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    Film Interviews

    Bulletproof Screenwriting™ Podcast

    The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.

    Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast–2881148/support.

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    Copyright: © IFH Industries, Inc.

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    Latest Episodes:
    BPS 201: How to Get IP and Life Rights for Your Screenplay with David Kessler May 27, 2022
    Show notes

    Originally from Philadelphia, David attended that city’s “Fame” high school, Creative And Performing Arts, where his classmates included QuestLove and Boyz II Men. He then graduated from Parsons School of Design in New York, and worked as a graphic designer for ad agencies, designed book covers, movie posters, and indie film titles.
    He impulsively moved to Los Angeles in 2000 and became a stand-up comic for a while, performing at The Improv, The Vancouver Comedy Festival, and in sketches on “The Late Late Show With Craig Ferguson” and “The Showbiz Show with David Spade”. But he tired of comedy clubs after a few years and focused on writing instead. In 2006, his “Will & Grace” spec made it to the semi-finals of the Warner Bros. Comedy Workshop.
    Switching to drama, he optioned the book “Minamata” (and the life rights of the author), about the experiences of journalist W. Eugene Smith photographing mercury poisoning victims in Japan. He wrote the screenplay in six weeks, and it got him a literary manager. Then Johnny Depp’s company came on board to produce with Depp himself as the star. Filming on MINAMATA completed in the Spring of ’19, with an expected release in Fall 2021. “Minamata” premiered at the Berlin Film Festival in 2020 and has since been picked up by Samuel Goldwyn Films for domestic distribution. It also stars Bill Nighy, Hiroyuki Sanada, Tadanobu Asano, and the singer Katherine Jenkins.
    His follow up, DREAMERS (based on the book John Lennon Vs. The US), is about John Lennon’s immigration battle with the Nixon administration which legally set the stage (many years later) for DACA/The Dream Act.
    David was recently hired by the director of “Minamata”, Andrew Levitas, to rewrite a script about the two brothers who owned Adidas and Puma and who battled each other for decades. That project, “Adidas V Puma”, is currently out to actors and mentioned in “The Hollywood Reporter” in early March 2021.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BONUS EPISODE: Inside Creating Top Gun & Writing in Hollywood with Jack Epps Jr. May 26, 2022
    Show notes

    It is an absolute thrill to have Jack Epps Jr. on the show today. The award-winning writer, USC Cinematic Arts professor and filmmaker is a member of the Writer's Guild of America and the Academy of Motion Picture Arts and Sciences. He’s best known for writing Top Gun (1986), Pigs vs. Freaks, The Secret of My Success, Turner & Hooch, and Anaconda 1997 screenplay.
    Jack first became involved in making films while doing his undergraduate at Michigan State University. Inspired by a student film festival, Epps made his first film the following semester which became Pig vs. Freaks that was later titled Off Sides.
    Top Gun was Epps’ big break. He partnered with Jim Cash who was his screenwriting professor at Michigan State University, to write several projects and Top Gun was one of those screenplays. Top Gun’s success was seismic. It became a box office number one grossing $ 357.1 million on a $ 15 million budget while also stacking several accolades including an Academy Award, Golden Globes, and a number of other international film awards.
    Epps is credited for the original screenplay in the sequel, Top Gun: Maverick which will be released this November.
    Epps shares co-writing credits with Jim Cash and Hans Bauer for the screenplay of the Anaconda adventure horror film series of 1997 and 2004. The first story follows a "National Geographic" film crew in the Amazon Rainforest that is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.
    While the first film did not receive critical acclamation, it grossed $136.8 million worldwide against a budget of $45 million.
    In the second film, Anaconda: The Hunt for the Blood Orchid, the premise is quite similar. A scientific expedition team of researchers set for an expedition into the Southeast Asian tropical island of Borneo, to search for a sacred flower for which they believe will bring humans to a longer and healthier life, but soon become stalked and hunted by the deadly giant anacondas inhabiting the island.
    These are some classics and I couldn’t wait to chat with Jack about his creative journey---from his work as a cinematographer and an assistant cameraman on various local productions, to his love for writing or reviewing romantic comedies films like Viva Rock Vegas, and Sister Act.
    Let's dig in, shall we? Enjoy this conversation with Jack Epps.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 200: How to Cast a Bankable Star with Thomas Jane May 25, 2022
    Show notes

