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    Best Comics Ever

    The official podcast of Comic Book Herald.

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    Latest Episodes:
    Creannotators #9: “These Savage Shores” Interview With Writer Ram V! Jul 21, 2020
    Show notes

    This week on Creannotators, I talked with writer Ram V about These Savage Shores, Big 2 work like Justice League Dark, and a whole lot more.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    These Savage Shores, a 5 issue series from Vault Comics, is set in mid 1700’s England, and primarily India, looking at the impact of colonialism on the region, and adding in elements of vampire and demon mythology to a gorgeously constructed work.

    These Savage Shores Is:

    Writer: Ram V

    Artist: Sumit Kumar

    Colors: Vittorio Astone

    Letters: Aditya Bidikar

    Marketing: Tara Ferguson

    Publisher: Vault Comics

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #9: “These Savage Shores” Interview With Writer Ram V! appeared first on Comic Book Herald.


    Creannotators #8: “The Butcher of Paris” Deep Dive With Writer Stephanie Phillips! Jul 14, 2020
    Show notes

    This week on Creannotators, I talked with writer Stephanie Phillips about The Butcher of Paris, and the complexities of writing both historical fiction and true crime.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    The Butcher of Paris is based on the true story of Marcel Petoit, a serial killer active during World War II in German occupied France, masquerading as a member of the resistance and targeting Jewish citizens seeking refuge. It’s a harrowing account of one of history’s greatest monsters, and the historical context that allowed for his reign of terror.

    The Butcher of Paris team is:

    Writer: Stephanie Phillips

    Artist: Dean Kotz

    Colors: Jason Wordie

    Letters: Troy Peteri

    Cover: Dave Johnson

    Publisher: Dark Horse

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #8: “The Butcher of Paris” Deep Dive With Writer Stephanie Phillips! appeared first on Comic Book Herald.


    Creannotators #7: “Killadelphia” With Writer Rodney Barnes! Jul 07, 2020
    Show notes

    This week on Creannotators, I talked with writer Rodney Barnes about Killadelphia, the influence of “Hamilton,” bringing horror to vampire comics, and a lot more.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Killadelphia is an exciting new series from Image Comics. In Killadelphia, a second-generation police officer reads his recently deceased father’s journal and uncovers a Vampire conspiracy through Philadelphia that runs all the way back to 2nd President of the United States, John Adams. Alongside artist Jason Shawn Alexander and team, it’s a vampire horror story woven into the fabric of America’s founding fathers and the modern state of cities like Philly.

    The Killadelphia Team Is:

    Writer: Rodney Barnes

    Artist: Jason Shawn Alexander

    Colors: Luis NCT

    Letters: Marshall Dillon

    Editor: Greg Tumbarello

    Logo and Design: Brent Ashe

    Publisher: Image Comics

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #7: “Killadelphia” With Writer Rodney Barnes! appeared first on Comic Book Herald.


    Krakin’ Krakoa #59: X-Men Milestones – Secret Wars 2, The Beyonder vs. Mutants Jul 01, 2020
    Show notes

    What happens when mutantkind runs into their erratic god? Welcome to Krakin’ Krakoa #59 where today I’ll be exploring a Milestone in Marvel mutant history, the infamous Secret Wars II and the X-Men’s relationship to the event and to the all-powerful Beyonder.

    Today I’ll answer:

    TASCHEN
    • What happened when the X-Men met the Beyonder in Secret Wars II?
    • What do these encounters have to do with the Hickman era of X-Men and the ongoing Dawn of X?

    Potential spoilers for discussed comics may follow!

    Related Reading Orders:

    Hickman X-Men

    Modern X-Men

    All Comic Book Herald X-Men videos

    Secret Wars 2

    In 1984, Marvel launched a 12 issue standalone event series called Secret Wars, by Jim Shooter and primarily Mike Zeck, bringing a huge collection of Marvel heroes and villains together to fight on the mysterious, alien Battleworld.

    While there the Marvel characters are told they’ve been brought to Battleworld by a being of immense power, the mysterious Beyonder, able to stand up to the likes of Galactus with easy, at least until Doctor Doom suckers him into losing his immense power (for a time).

    It’s not my focus today, but there are some notable themes for the X-Men including:

    1. Continued allied relationships with Magneto, stemming from the conclusion of Uncanny X-Men #150
    2. X-Men vs. Avengers hostilities and feelings that the “human” heroes aren’t really doing all they can to support mutantkind
    3. Colossus being the biggest dweeb, and Wolverine and Nightcrawler taking issue with him falling head over heels for Zsaji, the mysterious healer, at the expense of “wait, isn’t she still way too young for him?” Kitty Pryde.

