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    Creannotators #19: “Kent State: Four Dead in Ohio” Interview With Derf Backderf! Sep 29, 2020
    Show notes

    This week on Creannotators, I talked with cartoonist Derf Backderf about his work on Kent State: Four Dead in Ohio, an investigation and accounting of the events that took place on the campus of Kent State in 1970, leading to four college students shot and killed (and more wounded) by the US National Guard. We talk about the emotional resonance of the student’s stories, the harrowing modern parallels around protests across America, and whether we’ve learned any lessons from Kent State.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    You can find Kent State: Four Dead in Ohio by Derf Backderf:


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    The post Creannotators #19: “Kent State: Four Dead in Ohio” Interview With Derf Backderf! appeared first on Comic Book Herald.


    Krakin’ Krakoa #94: Everything To Know About The X-Men’s Swords in X of Swords! Sep 28, 2020
    Show notes

    Swords! In my coverage of X of Swords Creation, I asked if you’d all be interested in a follow-up Krakin’ Krakoa ep on the history of the swords in this event, and the answer was a resounding YES. Swords! More Swords! Today I’ll answer: What are the 10 swords mutantkind will use in their battle against the forces of Amenth in X of Swords? What’s the Marvel history of each blade and what can it tell us about the story to come? What small clues do we have about the Arakkan forces named swords? Theories and predictions for what’s to come! *Spoilers for discussed comics may follow!* In X of Swords, Creation, the event’s first part, Saturnyne, the Omniversal Majestrix, freezes the Krakoa vs Arakko mutant war to set them up for a tournament of champions in which each side will wield 10 majestic blades. All the swords get named, and based on Marvel’s promotional art we can align the blades to characters. On the X side of things we have: Muramasa – Wolverine The Sword of Might – (Brian Braddock) The Starlight Sword – (Betsy Braddock) Grasscutter & Godkiller – Gorgon Warlock – Doug Ramsey The Soul Sword – Magik The Scarab – Apocalypse The Light of Galador – Cable Skybreaker – Storm One thing you’ll notice about a majority of the known swords is that they tend to be broken, missing, or in some way altered prior to their re-emergence here in X of Swords. There are exceptions of course – for example, we’ve already seen both the Sword of Might and the Light of Galador return in the Dawn of X – but otherwise I’m expecting some early parts of X of Swords to deal with the gathering and retrieval of these weapons, or at least the explanation for how they are already in hand. Epic quests should ensue! 1) The Muramasa Blade While it’s probably most well known at this point as a sword that can shut off Wolverine’s healing factor and very much kill him (or anyone with a healing factor), Muramasa is actually the surname of an immortal Japanese swordmaker, who came to prominence (in the real world, and in Marvel history) in the 1500’s! Again, this is very much based on a real person, but Marvel’s Muramasa fully leans into myths around the swordmaker, categorizing him as both immortal and increasingly mad with obsession over making the perfect, sometimes demonic blades. The first reference to Muramasa’s blades actually runs back to Wolverine’s second solo series, and first lengthy ongoing, the Wolverine title that launched in 1988 with Chris Claremont writing and John Buscema on pencils. In the first three issues of the title, we encounter Muramasa’s “Black Blade,” a cursed weapon that controls its wielder. First, Jessica Drew, aka Spider-Woman is possessed by the blade on Madripoor, and then Wolverine. Ultimately the Silver Samurai collects the blade and is not possessed in a super Big Time move. The swordmaker returned to prominence following the events of Marvel’s House of M event, when Wolverine recovered all his memories in the event’s aftermath. We learn that after the slaughter of his wife and unborn child (at the hands of the Winter Soldier no less!), Wolverine turned to Muramasa to make him a blade fully for the purposes of revenge to, and I quote with a Metallica riff behind me, “Kill ‘em all.” Thus, the Muramasa blade with fragments of Wolverine’s soul was created, and it’s this blade that has posed a danger to mutants with healing factors ever since. Indeed, at one point Daken integrated the sword into his claws in order to kill his father (Logan cut them out of his hands), and Wolvy used the sword to cut off Sabretooth’s head (although like so many Marvel deaths, “it got betta”). Most recently, in the pages of All-New Wolverine, Laura Kinney, Wolverine, and Carol Danvers, Captain Marvel, were tricked into giving up the location of the Muramasa blade, which was then turned into Wolverine killing bullets by the Orphans of X. The bullets are used to shoot through Daken in a wound that won’t heal, but surgeons can cut around the wound to let his healing factor take effect for a larger wound (comics science!). To combat this threat, Laura visits Muramasa himself, and had a new Muramasa armor forged from soul fragments of Logan, Daken, and herself. This will come up later, but there’s also a brief connection between Muramasa and Gorgon here, with Gorgon owing the swordmaster a piece of himself for a new blade. This could come up again given Gorgon’s inclusion in this event! One of the highlights of the named Arakko swords is that a Murumasa blade exists on both sides of the aisle. The assumption I’m making is that one is wielded by Wolverine and the other by his arch-enemy in the making, Solem (anagram for “Moles” which means nothing, but makes me laugh at the idea of that being his name instead). There’s a possibility this could mean one of them begins wielding the Murumasa blade, and then the other obtains it for a time – effectively that it switches hands. 2) The Sword of Might The Sword of Might has been a part of the Captain Britain mythos since inception in 1976 – in that regard, it’s actually the sword here with the longest Marvel Comics history. In his origin, Brain Braddock is given a choice by Merlyn and Roma between the Amulet of Right and the Sword of Might. He chooses the Amulet of Right, and over time we’ve learned that most Omniversal Captain Britain make this selection in order to inherit their power. One of the biggest misconceptions of The Sword of Might – one that Marvel itself is guilty of! – is the assumption that it’s the same sword in the stone as Excalibur. This is not correct, at least if we’re to believe Captain Britain and Mi13 aka my favorite Captain Britain series on Marvel Unlimited. In this series by Paul Cornell and Leonard Kirk, Excalibur and The Sword of Might are clearly referenced as separate entities, with separate properties applied to each. In this instance, the Sword of Might is used by the invading Skrull army to merge with other magical items into an all powerful Skrull chain. We’ve actually seen a lot of the Sword of Might already in the Dawn of X, particularly in the first arc of Tini Howard and Marcus To’s Excalibur. After his possession by Morgan Le Fay, Brian Braddock gives the amulet of right to Betsy (thus making her the new Captain Britain), and chooses the sword of might as his dark weapon. Even after his revival at the hands of his brother Jamie (something we really should be keeping an eye on), Brian continues to dream of Merlyn and Roma and selecting the path of violence, aka the Sword of Might. This is where we enter some interesting questions around the inclusion of Brian Braddock in X of Swords. He’s broken, angry, and quite changed from the Captain Britain we’ve known. It makes sense that he’d still feel a duty to the realm of Otherworld, and want to protect his sister and her allies, but he’s still also not actually of Krakoa. I’m willing to bet Jamie brought Brian back as a mutant this time, if for no other reason than to mess with him. More likely, though, this is part of a deliberate scheme by Apocalypse. It seems certain that Apocalypse helped Jamie Braddock take the throne of Otherworld’s Avalon with some rationale behind the decision, and who better than an omega level reality warping mutant to toy with the mutant protection of the Braddock family, a protection that runs through generations. 