    Thomas Jane is a prolific actor, director, and producer, with extensive credits including the series The Expanse and Hung, and the features The Punisher, 61, The Predator and Boogie Nights. Jane recently starred in in the hit thriller The Vanished, and his film Run Hide Fight world premiered at the 77th Venice Film Festival. Jane will next be seen in the anticipated drama series Troppo for IMDb TV/Amazon, based on the bestselling novel by Candice Fox, which he is also executive producing via his Renegade Entertainment banner.
    Jane founded the production company Renegade Entertainment with Courtney Lauren Penn in 2019. Since its inception, Renegade has produced the soon to be released features Murder at Yellowstone City, starring Jane, Gabriel Byrne, and Isaiah Mustafa; Dig, starring Jane, Emile Hirsch, and Harlow Jane; The Last Son, starring Jane, Sam Worthington and Colson Baker; and Slayers, starring Jane, Abigail Breslin and Malin Akerman.
    Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, Dreamcatcher, and The Mist.
    Jane is a writer and director, directing one of the first-ever natively shot films in 3D, the noir thriller Dark Country, as well as the celebrated season 5 episode “Mother” of his hit series The Expanse. He founded the graphic novel company RAW Studios in 2011.
    Thomas recently opened up his new production company Renegade Entertainment.
    Thomas Jane and Courtney Lauren Penn’s Renegade Entertainment has been prolific since launching late in 2019. Since the start of the pandemic the company has completed production on Murder at Emigrant Gulch, starring Gabriel Byrne, Isaiah Mustafa, and Thomas Jane; Dig, starring Thomas Jane, Harlow Jane, and Emile Hirsch; The Last Son, starring Thomas Jane, Sam Worthington, and Colson Baker; and Slayers, starring Abigail Breslin, Thomas Jane, and Malin Akerman.
    Renegade is in production on their first scripted series Troppo, based on the bestselling novel by Candice Fox. Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, The Mist, and Dreamcatcher.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 199: From Adult Films to Showrunning with Barry Sonnenfeld May 20, 2022
    Show notes

    I can't tell you how excited I am for today's episode. I had the pleasure to speak to the legendary director Barry Sonnenfeld. We discuss his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events. We also chat about the time he shot nine porno films in nine days. That story alone is worth the price of admission.
    I don't think Will does get upstaged because his reaction is always funnier than what is actually happening. That is also the reason Tommy is funnier than Will.
    In his new book Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker shares his laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors.
    His book is written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature-length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films.
    Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say,
    “If this guy could end up as a successful film director on big-budget films, anyone can.”
    His book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning.
    Barry Sonnenfeld's philosophy is,
    “Regret the Past. Fear the Present. Dread the Future.”
    This EPIC conversation is almost two hours and had me on the floor laughing one minute and in absolute shock the next. This is by far one of my favorite interviews I have ever done on the show.
    So sit back, grab a drink and enjoy my conversation with Barry Sonnenfeld.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 198: Secrets to Creating Great Character Moments with Chris Riley May 18, 2022
    Show notes

    Chris Riley is a screenwriter whose first film, After The Truth, an award-winning courtroom thriller written with his wife and professional partner, Kathy, sparked international controversy in 1999 when it was released in Germany.
    Other credits include 25 To Life, a dramatic thriller for Junction Entertainment and Touchstone Pictures; The Other White House, a political thriller for Sean Connery’s Fountainbridge Films and Intermedia; Aces, an action-adventure romance for Paramount Pictures; and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network. A veteran of the Warner Bros. script department, Riley is the author of The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style. He serves as professor of film at John Paul the Great Catholic University in San Diego and previously taught in the MFA program in writing for screen and television at Pepperdine University.
    He served as creative director at Yellow Line Studio where he executive produced the web series Bump+ and produced the feature Red Line. He is a founding partner of the online Story Masters Film Academy.
    His new book is The Defining Moment How Writers and Actors Build Characters.
    Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character’s formation that they create a distinct boundary of before and after, moments without which the character couldn’t exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 197: From Broadway to Hollywierd with Tony® Winner Stephen Karam May 13, 2022
    Show notes