    Enter Secret Wars II, the sequel event launching later in 1985 and running through early 1986, written again by Jim Shooter this time with art by Al Milgrom. As a whole, I dislike Secret Wars II almost exactly as much as I love the original Secret Wars, which is to say Secret Wars II currently sits among my 10 least favorite comics of all time (but no, it could not unseat Marville for the worst ever).

    Secret Wars II is all about The Beyonder journeying to Earth to discover his purpose, and it’s a bloated monstrosity with tie-ins to nearly every Marvel book at the time to boot! The only things I really like about the main event are the time Spider-Man taught the Beyonder how to poop, the time the Beyonder built a machine so he could be his own Mom/Dad and birthed himself, and the sheer number of “Dave” panels I get to use for any occasion because the Beyonder made a friend named Dave.

    Professor X what was that

    Amazingly, Head of X Chris Claremont takes this premise, and the mandate for tie-ins across his X-Men and New Mutants and manages to salvage some pretty good comics and interesting ideas. A few notes upfront about this era of New Mutants – since New Mutants #18 kicked off the incredible “Demon Bear” saga the book’s in the hands of Chris Claremont and Bill Sienkiewicz, in what is inarguably my favorite stretch of New Mutants ever. Issue #30 is mostly focused on Sunspot and Magma’s starring turns as Russell Crowe in Gladiator, as well as Dazzler’s apparent literal addiction to fame. The Sienkiewicz Gladiator monsters are worth the price of admission alone.

    More interestingly, things kick off with the New Mutants, Kitty Pryde and Rachel Summers sent to Limbo at the Beyonder’s behest following Secret Wars #1.

    There are a couple really important developments here. 1) The New Mutants are becoming fully aware of Illyana’s Darkchilde persona, and the demonic part of herself she’s been keeping at bay until the Beyonder set it off. 2) We learn of the connection between Illyana and Kitty Pryde that allows Kitty to wiled the Soulsword and take on Illyana’s Eldritch armor (Eldritch being the endlessly overused way to say “magical” in Marvel sorcery).

    Why does this matter? Well the threat of Illyana’s Darkchild persona and the demonic threats of Limbo will come into play in a big way in 1989’s Inferno, and have been teased heavily as very relevant historical details in the Dawn of X, from everything from “Sinister Secrets” allusions to “inferno” to the return of Madylene Pryor in the pages of Hellions. If you’ve watched my X of Swords theories, you know I think there’s a strong chance elements of Inferno will play a role in the upcoming crossover.

    I’ll also admit at this point, I’m unclear if the Darkchilde is still a part of Illyana in 2020, or actually if she even has her soulsword. This could easily just be something I’ve overlooked, but if not, there’s more to that story.

    Uncanny X-Men #196 is another early, loose tie-in, setting the stage for Rachel Summers major role as a core protagonist against the Beyonder’s all powerful whims. While she technically debuts in Uncanny #141 & #142 (Days of Future Past), Rachel is relatively new to the X-Men at this point in their history, the daughter of Scott Summers and Jean Grey from what has now been revealed as an alternate past. Emotionally, Rachel’s dealing with a lot, from the traumatic life experienced in “Days of Future Past” to finding out in this reality her “mom” is dead and her “Dad” is married to a dead ringer lookalike currently pregnant with a baby boy.

    The issue opens with one of my favorite John Romita Jr, Dan Green, Glynis Oliver, and the KING Tom Orzechowski splash pages, showing a startled Professor X overhearing some Columbia university student’s plot to assassinate him.

    Stuff like this – really everything to do with Charlie ballgame – is fascinating in the wake of House of X, just contemplating what Xavier knows is at stake for the future of mutantkind and Moira’s lives, and then still needing to put up with like random student-run minors in lecturer murder. All of it kinda continues to put the question in my head: Why aren’t they on Krakoa yet? What was actually the hold up there?

    Easily the most memorable – in all the wrong ways – part of UXM #196 is Kitty Pryde responding to one of Charlie’s would-be assassins calling her a “mutie” by calling the black man the “n-word.” Like, the whole ass word, uncensored and right there on the page for posterity. Not for the first time either, as Kitty (and let’s be clear here, writer Chris Claremont) does the same thing in God Loves, Man Kills. The use here is deeply flawed reasoning and drawing parallels of prejudice that simply do not work. Since Marvel can’t be bothered to throw up some disclaimers, I’ll certainly say I can understand if you don’t want to waltz into a Secret Wars II tie-in to find racial slurs.

    Otherwise, my biggest takeaway is Rachel’s clear love for Kate. When Kitty is threatened, Rachel responds “My Kate!” and flies off to save her without any help. Much like Illyana, these female relationships from the Claremont run are a big part of the queer subtext fans continue to discuss in comics today, and why things like the characters interacting in the recent Excalibur #10 is such a big deal to fans.

