Marc Maron welcomes comedians, actors, directors, writers, authors, musicians and folks from all walks of life to his home for amazingly revealing conversations. Marc’s probing, comprehensive interview style allows guests to express themselves in ways listeners have never heard.
Here's the Latest Episode from WTF with Marc Maron Podcast:
David Shields is always looking to push the form forward, whether it’s by way of his writing, his filmmaking or his thinking. Using collage-style prose and film techniques to help draw connections, David intrigued Marc with what his art says about the world and our place in it. So the two of them had a talk about some of David’s recent work exploring war, journalism, race, masculinity, Donald Trump, and football player Marshawn Lynch. Both David and Marc try to find the connections, in the work and in their separate lives. This episode is sponsored by Squarespace, NHTSA, and Ben & Jerry's.
Patricia Clarkson came to show business by way of New Orleans, where exposure to all manner of public figures who were equal parts good and bad may explain why she never judges the characters she plays, even if they’re monstrous. That’s true of her Emmy-nominated performance in Sharp Objects and her stage performance as Blanche DuBois, a role Patricia says she had to survive. She also talks with Marc about working with Brian DePalma and Clint Eastwood in her first two films, struggling in Hollywood in her 30s, and feeling like actors her age are now having a heyday. This episode is sponsored by The Righteous Gemstones on HBO, Stamps.com, and Starbucks Tripleshot Energy.
From Episode 930, Marc's conversation with actor Peter Fonda about childhood trauma, Easy Rider, and talking George Harrison down from a bad trip. Peter passed away on August 16, 2019.
Stephen Root grew up moving all over the country because of his dad’s job. Being uprooted all the time meant he was shy and quiet without too many friends. Fortunately, shy, quiet people are good observers. Stephen tells Marc how he was able to channel this childhood disposition into his acting and each opportunity always led to something else. Shakespearean acting helped him play a Klingon on Star Trek. Working on King of the Hill led him to a table read of Office Space. Stephen even sees Newsradio as paving the way for his work on Barry, for which he received his first Emmy nomination. This episode is sponsored by The Righteous Gemstones on HBO, the National Highway Traffic Safety Administration, Ben & Jerry's, and Starbucks Tripleshot Energy.
Bashir Salahuddin is having a moment. He has two new shows out that he co-created and stars in, South Side and Sherman’s Showcase. He’s back in the third season of GLOW. And he’ll be in Top Gun: Maverick next year. But despite all this, Bashir tells Marc that he still struggles with the business aspect of show business. They also talk about his upbringing in Chicago, working with his comedy partner Diallo Riddle, writing for Jimmy Fallon, and dealing with a case of impostor syndrome while working with Tom Cruise. This episode is sponsored by Lights Out with David Spade on Comedy Central, Spotify, Good Boys from Universal Pictures, and Starbucks Tripleshot Energy.
Greg Kinnear actually bailed on being an actor. Even though he performed in high school plays and hosted his own radio show as a teenager, when he started acting in college he decided it wasn’t for him. As Greg tells Marc, it felt like too much of a crap shoot. So he tried broadcast journalism instead, eventually hosting Talk Soup on the fledgling E! channel and Later on NBC. Greg explains how these gigs led him back to acting, and they discuss some of his best roles in As Good As It Gets, Auto Focus, Little Miss Sunshine, and his new movie Brian Banks. This episode is sponsored by Anchor (anchor.fm/maron), Good Boys from Universal Pictures, Capterra (capterra.com/WTF), and Google Fi.
Walton Goggins has played tough guys, weird guys and guys who completely defy description, but to him it’s all just playing pretend. Walton found himself as the center of attention at a young age while he was being raised by a group of women - his mother, his aunts and his grandmother. He caught the performance bug wile living in Georgia and a random American Express mail promotion became his ticket to Los Angeles. Walton tells Marc what it was like to learn on the job from Robert Duvall and Anthony Hopkins, why he panicked after watching Vice Principals for the first time, and how he first met Quentin Tarantino. This episode is sponsored by Lights Out with David Spade on Comedy Central, Squarespace, and SimpliSafe.
