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    Fiction

    Breaker Whiskey

    BREAKER WHISKEY is an ongoing, daily microfiction podcast exploring one woman’s journey to find additional survivors in an America made empty by an unknown event in the late 1960s. In 1968, two women find themselves in rural Pennsylvania during what turns out to be some kind of apocalyptic event. By the time they discover that everyone else is gone, it’s too late to figure out what happened. Despite not liking each other at all, the women work together to survive, until six years later one of them sets out on her own, driving around the country to find other survivors. This is her, calling out to anyone who might listen. BREAKER WHISKEY is made by Lauren Shippen and recorded on a 1976 Midland CB Radio. Please visit breakerwhiskey.com for more information or to send a message to Whiskey.

    Advertise

    Copyright: © Lauren Shippen

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    Latest Episodes:
    181 - One Hundred Eighty One Apr 01, 2024
    Show notes

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    180 - One Hundred Eighty Mar 29, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    It isn’t…it isn’t Billings. Fox was right. Or at least—

    [click, static]

    I should explain. I don’t know for who’s benefit but…

    I went back to the house this morning. I didn’t— I didn’t go in or anything, I…well, I staked it out. I know the woods around the house like the back of my hand, felt fairly confident that I could stay out of sight and see if anyone was going in and out. See if Harry had come back.

    She hasn’t, as far as I can tell, but he’s still hovering around. He drove up in a shitty old VW that sounded like it was gasping for breath and went inside for…fifteen minutes? And then he left again. Doing what I’m thinking is probably a daily check. To see if anyone has shown up. To see if there’s been any change.

    God am I glad I had the common sense not to broadcast that I was going back today.

    I don’t think he saw me. Though I’m not sure what would have happened if he had. I got a good look at him and it wasn’t…

    The weird thing is that it did look a little like Billings. Same blond hair, same light eyes—I was too far away to really get a sense of the color, but it’s such a sunny day and his eyes were kind of…glowing in that way that blue or green eyes do when the sun is shining in them.

    Harry’s eyes do that.

    But he was—he wasn’t an average sized forty something guy. He’s…slight build. Reedy like he doesn’t eat very much. Maybe a little on the shorter side. Felt like I could snap him in half just looking at him. And he’s…young. Early twenties I’d guess? If that? Still had some baby fat around his cheeks, but I thought I could see some dimples too. Or the hint of them, just like…

    Am I dealing with some kind of time travel? Is this the young Billings, traveled…forward in time to prevent something that’s already happened? It makes no sense. I know that I haven’t traveled back in time, because I’ve read just about every single newspaper from 1968 that I could get my hands on, just to have something to do.

    I took a photo. So that I could look at it later, see if I could remember anything else about Billings, if he had a mole or a scar that would give him away. Or else see if I could recognize whoever this person is.

    Except the picture—I mean, I took it from far away but I could see him through the viewfinder, I should be able to see him in the photo too. But instead there’s just…nothing where he should be standing.

    It’s more evidence that, for whatever reason, photos are showing me something I can’t otherwise see. People that aren’t there; empty space where there shouldn’t be.

    That mystery will have to wait. I have to go meet Harry.

    God willing.

    [click, static]

    [beeps]

    Junior

    .--- ..- -. .. --- .-.

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    179 - One Hundred Seventy Nine Mar 28, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    What do you mean it’s not him? I was so certain—I mean, of course I knew there was a possibility that it was someone else, just wearing the same cologne, but why would Harry leave, why would the back door be broken? Why would my flight or fight instinct have kicked in so hard the moment I felt his presence in the house?

    I guess I’ll—

    [click, static]

    Well, I guess I shouldn’t say what I’m thinking, what I’m planning on here. I guess I should just do it. Because on the off chance you’re lying to me, I don’t want to give—

    [click, static]

    Fuck, Harry, where are you?

    Please, let me know that you’re okay. Somehow. Send up a flare or go back to the house or—

    Actually, don’t do either of those. And I can’t tell you where I am, not on a public channel. I’m not sure you can even hear this. If you do have a radio, maybe you can hear this but not respond, or not broadcast far enough to reach me. I just have to hope that’s the case.