3 – 4) Grasscutter & Godkiller Grasscutter and Godkiller are of a piece, crafted for a war between Japanese and Greek Gods. While they don’t debut in its pages, the history of the swords is most memorably showcased in the Jonathan Hickman written Secret Warriors. In Secret Warriors, Grasscutter is wielded by Alexander, aka Phobos, the god of fear. The boy-god actually used the blade to murder his own father, Ares, in the pages of the 2006 miniseries Ares, and in Secret Warriors the blade is stained red with the blood of the god of war. Godkiller is gifted to Gorgon by the mysterious Hydra-allied Kraken. Ultimately, Phobos and Gorgon have an epic swordfight, in which both Godkiller and Grasscutter are shattered, although Gorgon uses the shattered hilt of Godkiller to seemingly kill Phobos. At some point in this event it may be worth digging deeper into the character of Gorgon, whose Marvel history includes almost incalculable murder and leading several factions of Hydra. Gorgon’s mutant amnesty on Krakoa is one thing, but his inclusion as a Captain is a much bigger deal than I’ve made of it so far. I’ll also note here that in X-Men #4, it’s pointed out that Gorgon’s Captainship is dedicated to protecting members of the Quiet Council, specifically the Autumn leaders (Magneto, Prof, and Apocalypse), yet in X of Swords: Creation, Apocalypse wanders into Otherworld without Gorgon as part of the fellowship. Weird oversight! While I don’t know if Gorgon already has Grasscutter and Godkiller remade – this certainly seems like a task up Forge’s alley – he is shown wielding two blades in the pages of X-Men #4, when he maims and amputates human military forces during the Autumn council’s business meeting. Gorgon’s possession of both blades is based on these connections, and the Marvel key art that features him among the Krakoa 9, wielding one sword in each hand. This does raise the question, though, if Krakoa is missing a swordbearer. Could this be S.W.O.R.D.’s role? 5) Warlock Since the Technarch ally Warlock can transform into virtually anything, Doug Ramsey wielding Warlock as his sword makes plenty of sense. The “Team Supreme” have been combining their might since forming a bond in the mid 1980’s New Mutants, with Doug frequently wielding Warlock as his armor, given his own vulnerabilities in combat situations. We’ve actually seen this very recently in Giant-Sized Storm with Doug wielding a Warlock mech suit in The World. I questioned this at the time, but this is actually kind of odd, because the previous two appearances of Warlock (X-Men #7 and Giant-Sized Nightcrawler) it was clearly a secret that Warlock was around. Doug even made Magik swear not to tell anyone. And now here he is, well past that point, without any explanation given. Warlock’s impact on mystical realms is particularly interesting to me. How does the unknowing agent of the Phalanx impact Otherworld? In the past, we’ve seen the techno-organic virus have a significant impact on Limbo, with the entire realm infected prior to Inferno. Combine that with the fact that Doug and Warlock have clearly planted some seeds on Krakoa way back in the pages of House of X and you have a team supreme with way more of a potential impact on X of Swords than you might initially expect. If anyone has a chance of knowing what Krakoa thinks about all this, it’s Doug. It’s crucial to remember that much of X of Swords is about rejoining the two lands that were one, and I actually think it’s a possible outcome that at the end of X of Swords it’s no longer Krakin’ Krakoa but Obsessin’ Okkara (and hopefully not Analyzin’ Arakko – we’ll workshop these). Doug’s inside track, plus whatever behind the scenes work he’s doing with the techno-organic virus could have vast implications. 6) The Soulsword Speaking of New Mutants, Illyana Rasputin’s Soulsword is one of the most well-known mystic weapons in the Marvel Universe, and forever linked to the character. In her 80’s miniseries, Magik creates the Soulsword using her own life energy and magic, and over time anyone who wields the sword becomes the ruler of Limbo, like Illyana has been for large stretches of her history. This may also be the easiest sword to account for, as Illyana has seemingly had it throughout the Dawn of X. One of the biggest questions I still have is how Limbo compares / stands in contrast to the dimension of Amenth where the Arakko mutants have been trapped. In the early stages of the build to this story, I theorized that these mutants were in fact trapped in Limbo itself. It’s also worth noting that in the past when Illyana’s been in harm or taken off the board, the armor and soulsword have transferred to Kitty – now Kate – Pryde. Given Kate’s recent resurrection in the pages of Marauders this could be a nice way to integrate her character into the event. Perhaps splitting the Soulsword could be a path to getting the Krakoa mutants their 10th swordbearer as well. 7) The Light of Galador The most deliberately set-up blade in X of Swords has been present since Teen Cable found it in the foot of a monster in the Dawn of X’s Cable #1. The sword is immensely powerful, and the Galadorian spaceknights planned to use it to entirely conquer Earth and create a new Galador. We’ve also seen Cable use the sword in Creation to power the transporation device that connected himself Cyclops and Jean to SWORD. Don’t forget too, we have old man Cable trapped in some red hellish dimension – could he be in Amenth planning for this moment? 8) The Starlight Sword As far as I can tell, the Starlight Sword has not been used in Marvel before, but based on naming connections to the Starlight Citadel, and Betsy Braddock role as Captain Britain in this event, every implication is it will be a new sword Betsy wields. Heading into X of Swords, in the pages of Excalibur, Betsy and Saturnyne finally have a confrontation, and address Betsy’s new standing as Captain Britain. Essentially, Saturnyne is mistrusting of Betsy’s mutant loyalties, and how they’ll compete with her own Omniversal protector priorities. This is theory, but granting Betsy a Starlight Sword as part of this contest could be Saturnyne’s way of testing Betsy as her champion, granting her strength to ensure the protection of Starlight Citadel. It’s interesting to consider what this sword might be made of, too, considering the forging we’ve seen happening in Saturnyne’s chambers in the Free Comic Book Day pages carried through into the Creation issue. There’s a possibility that the sword could be forged of extra dimensional alien powers. If this is how this all plays out, it’s interesting that Saturnyne would take such a deliberate role in the proceedings. She’s kind of taking a neutral tournament ringleader role at the end of Creation, so arming Betsy as her champion certainly seems to put her on the apparent side of Krakoa. I’m not sure Saturnyne really cares who wins, though, so long as they leave the Starlight Citadel and Otherworld peacefully, which suggests one of the Arakkan swords could also be of her making – arming both sides to continue playing the middle. 9) The Scarab Before I get into any Marvel history that might connect to this blade – spoiler: there’s not much! – I’ll say I’m confident The Scarab will be a brand new addition to the Apocalypse arsenal and mythos, since Hickman and Howard are very much rebuilding Apocalypse throughout their respective and coalescing narratives. We didn’t know he had a family before this event, surely there’s room for a secret sword. Plus, we have seen Apocalypse wielding a sword in flashbacks to the splitting of Krakoa and Arakko, and given the historical import of those images, I’d have to think it’s going to be the same sword, likely locked away in one of his temples for safekeeping. What will be interesting is what kind of mystical properties the Scarb might contain, whether it’s imbued with powers and technologies of the Celestials that Apocalypse has benefited from over the years as well. Now, technically, in the oversized Black Knight: Exodus one-shot from 1996 (in a story that manages to cover Dane Whitman, Apocalypse, Exodus, and Sersi of the Eternals!), there’s a mutant acolyte of Apocalypse named Scarab. While this Scarab does have strong enough skin to break Exodus’s sword, the idea of the X-Office reaching back to reference this Scarab feels about as likely as a Liefeld Major X tie-in suddenly getting added to the event. Going back to this flashback, too, consider the line “The Twlight Sword of the enemy tore the world asunder, and what was one became two.…