    On a final note, shortly after his debut in Uncanny, it’s also kind of wild to go back and see that Nimrod had a weirdly strong PR game, appealing to the bigoted anti-mutant populace as evidenced by the bro spraypainting “Nimrod #1, Muties Die!” on the wall like some kind of racist sports cheer.

    This is far from the focus of the issue, but given Nimrod’s star turn in Powers of X it’s interesting to see the ways the mutant-hunting machine has been turning human allies all along.

    The Beyonder kills the New Mutants

    Returning to New Mutants for two issues and an epilogue, we get a brutal knockout battle against the Beyonder, who takes a particular interest in tormenting Illyana and the team. It’s worth noting, too, that these issues are penciled by Mary Wilshire with Bill Sienkiewicz inks, to give proper credit where it’s due.

    The Beyonder shows up and decides to remove Illyana’s Darkchilde presence and ties to Limbo. While this is actually pretty great for Illyana to finally be free, it also connects Kitty once again to the realm, and releases the demons of Limbo on Earth in their neverending quest to unleash the Elder Ones and conquer all that is.

    In order to stop the demon hordes from invading Earth – this time at least – and to save Kitty, Illyana sacrifices her short-lived innocence and takes the Darkchilde back into herself, reestablishing her ties to Limbo. As we know, this will be particularly relevant approaching Inferno.

    New Mutants #37 is the most brutal tie-in of the bunch, and one of the most striking, as the Beyonder responds to Illyana’s refusal of his gift (his warped interpretation of course) by viciously and tortuously murdering the team.

    Dani Moonster’s new Valkyrie powers allow her to foretell her teammate’s deaths, but there’s still nothing she nor the team can do to stop the Beyonder on a mission. This is honestly the most bloodthirsty and pure evil I think the Beyonder gets across the entire event, not only killing the New Mutants but erasing their memories from the world as well.

    The entire experience is deeply traumatic for the New Mutants, and will follow them into future issues, as even though their lives are returned in Secret Wars II #9, the team is in a depressed, traumatized, zombie-like state until finally Headmaster Magneto (this is post Uncanny X-Men #200 and Mags is in charge – which is a fascinating time in and of itself) decides to send them to Emma Frost’s Massuchetts Academy alongside the original Hellions.

    Rachel Summers cosmic phoenix vs beyonder

    Meanwhile in Uncanny X-Men #202 into #203 we get the Rachel Summers / Phoenix vs. the Beyonder throwdown this has all been building up to. In addition to the Beyonder’s actions against the New Mutants (which only Kitty Pryde can remember), Rachel is especially hellbent on killing the Beyonder because he plans to destroy the X-Men (and possibly all life) on his merest whims. While this is a very valid concern, Rachel’s plan to destroy the universe including the Beyonder is met with some resistance by Storm. I can’t imagine why.

    Oddly, even with the Phoenix, Rachel isn’t quite a match for the Beyonder (her blasts literally do nothing) until he grants her some of his power as another one of his tiring experiments. While he grants her enough power to kill him, he also attacks the X-Men with Sentinels forcing Rachel to choose between killing him, or saving her friends. To Rachel’s credits, she chooses the X-Men.

    It’s only in Uncanny X-Men #203, including one of my favorite John Romita Jr era X-Men double page spreads ever, that Rachel decides she’s going to travel inside the M’Kraan Crystal like her mother Jean Grey once did and wipe out all life in order to end the threat of the Beyonder. After sensing so many sentient beings, Rachel eventually backs down (and even gets the Beyonder to do the same by sharing the experience with him), but there’s no doubting she was close.

    While I don’t anticipate the Beyonder’s reemergence in Hickman’s X-Men (Although can we rule out 2015 Secret Wars Beyonders?), the interesting tie-in to me is how the X-Men and mutantkind have seen and reacted to absolute cosmic level powers, and what they might be prepared to do to secure mutant safety in the future.

    There’s so much focus on securing Krakoa in the here and now against human hate, against Nimrod and machine devastation, but as we’ve seen with the Phalanx in Powers of X, there are some even larger potential threats. What about Galactus deciding Krakoa looks like a snack? What about a return of the Beyonder? What about Thanos and the Infinity Gauntlet?

    I don’t think these are questions that Professor X, Magneto, Moira, Apocalypse and whoever else are ignoring. I think whatever Moira’s true schemes are for making this lifeline the one where mutants win takes all these types of entities into account. But what would that have to look like to ensure power on that level?

    The post Krakin’ Krakoa #59: X-Men Milestones – Secret Wars 2, The Beyonder vs. Mutants appeared first on Comic Book Herald.