    You know that place that we went once in the spring of…’71? ’72? I can’t remember, they all blur together after a certain point. But that day stands out shining gold from all the rest. It was a really good day. The first crop of strawberries had come early, and you made shortcake and you let me drive us all the way to…well, to that town we picked up bottles of champagne in, which I’m not going to say the name of because then we found that place, where we had the picnic. Strawberry shortcake and champagne for lunch…we got a little drunk. Just tipsy really, on the champagne and the perfect sunny day we had, unseasonably warm.

    And we didn’t argue for a whole afternoon. Well, that’s not true, we argued about everything, but it was…they were arguments that didn’t matter. You tried to convince me that Rothko is one of the greatest painters of the twentieth century and I told you I just didn’t get it. You got so red in the face—because of the sun, because of the champagne, because of how impassioned you were describing his style to me, explaining what was so revolutionary about it. I tried to poke holes in it all, telling you it was just big blocks of color, that all his stuff looked like someone trying to decide what color to paint their living room and gave up halfway through. (laughs) You hated that. But anytime I said anything particularly offensive to you, you would push on my shoulder with your palm and the more we had to drink, the more you let your hand linger, tracing your fingertips down my bare arm whenever you pulled back.

    So I couldn't exactly tell you the truth—that I like Rothko. That I didn’t agree with a word I was saying. That maybe I did, at one point in time, but you’d been telling me about his art for so long that I’d started to see it differently, that I’d gone to an exhibit of his art once without you, just to try and understand what you saw, try and understand you. That I had your voice in my head the whole time, pointing out everything special in the paintings and that that made me love him. That the way you see art, the way you see the world, made me love a lot of things.

    If I’d told you that, you would’ve stopped pushing me. So instead I pulled your pigtails like we were kids on the playground. And you pulled right back, teasing me about my music taste, saying you could take the girl out of the country but you couldn’t take the country out of the girl. And I know you’ve never liked that kind of stuff, but you still got me to recite all the lyrics to “I’m so Lonesome I Could Cry” and then you made me sing them, even though you know I’ve got a shit voice and you leaned your head on my shoulder as I sang and I think…I think you liked the song. I think you liked something.

    [click, static]

    Meet me there. In that place where we had that picnic. In the hour before the sun sets. On Friday. That will hopefully give you enough time to get there from…wherever the hell you are.

    Just…come find me.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    178 - One Hundred Seventy Eight Mar 27, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    I moved again. I’m torn between thinking it would be good to find a place to bunker down until I can figure out what’s going on, or find Harry, and thinking I should just keep moving, never stop driving. Except driving definitely draws attention—he could hear the sound of the engine from…who knows how far away, now that the world is as quiet as it is.

    I know I should just get the hell out of dodge and leave Pennsylvania entirely. And I’m not saying I haven’t, I could be as far as Vermont or Tennessee or Indiana by now. But—I mean—

    Harry. I can’t just give up on her. If she doesn’t have a car then she can’t have gotten far. But of course, when the whole world is a hiding place, even a small area is like looking for a needle in a haystack. So I just keep moving. Hoping I’ll see some sign of life.

    And I guess I’m hiding too. There’s no other word for it really. All that time on the open road, doing whatever I wanted, broadcasting all the time, I got so used to being unfettered. Especially after so many years trapped within the four walls of a house for all intents and purposes. But now, he could be around any corner. Driving down the road, my eyes are peeled not for anything out of place, anything that might point to someone out there, but for danger. Human danger.

    And talking like this, now, feels foolishly dangerous. Maybe he can follow the signal, maybe I’ll slip up and say something that gives away where I am. But what other choice do I have? If I’m going to find Harry, if I’m going to get any kind of explanation from Birdie or Fox, I can’t give this up.

    I can’t imagine what he’s thinking if he can hear this. Is that how he found the house in the first place? Because he heard my broadcasts, heard me talking about Pennsylvania and Harry and thought…

    He shouldn’t have anything against Harry. Not really. I’m the one who—

    Part of me thinks I should just let him do whatever it is he wants. That that will somehow…set things right again. That it will set me free, set Harry free. Even if I think my freedom would come in the form of death.

    Maybe that would be worth it, to send Harry back to wherever it is she really belongs. She shouldn’t have to live with the consequences of my actions, even though I’m living with the consequences of hers.