    Full show notes at the publisher

    Krakin’ Krakoa #93: X-Men X Of Swords Pt. 1 – Creation Review! Sep 23, 2020
    Show notes

    It begins! The 60+ page “Creation” kickoff to X-Men: X of Swords is here, marking the epic beginning to the 22 part X-Men event of 2020. The launch book is fantastic, effectively a Lord of the Rings for the Krakoa era of X-Men, with plenty to dig into. Today I’ll answer: How does Creation kick off Ten of Swords, and what do we learn about the event? What major or minor revelations are given, and what X-Men characters are most impacted? What are the secrets of Otherworld and S.W.O.R.D.? Theories and predictions for what’s to come! X-Men: X of Swords – Creation #1 Writer: Jonathan Hickman & Tini Howard Art: Pepe Larraz Colors: Marte Gracia Letters: Clayton Cowles Related Reading Orders: Hickman’s X-Men X of Swords event Video Script Notes! We open with the first horsemen pounding on the gates of Otherworld, approaching the Starlight Citadel, on their ultimate march to Krakoa. As we learned in X-Men #12 last week, these first horsemen are the children of Apocalypse, and have been trapped in the dimension of Amenth of generations. The first horsemen leading an assault on the tower of Del Di’Lorr. The speak exactly like Hickman’s East of West horsemen. What is the Starlight Citadel? The Starlight Citadel is summarized nicely as “the most literal representation of the conjunction of all realities.” It is the nexus of all realities. As we’ve learned in the pages of Tini Howard’s Excalibur, the Citadel is without it’s customary Captain Britain Corps defense, which has left it to Opal Luna Saturnyne, Omniversal Majistrex to protect the Citadel – and by proxy, reality. Hickman’s back on his Wheels within Wheels grind here, a frequent refrain back in his work on Marvel’s Secret Warriors, and a decent metaphor for plots seeding plots and the constant motion of story found in his superhero work. In Krakoa, Summoner comes busting through the External Gate on the back of a huge Demon, with a dying Banshee. It’s far from shocking that Apocalypse’s plan to send Banshee, Unus the Untouchable (poor Unus) and Summoner into Arakko alone came up wanting, and if you aren’t already getting Summoner skepticism at this point, you’re a little behind the curve my Krakoan pal. This is generally applicable throughout the entire book, but DAMN do I love Pepe Lararz and Marte Gracia’s ability to bring demonic and supernatural creatures to life. Apocalypse brings his schemes to the Quiet Council, and Krakoa acknowledges he gave Apoc approval for all this. Apocalypse doesn’t really have council approval for all this though, with Magneto in particular deeply questioning his actions. Again, Summoner giving us his account of what happened with no backup (banshee is in a coma in the healing gardens) should raise some eyebrows. Small detail but weird that Professor X calls Apoc En Sabah Nur, and not his mutant name For the most part, the Council is opposed to Apocalypse leaving the External gate open and maintain access to alternate realms (and in this case near direct access to the Starlight Citadel of Otherworld). As Kate points out – for the first time we’ve seen in a council meeting! – they still have access to Avalon. I did also find it interesting here that the enemies of Krakoa that are named – Homines Verendi, The Flower Cartel, Xeno, and Orchis – leave out The Children of the Vault, who have been named the most dangerous threat to mutants by Professor X himself. Hell yeah Krakoa: Council votes to destroy the External Gate since it leaves them vulnerable, but Krakoa tells Doug “You need to understand you are guests here. Our coexistence is collaborative and wonderful. It’s a union of shared interests, but I am the land. And the land is mine.“ This was actually something I brought up in the Live Krakin’ Krakoa X of Swords prediction party, but we have not gotten a lot of insight into how Krakoa feels about mutants! This is a great start. Apocalypse has to gather volunteers, leading to an interesting hodgepodge team, which has been one of the more interesting components of Krakoa – since all the mutants are together all the time, the team’s are less standardized than they’ve been in the past. The fellowship: Apocalypse, Summoner, Rockslide, Rictor, Siryn, Beast, Angel, Polaris, Havok, Monet There’s a really nice quote about what’s coming for Apocalypse in “Memory is long. History is longer. And the truth will outlast both.“ One of the joys of the Dawn of X is given the scale of mutants that can be in any story, there are all kinds of long lasting relationships that still haven’t been explored more than a year into the Hickman era. One such is Angel and Apocalypse. In the midst of this build-up, we have even more exciting news: We’re Hickman/Mueller mapping Otherworld baby! This is quite fun, and I think going to go a long way to making Excalibur even more interesting, as one detractor I’ve felt in that book is a chaotic sense of place as the Mutant team makes its way through the realm. We’ve either seen most of these realms before, or find out some more info about the Otherworld Kingdoms in the next data pages in this issue, but the one real interesting callout is #13 – Mercator – Highlighted in blue. Absalom Mercator, otherwise known as Mister M, is one of two Omega Level Mutants we still haven’t seen in the Dawn of X (the other is Legion), and that sure doesn’t seem like an accident. Mercator projection is also a whole school of cartography, which is an intriguing connection to this map of Otherworld, although I won’t pretend to understand maps literally at all – I can barely make it home from work without my GPS rolling. The page that made me the happiest of anything in this entire comic comes from The Otherworld Kingdoms map where we’rehitting Otherworld history, and in particular the Alan Moore / Alan Davis Captain Britain work hard! In the span of one page on the Fair Courts and Foul Courts, we get The Fury, Mad Jim Jaspers, Roma, Merlyn The main reason this is thrilling is I have a Krakin’ Krakoa coming this weekend (it’ll be Krakin’ Krakoa #95) on the Alan Moore and Alan Davis run on Captain Britain and it’s connections to the Hickman era of X-Men, and this data page cements that relevance in ways I yet again totally precogged. So given I’m covering this in depth in another video, I’ll just say that these are all absolutely crucial, historical elements in the history of Otherworld and the pages of Captain Britain, with Jaspers and the Fury offering serious threats to mutantdom in the future. I’m also fascinated by the presence of Roma and Merlyn here, who I thought had fallen prior to Saturnyne’s ascension (in the past Opal Luna has effectively reported up to them, although now that relationship is inversed). Apocalypse is genuinely emotional upon the sight of his long lost children, and I buy that this is actually a huge poignant moment for him. This is definitely the softest we’ve seen Apocalypse – and he pays for it – but honestly his arc through both Excalibur and X-Men has justified these feelings. Of Genesis, the horsemen tell Big Daddy A: “Gone. Destroyed. She fell under the twilight blade.” If anything, this frankly confirms my theory – growing in size and strength – that Genesis and Annihilation are still actually the same person, and that the Summoner’s story was a ruse. I still love my theory that Annihilation could be Rasputin. But again if we look back to the Genesis and Annihilation showdown in X-Men #12, and we consider what we know now about our pal Summoner, the changes that this story lies somewhere between half truth and metaphor is a distinct possibility. Unsurprisingly, horsemen and Summoner stab apocalypse, in a sudden betrayal of their father and grandfather. We learn about the same time that Summoner betrayed Banshee and Unus (nobody touch poor sweet Unus!), not shocking there either! While the story definitely sets us up to think this might be coming, the important thing here is that Apocalypse does not see it coming at all. “I am a Summoner of many things… Most of all lies” Really feel for Rockslides Arakkon chess game with Summoner. Everything goes absolutely to hell for the Krakoan party One aspect that goes overlooked throughout the series, and really throughout Excalibur to this point is just how powerful Saturnyne is in her domain of Otherworld, and as the ruler of protecting all realities. The comic’s opening quote supports her power, stating: “All I see, I own. And I am unsatisfied with the state of things.” With a snap of her fingers Saturnyne freezes both Krakoan and Arrakan, and gets to have a conversation and set up the rest of the event on her own terms. Saturnyne plays matchmaker setting up the duel between Arakko and Krakoa, after first flexing her power and turning Death into a cute lil wolf pup. All the swords get named. On the X side of things we have Muramasa – Wolverine The Sword of Might – (Brian Braddock ?) The Starlight Sword – (Betsy Braddock ?) Grasscutter & Godkiller – Gorgon Warlock – Doug Ramsey The Soul Sword – Magik The Scarab – Apocalypse The Light of Galador – Cable Skybreaker – Storm The items that most get my attention on the Amenth side are 1) The Twlight Blade – is this the same thing as the Twilight Sword Surtur has wieleded in Thor comics? 2) Pogg Ur-Pogg being both crocodile monster AND a sword himself, with the implication that the swords are wielding a Crocodile monster 3) Muramasa listed on both sides of the aisle! Marvel’s been teasing Solem as Wolverine’s new archenemy, and remember, Apocalypse talks of the God-like mutants he had to banish to Amenth. Solem could be of Earth before Wolverine, potentially an ancestor, wielding the same kind of blade. If folks are interested in a Krakin’ Krakoa deep dive on the swords specifically, let me hear it in the comments, as most of them tend to have fairly interesting comics histories on their own. As Cable and Rachel read Banshee’s mind for clues about what really happened, Saturnyne tells Cable / Rachel of something that can help. Scott knows what it is. My initial guess given AIM bodies is something with The World? But it appears to be more about space travel to specific space station. Scott, Jean, Cable plunge Cable’s dope sword into a trans space teleportation platform, which powers up SWORD orbital space station. Given the official confirmation of a S.W.O.R.D. ongoing by Al Ewing and Valerio Schiti (which, I will not for the last time, mention I totally called in my How Hickman’s X-Men Will Conquer the GalaXy video!), this is incredibly exciting. Intriguingly, all we learn of the SWORD station at this point is that it’s like totally out of action. So why would Saturnyne send them SWORD? Well, she’s corralling alien entities, perhaps that’s where answers lie? My guess here, would be contact made with the other faction of Arakko natives who took a different approach like Summoner mentioned in his story to Grandaddy A in X-Men #12. Now, early in the oversized issue, we actually get a return to the 2020 Free Comic Book Day Tarot Card teasers. Reprint the X-Men FCBD pages of catching a star-beast in context of the event. Literally reprinting the FCBD pages in their entirity… kind of disappointed initially, but the text is completely different. Importantly, too, The X-Office (of course) remembers there’s an original Hellion named Tarot! She does reading data pages! Tarot readers the world over – mutant and not – are pulling the same cards as Saturnyne. In the original: Eight of Cups card presents two different women, with Genesis feeling disullionsment and abandonment, and Annihilation’s side reading “That which was once the harmonious lifting of voices is now a mocking echo-then silence.” The updated reading of the card is recontextualized given what we know from the X-Men #12 prelude issue. “Someone’s heart has been left empty” “She has been waiting for something more. Will she turn away? Will she be turned away? A woman like this keeps her cup close.” New theories? From Tini Howard interview, Tarot is another kind of sequential art. So I think the card readings are in the order they’ll occur in the event. Tarot’s own readings are very interesting. The sequence of events: Judgment – “Final judgment and the rebirth of all in heaven.” A couple thoughts here – this could allude to the apocalypse they bring and the rebirth of Arakko mutants on Krakoa, and on our Earth-616. Looking at the talk of rebirth, the cover of X-Factor #4 (pt 2 of the event, signifies resurrection literally on fire), and the December solicits for X-Factor call resurrection into question. Four of Wands – Returning to something, with an image of the horsemen. “The Xorn brothers would consider four quite an inauspicious number” – In Chinese numerology, the number 4 is considered unlucky because it is extremely similar to their word for “death” The Hanged Man – Kill Your Darlings. Apocalypse. Beast’s sacrifice. Rockslide is certainly imperiled. Rictor would be the sweetheart to Apocalypse. Eight of Cups. Genesis/Annihilation. Feels like she’s already decided! Ten of Swords. The worst pain you have ever felt and then you will feel it no more. I think something is going to change the availability / resurrection process. Apocalypse is going to come back without these memories. Will that mean the loss of him as a Krakoan ally? Next Time: The Krakoan Reads – A New Death The post Krakin’ Krakoa #93: X-Men X Of Swords Pt. 1 – Creation Review! appeared first on Comic Book Herald.

    Full show notes at the publisher

    Creannotators #18: “Old Head” Interview With Cartoonist Kyle Starks! Sep 22, 2020
    Show notes

    This week on Creannotators, I talked with cartoonist Kyle Starks about his work on Old Head, one of my favorite graphic novels of 2020, a comedic masterpiece about a retired NBA player taking on Dracula and the monsters in his neighboring castle. Oh, also we talk NBA. Like, a lot.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Old Head Is:

    Cartoonist: Kyle Starks

    Colorist: Chris Schweizer

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    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

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    The post Creannotators #18: “Old Head” Interview With Cartoonist Kyle Starks! appeared first on Comic Book Herald.