Juston McKinney’s story keeps coming back to New Hampshire. It’s where he grew up, where he lost his mother at age six, where his father was a homeless alcoholic, and where Juston became a cop. He tells Marc why he joined the police force in the first place, why he gave it up for comedy, how his background as a cop made him a hot comedian with TV deals and big money promises that all went away. Through the career ups and downs, Juston always finds himself back in New Hampshire, for comedy purposes and for his family. This episode is sponsored by Good Boys from Universal Pictures.
At some point in the past decade, Kurt Andersen felt like he had to figure out America. Coming from a professional career rooted in satire and troublemaking, Kurt had a pretty good vantage point to examine the tug of war between reason and magical thinking that has become a chronic American condition. Kurt talks with Marc about putting this all into his book, Fantasyland, and recalls the founding of Spy Magazine, where he and Graydon Carter took pleasure messing with public institutions like the New York Times, Hollywood, and Donald Trump. They also talk about Kurt's time at the Harvard Lampoon and how he came to host Studio 360. This episode is sponsored by Lights Out with David Spade, Stamps.com, and ZipRecruiter.
Now that Tom Dreesen has 50 years in show business under his belt, he wants to enjoy life. He’s earned it because he’s already experienced enough for five lifetimes. Tom takes Marc all the way back to when he was a kid in suburban Illinois, holding on to a life-changing secret. After wandering aimlessly through jobs in construction, private investigation and the military, he started doing comedy with his partner Tim Reid. Tom talks about going to LA where he became a regular at The Comedy Store, helped the comics organize and eventually was the face of the famous comics strike. He also remarks on his long friendships with David Letterman and Frank Sinatra. This episode is sponsored by Starbucks Tripleshot Energy and Good Boys from Universal Pictures.
Geena Davis says the biggest thing she had to learn as she made her way through show business was how to speak up for herself. This was particularly difficult because she was taught at a very young age that politeness was paramount, to the point where it endangered her life. Geena talks with Marc about how the industry as a whole needed to go through a similar change, which is why she gathered a team from her institute to amass evidence of institutional sexism and gender bias. They also talk about the legacy and cultural relevance of movies like Thelma and Louise and A League of Their Own. This episode is sponsored by Good Boys from Universal Pictures, Starbucks Tripleshot Energy, and Ben & Jerry's.
Not only did director and writer Alex Ross Perry work in a video store while he was learning to become a filmmaker, his first film crew was made up of his friends and co-workers at the video store and they remain his crew today. Alex explains to Marc that watching films by directors like David Lynch and Stanley Kubrick made him want to have an immediately identifiable style. He found his style while embracing a true independent film aesthetic, which means virtually no money and very few shooting days. It all culminated with Alex’s most recent film, Her Smell, which he made with his frequent collaborator Elisabeth Moss. This episode is sponsored by Anchor (anchor.fm/start), Squarespace (squarespace.com/wtf), and Zinus (zinus.com/WTF).
Sean Lennon admits that he was naïve about his family legacy when he began a career in music. He also admits that when he received bad reviews for his first solo record, deep down he agreed with them. Sean talks with Marc about how he grew into himself as an artist and musician, how “John and Yoko” as the world sees them are different from his dad and mom as he knows them, and how the trauma of losing his father at a young age left him with memories that will never go away. They also talk about his work with Les Claypool, scoring films, and producing for other artists, including his mom. This episode is sponsored by Google Fi, Ben & Jerry's, and Stan Lee's Alliances: A Trick of Light, an Audible Original.
When Nahnatchka Khan started developing Fresh Off The Boat for TV, she knew it was an undertaking that no one had tried for more than 20 years: A network sitcom with an Asian-American cast. And it was a premise that appealed to her as a first generation American whose parents are Iranian immigrants. Nahnatchka talks with Marc about getting her start working in kids animation, how she learned the nuts and bolts of show running, and why directing the film Always Be My Maybe is another example of centering people from diverse cultural backgrounds at the core of traditional stories. This episode is sponsored by Starbucks Tripleshot Energy and Zinus.