    But me and him? Our fates are too intertwined to be untangled.

    [click, static]

    [beeps]

    Not him

    -. --- - / .... .. --

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    177 - One Hundred Seventy Seven Mar 26, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    Okay, sorry, I— I had to move. I thought I heard…

    (a dark laugh) It’s just like the early days again. Jumping at every sound, looking over my shoulder. Except at least then I had Harry and now she—

    [click, static]

    I have to think she ran. I have to think that wasn’t his first time in the house and that she ran. Because the alternative—she’s dead and buried already, he’s abducted her…is that what this is? He took Harry already and he came back for me because we’re just rats trapped in a maze laid out for one dead man’s revenge? All that shit about Eternity and stones and ripples and this really is just purgatory after all.

    Fox said I didn’t destroy the future. Just my future. You can’t put emphasis in morse code but I think I got it anyway.

    I don’t even know his first name. Billings. That’s the only name I have for him. I only heard it once or twice from the other guards as we were being loaded into the transport.

    He had green eyes, blond hair. He had a kind of crooked tooth in the front of his mouth and the fairest hint of dimples on his cheeks—I’ve spent so much time thinking about how he probably had a really sweet smile.

    He was older. Mid-forties, maybe? He wasn’t a small guy, but wasn’t all that tall either—I guess he was the epitome of average height and build. I think about that a lot too. How even though I’m tall and pretty hale and hearty even before I spent six years chopping wood and fixing holes in our roof, I’m still…well, a male prison guard my same height in the prime of his life probably would’ve been able to…

    I don’t know. Maybe what happened would have always happened. Maybe his middle age didn’t make him slower, or weaker, and I always would’ve—

    [click, static]

    Yeah, I can’t do this.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    176 - One Hundred Seventy Six Mar 25, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    Alright, okay, I’m thinking I should maybe explain some things.

    [click, static]

    Though you’d think by this point I’d earned some explanations of my own, but then again I guess I have the advantage of speaking in words, not dits and dahs. But I did say I’d happily sit by the radio for hours and translate whatever you wanted to send me, so if you do have explanations to give…

    I’m not sure who I’m even addressing this to at this point.

    I’m…I’m safe. For now, at least. I won’t say where I am, obviously. Not when this transmission might be heard by—

    [click, static]

    It doesn’t make any fucking sense. But maybe it’s the only thing that does make sense. The man, in the house—god, he might still be there, he—

    I recognized his cologne. And it could be—I mean, it could be anyone, right, for all I know it’s the most common cologne there is but…

    I’m the stone. I caused the ripple. I killed a man who was just doing his job and, in doing so, destroyed the future.

    And somehow, that man broke into my house.

    [click, static]

    [beeps]

    Not the future. Your future

    -. --- - / - .... . / ..-. ..- - ..- .-. . .-.-.- / -.-- --- ..- .-. / ..-. ..- - ..- .-. .

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    175 - One Hundred Seventy Five Mar 22, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    (whispering)

    Someone…someone’s here.

    [click, static]

    It’s not Harry, I know Harry’s footsteps, I know the shape of her shadow, and this is not her. I don’t…

    [click, static]

    I’m in my closet. They’re—whoever they are—they’re still moving around the house, quiet and slow, like they’re…

    (a hushed laugh) Well, it’s like they’re casing the place. They’re moving like I used to back when I was robbing penthouse apartments.

    And maybe—I mean, I had the thought that maybe it was Pete or something, but—

    I mean, it’s a person. Even if my instinct to waking up to someone moving through the house like they didn’t want to be heard was to hide, it’s still a goddamn person. There is someone else in this world and they’re alive.

    And I was about to risk it, was about to go out there and see who it is and introduce myself but the closer I got to my bedroom door…

    I caught a whiff of something. A—a cologne or a…I don’t know, but it…my stomach fell to the floor. Because I know that smell, it’s burned in my brain for the rest of my life but there’s no way—

    [click, static]

    Except if I’m right…then I’m in danger. If I’m right, then whatever is going on with Harry might be a lot worse than I thought.

    I need to get out of here.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    174 - One Hundred Seventy Four Mar 21, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    You’re not anywhere.