    Krakin’ Krakoa #91 Live! X-Men: X of Swords Prediction Party (with Blerd Without Fear & The Cerebros!) Sep 21, 2020
    Show notes

    This weekend marked the first ever Comic Book Herald Youtube livestream, and it went pretty well! I got to talk X-Men with Verno of The Cerebros podcast, and Ernie of Blerd Without Fear, and we dove into our X-Men: X of Swords event theories before kickoff on 9/23/2020! If you’re excited for the X-Men event, check out the (spoiler heavy!) conversation below.

    Spoilers for discussed comics will follow!

    TASCHEN

    It was a lot of fun and I hope to have more livestreams on the Krakin’ Krakoa youtube work coming in the future.

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

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    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Krakin’ Krakoa #91 Live! X-Men: X of Swords Prediction Party (with Blerd Without Fear & The Cerebros!) appeared first on Comic Book Herald.


    Creannotators #17: “Chasin’ The Bird” Interview With Creator Dave Chisholm! Sep 15, 2020
    Show notes

    This week on Creannotators, I talked with creator Dave Chisholm about his work on the excellent Chasin’ The Bird, a graphic novel about the life of jazz legend Charlie Parker. We talk jazz history, bringing Parker’s mythology to this moment in time, and the distinct visual challenge of conveying music in comics.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Chasin’ The Bird is easily one of my favorite graphic novels of 2020, and one I expect we’ll be seeing on a lot of year-end best-of lists.

    Chasin’ The Bird Is:

    Creator: Dave Chisholm

    Colors: Peter Markowski

    You can find more from Dave Chisholm here:

    Thomson Heller Detective Interstellar

    Tyranny of the Muse

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

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    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #17: “Chasin’ The Bird” Interview With Creator Dave Chisholm! appeared first on Comic Book Herald.


    Krakin’ Krakoa #86: Why Does Sexuality in X-Men Comics Matter? Sep 13, 2020
    Show notes

