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director’ for Wright and ultimately won for ‘Best Film’. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture’ and won for ‘Best Original Score’ and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama’ and ‘Best Original Score’.
In 2012, Wright released his film adaption of Leo Tolstoy’s historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina’, whose affair with ‘Officer Count Vronsky’ leads to her ultimate demise.
His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film’, a Golden Globe nomination, and two Critics Choice Awards.
Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.
His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.
Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters. This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.
Enjoy my enlightening conversation with Joe Wright.
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