    I checked everywhere I could think, I had my radio on the whole time and you’re not…

    I don’t know what to do, Harry. There’s no sign of you. I don’t know how to fix this.

    I did fix up the back door hinge just now and taking a closer look…this hinge has always been a problem, I mean I should’ve just replaced it years ago but I think it would’ve required refitting the doorframe, because I’m pretty sure it’s a problem with the wood, not the hinge itself, but, well. It’s not loose in the way that it has been before. It…the wood around it is splintered. And I checked the other hinges too and the wood around them looks…stressed. Like the door was forced.

    Did something happen here? Nothing really looks out of place, there’s no sign of a struggle but…

    God, what am I doing? Trying to be some kind of amateur sleuth and read a crime scene where there is none. The back door is old as shit. Maybe you had your hands full coming inside and pushed it a little too hard. Who knows.

    But then again, what else am I supposed to think? There’s something wrong here and I know it’s only been a few days but if you’re not here then maybe I really did imagine you and—

    [click, static]

    At least all the power in here still works, so I’m going to hook up my CB in my bedroom and keep it on all night. Just…tell me you’re okay. Tell me where you are.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    173 - One Hundred Seventy Three Mar 20, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    Okay, I am officially concerned. I don’t know why I didn’t think of this before, but the truck was’t in the drive like usual so I just assumed…

    I should have checked the whole house. But I’m so used to never coming into the garage because I know how much you hate your studio being disturbed but when I woke up this morning and you still weren’t home, well, I went in anyway and the truck is still here. In the garage.

    It’s running fine—that’s where I’m broadcasting from right now, though obviously I turned the engine off. And I have to say, I’m impressed that you were actually listening when I told you to bring it inside for the winter if you weren’t going to be driving it much. But if you’re not out there driving this truck on a supply run, where are you?

    I—I took the other car. Which, I’m sorry to say, is now somewhere in California, having been put out to pasture. But unless you finally decided to take an interest in car mechanics after all this time, I don’t know how else you’d be getting around. I know you love your walks—or, you did, eventually, once you got past the worst of the paranoia, but…you never went on a walk this long.

    If you’re—if you’re dead in a ditch somewhere, I’m going to be fucking furious, Harry.

    [click, static]

    It’s…weird. Being in here. It feels like being inside your head somehow. It’s a goddamn mess, which I didn’t really expect. I’m sure you’ve got your own system—though who the hell knows—but I definitely can’t make sense of it. I’m glad to see you pulled the radio in here though. Maybe you did hear some of my transmissions after all.

    Is that why you’re not here? Because you heard me say I was coming and you didn’t want to see me? You’ve enjoyed your life without me so much that you couldn’t bear to have your peace shattered.

    Except…you’ve been thinking about me. I know you have. And maybe this is why you never wanted me to be in your studio in the first place.

    There’s…a lot of me in here. Paintings, sketches…not all of my face always but you must have known that I’d recognize the curve of my own ear, the shape of my hands.

    Have—have you been doing this all along? Or just since I left? Were you always coming in here and spending hours perfecting the color of my hair when some days you wouldn’t even speak to me—

    [click, static]

    Is this why you asked for the stories behind all my scars? So you could render them in perfect detail, knowing exactly what made them and when? I thought you wanted to know more about me, but maybe it was just an avenue for your art, one of the few subjects that you had access to, too tired of painting birds or trees or images from your own mind.

    Or did you ask because you wanted to know? You talked once, about how painting helped you understand the world, or yourself; how that was one of the things you loved about it, one of the reasons you started painting in the first place. Because when nothing else made sense, charcoal and oil and your own hands were able to bring shape to the world.

    Were you trying to understand me? Or were you trying to understand what you felt about me? Or was guilt swallowing it all up that you couldn’t uncover anything else.

    I just…I need you to come back and explain what this is all about. Because in a room full of canvases and color and stray sketch pages, I keep turning and seeing my own face. I’m everywhere.

    [click, static]

    There’s a lot of other art too, of course. And it’s all…it’s fucking beautiful. Your art has always been so beautiful.