    Following my review of 2020’s X-Factor #1, I saw a fair amount of commentary from listeners and readers wondering why there’s all this focus on character sexuality in the book, specifically with queer X-Men. Hot on the heels of Marauders #12 and Kate Pryde’s same-sex kiss, the question is of course resurfacing, making it a good time to really dig into the relevance and importance of sexuality in the world of Marvel’s X-Men. Up front, I’ll admit this is a sensitive issue and I don’t pretend to have all the answers. This is my own attempt to wrestle with these recurring questions, and dissect them in the context of X-Men comics. While I think it would be nice, I don’t anticipate this conversation will change hearts and minds regarding perceptions of sexuality and gender in our world, but I do hope it will specifically address how these issues are integrated into Marvel’s X-Men comics, and why, at the end of the day, it makes sense and is a substantial net positive. The Question: Why All This Focus On Sexual Identity? First, it’s useful to clarify what readers mean by “all this focus on sex.” Notable examples from the Dawn of X, the era of X-Men comics following writer Jonathan Hickman’s return to Marvel with House of X / Powers of X, include the following: The implication that Jean Grey / Wolverine / Cyclops may be in a polyamorous relationship (and the confirmation that Jean and Wolverine are in a relationship). Reiterating Mystique and Destiny’s same-sex relationship, with Mystique angrily yelling “Give me back my wife!” at Professor X and Magneto. A majority queer cast of mutants in the Leah Williams written X-Factor series launch Emma Frost including “Trans” among the oppressed minorities she references in Marauders #10, and Kate Pryde kissing her female tattoo artist in Marauders #12. As you can likely gauge from the examples, the conversation is less around the general horniness of the X-Men on their Krakoan island paradise (although certainly that gets a lot of discussion as well!), and more targeted toward queer or minority identity now being included in the pages of these comics. A Brief History of Sex The fact of the matter is that members of the LGBTQIA+ community in particular have been long withheld from X-Men Comics, and Marvel comics. Historical reasons to avoid making queer relationships explicit are due to societal pressure, and for Marvel Comics specifically, due to editorial pressure. According to an article on “Prism Comics,” during Jim Shooter’s late 70’s into 1987 tenure as Marvel’s Editor-in-Chief, there was an alleged “No gays in the Marvel Universe” policy. This can partially be assumed to reflect the desire to follow the Comics Code Authority, the Red Scare/McCarthyist propaganda directive that arose out of Frederick Werthem’s “Seduction of the Innocent” in 1954. According to History.com, it wasn’t until 1989 when the Code would allow for an openly gay character in Marvel or DC superhero comic books! There are creators who work in characters coded as gay prior (JM Dematteis work with Arnold Roth in the pages of Captain America comes to mind), but Marvel’s Northstar was the first to come out as openly gay in 1992’s Alpha Flight #106, a momentous declaration that was then largely ignored for years. Even after this, equating queerness with “sexual perversion” persisted, as Marvel has often labeled any books featuring actual queer characters as “adult” or “for mature audiences only.” This was the case in 2002 when Marvel announced the Rawhide Kid would come out as gay in a Marvel MAX comic. Following this announcement, in a (far from perfect) appearance on Crossfire in 2002 with host Tucker Carlson (for real), the strongest argument Stan Lee could muster was the following Seinfeldian point: “Let me just mention that Marvel Comics, we are entertainers. And we do books for everybody. And the characters in our books represent everybody. In the “X Men,” we have characters from all nationalities. We have both sexes. I didn’t write this book. I only learned about it yesterday. But I think it’s fine. Among us today, there are gay people. We have one gay hero. There’s nothing wrong with that. I’m sure there are gay heroes who exist.” Fear of accepting queer characters on the page is historically met with cowardice, to the everlasting failure of Marvel and the industry at large. Even the aforementioned Rawhide Kid’s coming out party (and I don’t want to oversell the importance of that book because it stinks!) was walked back only a few years later. That’s very recent history, and it’s far from the progressive uncompromisingly agenda-driven radical Marvel gets painted as by some of the angrier voices in this conversation. The last decade has decidedly improved on this deeply unbalanced past, from the first same-sex wedding in the pages of Astonishing X-Men #51, to the very recent 2020 wedding of Wiccan and Hulkling in Empyre: Avengers Aftermath. Still, I think it’s crucial to acknowledge Marvel’s playing catch-up after decades of failure to represent queer communities. And there’s still plenty of work to be done. The History of the X-Men and the Mutant Metaphor Historically, the X-Men exist as a representation of oppressed minority groups across the board, born (to a degree) out of the Civil Rights movement of the 60’s, and growing in scope and scale since. The mutant metaphor is flexible, and the perspective you bring from your own life can often shape what you’re going to get out of a story. When you feel your own oppression in these stories, that is true for you as a reader. Pretending that’s not true just means that’s not a part of your perspective. And it’s ok to miss things! I miss elements of comics all the time! Listening to other voices, though, can help expand that awareness. Again, X-Men is particularly well-suited to metaphorically capture struggles for equality, with a group of mutants sworn to protect mankind, even those who fear and hate them. As Sara Century puts it in a Syfy.com article, “This franchise is a rarity in how consistently it has focused on highlighting the fallacy of bigotry as a major obstacle in its character’s lives, and portraying all forms of intolerance as being deeply wrong. That is what has drawn such a wide audience to X-Men, and it is what makes it stand out for so many readers. Outsiders have always flocked to this concept, and for very obvious reasons.” One of the clearest examples of the X-Men standing in for real world minorities comes in 1982’s Marvel original graphic novel #5, God Loves, Man Kills, by Chris Claremont and Brent Anderson. In “God Loves, Man Kills” Christian evangelical preacher William Stryker launches a massive religious movement centered around his absolute hatred of mutants. The combination of religion-fueled intolerance, and a congregation full of protesting humans with signs like “Go Home Mutie!” makes for a distinct, all too familiar connection to real-world bigotry. X-Men comics have varied in their approach to tackling these issues since, but the modernization of X-Men as a metaphor for oppressed minority is firmly cemented in the Marvel canon. In recent years, the mutant metaphor has more deliberately extended to LGBTQIA+ communities. One of the most frequent talking points lately is how modern depictions of known character’s sexuality may differ or seemingly run counter to their comics history. We saw this a lot with Iceman over the past 5 years, when writer Brian Michael Bendis revealed – in classic comics fashion, through time travel and mind-reading! – that Bobby Drake has been suppressing his gay sexuality. A thing that gets lost in a Marvel character coming out as queer later in their life is the idea that unless they were “Out and Proud” in the shared history of these properties prior to this point, the *new direction* simply doesn’t match up. But even in reality, this is simply untrue. When discussing Iceman’s sexuality, writer Anthony