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    Fiction

    Breaker Whiskey

    BREAKER WHISKEY is an ongoing, daily microfiction podcast exploring one woman’s journey to find additional survivors in an America made empty by an unknown event in the late 1960s. In 1968, two women find themselves in rural Pennsylvania during what turns out to be some kind of apocalyptic event. By the time they discover that everyone else is gone, it’s too late to figure out what happened. Despite not liking each other at all, the women work together to survive, until six years later one of them sets out on her own, driving around the country to find other survivors. This is her, calling out to anyone who might listen. BREAKER WHISKEY is made by Lauren Shippen and recorded on a 1976 Midland CB Radio. Please visit breakerwhiskey.com for more information or to send a message to Whiskey.

    Advertise

    Copyright: © Lauren Shippen

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    Latest Episodes:
    201 - Two Hundred One Apr 29, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    Alright, I’ve done my final checks of all of Don’s regular hideouts and he’s still nowhere to be found. But I’m not giving up hope entirely. I guess I should say they’re my final checks for now. I figure after I go and find Harry we can come back to NY and look together.

    I realize he might not be in the city anymore, but I don’t know where else to look. And I don’t know, maybe it will be nice for Harry and I to revisit the old spots. Staying in Richie’s loft really has me thinking about all those old times. I think I’ve spent more time in this apartment than any apartment I’ve actually lived in. I guess that’s not true. Maybe spent more time awake than any apartment I ever lived in. Because I only slept over here a few times. But the times were always good, weren’t they. That’s how it feels now anyway.

    There’s a part of me that knows that can’t possibly be true. The version of Harry in the past, in my thoughts, changes all the time. I remember her at times harsher than she probably actually was and at other times sweeter and more forgiving. And maybe it’s because she was both those things—all of those things, all at once, all the time. Or maybe it’s because my feelings on her continue to change.

    I don’t remember when I first—I mean, I remember what I thought about her the first time I met her. And I remember what I thought about her when we were in that prison van, driving through the dark. Before I knew what I know now. Before I’d done what I did.

    But it’s the in between that’s…not hazy, but like a watercolor where all the paints have run together. In the near decade we knew each other before everything happened…I mean, I always felt strongly. When I disliked her, I hated her and when I liked her, I…

    I don’t remember when it started. I don’t remember when that swirl, that storm of feelings—well, it’s not that it ever went away, but there started to be this thing underneath it, informing everything. At a certain point, when I disliked her, I didn’t hate her anymore, I was just frustrated and tortured. And when I liked her, well, I was also frustrated and tortured. But I don’t know when that started, I don’t know when she became someone who was so far beneath my skin that it didn’t matter what I felt about her moment to moment because it never changed the fundamental truth that I wanted to be around her.

    Anyway, I don’t know if I’m making sense, it’s late and I’m planning to get up early tomorrow to start driving, but I just couldn’t stop thinking about it, being in this space. I couldn’t stop thinking about if this living room was the place that that feeling first started. I can't stop thinking about my own recollections of Pete and Don and Richie. Were they who I thought they were?

    Was Pete always this central, stable pillar in my life? This person I could lean on and rely on and who I still didn’t know all that much about. In my mind, he’s been such a morally upstanding figure, somebody that…somebody that I think about when I start to spiral about the things that I’ve done and I just think—Pete. Pete would still stand by me. He’s loyal and he’s good. Then I think, he was a criminal. Just like me. He lied and stole and tricked people. So that image in my head of him being…I don’t know, Captain America is…well, it must not be entirely true.

    And it’s the same with Don and Richie. I remember them being, well, knuckleheads, but knuckleheads who cared. Who I had started to feel safe around even if in the beginning I wasn't so sure about them. But again, is that just thinking about how I’d feel if I saw them now—that the mere presence of other people would help me feel some sense of normalcy, some sense of calm.

    Memories are a funhouse mirror, aren’t they? We never really know if what we remember is true. I’m not even sure we remember events with any sort of clarity. I used to think that the one thing we did know was how we felt about things, but now I’m not even sure that’s the case. And the strangest thing of all is that everybody experiences this. Everybody has versions of people in their lives that exist in their memories. And we can never really know how another sees us, how another person remembers us, or judges us for our actions. Anyway, I am gonna find Don and when I do, I’m gonna ask him what he remembers about me.