    Creannotators #6: “Kill A Man” Deep Dive With Writer Steve Orlando Jun 30, 2020
    Show notes

    This week on Creannotators, I talked with writer Steve Orlando about his upcoming MMA graphic novel Kill A Man, as well as his comics career and what comes next for Wonder Woman and creator-owned work.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Kill a Man, a new 2020 graphic novel out from Aftershock comics, is the story of an MMA fighter on the road to a championship belt when he’s outed by a competitor during a press conference – ultimately, this leads the fighter to turn to the former fighter who killed his father in the ring, a queer black man himself, for help on his road to return and conquer the sport.

    As Steve said in an interview with the Hollywood Reporter:

    “We want to give the Rocky-type narrative to the LGBTQ+ community and say, loudly and unflinching, that we to deserve a hero that overcomes, goes the distance, and finds victory on their own terms.”

    The graphic novel will be released October 2020, and as Orlando mentions in the interview, alongside National Coming Out Day, which is October 11th.

    The Kill A Man Team Is:

    Writer: Steve Orlando

    Writer: Phillip Kennedy Johnson

    Artist: Alec Morgan

    Letters: Jim Campbell

    Publisher: Aftershock

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #6: “Kill A Man” Deep Dive With Writer Steve Orlando appeared first on Comic Book Herald.


    Creannotators #5: “Bitter Root” Deep Dive With Artist Sanford Greene Jun 23, 2020
    Show notes

    This week on Creannotators, I talked with artist Sanford Greene about the Eisner nominated Bitter Root!

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Related Guides:

    Best Comics of 2019

    Best Comics of All Time

    Bitter Root is one of my favorite ongoing comics of the last couple years, and a current Eisner nominated work for best continuing series of 2020. Greene, Walker, Brown and team are telling the story of a black family of monster hunters in 1920’s Harlem, quite literally fighting racism and the depths of man’s hate, while trying to carve out hope for a future.

    I talked with Greene about how work on Marvel’s Power Man & Iron Fist with David F. Walker led to Bitter Root, and a wide variety of topics including the complicated process of how the artist designs hate and fear manifesting in literal monsters, firstly seen via out-and-out racism, and later in the text through a more complicated legacy of generational trauma.

    Bitter Root Is:

    Writers: David F Walker, Chuck Brown

    Artist: Sanford Greene

    Colors: Sanford Greene & Rico Renzi, Sofie Dodgson

    Letters: Clayton Cowles

    Editor: Heather Antos

    Backmatter: John Jennings

    Publisher: Image Comics

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #5: “Bitter Root” Deep Dive With Artist Sanford Greene appeared first on Comic Book Herald.


    Creannotators #4: “Little Bird” Deep Dive With Writer Darcy Van Poelgeest Jun 16, 2020
    Show notes

    This week on Creannotators, I talked with writer Darcy Van Poelgeest about Little Bird and the upcoming sequel Precious Metal.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Related Guides:

    Best Comics of 2019

    Best Comics of All Time

    Little Bird: The Fight For Elder’s Hope, one of my favorite comics of the last few years, explores a dystopic but parallel earth where the United Nations of America rules via theocracy, in a world rampant with “dark science” and genetic modifications including a resurrection gene. It’s a gory, visceral, poetic exploration of resistance against theocratic fascist regimes.

    Little Bird Is:

    Writer: Darcy Van Poelgeest

    Artist: Ian Bertram

    Colors: Matt Hollingsworth

    Letters: Aditya Bidikar

    Design: Ben Didier


    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #4: “Little Bird” Deep Dive With Writer Darcy Van Poelgeest appeared first on Comic Book Herald.


    Creannotators #3: “Fearscape” Deep Dive with writer Ryan O’Sullivan! Jun 09, 2020
    Show notes

    This week on Creannotators, I talked with writer Ryan O’Sullivan about Fearscape and the upcoming not-sequel A Dark Interlude!

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Related Guides:

    Best Comics of 2019

    Best Comics of All Time

    As much as I enjoy the work, I find Fearscape difficult to summarize. The actual plot points – impossibly arrogant literary plagiarist uncovers the mystical realm of fiction’s greatest Fears – don’t really do the style and voice justice. From the book’s opening epigraph – “To open with an epigraph is to declare oneself an echo” – straight into a text-only 9 panel grid decrying the overuse of that structure in comics, and the over reliance on the lessons of Watchmen, Fearscape’s self-aware ability to undercut potential criticism is extraordinary.

    The book’s main character, Henry Henry, is an aspiring novelist, who works as a translator to make ends meet, yet early on we see even in translations, Henry can’t stop from “making improvements”. He professionally takes things that aren’t his, and attempts to make them his own, leading ultimately to a direct plagiarism (and of course, never taking accountability for his own actions – his hand is always “forced”). It’s a riveting literary saga, and my conversation with Ryan O’Sullivan was a delight. I hope you’ll enjoy listening!