Gramuglia says, “That rings true for a deeply suppressed gay man. A person suppressing their sexuality that intensely would appear to everyone else like an average straight person because that’s what the role they’re convincing themselves they occupy. They aren’t JUST trying to fool everyone around them. They’re trying to fool themselves.” It’s not the same thing, but I’d also note that as comics fans we’re accustomed to big bold new changes that present the possibility for new stories. We accept these things as readers constantly; they are what keep a decades running universe occasionally fresh. Just look at Moira X! Prior to Hickman’s X-Men, Moira MacTaggert was a human ally to mutantkind, and one time love interest of Charles Xavier. Now she’s a mutant replaying lifelines, and the single most compelling concept in superhero comics. There’s a conservative type of reader who rejects these changes in favor of “staying true to the good ol’ days,” but for me, these are the ideas and new angles I live for. With Iceman, I will fully admit, the character as a gay man works best when understanding him as a closeted individual trying to pass, rather than retroactively arguing these were the intentions of the creators. Because for all their positive contributions to social justice, Stan Lee and Jack Kirby – I don’t believe – created Bobby Drake with the intention to show he was gay. If you’re interested more in retroactively examining the character’s history for clues that *are* there, I’d recommend the “Out Cold’ series of essays on Shelfdust.com. The History of Queer Kate Pryde In the more recent example of Kate Pryde in the Dawn of X, there’s a long history of bisexual subtext that is unquestionably part of the creator’s intent. From an interview with Chris Claremont on Jay and Miles X-Plain the X-Men: “With Kitty, the basic idea was, while she dated lots of people when she was an adolescent, the primal love of her life has always been Rachel.” That’s actually part of the creator’s intent he never quite made explicit. I don’t think this is Claremont retroactively trying to pull a JK Rowling either. Again, from Century on SyFy.com, “Well into the ‘80s, more and more queer subtext was played out on the pages: Illyana Rasputin and Kitty Pryde wrestling with each other in bed; Storm and Yukio’s fling; Mystique and Destiny appearing only in tangent to one another; Northstar’s lack of interest in women; Rachel Summers in her entirety… there was a lot of implied queerness in Claremont’s X-Men run.” The young Kitty Pryde joins the X-Men as a young teenager in Uncanny X-Men #129, a comic with a release date of January 1980 and a story that kickstarts the official “Dark Phoenix Saga.” Kitty would go on to become a central POV character in the X-Men’s Claremont-verse, bridging the gaps between X-Men, New Mutants, and Excalibur more than any other character in the world. Kitty’s journey – again starting as a fourteen year-old mutant coming to terms with her powers – is very much about finding her place, and understanding the Jewish mutant woman she’s becoming. This extends to sexuality as well, as it does for so many in their formative adolescent years. The most prominent (and permitted) example is Kitty’s flirtation with Piotr Rasputin, Colossus, a character she’s had romantic ties to as recently as 2018’s fake-out wedding issue. At the same time, there are recurring examples of Kitty’s closest female friends suggesting deeper connections, bordering on romantic. These examples can be found in Claremont written issues from the mid-80s into the 90’s and all the way through to 2002’s all-but-forgotten Mechanix miniseries. Most famously, in order of chronology: Kitty Pryde & Illyana Rasputin There’s an undeniable bond between Kitty and Illyana who become fast, extremely close friends at the Xavier Institute. From Kitty’s literal – generally unexplained – bond to Illyana that causes her to take on Illyana’s Soulsword armor when the New Mutants are seemingly killed by the Beyonder in New Mutants #36, to their now infamous tickle-fight (alone in their bedrooms) in New Mutants #63, Kitty and Illyana are a consistent subtextual reference. Kitty Pryde & Rachel Summers Kitty and Rachel are very close throughout the entirety of Excalibur, and while of course characters can just be friends, there are enough moments in these comics to suggest there’s more to it. As already mentioned, Claremont has since declared Rachel “The love of Kitty’s life.” Kitty Pryde & Courtney Ross (Sat-Yr-Nine) One of the absolute most deliberate examples occurs in the pages of Excalibur, when Brian Braddock’s love interest Courtney Ross makes clear seductive overtures to Kitty. In his own online forum, long-time Excalibur artist and Chris Claremont collaborator Alan Davis said of Kitty and Courtney, “although I knew Chris had some plan for Sat-Yr-9 to corrupt Kitty and that the various Cross-time versions of Saturnyne were attracted to Kitty, I had no idea what, if any, the goal of this relationship was to be. I just played it as a lesbian affair.” You can criticize the intent or execution, but there’s no denying this was meant to yet again show Kitty as interested. Kitty Pryde & Karma The X-Treme X-Men mini Mechanix is a general footnote in the canon of Claremont written X-Men comics, but it focuses wholly on Kitty trying to find herself in college after the death of her father in the New X-Men destruction of Genosha. During this time, Kitty reconnects with longtime New Mutant Xi’an Coy Manh, aka Karma, an out lesbian. The two share several tender touches, conversations, and glances. To be clear, it’s not like this subtextual queerness is without problems. Nola Pfau writes for the Eisner-Winning comics website Women Write About Comics, “Chris Claremont is a straight man, and while his attempt to push for queer inclusion in the ’80s was admirable, every single potential relationship involving the character contains a level of age-inappropriateness; Illyana Rasputin is a decade younger than her, artificially aged up, Rachel Summers is older and fresh out of a relationship with an even older future version of Kate herself, and “Courtney Ross” (actually the villainous Sat-Yr-9) is an adult improperly seducing her on her fifteenth birthday. Even her primary male crush, Piotr Rasputin, is approximately five years older than her, putting him above the age of twenty-one to her fifteen.” Nonetheless, it’s all very much there, even if culturally Marvel refused to admit it. In her excellent essay, “Kitty Queer,” Sigrid Ellis writes, “Ego-dystonic homosexuality was removed from the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders in 1986. New Mutants #36 was published in February 1986. When it was written, lesbianism was legally and medically a perversion. Chris Claremont and Bill Sienkiewicz, the writer and artist of New Mutants at the time, could not say that Illyana came to the rescue of her some-time girlfriend Kitty who had been defeated by a demon with a penchant for classic bondage porn. But they could write it, and draw it, without ever acknowledging that is what they were doing.” The Value of Representation The primary reason I think these moments and others like them are essential to X-Men Comics – and frankly comics in general – is that representation matters enormously. I’ve been watching a lot of Hamilton since it released on Disney+ on July 4th, including some interviews with the immensely talented cast. And one thing I’ve talked about with family is the merit and value of “Story of Tonight.” As a song, it’s less upbeat, less instantaneously catchy, it wasn’t ever a favorite. It’s fine. Listening to an interview with Leslie Odom Jr, who plays Aaron Burr, though, he’s talking about that song specifically as an eye opening moment for him in terms of diversity – and I’m paraphrasing – “I had never seen four people of color on stage just talking about friendship.” He had…