    And when I see Harry, I’ll…

    I don’t know how this time apart might have changed the version of me in her head.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    200 - Two Hundred Apr 26, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    Okay, I think I’m—I’m ready to read this note now. Beyond just the date and the first few lines.

    “April 6th, 1975

    Abigail—

    I’m okay. If you do find this, I have a feeling you’re going to have questions about the blood. You always have questions about everything. It’s one of your best qualities and also one of your most infuriating. Though I suppose I should be grateful you’ve been dogged in your pursuit of the truth. Maybe this can be repaired.”

    I don’t know if she means the jacket or…

    “It’s chicken blood. I am not as capable as you when it comes to butchery.”

    That’s…that’s as far as I got after finding the note. The relief hit me like a freight train but…

    I don’t want to be capable of butchery. I know that’s not what you meant but I…

    Anyway. Moving forward.

    “I’m sorry I didn’t reach our meeting in time, but after that man came to the house, I went to ground. I heard a car in the distance a few times over the last few days, but I couldn’t be sure it was you.

    I got the car you left me. And the radio. I’ve been transmitting out regularly but I’m going to guess that you haven’t heard me. That’s what I’m choosing to believe anyway, given I’ve sent you more than a few messages over the months, with no reply. And, yet, somehow, I’ve heard many of your transmissions—not all, and they are very often full of static and breaks in the signal, but you have reached our garage even from Los Angeles.”

    She crossed out something here. I think it says…(crinkle of paper) "I thought about joining you” but I can’t read the rest. Goddammit, Harry…

    “Do you remember that one diner that we went to every month for all of ’69? I know that you’ve been to a lot of roadside diners in the last ten months, so maybe they’ve run together in the way that they’re almost purpose built to do. The one down the street, the one we could walk to—we haven’t been back in ages, because I got spooked the one time the neon sign flickered back to life, but we’d carry thermoses of tea and pretend that we were going out for a morning cup, because the monotony of our existence was threatening to destroy us both.

    Whether you remember it or not, that diner has a working radio. I believe it too spooked me when there was a power surge, even if it was just static. In any case, I’m no longer at that diner, but I was briefly and heard several of your transmissions. There was no way to speak back to you, as it wasn’t that kind of radio, but it was picking up your signal just the same.

    I’m not in the state anymore. I threw the jacket from the car as I drove out of town, a final ditch attempt to contact you. I had a feeling you would take it with you if you found it, despite the state of it, and just had to hope that you would find these pages sewn inside the lining.

    I’ll keep transmitting, so we can find a time and place to meet, but there are conversations I don’t want to have over the airwaves, or in a letter. So I’m going to give you instructions now, that I’ll keep repeating on the radio, in the hopes that you’ve found this even if you can’t hear me.

    Do you remember the show I did up north at that gallery near the water? You’d been in Provincetown with Francis for a few days and he drove the both of you up for the opening. It wasn’t a particularly short journey, but manageable. You both stayed the weekend, at that little B&B that shares its name with one of the planets.

    I don’t think you thought very much of my show. It was one of my more abstract periods. I know you never cared much for that style, but I do have to wonder if you’d have been more generous to it if you’d known what inspired it. Then again—”

    And she crossed that out too…

    “It was still nice having you and Francis there. I always wondered why you’d agreed to come. You seemed so unhappy to be there. It makes me wonder if my demeanor made you think that I was unhappy to have you there. That was never my intent.

    I’m headed there now. I think you left me with enough fuel to make the journey, and I want to get somewhere familiar that isn’t terribly close to where we've been. Meet me there.

    I don’t want to write the name down, for fear that someone else will find this jacket and this note, but I’m going to assume you remember.

    I remembered. The place where we had the picnic. I remembered. And I always knew that you were winding me up about Rothko, but I liked arguing with you. It’s why I never told you that I like Hank Williams. At least, I learned to.

