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Bulletproof Screenwriting™ Podcast — Film Interviews
Bulletproof Screenwriting™ Podcast

The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.

Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.

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Copyright: © IFH Industries, Inc.

Latest Episodes:

BPS 496: The Onion Co-Founder Reveals Why Most Comedy Scripts FAIL with Scott Dikkers Nov 05, 2026

Show notes

What if the biggest mistake you're making as a screenwriter happens BEFORE you write a single page? In this episode of Indie Film Hustle, Scott Dikkers, co-founder and former editor-in-chief of The Onion, reveals the techniques behind successful comedy writing, stronger screenplays, and storytelling that genuinely connects with audiences. From building The Onion into a comedy institution to developing his acclaimed book How to Write Funny, Scott explains his 11 approaches to humor, why comedy isn't entirely subjective, and how professional writers can make their jokes more effective. He also shares why your protagonist doesn't need to be likable, how to make deeply flawed characters emotionally compelling, and why testing your movie concept with real audiences can save months of wasted writing.
Scott also takes us behind the scenes of his filmmaking journey, including the lessons he learned directing two independent feature films, Space Man and Bad Meat. We explore the screenwriting books he recommends, why a three-to-five-page treatment is one of the most valuable tools a writer can create, and how great comedy depends on a strong creative vision rather than endless committee revisions. Whether you're writing your first screenplay, developing an independent comedy, or struggling to turn your ideas into finished projects, this conversation delivers practical lessons from someone who spent decades studying what makes people laugh. Most importantly, Scott explains why aspiring filmmakers should stop waiting for opportunities and start writing, shooting, and learning through experience.
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BPS 495: The Screenwriting Advice Hollywood Writers Actually Use with Ron Peters Oct 29, 2026

Show notes

Screenwriter, story analyst, and editor Ron Peters takes us inside the craft of professional screenwriting through his experiences working on projects including Defiance, The Wolf of Wall Street, Fury, and Twin Peaks. Ron breaks down how he approaches a screenplay—first experiencing it as an audience member, then analyzing structure and character—and explains why compelling characters can matter even more than perfect structure. He also explores the importance of understanding your antagonist, internal conflict, and why The Wolf of Wall Street could use Jordan Belfort's own greed and self-obsession as powerful sources of antagonism.
Ron also shares practical advice for writers trying to break into Hollywood. He discusses when screenwriting formulas can be useful, why emerging writers should build a portfolio before becoming overly experimental, how gatekeepers evaluate scripts, and why writers need to trust their own unique experiences rather than becoming dependent on consultants. Most importantly, Ron argues that professional writing requires discipline: read every day, write every day, accept bad pages, rewrite relentlessly, and approach the work with the consistency of a nine-to-five job.
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BPS 494: Do You Really Need Film School to Become a Filmmaker with Miranda Sajdak Oct 22, 2026

Show notes

Writer, producer, and director Miranda Sajdak takes us inside the realities of building a filmmaking career from the ground up. After studying film at Columbia, Miranda worked on graduate student productions before landing PA opportunities on major movies including The Bourne Ultimatum and Cloverfield. She explains what film school actually gave her, why it isn't necessary for everyone, how networking opens doors in Hollywood, and what filmmakers can learn by moving between massive union productions and scrappy independent sets where everyone has to become more resourceful.
Miranda also shares lessons from working as a writers’ and showrunner’s assistant, including why screenwriters need to lose their ego, accept notes, and understand that rewriting is part of the job. She recounts one of her wildest producing disasters—having to locate a pregnant horse about to give birth in the middle of a New York winter—and explains why independent filmmakers often need side businesses and multiple income streams while pursuing passion projects. From screenwriting and development to crowdfunding and directing, this conversation offers a practical look at what building a sustainable filmmaking career actually requires.
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BPS 493: Film School Won’t Teach You This About Making Movies with Jason Kartalian Oct 15, 2026