    Full show notes at the publisher

    Creannotators #16: “A Map To The Sun” With Sloane Leong Sep 08, 2020
    Show notes

    This week on Creannotators, I talked with creator Sloane Leong about A Map To The Sun, the graphic novel’s incredible colors, studying the game of basketball, and her sci fi Image series Prism Stalker.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    A Map to the Sun from First Second books is one of my favorite new comics of 2020, a poetic exploration of five girls of color forming a women’s basketball team in their underprivileged high school. Sloane Leong’s expressive artwork and inventive use of color creates a vivid emotional journey well worth reading.

    ——————————————————————————————————-

    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

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    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #16: “A Map To The Sun” With Sloane Leong appeared first on Comic Book Herald.


    Creannotators #15: “Wonder Woman: Tempest Tossed” Interview With Artist Leila Del Duca! Sep 01, 2020
    Show notes

    This week on Creannotators, I talked with artist Leila Del Duca about Wonder Woman: Tempest Tossed, her creator-owned work like Shutter and Afar, and the process of working on a DC graphic novel compared to monthly ongoing comics.

    On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio/visual annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

    TASCHEN

    Leila’s latest graphic novel, Wonder Woman: Tempest Tossed, is a part of DC’s young adult graphic novel series, looking at a 16 year old Wonder Woman as she leaves Themyscira for the first time and tackles issues likes immigration, refugees, and child trafficking (among others) in her first visit to the world of humans.

    You can find Leila’s creator interviews via the Helioscope PDX channel.

    Wonder Woman: Tempest Tossed Is:

    Writer: Laurie Hals Anderson

    Artist: Leila Del Duca

    Colors: Kelly Fitzpatrick

    Letters: Saida Temofonte

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    Music for Best Comics Ever by Anthony Weis. Check out more music at anthonyweis.com.

    Subscribe on iTunes

    Subscribe on Android

    To learn how you can support Best Comics Ever and receive more exclusive content from Comic Book Herald, check out the Patreon: https://www.patreon.com/comicbookherald

    For the Comic Book Herald reading club through every year of Marvel Comics, check out mymarvelousyear.com

    The post Creannotators #15: “Wonder Woman: Tempest Tossed” Interview With Artist Leila Del Duca! appeared first on Comic Book Herald.


    Krakin’ Krakoa #80: The X-Men’s Secret School For Omega Level Mutants! Aug 30, 2020
    Show notes

    I was caught by surprise recently when Krakin’ Krakoa listener Xavier D pointed out the children sitting around Krakoa campfires led by longtime X-Men villain Exodus look like kid versions of omega level mutants. The more I’ve thought about the observation, the more potential I find, and now I’m convinced Hickman’s X-Men is secretly telling us exactly what Krakoa’s plans are for Omega Level Mutants.

    Today I’ll answer:

    TASCHEN
    • Is there a secret school for Omega Level mutants on Krakoa right under our noses?
    • Why would this be a part of Krakoa?
    • What does the theory of omega level mutant children mean for X-Men comics moving forward?

    In X-Men #7, we are introduced to Exodus (one of the 12 members of the Krakoan council) and his very cultish campfire stories with Krakoa’s youth. It’s actually not the first time we’ve seen Exodus telling kids stories around a campfire (there’s a panel in House of X #6), but the details begin to matter here.

    Exodus takes on the role of teaching these children about the Krakoan way of life, but as a literal former Crusader, he naturally does so with zealotry, pomp and unwavering conviction. Whether you but it or not, he’s a minister of propaganda, indoctrinating these kids into what it means to be Krakoan, and to be mutant.

    Again in X-Men #11, we see Exodus back at the campfire, with many of the same children. And this is the point when the repetition of the same kids, and Hickman’s use of this framing device begins to raise a series of questions. Now, the simplest answer here is just that Exodus and these mutant kids is a way to show another aspect of Krakoan life, to breath some of the culture into comics that are otherwise focused elsewhere.

    Accepting that possibility, though, it feels like way too big of a coincidence to me that the children – especially the child with a wee pink mohawk and glasses – look like omega level mutants we already know. If Leinil Francis Yu and company were designing new mutant kids, they could make them look like literally anything. So the fact that I’m able to make these connections makes me wonder if that’s absolutely intentional and meant to tell us what’s really going on here.

    Before I run some side by sides to consider which Omegas might be involved, here’s what we know about Omega Level mutants in the Hickman X-Men era, and the full list of who we can consider.

    It’s the language in the Omega Protocol that really catches my eye in retrospect too. “All efforts are to be expended in order to secure the future of the state.” Compare that to the common refrain that “children are the future” and you can see the foundation laid for Krakoan protocols that would support creating and rearing versions of omega level mutants, perhaps even starting as children.

    Omega Level mutant kinds on Krakoa

    So who are the kids we see, and how do they compare to their omega level counterparts?

    Again, we have two real visions of these kids, in X-Men #7 and X-Men #11, and only three of the children appear with any real frequency. So yes, I’m definitely stretching a bit in spots to make this theory fit, and I think it’s important to caveat throughout that some of these kids could not fall into the “omega babies” category, and maybe they’re not even supposed to. Alternatively, and I’ll talk about this as well, but we also should consider the very real possibility of Baby Chimeras via Mister Sinister, and the fact that this would distort the kids’ looks as well.

    Quentin Quire – Omega Level Telepathy

    Literal Kid Omega definitely feels like the strongest argument for omega level kids on the island. The hair, the glasses, the style, it all certainly brings to mind a young Quentin Quire. While the elder Q is off getting killed Kenny style every single issue of X-Force could baby Q be in training on Krakoa?

    Of course if this all turns out to not be the case, I also think it’s conceivable that the kids of Krakoa would hold up Omega Level mutants as their celebrities. This could explain dressing like poor Quentin, right down to the flathawk.