    Harriet”.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    199 - One Hundred Ninety Nine Apr 25, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    She’s alive. I can’t believe it but she—

    In the Carhartt—I, I put it on after I couldn’t go back to sleep and I was pulling it tight around me when I heard this crinkle—it’s like she knew—

    It’s fucking chicken blood—

    I’m sorry, I just need—a need a second, I—

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    198 - One Hundred Ninety Eight Apr 24, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    I woke up in the middle of the night—I’m still at Richie’s loft and I— for a second, I thought I could hear laughter from the other room.

    When I was very, very small, my parents would have these two couples over for dinner once a month. They would play faro—which is an absolutely ancient game that my mom’s dad used to play with her when she was growing up and, I swear, my parents were the last people in the world to play it—

    But anyway, they’d have their friends over and we’d all have dinner together and then they’d play cards until about midnight—or at least, it felt like they were up until late, but I guess I was going to bed so early then. But our house wasn't very big and my room was just off the kitchen, the only room where we had a table big enough for six people and I’d fall asleep to the sounds of their murmuring voices. And if I woke up at all, I’d hear that—their hushed laughter, like a warm breeze coming in from the next room.

    That’s how I feel. In this loft, in Sylvie’s shop, in this whole city—like I’m just the next room over. Maybe I was just dreaming about the times we used to have in this loft, or maybe I really did hear laughter from the living room. Because I’ve heard things before—I’ve seen things. The man in the hotel room in Colorado—I think he really was there. I think our worlds overlapped, just enough, that we got a glimpse.

    And maybe that’s happening here. Richie isn’t in this loft anymore, not unless he got out early, but there’s something nice, comforting, in thinking that this place, even now, with whoever occupies it, is still filled with joy.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    197 - One Hundred Ninety Seven Apr 23, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    I went to Sylvie’s shop.

    She’s still there. I’m—I can’t believe it—she’s still there, doing her thing as far as I can tell, customers and all—

    [click, static]

    Jesus, I just realized—she’s not there-there. She’s not here. She’s there. God, fuck, um—not to give anyone false hope—I wanted to see if I could prove my theory about the polaroid, or at the very least gather some more evidence in such a big city and I was looking for Don in this pizza place right down the block from Sylvie’s shop and thought…what the hell.

    It’s clear that no one’s been in here in years. Which makes sense. Don knew Sylvie, a little—or at least by reputation—but this isn’t a place he’d spend time in I don’t think. So I’m probably the first one in here since ’68. And it’s…

    Well, it’s strange. And sad. And lonely. And a little bit comforting. Which really describes so much of the experience of being back in New York.

    I went to my old place. And by that I mean, I went to the last apartment I’d been living in—I was a few months into a sublet that I’d probably have been in for at least half the year, a friend of a friend of a friend’s place I’d sublet before. And, well, I actually got some of my own fucking clothes which is…god, I’d missed my boots. These nice steel-toed ones that I’d bought for myself after my first significant take. It’s nice to have them back.

    But there wasn’t much else there that was…mine. I mean, the place was never really mine. I did take a few polaroids, and things had been moved around, so I’m assuming the tenant came back and is living here again. I guess they either didn’t care that they missed out on a few sublet payments or they found someone else to live here while they were gone but…well, I’m glad I didn’t fuck up their life.

    But being at Sylvie’s is like…being at home. The smell of it, the sound of glass and china rattling in their cabinets as you walk through the shop. I loved this place. And it feels good to be back, even if I am alone.

    Sylvie would often work on project at the register—the shop was rarely full, but you could hardly tell if anyone else was in it with how winding and full it is. So it’d be easy for her to miss a customer if she didn’t camp out at the register.

    It looks like she was working on an old Tiffany lamp right before…

    I wonder if one of the crew brought it to her. It’s a nice piece and genuine Tiffany lamps always go for a decent price. I wonder if she finished it. I’m looking right at it but I wonder where it is now.

    So, anyway, I took a photo of the counter and there she was—I got lucky with the timing because she was checking out a customer who was buying an old mantle clock. There was a big pile of fabric in place of the Tiffany lamp, so I guess she’s mending things at the moment. That always relaxed her.

    She looked…she looked like Sylvie. Older, of course, but no worse for wear.