    Today on the show we have writer and director Stephen Karam. He is the Tony Award-winning author of The Humans, Sons of the Prophet and Speech & Debate. For his work he’s received two Drama Critics Circle Awards, an OBIE Award and is a two-time Pulitzer Prize finalist.
    Stephen recently directed his first feature film, a rethought version of The Humans for A24 films, to be released in 2021. He wrote a film adaptation of Chekhov’s The Seagull starring Annette Bening, which was released by Sony Picture Classics.
    His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season. Recent honors include the inaugural Horton Foote Playwriting Award, the inaugural Sam Norkin Drama Desk Award, two Outer Critics Circle Awards, a Lucille Lortel Award, Drama League Award, and Hull-Warriner Award.
    Stephen and I have a great conversation on how he went from Broadway to Hollywood, adapting his award-winning play to the big screen, his creative process and much more.
    Erik Blake has gathered three generations of his Pennsylvania family to celebrate Thanksgiving at his daughter’s apartment in lower Manhattan. As darkness falls outside and eerie things start to go bump in the night, the group’s deepest fears are laid bare. The piercingly funny and haunting debut film from writer-director Stephen Karam, adapted from his Tony Award-winning play, The Humans explores the hidden dread of a family and the love that binds them together.
    Enjoy my conversation with Stephen Karam.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 196: The Good, Bad and Ugly of the Film Biz with Adam White May 11, 2022
    Show notes

    Today on the show we go through the good, the bad and the ugly of being an indie filmmakers. On the show we have filmmaker Adam White.
    We discuss the making of his new film Funny Thing About. We discuss financing, casting, how he got Jon Heder (Napoleon Dynamite) to say yes to a supporting role in a romcom, shooting an ensemble cast during the pandemic, how we were filming the movie without having all of the funding in hand, securing distribution and much more. It's a pretty insane story.
    Samantha Banks is a successful business with a handsome fiancee. But over one crazy Thanksgiving Holiday with her scheming family, her whole world is thrown into a tailspin when they invite her ex-boyfriend, "the one that got away."
    We also discuss how he financed his first feature Inspired Guns and when that was a box office flop he lost everything including his house. It took seven years for him to bounce back and make another feature.
    The last thing Elder Fisher expects when he and his brand new companion, Elder Johnson, hit the streets of New York is a couple of seemingly golden prospects. But dimwitted brothers Roger and Larry, low-level Mafioso, think the two Mormon missionaries who approach them have been sent by the “Boss” to deliver their next assignment.
    So the brothers are willing to listen to anything the young men in dark suits have to say—including a message of salvation—even if Elder Johnson is the most overconfident and underprepared missionary to ever attempt to preach the word of God. Soon the witless brothers are searching through the Book of Mormon in a quest to find a hidden message.
    But as the missionaries and Roger and Larry continue to meet for discussions, both the mafia and the FBI have their sights set on Elders Fisher and Johnson. The mob thinks the missionaries are FBI; and the FBI believes the young men are hitmen on a mission—and both groups want the elders out of the picture. The Elders come to realize they must rely on each other to survive this case of mistaken identity.
    Enjoy my conversation with Adam White.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 195: The Profitable Feature Film Formula with Rob Goodrich & Jason Armstrong May 06, 2022
    Show notes