    The Fearscape team is:

    Writer: Ryan O’Sullivan

    Illustrator: Andrea Mutti

    Colorist: Vladimir Popov

    Lettering: Andworld Design

    Publisher: Vault Comics

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #3: “Fearscape” Deep Dive with writer Ryan O’Sullivan! appeared first on Comic Book Herald.


    Krakin’ Krakoa #57: Is Hickman’s X-Men An Alternate Reality? Jun 06, 2020
    Show notes

    Since the launch of House of X and the Hickman era of X-Men, and certainly throughout my Krakin’ Krakoa exploration of X-Comics, the possibility of Krakoa as an alternate reality is a popular and potentially exciting theory. The ambition and vision of Professor X, Magneto, Moira MacTaggert and mutantkind is grand enough that it begs the question whether all this change is really happening in Marvel’s core Earth-616 timeline.

    Today I’ll answer:

    TASCHEN
    • Is the Krakoa Era an Alternate Reality?
    • Who are the Omega Level mutants most likely to play a role in a Hickman era alt universe?
    • If there is an alternate reality in play, what should it look like?

    Potential spoilers for discussed comics may follow!

    Related Reading Orders:

    Hickman X-Men

    Modern X-Men

    All Comic Book Herald X-Men videos

    It won’t surprise me in the slightest if an alternate reality is in the works for a future state of the X-Men line, or even a future event. Truly, I look forward to it!

    That said, I don’t think what we’re reading right now – House of X on into 2020’s “Dawn of X” comics – is an alternate universe. My reasoning is more practical than narrative. If this is all a part of an alternate reality, it would imply the entire Marvel Universe is also locked within this reality. After all, we have already seen the Krakoa era referenced in non X-Men comics, such as Valkyrie or Black Cat (I’m cataloging all these significant references in the Dawn of X reading order, so let me know if you see something missing!). While that would be cool as all get out, I just don’t think that level of linewide coordination is likely.

    Let’s take one example – Empyre. The upcoming (apparently now weekly!) Marvel event includes X-Men tie-ins, which means the series very much occur in the same universe. There’s no denying it.

    If Empyre occurs in the alternate reality of Krakoa era X-Men, that means two unlikely scenarios:

    1. Somehow the comics “history” of this alt reality is identical to the past of the known Earth-616 and

    2) The major Universe-wide event happenings of Empyre will be in a presumably tentative reality set to be changed at a future time!

    I’m here for it if it happens, but that’s a whole lot of coordination that would definitely shock me!

    Otherwise, I can at least see the reasons people might think Hickman’s X-Men is already an alternate reality. For starters, House of X is a callback to the 2005 Marvel event House of M in which Scarlet Witch (at the urging of brother Quicksilver) created an alternate reality in which Magneto ruled the world, mutantkind was generally dominant, and Wanda tried to give literally everybody what they wanted (for example, Peter Parker is happily married to Gwen Stacy, and Uncle Ben’s doing great). Likewise, Hickman makes considerable callbacks to Wanda’s famous “No More Mutants,” which led to the Decimation of mutants, and Wanda’s newfound status as “The Great Pretender.”

    Similarly, there remains broad skepticism that the X-Men’s behavior is aligned with the heroes we’ve known them to be in the Marvel Universe. I don’t necessarily prescribe to this theory – as Cyclops says in House of X #1 “Did you think we were just going to take it?” – but an alternate reality would offer an easy out here, and allow for the “return” of the real X-Men by run’s end (again, I highly doubt this outcome).

    A mild alteration on this theme that I prefer would be the revelation that this Charles Xavier is actually one of the evil Charlie X’s from the Greg Pak written X-Treme X-Men during the Marvel NOW! Era, but again, I think it’s more likely that Moira just, in her words, broke him.

    So no, due to the integration of Krakoa into the broader Marvel Universe, and the fact that the skillful execution of the status quo shift simply fits in Marvel Comics, I don’t think Krakoa is an alternate reality – not a hoax, not a dream! Again, mutantkind reacting in this specific way to decades of fear, hate, and abuse does not feel to me in any way unbelievable.

    I do think an alternate reality is in the X-Men’s future, though, and I also think we’ve already been given many clues about how it will take shape. That’s what I’m interested in exploring for the remainder of this episode looking at Marvel’s omega level reality warpers, and a handful of other players who could get us there.

    Before digging into the players, it’s worth taking a step back to reconsider what it even means to be an omega level mutant. Prior to the Hickman era of X-Men, “Omega Level” was tossed around somewhat liberally, and generally just taken to mean “really really good-looking” … no, really really powerful.