    I hope she’s happy. I hope she doesn’t wonder about me.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    196 - One Hundred Ninety Six Apr 22, 2024
    Show notes

    [TRANSCRIPT]

    [click, static]

    (sighing) I’ve tried his apartment, his favorite bar, all of the old haunts, even a few apartments of girlfriends I knew he had now and again. I even drove out to Long Island to see if I could find where his mom was living—I found her in the book, but no one was home. Which is…odd, right? If Don’s here, it would stand to reason that his presence would ripple out to his family but…well, I guess I have no idea if she was even still alive when we were arrested. He didn’t talk about her much, mostly just about her recipes. But he liked to keep all the crime stuff away from her, I think.

    Maybe that’s why she’s not here. Maybe him being here and him being in prison is just the same. I don’t know if Don would have ever told her what happened to him—called her or written her from jail—because he didn’t want to disappoint her. So, maybe to her, her son is just gone, and would have always been gone, and the how or the where doesn’t affect her life enough to make a difference.

    I knew it would be hard—I knew finding someone in this city without being able to be in a million places at once would be hard, but part of me thinks that he must have left the city and never come back.

    Which is sort of unthinkable in some ways—like Pete, Don never thought about leaving New York. Richie would talk sometimes about missing Chicago, and wanting to go back there, but Don and Pete and Harry would’ve died in New York if they’d had any say.

    But I also see why maybe…he’d want to leave now.

    The city is…very eerie all empty like this. Worse than Vegas or Denver, maybe because I know this city, I know what it’s supposed to sound like, look like, feel like. I know what it feels like when it’s teeming with people. There’s a sense of…wrongness now that there’s no one here. Maybe he just couldn’t take it.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    195 - One Hundred Ninety Five Apr 19, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    (laughing) Against every single fucking odd, Don is alive. He’s alive and here and—

    [click, static]

    I can’t believe it, the first place I decide to check—Richie's shitty fucking Alphabet City loft—and Don has left a fucking note. It’s—well, it’s just so Don.

    [click, static]

    (clearing her throat) “To whoever the fuck might be out there reading this—if you’ve found this, that means you knew Richie, and knew him well enough to go looking for him, which means you’re either one of our crew or you’ve got a few screws loose and you were friends with Richie because of his personality. But, screws loose or not, if you’re in this empty world then I guess I’d like to know you. You can come on over to—“ And then he wrote his address, which I am not going to read out loud “—or—“ and then the name of his favorite bar, which I’m also not going to tell you, “where I am most days.” (laughing) Classic Don.

    “And if you’re Richie and you’re reading this—where the hell have you been?

    P.S. You still owe me fifteen bucks for that Mets game—never bet against the Mets.”

    Maybe things aren’t so bad. Maybe even if this whole crazy situation can’t be fixed…maybe we’ll still be okay.

    I’ll see you soon, Don.

    [click, static]

    [beeps]

    .. - / -.-. .- -. / -... . / ..-. .. -..- . -..

    it can be fixed

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    194 - One Hundred Ninety Four Apr 18, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    I had the thought—Harry’s contact, whoever they were, whoever she had worked things out with at the…well, whoever it was she was working with, I didn’t ask, I was still so fucking—

    [click, static]

    They have to be here, right? And it’s not like I’m some great friend of Johnny Law, but surely whoever it was, if they are here, they’d still care about stuff like someone getting murdered. Maybe…maybe I could get them to help me find Harry, or figure out what the fuck to do about Junior.

    If that person is out there, they’d be in New York, right? They’d have to be. And so would Pete and Don and Richie—hell, maybe even Sylvie, though just like Francis, she was already in her golden years so I’m not sure—

    Well, regardless, I’m halfway to New York. I don’t think it matters if I tell you I’m headed there, because if there’s one place that’s good to disappear, it’s New York. Even without all the people, there’s hundreds of streets and thousands of buildings and millions of rooms to hide away in. Even if you got on the highway right now and raced there, I still don’t think you’d be able to find me.

    Which…maybe doesn’t bode well for the likelihood of me finding any of my old crew—or whoever Harry was conspiring with—but at least I have an idea of where to look—apartments, old hangouts, penthouses we’d robbed that I’m sure any of us would take advantage of living in now…I’m not going in totally blind.