You only need to hear David Lee Roth talk for a few seconds to understand why he is the consummate rock and roll frontman. Diamond Dave takes Marc on a stream of consciousness ride through his past, present, future and whatever else he’s thinking about in the moment. They talk about David’s love of Big Band music, jazz guitar, his Uncle Manny, working as an EMT in the Bronx, and his serendipitous pairing with the Van Halen brothers that created musical perfection and nonstop personal animosity. This episode is sponsored by Present Company with Krista Smith, SimpliSafe, and Stamps.com.
Jamie Lee started her career in close proximity to comedy, but not actually doing it. She was working in PR at Comedy Central and found herself around a lot of comics in a professional capacity. It wasn’t long before she caught the bug and was doing open mics in New York City. Jamie tells Marc about the influence of her parents, who were photographers for ZZ Top and later rock concert promoters and club owners. She also talks about working with Pete Holmes on Crashing and why the stress, shame and tension surrounding weddings made her write a book about getting married. This episode is sponsored by Google Fi.
Stephen Dorff started acting in movies before he was a teenager, but the sudden and tragic death of his brother made him contemplate leaving the business altogether. Stephen tells Marc why he stuck it out and how he wound up landing one of his most fulfilling roles of his career in True Detective. Stephen talks about the good fortune he’s had in forming relationships with an older generation of actors, like Dennis Hopper, Anjelica Huston and Jack Nicholson, and in working with a variety of great directors, like Michael Mann, Sofia Coppola, Oliver Stone, and John Waters. He also explains why he thought Blade would be the end of his career. This episode is sponsored by the Mailchimp podcast The Jump, Squarespace, and SimpliSafe.
Even though Brent Butt grew up in rural Saskatchewan, his path to comedy is similar to American comics, except it was exclusively Canadian. He was a directionless youth who was taken in by comedy on Canadian TV, he booked gigs throughout the Canadian countryside to hone his act, he dealt with monopolistic club owners and did sets in lousy environments like curling rinks. It all led to him being the first native Canadian with a #1 comedy series in Canada, Corner Gas, which was turned into a hit movie and now a cartoon. Brent tells Marc about his journey, and why he has no regrets that he remains fairly anonymous in America. This episode is sponsored by Turo.
Before Stephen Colbert knew what he wanted to do with his life, all he wanted was to be Hamlet. Not to play Hamlet, but to be Hamlet. That’s how he felt as an outsider teen dealing with family tragedy and deep, unaddressed grief. Stephen tells Marc how comedy gave him a refuge from sadness, how his anxiety dissipated when doing improv and sketch comedy, and how a nervous breakdown made him realign his life. They also talk about The Colbert Report, the White House Correspondents’ Dinner, and doing The Late Show in the age of Trump. This episode is sponsored by the new Mailchimp podcast The Jump, Hair Club, and Allbirds.
When Steve Sweeney was growing up in Boston, the last thing he expected to become was an entertainer. He rubbed elbows with career criminals in Charlestown but somehow wound up doing summertime productions of Shakespeare plays and seeing actors like Lawrence Olivier and Christopher Plummer. Acting then led to exposure to comedy, which later led to cocaine-induced psychosis, and eventually to working in jails and with at-risk youth. Steve talks with Marc about the journey to build his act and why he enjoys producing his own projects now, including his new movie Sweeney Killing Sweeney. This episode is sponsored by Turo, Squarespace, and Starbucks Tripleshot Energy.
When Marc read Eve Ensler’s new book The Apology, he knew he had to speak with her right away. Not just because it was a harrowing, beautifully written, courageous book, but because Marc believes the book fully reveals the geometry of toxic masculinity. Eve and Marc have an emotional conversation about why she needed to change the narrative of being the victim to her father’s perpetrator and how she constructed an apology from her deceased father to achieve that goal. They also discuss The Vagina Monologues, the importance of art in social change, and why Eve believes cancer was the best thing that ever happened to her. This episode is sponsored by the Mailchimp podcast The Jump, Manscaped, and Stamps.com.