    In House of X #1 Hickman writes an omega level mutant is “A mutant whose dominant power is deemed to register – or reach – an undefinable upper limit of that power’s specific classification.” The known list of omega level mutants is reduced to 14, and omega level mutants are defined as the greatest natural resource of Krakoa. For my money, keeping this list relatively tight is a great call. One thing that really stands out to me, though, is how many of these players can manipulate reality – it’s a clean 28 and a half percent!

    New Mutants return of legion

    1) Legion (David Haller)

    Omega Power: Power Manifestation

    Realities Created:

    Age of X

    Age of Apocalypse

    Arguments in Favor of a Major Role?

    MIA, son of Professor X, Carey run influence

    Not only is Legion’s power a likely factor in any reality altering, but his connections to all these major players in the Hickman era of X-Men is hard to ignore. Aside from the obvious Professor X, Moira very much took care of Legion on Muir Island, and the personality that manifested the Age of X straight up took the form of Moira to make David feel safe. On the other hand, Legion is also responsible – well, while under the influence of the Shadow King – for killing Destiny, and there have been allusions to a shared psychic relationship between the characters!

    2) Jamie Braddock

    Omega Power: Reality Manipulation (Quantum)

    Realities Created:

    Nothing lasting enough to be given a name, but he’s absolutely toyed with reality

    Arguments in Favor of a Major Role?

    Wild card, working with Apocalypse, he was taken to Muir Island for rehabilitation during 90’s Excalibur, which means Moira’s had her hands on him

    Apocalypse didn’t place Jamie on the throne of Otherworld by accident. I’m not sure it’ll get directly referenced again, but the last time Jamie ruled Otherworld it was as a corrupted future version of himself known as The Goat, a sorcerer hellbent on straight up devouring the multiverse. Betsy had to kill Jamie that go around.

    3) Proteus (Kevin MacTaggert)

    Omega Power: Reality Manipulation (Psionic)

    Realities Created:

    Nothing by name, although he has reality hopping experience via his time spent on Exiles

    Arguments in Favor of a Major Role?

    Part of the 5, Moira’s son, historically a loose cannon

    4) Franklin Richards:

    Omega Power: Reality Manipulation (Universal)

    Realities Created:

    Heroes Reborn, Post Onslaught

    Uh, this one? Post Secret Wars

    Arguments in Favor of a Major Role?

    Hickman’s Fantastic Four, mention in House of X #1, basically gets his own mini in X-Men/Fantastic Four, most powerful of the bunch

    If anybody’s the odds on favorite to create an alternate reality safe for mutants, it’s Frankie ballgame.

    I also can’t avoid noticing there are 4 designated omega level reality warpers. All we need is one more and we’ll have a new The Five, a group I like to refer to as “The Omegas” in what is clearly revealed now as my long con to pitch a Marvel book.

    Seriously, though, in both Carey’s Age of X and now House of X, there are groups known as “The 5” that keep the system functional. It’s probably just a coincidence, but you read enough X-Men comics, and these things start to feel like absolutely planned necessities.

    Other non-omega level mutants that have created some version of reality in the past (leaving out Scarlet Witch for the sake of consistency!) include:

    Moira!

    Realities:

    9 Lives

    Every implication is that when Moira dies, a lifeline ends, and that “reality” is no longer accessible to… anyone. But the actual specifics here are still a bit cloudy to me. I’ve been pitching my theory that the Xorn and Rasputin from Moira’s 9th life are likely to reappear via Blackhole travel, which would quite literally punch a hole in the idea that there’s no travel between Moira’s lifelines.

    Ultimately, the easiest alt-reality reset button is Moira turning off the console in the middle of a huge L and restarting the game with a shot at life 11, although again, per Destiny’s warning to Moira, the 11th life isn’t assured.

    X-Man (Nate Grey)

    Realities:

    Age of X

    Given the recency of Age of X I think there’s approximately 0% chance Nate Grey returns and tries his hand at a new reality again, but we can’t discount the fact that Age of X Nate may be involved. For starters, we don’t know where he is, and as I discussed in the Hickman’s X-Men time gap video, Age of X ends with Nate and Magneto discussing some very ominous plans for the future.

    Jean / Phoenix / White Phoenix of the Crown!

    One of my absolute favorite possibilities is the return of Jean Grey as the White Phoenix of the Crown, an idea from Grant Morrison and Marc Silvestri’s concluding arc “Here Comes Tomorrow” in New X-Men #151 to #154. While the White Phoenix of the Crown isn’t a reality warper persay, in New X-Men Jean is able to user her abilities to reach back and change the past to prevent a dystopic future.