    Jean Grey / Hope Summers

    After Quentin, we pretty quickly get into wildly speculative territory, but with some solid clues. There are only three women among the Omega Level list, so our options are Jean Grey, Hope Summers, and Ororo Monroe. The young girl arguably looks a bit like either Jean or Hope, too!

    Jean Grey is an omega level telepath and Hope Summers is omega level at power manipulation.

    The most interesting connection for this possible Jean / Hope version, though, is to Mister Sinister. The prominent circle on the girl’s forehead doesn’t really match with Jean or Hope, but it is reminiscent of what we saw in Giant-Size Fantomex, in the very opening pages of the issue.

    The forehead circle and diamond are used to denote clones created in a Weapon Plus lab, and as many Krakin’ Krakoa listeners observed in that Fantomex issue, the diamond immediately signifies the presence and involvement of Mister Sinister. To be clear, I’m now theorizing based on a theory, or as I like to call it, we’ve now entered the realm of theory squared.

    So why does it matter to connect all of this to Mister Sinister? For starters, we’re talking about cloned replicants of mutants, so there’s no pretending he’s not involved. If it’s Jean, we also know Sinister has had a particular interest in the Summers / Grey bloodline for a long time.

    1. We’re clearly dealing with cloned/resurrected mutants, and
    2. We could already be dealing with Sinister genetic Chimeras. Remember, in Powers of X, in Moira’s 9th life, Sinister is responsible for creating mutant Chimeras, pits on Mars full of genetic experiments blending various mutant DNAs. I’m arguing here that these kids are already Sinister’s Chimeras in action, on Krakoa, being raised to defend mutantkind. And who knows what else.

    It makes a lot of sense to me that Professor X in particular would want to initiate these protocols sooner. Remember, he and Magneto are the ones who bring in Sinister so early (against Moira’s better judgment), and bring to Moira’s attention that in this lifeline Sinsiter’s first chimera is brought to fruition decades earlier, and it’s injecting himself with John Proudstar’s DNA.

    To reiterate, the exact look of the kids here might not be that telling, or really demand a 1×1 match. And that’s because of the Chimera mash-up potential.

    The issues where these children appear all have potential clues about this. For example, in X-Men #7, Kurt and Scott have a conversation about mutants wanting to be resurrected with someone else’s powers, with omega level Magneto mentioned as a possibility. Nightcrawler says “Why stop there? Why not combine two? Why not add a third to the mix?” And Cyclops responds “Like I said, it’s going to be a problem.”

    Another clue that this might matter more than stated, is the inclusion of an Omega Level Mutants section of the Quorum Captain’s memo that is almost entirely redacted. Why even include that here?

    From the Omega Protocols: “It is believed that a greater dynamo is possible through collective means.” This war council section is talking about the possibility of combining mutant combat techniques, and Omega Level combinations would be the most powerful type of combination they could consider. Obviously a possible Chimera mix of two omega level powersets is the ultimate efficiency towards that end.

    The Other Omega Kids

    Hopping back for a moment to consider the other children we do get to see, in order of how likely the comparison holds up.

    Proteus – omega level reality manipulation / psionic

    Iceman Temperature manipulation – negative

    I’ll admit my first thought with the black child with glowing eyes was Mister M, but I actually re-read District X recently and it turns out my dude Absalom is suuuuper white.

    So literally our only black omega level is Storm, which means we’re considering Short haired Ororo Monroe? Now, the lit up eyes actually do make this interesting, although Storm’s hair has historically also been very very white, even as a child.

    I don’t expect it’s necessarily a part of the narrative here, but the child could also bring to mind Kymera – yes, literally named Kymera – the alternate Earth child of Storm and T’Challa from the Bendis written Battle of The Atom.

    The most vexing child has some marks on his face that I can’t really fit to any of the known omega levels. The most probable guess for me is Elixir.

    If you have theories on how this kid might fit, definitely let me know in the comments.

    Exodus on Krakoa

    What Does It Mean If Omega Level Kids Are In Training On Krakoa?

    If we then take it as a very real possibility that Exodus is training clones of Omega Level mutants as children… what are the relevant questions?

    Why is Exodus teaching them?

    He’s Omega Level himself, and without question one of the most fervent believers in mutant superiority. I do think it’s interesting to keep in mind that narratives told by Exodus are soaked in his truth which tends to fall short of a balanced perspective. Things like Magneto “hero of Empyre” from X-Men #11 could actually play out differently in reality than in Exodus’ fable. The Scarlet Witch demonizing as a representation of humanity.

    Exodus is definitely a good fit for this role, full of the mutant religion bombast and absolute lack of doubt to turn these omega Kids into the Krakoan loyalists the island needs.

    We don’t really see schooling taking place elsewhere – I actually think a Wolverine and the X-Men style book would go a long way in the Krakoa era – but I don’t really think Exodus is straight up in charge of education. My guess would be he’s leading these specific omega kids, like a Boy Scout leader, through his own special blend of unflinching belief. Actually a better analogy is probably a Sunday School teacher.

    When is this happening? It’s worth considering – truly with so many moments that we’ve seen in the pages of th Hickman written X-Men so far – that the timing of the events, and even where it fits into Moira’s lifelines is up in the air. There’s a deliberately non-linear approach to these pieces of story and given that we’ve already seen Hickman pull this trick in Powers of X, I think it’s fair game to at least consider the possibility.

    The only real context clue we’re given is in X-Men #7 when Cyclops and Kurt walk by the conversation on their way to Krakoa’s first Crucible.

    This also potentially answers the “who knows about this?” with Cylcops and Kurt walking right by Exodus and the kids. Unless we’re in for some real chronal whiplash – and I’m not ruling it out – this suggests the Exodus Omega Club is in place on Krakoa quite early in the new nation’s life.

    I’m not ruling out the idea that Exodus and the kids are in some sort of holographic training either, and that the visual of Kurt and Cyclops isn’t literally happening in front of them. They’re reviewing an event after the fact.

    The omega level army theory

    I think it makes an infinite amount of sense that Krakoa would already be building up an army of omega level mutants. The only consideration that might hold them back is the ability to do so somewhat safely. Consider threats like Child of the Vault, with an ability to manufacture threats at a rate mutant procreation probably can’t keep up with (despite the best intentions of the horniest X-Men fans). Or the ultimate threat of the Phalanx. Make more mutants should be something we as readers take more literally.

    Throughout the Dawn of X, Krakoa has been far too open to attack, and failure. I’m interested in ideas that we’re less exposed to in the narrative that actually display more forward thinking.

    Kids, though? Why like this?

    Before it was on this seemingly eternal hiatus, Children of the Atom #1 was a “red issue.” It’s my theory that these connections would be / will be present in that narrative whenever it reaches our eyes!

    What do you think of this theory? Let me know in the comments

    The post Krakin’ Krakoa #80: The X-Men’s Secret School For Omega Level Mutants! appeared first on Comic Book Herald.


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