Jamie Denbo’s life and career would not be the same were it not for her job at a Renaissance fair. Her future in comedy, improv, acting, and now writing and producing might not have taken shape if she didn’t mistakenly audition for a gig she didn’t understand. Jamie tells Marc how early life misdirection and heavy duty self-criticism changed course thanks to the honing of her improv skills at the Ren-Fair and her coming-of-age at the original UCB Theater. They also talk about Ronna and Beverly, why she doesn’t want to do on-camera work anymore, and how she turned the Renaissance fair experience into a comedy series, American Princess. This episode is sponsored by the Netflix podcast I Hate Talking About Myself, Turo, SiriusXM, and Allbirds.
As Mavis Staples turns 80 years old, she continues to perform and record with young musicians and producers across musical genres, just as she’s done her whole life. Mavis talks with Marc about her early years as a gospel singer with her family, the stunned reception they received when they started singing R&B songs, and the life-threatening acts of racial prejudice she encountered in the Jim Crow South. Mavis also details the important moments she shared with her father Pops Staples, Martin Luther King, Jr. and Bob Dylan. This episode is sponsored by Starbucks Tripleshot Energy.
Perry Farrell is the creative force behind Jane’s Addiction, Porno for Pyros, and the Lollapalooza festival, but while talking with Marc, it’s clear a lot of Perry's focus these days is on being a dad. Perry sees the parallels in how he was angry at his family as a teenager and how his relationship with his own teenage son is evolving. Also, Perry’s wife, Etty Lau Farrell, gets on the mic with him to talk about their collaborative project Kind Heaven, which is an album, a community event and, they hope, much more. This episode is sponsored by Baskets on FX, Turo, Allbirds, and the ZipRecruiter Job Search app.
When you talk with John Turturro, it’s quickly apparent that he’s a student of history. But John says that type of education really only happened for him once he left school and engaged with the world. His breadth of knowledge has certainly helped him as an actor and director throughout his versatile career. John and Marc talk about his fascinations, as well as what John was able to build for himself after living in a fairly volatile household. He also looks back at his experiences with longtime collaborators the Coen Brothers and Spike Lee. This episode is sponsored by Squarespace and SimpliSafe.
David Letterman started out doing the very thing that scared him to death - getting up in front of strangers and trying to make them laugh. Now after wrapping up a legendary and influential career as late night host, Dave talks with Marc about his early days at The Comedy Store, his enjoyment of the longform interviews he’s doing for Netflix, and his focus on the hard work of becoming a better person. Dave also reveals his favorite thing about his old show and the one comic he always thought was the funniest, despite everything else that happened between them. This episode is sponsored by Turo and Starbucks Tripleshot Energy.
In the last decade or so, Timothy Olyphant realized that a lot of his interests when he was younger were either impractical, ill-fitting or not very cool. He found himself going in many different directions because, as he puts it, he was scared to death of success. Timothy talks with Marc about his false starts as an artist and a standup comic before falling into acting. He explains why Deadwood was the gift that keeps on giving in terms of what he learned while making it and why he started taking a counterintuitive approach to acting in order to get out of his own head. This episode is sponsored by Leesa and Stamps.com.
Duff McKagan weathered the storm of rock and roll excess and now finds himself with a loving family, sobriety, a reunited band, and a new solo album. Duff takes Marc back to the days when he first met Axl Rose, when Guns N’ Roses became one of the biggest bands in the world, and when heroin decimated his entire scene and nearly ended his life. Duff also talks about the lesson he learned from Joe Strummer that still guides him today, why Slash still blows his mind, and how he keeps himself grounded by being out in the world talking with people. This episode is sponsored by Turo, Airbnb Experiences, and Starbucks Tripleshot Energy.
Of course Lisa Kudrow talks with Marc about Friends. But first they discuss several other topics Lisa knows well, including genealogy, global migration patterns, evolutionary biology, and headaches. Lisa also explains how Jon Lovitz was responsible for pushing her toward improv, how Conan O’Brien helped her put it all together, and how the cast of Friends stuck together to get what they deserved. Plus, some talk about The Comeback, Web Therapy, and her new movie, Booksmart. This episode is sponsored by the National Highway Traffic Safety Administration, Squarespace, and Starbucks Tripleshot Energy.