    I have little doubt there’s a lot to come regarding the Phoenix, with Namor recently looking to weaponize the cosmic entity in the pages of Avengers, and Hickman teasing the Phoenix’s power in discussions of galactic societies.

    And finally other players who just seem like the sorts who might be involved in these kinds of shenanigans include

    Xorn/Zorn

    Nimrod

    Perhaps most importantly, let’s name the new Alternate Reality!

    Age of X seems like the obvious choice given House of X/Powers of X, but of course, that’s already taken! There are two naming conventions that I think would generate the legacy excitement Marvel wants – “House of _blank” and “Age of _blank_”.

    Here are the names I like.

    • Age of Sinister
    • The Moira Millenium
    • House of Richards
    • Days of Future X
    • Legion n’ Juice

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

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    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Krakin’ Krakoa #57: Is Hickman’s X-Men An Alternate Reality? appeared first on Comic Book Herald.


    Krakin’ Krakoa #56: My Kate Pryde Resurrection Theory! Marauders #10 Review May 27, 2020
    Show notes

    X-Men Dawn of X comics are back! Marauders #10 kicks off the return of post-Comics Shutdown X-Men, and it’s another great entry by Gerry Duggan, with art from Stefano Caselli and Edgar Delgado.

    Today I’ll answer:

    TASCHEN
    • What happens in Marauders #10 and what does it mean for the Dawn of X?
    • Where’d the Marauders get a spaceship?
    • Ok seriously, what’s the deal with Kate Pryde and resurrection?!

    Potential spoilers for discussed comics may follow!

    Related Reading Orders:

    Hickman X-Men

    Modern X-Men

    All Comic Book Herald X-Men videos

    Marauders #10 focuses on Emma and the crew’s efforts to squash their many enemies, after the death at sea of Captain Kate Pryde. The proceedings begin with the Russian manufacture of mutant power dampening weapons, based on designs originally built by mutant and Krakoan ally Forge. This is a smart and much-needed focus, as it’s felt like mutant squelching tech has been available to every tom, dick and Igor throughout the Dawn of X.

    Storm confronts Forge in Marauders #10

    I particularly like that it’s Storm who confronts Forge about the misuse of his designs, since it was Storm who was hit and depowered by this tech back in Uncanny X-Men #185 and explored in Uncanny X-Men #186 (“Lifedeath” by Chris Claremont and Barry Windsor Smith). This doesn’t come into play this issue, but having coincidentally just read Marvel Fanfare #40 last night, I do also like to point out that it was actually Mystique who set Storm up to get hit by that tech way back when, and that she cosplayed as Mohawk Storm during their nightclub meeting.

    Emma kicks off the Hellfire Trading Company’s mission without consulting the Krakoan Quiet Council, standing them up and particularly leaving Sebastian Shaw out of the loop., It’s revealed that the prevalence of these new anti mutant weapons is the result of a kidnapped former Forge assistant, fortunately still somewhat loyal to Forge (despite working against his will for anti-mutant threats, he’s at least intentionally mitigating the weapon’s power so the effects are quite temporary).

    Emma, Forge, Bishop and crew infiltrate an opposing vessel to destroy the technology and free the weapon designer. With Kate out of action, Emma steps into a more active role, taking out a variety of soldiers with Pyro and his “I know that’s a Marauders tattoo on his face but it suuuuuure looks like Blackface” look at her side.

    One of the most memorable scenes involves Emma unbuttoning her top and confronting soldiers, before psychically ordering them to shoot each other in the kneecaps. With Emma weaponizing her sexuality, I didn’t find this as sleazy as it can often be throughout superhero comics history, and frankly it’s perfectly in character for Emma to own her sexiness as a weapon. That said, the strangest part is that she would need to? Emma’s a remarkably powerful telepath, and it seems odd to me that she would need to distract soldiers in this way.

    Upon completion of the successful mission, Emma mindwipes the vessel’s opposing forces, not only so that they’ll forget the last month of their anti-mutant lives, but so that they will become accepting, tolerant, empathetic people towards mutants and all oppressed minority groups, specifically calling out gay, disabled and trans peoples. My first thought here was that I love Emma resolving threats with a dose of inclusivity, but I’ll admit this is also a bit of a Pandora’s box. Why not do something like this more broadly? Why not manipulate minds to remove hate and bigotry on larger scales? Surely with all the powerful telepaths at Krakoa’s disposal there are options here. I don’t think the intention is anything other than this confined gesture, but it begs the question about psychic control as a larger part of mutantkind’s plan.

    The biggest development during the Marauders’ successful rescue mission is the reveal of the team’s dead ass spaceship.

    The other biggest development is the reveal of the team’s dead ass spaceship. Bishop – looking absolutely dapper in his new Black Panther meets Red Bishop costume – asks Christian Frost about the ship and receives some relatively mysterious answers.