Show notes

Filmmaker Jason Kartalian grew up around movie sets through his father, character actor Buck Kartalian, whose credits included Planet of the Apes, Cool Hand Luke, and The Outlaw Josey Wales. That early exposure eventually led Jason behind the camera, where he developed his own approach to writing, directing, cinematography, and independent production. In this conversation, Jason explains why the most valuable filmmaking lessons often happen outside the classroom, how directors can preserve an actor's energy by avoiding unnecessary coverage, why he likes getting an entire scene in a master before chasing additional shots, and why indie directors benefit enormously from understanding the technical jobs around them.
Jason also breaks down his screenwriting process, from outlining and character development to writing a rough first draft and rewriting with fresh eyes. He explains how Seahorses evolved through collaboration with its actors, why production design and cinematography should reinforce a movie's central theme, and how he personally financed the film as a passion project before taking it through the festival circuit. Perhaps most importantly for independent filmmakers, Jason discusses why getting a movie onto digital platforms doesn't automatically create an audience. Distribution may make your film available, but getting people to actually watch it remains the filmmaker's challenge.
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BPS 492: How One of the WORST Movies Ever Made Became a Cult Classic with Jackey Neyman Oct 08, 2026

Show notes

Actress, artist, and producer Jackey Neyman takes us behind the scenes of one of the strangest cult movies in filmmaking history: Manos: The Hands of Fate. Jackey was only six years old when her father joined the production and brought far more than his performance to the movie—he also provided sets, props, costumes, furniture, a car, a Doberman, and his daughter for the cast. Jackey remembers what it was actually like making the ultra-low-budget production, watching the disastrous original premiere, and seeing a movie everyone involved tried to forget suddenly find an enormous new audience decades later through Mystery Science Theater 3000.
Jackey also discusses bringing the franchise back with Manos Returns, including crowdfunding the production, assembling an experienced low-budget filmmaking team, bringing surviving members of the original production back, and working toward making the best movie possible with limited resources. She explains why they didn't want to imitate the accidental qualities that made the original Manos infamous and instead wanted to create a genuine continuation made specifically for its fans. It's a fascinating look at how an independent film can fail, disappear, become a cult phenomenon decades later, and ultimately create opportunities its original filmmakers could never have predicted.
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BPS 491: The Screenwriting Advice Hollywood Writers Actually Use with Andrew Bloomenthal Oct 01, 2026

Show notes

Entertainment writer, screenwriter, and independent filmmaker Andrew Bloomenthal joins the show to discuss what years of interviewing working screenwriters and directors taught him about storytelling, preparation, and the filmmaking business. Andrew explains how his background in financial journalism unexpectedly opened the door to entertainment writing, eventually giving him opportunities to interview filmmakers including Oliver Stone and Michael Moore and contribute to publications such as Creative Screenwriting and Script Magazine. He also shares why every assignment should be treated as a calling card, how detailed research produces better conversations with filmmakers, and why writers need to develop an economy of words regardless of what they're writing.
The conversation also gets into deadlines, developing your own screenplays, transitioning from writing to production, and Andrew's experience preparing to shoot a musical short film. He discusses casting actors, recording musical tracks before production, scouting locations, planning shots, and the excitement that comes when something that existed only on the page begins becoming a real film. For aspiring screenwriters and filmmakers, Andrew's experience reinforces a practical lesson: preparation matters, but eventually you have to move beyond thinking about making a film and actually start producing it.
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BPS 490: He Waited 11 YEARS to Make His Movie—Then Jimmy Kimmel Changed Everything with Don Barris Sep 24, 2026