A fateful moment in Kyle Mooney’s life was when his high school hip hop group went up in flames. Quite literally. All his equipment was destroyed in a fire. Lacking an outlet for his creativity, Kyle gravitated toward improv and making digital videos, two skills that would eventually land him on Saturday Night Live. Kyle tells Marc his SNL story (of course) and talks about the fulfillment of making his first feature film, Brigsby Bear. He also explains why he likes going for human reactions in comedy as opposed to the inherently funny ones, which explains the tone and humor of a lot of his videos. This episode is sponsored by Mark Manson's new book Everything is F*@!ed: A Book About Hope, Turo, Allbirds, and Starbucks Tripleshot Energy.
If there was one constant in Anjelica Huston’s early life and career, it was the pressure to prove herself. Anjelica tells Marc about the benefits and drawbacks of being part of a Hollywood dynasty, the strains on the relationship with her father when she started making movies with him, and what it meant to her when she won an Oscar for working under her dad’s direction. They also talk about her life with Jack Nicholson, her work on Wes Anderson’s movies, and why it was difficult to make the Addams Family movies. Plus, Anjelica explains why she loves being part of the John Wick franchise. This episode is sponsored by Turo and Hair Club.
Anna Konkle and Maya Erskine, co-creators and stars of the middle school-based comedy PEN15, met and bonded in college. But they knew their most authentic collaboration would come from playing themselves as adolescents, which started them on a six-year journey to put together their show. Maya and Anna talk with Marc about playing their 13-year-old selves again, what it was like to redo traumatic moments of their youth, and why all the other actors are age-appropriate teens. Also, Anna explains what she learned from Marc when she worked with him and Maya details the process that led to the casting of her real mom as her TV mom. This episode is sponsored by ZipRecruiter and SiriusXM.
Dennis Quaid believes in the benefits of familiarity. In fact, he attributes his career to it. Multiple generations of audiences know him for different films, be it Breaking Away or Dreamscape or The Parent Trap or The Rookie, but everyone has a sense of who he is. That’s because Dennis says he’s always playing a version of himself, even when he’s playing real people like Doc Holliday, astronaut Gordo Cooper, and Jerry Lee Lewis. Dennis also talks with Marc about teaching mandolin to Marlon Brando, playing a true psychopath in The Intruder, and getting into the podcast game with Bob Dylan. This episode is sponsored by SimpliSafe and Stamps.com.
After fifty years in Hollywood producing some of the most popular movies of all time, Irwin Winkler says the question he still gets asked the most is, What does a producer do? To get the answer, Irwin tells Marc about his days running the bumper cars on Coney Island, his job as a self-described mediocre agent, and his success making movies as the studio system broke down, including culture-changing hits like Rocky, Raging Bull and Goodfellas. Plus, Irwin explains why he’s had such a great collaborative relationship with Martin Scorsese and provides some details about Marty’s upcoming movie, The Irishman. This episode is sponsored by Squarespace and Capterra.
Jane Fonda is still acting and is still an activist, two constants in her entire adult life. But as she tells Marc, Jane spent a lot of her life thinking she was a worthless person. Carrying the twin burdens of her mother’s suicide and a strained relationship with her father, Jane talks about why she gravitated throughout her life toward strong men, how she struggled with her own compulsive behavior, and what finally happened to convince her that she was worth it. Jane and Marc also talk about the real reason she started making workout videos, what current issues she believes need our urgent attention, and why she feels like she has a real handle on acting for the first time in her life as part of Grace and Frankie. This episode is sponsored by Ramy on Hulu, SiriusXM, and Leesa.
Bryan Callen always wished he could be a tough guy. Maybe it was the influence of his Marine father or maybe it was the snippets of American culture he was taking in as he grew up all over the world. Whatever it was, it caused a crisis of identity that pushed him toward acting and, ultimately, standup comedy. Bryan talks with Marc about where that identity crisis stands today, why he doesn’t buy into the concept of alpha males, and what’s driving him to be a better man today. They also compare notes, in non-spoiler fashion, on being in the Joker movie. This episode is sponsored by Ramy on Hulu, JustCoffee.coop, and SiriusXM.