    The ship is called “The Mercury,” which is the same name of the ship we’ve previously seen in Submarine form, piloted by Christian Frost, in Marauders #5. I take the name to allude to the shape-shifting, liquid state of the vehicle. There is of course one of the younger, newer mutants Cessily Kincaid, Mercury, but the idea that this young mutant was turned into a ship seems quite unlikely!

    Otherwise, my first thought was a repurposed EVA, Fantomex’s ship/mutation. Not entirely sure how this would work sans Fantomex, and given his mysterious status presumably until Giant-Size Fantomex we may just have to wait and see. Still, I quite like the idea of EVA playing a role in the Marauders work.

    Which brings us back to the mystery Marauders has been teasing since issue one – what’s the deal with Kate Pryde and Krakoa? Issue #10 once again confirms that Sebastian Shaw was correct in postulating Kate would not be able to revive via resurrection protocols, as Professor X and the Five face yet another failed attempt. I’ve seen a billion really fun theories about why this is the case from Krakin’ Krakoa comments (my favorites are probably “Kate’s a Neo!” and the “She’s a non-mutant X-Men sleeper based on The Adamantium Agenda”), and while researching I found a FANTASTIC debunking exploration video from BlerdsWithoutFear (link in the shownotes). Seriously, well worth a watch.

    In the meantime, though, I’ll pitch my current working theory (aside from the most likely answer that I’ve been saying, which is that Kate’s powers are simply unique and freak out Krakoa).

    For starters, I don’t think Kate’s being locked out of Krakoa by Moira and company intentionally. In her letter to Nightcrawler, Kate writes “Hell, I can’t even phase through most of Krakoa,” which I’ve seen X-fans take to mean Moira is blocking Kate’s powers so she can’t uncover her no-places on the island. A couple thoughts here – 1) I don’t believe Krakoa has “power dampening” set up for non-mutants, so if Kate was some sort of non-mutant mutant (a Neo, an External, etc), her powers should still work. Again this is conjecture but we’ve seen the Fantastic Four’s powers work on Krakoa, so it’s not inherent to mutants and 2) Kate’s inability to phase through Krakoa would have to be a one-person block set-up and somehow implemented by Moira et al, on the off chance that she might accidentally phase directly into one of Moira’s no-places. That just seems like an extensively irrational fear to have, as opposed to say Precognitive mutants, who would be likely to uncover Moira’s secrets.

    X-Men vs Fantastic Four and Doctor Doom shows up to help

    So, if there is going to be a rationale beyond incompatible powersets, back in the original Fantastic Four vs. X-Men miniseries from 1987 the “Mutant Massacre” had left Kate unable to turn solid, stuck in a phased state that was threatening her life. To save Kitty, the X-Men turn first to the Fantastic Four, and ultimately to Doctor Doom. It seems not only believable but likely that Doctor Doom would have altered Kate in some way in order to ensure leverage against mutants at a future date.

    Likewise, Doom’s own plans may have been complicated by an absolute comedy of errors that occurs while Doom (and then Reed Richards) attempt to keep Kate’s body from completely dispersing to the winds. Magneto’s messing with the systems left and right throwing around Magnetic blasts, Psylocke’s desperately trying to keep Kitty’s personality and memories together, and Reed has to perform all the calculations instantly in his head without any errors! I’d completely buy that whatever backdoor secret Doom implanted got warped in the process and are causing feedback that keeps Kate out of Krakoa.

    A few supporting pieces of evidence, apart from the fact that Doom never acts out of pure benevolence that won’t also support his own quests for power. First, there’s a callback to Kate’s injuries in the “Mutant Massacre” in Duggan’s letter from Kate to Kurt. More directly, in the pages of 2020’s X-Men/Fantastic Four, Kate is a central player (with the series occurring chronologically prior to Marauders #6), accepting the aid of Doctor Doom as he now seeks to aid Franklin Richards in his own fading powerset. Kate’s turn to Doom is perfectly validated within the storyline, but it’s also possible this is a part of the triggers Doom implanted.

    Plus, it’s perfectly clear that Doom resents the hell out of Professor X’s Krakoa, and the implication that anyone could be superior to him. It’s hypocrisy to the utmost coming from Victor, but again, the idea that Doom would view the rise of Krakoa as the time to implement Kate as his sleeper agent is something I fully buy.

    • What did you think of the issue?
    • What do you think about Kate’s resurrection? Is she really gone?
    • What are you most looking forward to up next in the Dawn of X?

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

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    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Krakin’ Krakoa #56: My Kate Pryde Resurrection Theory! Marauders #10 Review appeared first on Comic Book Herald.


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