    I…I’ve added to your collection. I picked up a painting when I was in Santa Fe, something that I thought was pretty and that I thought you might—

    Well, I’ve left it in here. In case you want to do anything with it. It’s yours.

    There are also—well. I wrote you some postcards. But I obviously had no way of sending them to you so I just…held onto them. But you might as well have them now.

    I don’t know why I’m saying all of this on the radio like I can’t say it to you face to face. You’ll be back and you’ll probably be annoyed that I left stuff in your studio without asking. There’s no need for me to leave anything for you, not when I can just hand it to you.

    But I just have this feeling…

    I’m going to look for you tomorrow. Drive to the usual spots, take a walk in the woods behind the house. And because I’m fucking considerate, I’m going to leave a note.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    172 - One Hundred Seventy Two Mar 19, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    Hey Harry? Where are you?

    [click, static]

    You could have at least left a note. Something to let me know that you’re okay, that you’re not de—

    [click, static]

    What happened? When did you leave? Maybe if it was June, I’d be able to look at your garden and figure out just how long its been since you last tended to it, but you’d only just be putting new seeds in the ground now and I’m not going to go digging up your garden if you’re just out at the store.

    That’s…that must be it. You ran out of canned goods and you had to go looking for more. And I bet you’ve had to go a bit of a ways away considering we’ve cleaned out everything in a thirty mile radius.

    Right, so…I’m not going to freak out. Yet. I only got here twenty minutes ago, I’m sure it’ll be…

    It’s strange, being back. Everything looks pretty much the same—though I did notice the back door has come loose at the top hinge again. You know, I’m sure that’s something you could figure out how to fix on your own. It’s not hard. (sigh) But I guess I’ll go ahead and fix it again. I might as well, I’m here.

    I didn’t expect the smell of this place to hit me so hard. When you’re in a space so long, you stop noticing the sensory aspects of it—the smells, the sounds, the way the light shifts throughout the day, throughout the seasons. All things I didn’t know to miss. But now that I’m confronted with them again, I realize just how much…

    Lavender and chamomile, with an underlying layer of turpentine. That’s the smell. Harry got into making her own soap a few years ago. Anytime I happened to get a whiff of one of those flowers on the road, I’d—

    It’s different. In context, it’s different. Knowing the origin ot…

    Despite everything, despite all the shit you’ve done and my own foolish fucking heart, I think I—

    Yeah, I’m looking forward to seeing you, Harry. At the very least, I’m looking forward to seeing the look of complete surprise on your face when you walk through the front door and see me.

    [click, static]

    [click, static]

    Hey Harry? Where are you?

    [click, static]

    You could have at least left a note. Something to let me know that you’re okay, that you’re not de—

    [click, static]

    What happened? When did you leave? Maybe if it was June, I’d be able to look at your garden and figure out just how long its been since you last tended to it, but you’d only just be putting new seeds in the ground now and I’m not going to go digging up your garden if you’re just out at the store.

    That’s…that must be it. You ran out of canned goods and you had to go looking for more. And I bet you’ve had to go a bit of a ways away considering we’ve cleaned out everything in a thirty mile radius.

    Right, so…I’m not going to freak out. Yet. I only got here twenty minutes ago, I’m sure it’ll be…

    It’s strange, being back. Everything looks pretty much the same—though I did notice the back door has come loose at the top hinge again. You know, I’m sure that’s something you could figure out how to fix on your own. It’s not hard. (sigh) But I guess I’ll go ahead and fix it again. I might as well, I’m here.

    I didn’t expect the smell of this place to hit me so hard. When you’re in a space so long, you stop noticing the sensory aspects of it—the smells, the sounds, the way the light shifts throughout the day, throughout the seasons. All things I didn’t know to miss. But now that I’m confronted with them again, I realize just how much…

    Lavender and chamomile, with an underlying layer of turpentine. That’s the smell. Harry got into making her own soap a few years ago. Anytime I happened to get a whiff of one of those flowers on the road, I’d—

    It’s different. In context, it’s different. Knowing the origin ot…

    Despite everything, despite all the shit you’ve done and my own foolish fucking heart, I think I—

    Yeah, I’m looking forward to seeing you, Harry. At the very least, I’m looking forward to seeing the look of complete surprise on your face when you walk through the front door and see me.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


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