Brené Brown’s degree in social work and her research into conditions like empathy and vulnerability led to one of the most viewed TED Talks of all time, millions of readers of her books, and celebrity boosters like Oprah Winfrey. But it was her academic work on shame that started it all and is the aspect of her work that resonated strongly with Marc. Brené talks with Marc about the evolution of her work, how it’s reflected in social and cultural changes, what her research told her about hope, and what is the biggest challenge of adult life. They also discuss her new Netflix special, The Call to Courage. This episode is sponsored by Ramy on Hulu and Capterra.
Mark Arm was there at the beginning of a Seattle music scene that became a national phenomenon. But all Mark ever thought he and his bandmates were doing was entertaining themselves. Mark talks about how he grew up in Suburban Washington with pressure from his mom to be in the arts and how his outsider status led him to starting bands like Green River and Mudhoney, playing alongside contemporaries like Soundgarden and Mother Love Bone. Also on this episode, Marc’s old pal Dan Pashman from The Sporkful stops by because he was in the neighborhood. This episode is sponsored by Squarespace and the National Highway Traffic Safety Administration.
Christina Hendricks can relate if you had a lousy time in high school. Between moving around a lot to her goth fashion style and music choices to her time spent with the school theater crew, Christina was a target of bullies and wanted to get as far away from school as possible. She tells Marc how this alienation led to careers in modeling and acting, and how her agents dumped her when she insisted on pursuing a role in a little show called Mad Men. Christina talks about growing along with the character of Joan and why she made the creators of her new show, Good Girls, make a promise to her when she took the gig. This episode is sponsored by Yousician, Ramy on Hulu, and Stamps.com.
Bruce McCulloch’s characters and disposition on The Kids in the Hall would lead you to conclude he’s somewhat shy, sensitive and kind. And while that may be true now, Bruce says he was an angry young man, a drinker, a fighter. Growing up in Calgary, there didn’t seem to be much of a future for him, but improv comedy became the way out. Bruce talks with Marc about the darkness lurking beneath the Kids and why the group dissolved after making the movie Brain Candy. Bruce also talks about his friendship with the late Gord Downie of The Tragically Hip, his career behind the camera, and his new role producing and directing a sketch comedy troupe called Tallboyz. This episode is sponsored by Leesa.
The last time Vincent D’Onofrio saw Marc it was at a standup show where Marc got tackled on stage by a disgruntled audience member. A lot has changed for both of them since then. You know Marc's story. But Vincent says in the decades since that night, he has improved his mental wellness and gotten his anger under control, two changes he thought would hurt his craft but wound up helping him become a better actor. Vincent also tells Marc about his first movie job being unadulterated Kubrick, why the real goal of an actor is servicing the story, and what went into creating and directing a full-on Western movie, The Kid. This episode is sponsored by Missing Link from Annapurna Pictures, OpenFit, and Capterra.
Growing up in Texas, young Joseph Henry Burnett first experienced musical transportation while listening to records of Cole Porter and Ella Fitzgerald. He developed into not just a versatile musician and producer, but an obsessive archivist and student of music history. T Bone tells Marc about his days traveling with Bob Dylan’s Rolling Thunder Revue, his collaborations with the Coen Brothers for their films, and his production work on the late-career albums of artists like Gregg Allman and BB King. T Bone also explains why he’s taking a break from production to release his first album in 11 years. This episode is sponsored by ZipRecruiter.
John Lithgow can go from playing the sweetest characters you’ll ever see to truly deranged psychopaths, sometimes within the same movie. He’s good at playing kind and evil in equal measure partly because he developed his acting range at a young age growing up around his dad’s traveling Shakespeare festivals. John talks with Marc about his many memorable roles and how working on 3rd Rock from the Sun led him to creating children’s entertainment, from voice acting to songs to books to live concerts. John also explains what it’s like to put his own twist on historical characters, like Winston Churchill, Roger Ailes, and now Bill Clinton in the Broadway play Hillary and Clinton. This episode is sponsored by Squarespace and SimpliSafe.
Phoebe Robinson knows too well the feeling of being “the only one.” Whether it was being the only black person in her grade, the only woman or person of color on a standup show, or the only person being asked to step out of the line at the airport, the ongoing impact is exhausting. Which is why, as Phoebe tells Marc, she always wants to be doing her own thing on her own terms, from 2 Dope Queens to writing bestselling books to her most recent podcast, Sooo Many White Guys. Also, Phoebe and Marc compare notes on interviewing the Obamas. This episode is sponsored by the Broad City series finale on Comedy Central.