Show notes

What happens when Hollywood never comes knocking?
Comedian, filmmaker, podcaster, and longtime Jimmy Kimmel collaborator Don Barris shares the unconventional journey that eventually led to the cult comedy Windy City Heat. After leaving Michigan for California, Don struggled through stand-up, lived in his car for extended periods, and spent years developing his own comedy projects rather than waiting for Hollywood to discover him. That persistence eventually connected him with Jimmy Kimmel and helped transform an unusual Comedy Store concept into one of the strangest cult comedies ever produced. Don also takes us behind the scenes of Windy City Heat, revealing how its elaborate real-life prank was constructed and why unpredictable reactions created filmmaking challenges unlike those of a traditional feature.
Beyond the insanity of Windy City Heat, this conversation offers practical lessons for filmmakers and creators trying to build careers outside the traditional Hollywood system. Don discusses the importance of creating your own opportunities, developing long-term industry relationships, using podcasts and digital platforms to build an audience, and turning that audience into leverage for larger creative projects. From Jimmy Kimmel championing the movie to Quentin Tarantino, Eli Roth, and Jack Black discovering the film, Don’s journey demonstrates how unconventional work can develop a life far beyond its original release—and why filmmakers shouldn't depend entirely on gatekeepers to determine whether their projects get made.
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BPS 489: He Made 1,500 Short Films Before Hollywood Took Notice with Michael Rousselet Sep 17, 2026

Show notes

What happens when Hollywood keeps saying no, but you refuse to stop making movies?
Filmmaker and screenwriter Michael Rousselet shares the unconventional path that took him from USC film school to creating more than 1,500 Five Second Films and eventually co-writing and directing the cult comedy Dude Bro Party Massacre III. Michael breaks down what film school actually taught him, why failure is essential to becoming a better filmmaker, how constant production sharpened his craft, and why filmmakers need to stop waiting for permission and start creating with whatever resources they have.
Michael also reveals how Five Second Films built an online audience large enough to help crowdfund a feature after traditional producers passed, how an independent financier came aboard after seeing their momentum, his screenwriting and outlining process, why terrible first drafts are necessary, and the realities of self-distributing an independent movie. He also tells the incredible story behind his connection to The Room and Tommy Wiseau. This conversation is packed with practical lessons for screenwriters, directors, producers, and indie filmmakers trying to turn ideas into finished movies.
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BPS 488: How The Asylum Makes Movies That Actually Make Money with David M. Latt Sep 10, 2026

Show notes

How do you build an independent film studio that produces movies constantly without betting the entire company on every release?
In this episode, David M. Latt, co-founder of The Asylum, breaks down the unconventional business model behind one of the most prolific independent production companies in Hollywood. From working out of an apartment to releasing dozens of films, creating Sharknado, and expanding into television with Z Nation, David explains how pre-sales, strict budgeting, vertical integration, and relentless production allowed The Asylum to survive while much of the traditional independent film market changed around them.
The conversation also dives into developing movies for buyers, creating ambitious films on limited budgets, why The Asylum rarely accepts outside scripts, the accidental success of Sharknado, casting challenges, digital distribution, television production, and the importance of relationships in the entertainment business. David’s experience offers filmmakers a rare look at independent cinema from the perspective of someone who doesn’t just make movies—he has helped build an entire system designed to keep making the next one.
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BPS 487: The Brutal Truth About Making Horror Movies with Harrison Smith Sep 03, 2026

Show notes

Success in filmmaking rarely comes from waiting for permission.
In this episode, horror filmmaker Harrison Smith shares the lessons he learned from building a career through writing, producing, and directing independent films like The Fields, Six Degrees of Hell, Camp Dread, and Zombie Killers: Elephant's Graveyard. From working at Universal Studios to producing feature films on modest budgets, Harrison explains why experience on real film sets teaches lessons no classroom can replicate and why every filmmaker eventually has to stop studying movies and start making them.
The conversation covers independent film production, screenwriting, directing, financing, working with actors, horror filmmaking, investor relationships, film criticism, remakes, networking, and developing stories that stand apart from Hollywood formulas. Harrison also discusses why strong scripts remain the foundation of every successful film, why writers should focus on telling original stories instead of chasing trends, and how honesty, persistence, and reputation become the most valuable assets any filmmaker can build throughout their career.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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