    Today on the show we have film producers Jason Armstrong and Rob Goodrich.
    Armstrong and Goodrich founded Walk Like A Duck Entertainment, a film production company that develops and produces high quality scripted and non-scripted content.
    With a combined 30+ years in the entertainment industry, Armstrong and Goodrich have held positions in all aspects of production with a focus on IP acquisition, development, packaging and raising capital.
    The company has forced strong and supportive relationships with filmmakers and talent, advising and collaborating through all aspects of production.
    Jason and Rob are currently in pre-production on Andy Armstrong’s SQUEALER, and recently completed production on the following films: SLAYERS (starring Abigail Breslin, Malin Akerman, Thomas Jane), DIG (starring Thomas Jane, Emile Hirsch, Liana Liberato), SKELLY (starring Brian Cox, Torrey Devitto, John Palladino), and SALVATION (Claire Forlani, Thomas Jane, Skeet Ulrich, Theo Rossi, Ashley Moore).
    They have also acquired life rights of John Fairfax, an adventurer who crossed both the Atlantic and the Pacific Oceans in a rowboat, which they’re currently developing with Tiffany Fairfax, widow of John Fairfax.
    Armstrong and Goodrich puts a premium value on developing creative and strategic partnerships across sales, distribution, co-production and post-production companies. The trajectory of a project varies on a case by case basis, Armstrong and Goodrich are uniquely positioned to manage all aspects of a projects lifespan.
    As music, publishing and sync-licensing continue to establish increasing revenue streams and relevance in a financial model for a film or TV series, they have established 6 To Midnight Music, an ASCAP / BMI affiliate with a Co-Publishing deal with BMG Music, headed by Walk Like A Duck Entertainment partner, Cameron Goodrich.
    Film producers Jason Armstrong and Rob Goodrich have created a way to produce profitable feature films in record speed durning one of the craziest and uncertain times in film history. I sat down with both producers to see how they are doing what they are doing, how they ramped up so fast and how they are making money with there system.
    Enjoy my conversation with Jason Armstrong and Rob Goodrich.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 194: Inside Making One of the Most Insane Indie Films Ever! with The Daniels May 04, 2022
    Show notes

    Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.
    They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.
    They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.
    They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.
    While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.
    When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.
    They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


    BPS 193: The RAW Reality of Being an Indie Producer with Miranda Bailey Apr 29, 2022
    Show notes

    Miranda Bailey is a prolific producer, actor and director, known for producing high quality independent films. Her passion for bringing compelling, well-crafted stories to the screen has been the driving force in her distinguished 15-year filmmaking career. Bailey has produced over 20 films, among them the Oscar®-nominated THE SQUID AND THE WHALE and the Spirit Award-winning THE DIARY OF A TEENAGE GIRL, as well as James Gunn’s SUPER, the Sundance hit SWISS ARMY MAN, the critically acclaimed NORMAN and the indie hit DON’T THINK TWICE.
    Bailey’s directorial narrative feature debut BEING FRANK, an offbeat family drama/comedy premiered in the Spotlight Section at the 2018 SXSW Film Festival and was theatrically released June 2019. She assembled a decorated cast including Grammy-nominated comedian, actor, writer, producer and New York Times best-selling author Jim Gaffigan, two-time Emmy winning actress Anna Gunn, Samantha Mathis and Logan Miller. Karen Kehela Sherwood of Imagine Entertainment produced the film alongside Amanda Marshall of Bailey’s Cold Iron Pictures. Bailey’s made her documentary debut GREENLIT – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Bailey’s second documentary, THE PATHOLOGICAL OPTIMIST, the film was released theatrically by The Film Arcade and on VOD by Gravitas.
    In 2018, Bailey teamed with Gurl.com co-founder Rebecca Odes to launch CherryPicks, a groundbreaking aggregate movie review and rating service by female critics for the female audience. The site went live in 2019 and over 800 female critics are subscribed to provide their reviews on the site.
    A production powerhouse, Bailey’s Cold Iron Pictures has amassed an extensive list of critical and commercial successes, including SWISS ARMY MAN, starring Golden Globe-nominee Paul Dano and Daniel Radcliffe, theatrically released by A24. DON’T THINK TWICE, directed by Mike Birbiglia, starring Gillian Jacobs and produced with Ira Glass (This American Life) was distributed by The Film Arcade. NORMAN, directed by Joseph Cedar (BEAUFORD, a Foreign Language Film Oscar nominee), premiered at the Toronto International Film Festival and was released by Sony Classics. Bailey also produced I DO…UNTIL I DON’T, directed by and starring Lake Bell and Ed Helms. Additionally, in 2019, she produced the Sundance hit documentary, THE UNTITLED AMAZING.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.


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