Rob Lowe had several revelations over the course of his life. One is that there’s more fun in sobriety than in being under the influence. Another is that he should have had a sex tape scandal later in life when it actually would have helped his career instead of nearly killing it. And the latest is that he needs to keep doing different things to keep from getting bored, including hosting a game show alongside a giant robotic arm. Rob talks with Marc about these discoveries and the moments that led to them, including his early Brat Pack movies, his turn to comedic roles, and his three recurring nightmares, one of which came true. This episode is sponsored by Tacoma FD on TruTV, Stamps.com, Stay Free: The Story of The Clash on Spotify, and Happy on SyFy.
The word prodigy gets thrown around a lot, but if Tal Wilkenfeld isn’t one then the word has no meaning. Tal tells Marc how she never even saw a person play guitar until she was 14 years old. Thanks to encouragement from her grandfather, she started playing as a teenager and immediately stunned professional musicians with her natural talents. Tal explains how her career took off in part because of a viral video of her bass solo in a Jeff Beck concert, how she wound up playing with artists like Herbie Hancock, Prince, and Mick Jagger, and why she often didn’t know who these famous people were as they introduced themselves to her. This episode is sponsored by What We Do in the Shadows on FX, Squarespace, and Stay Free: The Story of the Clash on Spotify.
Amy Sedaris had no plan of action for her career other than going to Chicago to do sketch comedy and going to New York to do plays with her brother David. And as she tells Marc, she still has no plan except for doing things that she finds fun. Amy and Marc talk about how that lack of planning led to her early Comedy Central sketch show Exit 57, a collaborative partnership with Paul Dinello and Stephen Colbert that birthed Strangers with Candy, and a public persona that made her an ideal Letterman guest and the perfect driver for a faux-homemaking show like At Home with Amy Sedaris. This episode is sponsored by Comedy Central, Hulu, Capterra and Aspiration.
Aidy Bryant only recently felt like she could tap into her inner rage. She remains a wonderfully nice person and hilarious performer, but with things like her new show Shrill and other mental adjustments, Aidy feels like she’s taking ownership of some righteous anger. She has that in common with Marc, as well as the fact that they both cry while watching TV all the time. They talk about those shared traits as well as Aidy’s early love of improv, her path to Saturday Night Live, and breaking away from letting things like weight and body image dominate her life. This episode is sponsored by Stay Free: The Story of The Clash on Spotify.
To celebrate the milestone of 1000 episodes, Marc and WTF producer Brendan McDonald reflect on how they got here, why they created the show in the first place, and what the future holds for them and WTF. They answer listener questions and divulge some never-before-heard revelations, such as the time the show almost ended and how the White House reacted to President Obama's interview in the garage. Most importantly, Marc and Brendan talk about how their working relationship evolved into a deep friendship with a profound understanding of each other. This episode is sponsored by Aspiration and Stamps.com.
Media juggernauts Marc Maron and Tom Scharpling join forces once again, this time to save not only themselves but the world as well. Along the way, they talk about Howard Stern, movie theater food, falling for advertising, sweating, and Jonah Ray’s influence on Marc’s identity. Also, we get the story of Marc’s ill-fated music career and the reason Sausage Party led to a great awakening in Tom’s life. Theme music by The Tokeleys. This episode is sponsored by Squarespace.
Alfred Molina was told early on that he was a “dreadful actor but a marvelous show off.” Thankfully, he took that assessment as a positive and became one of our great actors, working in experimental British theater, BBC radio plays, and large-scale musicals like Oklahoma. Alfred tells Marc how he transitioned to movies, with his first film being a small trifle called Raiders of the Lost Ark, and how that paved the way for his future work with directors like Paul Thomas Anderson, Sam Raimi, and Jim Jarmusch. And yes, he and Marc talk about THAT scene in Boogie Nights. This episode is sponsored by SimpliSafe and Aspiration.