    God, it would be nice to have someone else with me. I mean, that’s always been true, after the first few weeks of getting some fucking real alone time for the first time in six years, after I’d come down from the righteous fury that was still—

    Well, it was nice, for half a second. To be on my own, to be totally unfettered. But for most of this extended roadtrip, it would’ve been nice to have someone by my side. Navigating, scanning the radio channels for anything, playing road games or whatever. Driving so that I could sleep in the passenger seat.

    So there’s rarely been a moment where I didn’t want someone with me. But right now…there’s a reason I started running with a crew when Pete invited me, instead of carrying on on my own. I’d been doing fine, pulling in decent hauls by myself, but even though you’ve got more people who have noisy fucking footsteps or who might make a stupid mistake that might cost you, it always feels…safer with someone else around.

    I wish I had someone to watch my back. I wish I had someone to help me find Harry.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    193 - One Hundred Ninety Three Apr 17, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    I’ll be next if what? Fox, if you’re trying to tell me that I’ll be next if I go seeking out Junior, if you’re trying to tell me that there’s a next to be, that he already got to Harry—

    Shit. Fuck, what the fuck—

    [click, static]

    And what was with the long tone, huh? Is that you, Birdie? I get the feeling you two don’t like each other, but blocking out each other’s messages or talking over each other is not helpful to me, so keep that to your own time. Communicate on a different frequency, I don’t give a shit. Just stop getting in the way. I’m not interested in whatever petty sci-fi overseer timeline bullshit rivalry you two have going on.

    [click, static]

    Is that what you meant, Birdie? When you said you betrayed your job and hurt people? Was Fox one of those people you hurt? Because, jesus, that sure would be a fucking weird coincidence, wouldn’t it? Both of us trapped in some kind of weird locked horns battle with the one person who betrayed us and ruined our lives.

    Are you and Fox also—

    [click, static]

    This is a distraction. It’s just my fucking luck that the moment you two start chiming in again—the moment I start to maybe fucking understand what the hell is going on here—

    I’ve got bigger fish to fry. Clearly.

    I don’t want to be next. Not if Harry…look, I’m not saying I’d go in her place, I’m not saying I’d die for—

    [click, static]

    Why does anyone have to die? Why can’t we just talk like human beings? Do you really want to kill the only two people you know to exist in this world, Junior? Is getting revenge worth being alone for the rest of time?

    [click, static]

    Then again, maybe you’re having the thought that I’ve had—that if you just kill what got you here, remove me from the board, and Harry too for good measure, you’ll go to bed, your deed done, and wake up the next morning right back in the world. Maybe you think spilling our blood is the only way to right the ship.

    And you know what? I can’t even tell you you’re wrong.

    [click, static]

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


    192 - One Hundred Ninety Two Apr 16, 2024
    Show notes

    Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday.

    ------

    [TRANSCRIPT]

    [click, static]

    Please—please—

    [click, static]

    Junior, if you—I’ll come to wherever you are right now if you get on the radio and tell me—

    [click, static]

    I found my Carhartt. I—I wasn't even looking for it, not really. I was getting some more supplies, at one of the last grocery stores in the area that we hadn’t completely depleted of non-perishables and in the parking lot there was—

    [click, static]

    I’m not there anymore, just in case you’re hearing this. But I’ll go back. I’ll go back right now and you can do whatever you want to me, just please tell me that she’s alive.

    There’s blood on the coat. A lot of it. Too much. And it still smells of cigarette smoke and the woods behind our house, but it smells of chamomile and turpentine too, and also iron, metallic and turning the fabric stiff, the entire right side of the jacket like tarp under my hands—

    If she’s—I mean, if she’s really—I don’t know what I’ll do—

    [click, static]

    I’ve felt no ill will toward you, Junior, even after you attacked me, but if you did anything to Harry I swear to god, I’ll—

    [click, static]

    I’ll—

    [click, static]

    Please just tell me she’s okay.

    [click, static]

    [beeps and then a tone that distorts the rest of the message]

    -.-- --- ..- .-.. .-.. / -... . / -. . -..- - / .. ..-.

    Youll be next if

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.


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    Within the Wires

    6

    Within the Wires Arts
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