Gary Clark Jr. tries not to put too much pressure on himself. That’s not surprising since outside forces seem to put a lot of pressure on Gary, with guys like Eric Clapton asking him to go on tour and outlets like Rolling Stone calling him The Chosen One. The truth is, Gary was just a kid who wanted to be an R&B singer and taught himself how to play guitar. He tells Marc what he learned about the guitar from watching Stevie Ray and Jimmie Vaughan, playing with Hubert Sumlin , and listening to Tito Jackson. Yes, Tito Jackson. Somewhere along the way, Gary made the shift from doing covers of the blues to tapping into it on his own. This episode is sponsored by Vice Live, Squarespace, and Care/of.
Mandy Moore has already gone through several career phases in her young life, from teenage pop star to animated voice artist to dramatic actress. But her latest phase, as matriarch Rebecca Pearson on This Is Us, came after a long period in which she put her career on hold and lost her sense of self. Mandy explains to Marc what it meant to be emotionally locked into a relationship, how that tumultuous time was preceded by a stunning development in her family, and why she finally feels comfortable going back to making music. This episode is sponsored by Stamps.com and 23andMe.
Seth MacFarlane can host award shows, create button-pushing animated shows, and sing standards in symphony halls, but nothing changes the fact that he’s an introvert by nature. Seth tells Marc why he’s always enjoyed making trouble through comedy, how that impulse got him into hot water when Family Guy started, and why many of the things he’s doing now - studio recordings, live performances, his show The Orville - are rooted in his respect for the past. He also talks about making Ted, hosting the Oscars, the evolution of offensive comedy, and the influence of The Far Side. This episode is sponsored by Standup Month on Comedy Central and Deadly Class on SYFY.
Kristen Bell had an experience as a guest on WTF that not many others get to enjoy: Marc made her a meal beforehand. So with a full stomach, Kristen and Marc talk about why Dax Shepard is pushing her to have an ecstasy party, why does she have a hard time remembering things, and why she began singing opera at a young age. There's also some talk about her beloved projects like Veronica Mars, Forgetting Sarah Marshall, Frozen, and The Good Place. This episode is sponsored by YouTube Music, the Around the NFL Podcast, Starbucks Doubleshot, and Fahrenheit 11/9.
Marc talks with Paul McCartney about, well, a lot: The Beatles and Stones rivalry that wasn’t, his current relationship with Ringo, the influence of Little Richard, The Who, The Beach Boys, how he needs to have an out-of-body experience to really examine the Beatles legacy, the reception of his solo work after the Beatles, recording Band on the Run in Nigeria, what messages are in his songs, which songs still make him emotional when he performs them, and what he brought to the table for his latest album, Egypt Station. This episode is sponsored by Squarespace, The Daily Show with Trevor Noah: Ears Edition, and Casper.
Jay Leno came up as a comic's comic, a performer recognized by other comedians as one of the best in the game. He also became one of the most successful late night television hosts in history, not once but twice. Those two sides always seemed at odds with each other, especially in the minds of many other comics, but Jay never saw it that way. He tells Marc about the early days in the clubs with Pryor, Carlin, Robin and others, how he and Letterman influenced each other as comics, and how things went south as they both made it big. And then there's the whole Conan thing. Marc and Jay deal with all of it, and then some. This episode is sponsored by The Happytime Murders, Sennheiser CX Sport Headphones, ZipRecruiter, and Stamps.com.
From Episode 233, this is Marc's conversation with Anthony Bourdain, conducted in 2011. Anthony died on June 8, 2018, at age 61.
From the minute the Presidential motorcade pulled away, Marc began recording his reaction to the momentous event that just occurred in his garage. Hear Marc's ongoing reflections in the aftermath as well as a discussion with WTF producer Brendan McDonald about how this happened in the first place. This episode is sponsored by Stamps.com, Squarespace, Comedy Central, and Vegas.com.
Marc welcomes the 44th President of the United States of America, Barack Obama, to the garage for conversation about college, fitting in, race relations, gun violence, changing the status quo, disappointing your fans, comedians, fatherhood and overcoming fear. And yes, this really happened. This episode is presented without commercial interruption courtesy of Squarespace. Go to MarcMeetsObama.com to see behind-the-scenes photos and captions.