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    Music

    What the Riff Next Gen

    Every episode of “WHAT THE RIFF NEXT GEN” brings a ROCK AND ROLL album that debuted on the U.S. Billboard charts during a random month between 1995 and 2005. Four Classic Rock fans discuss the artist and 4 tracks from the album as it plays in the background. Then we riff on 3 additional “staff picks” of other artists that were also on the charts during that month and year. You’ll hear Classic Rock bands that were still producing new work, as well as some newer Alternative and Grunge bands that were gaining momentum during this Millennium Y2K Period. We encourage you to find and purchase the tracks and albums from Apple Music, Spotify or your other favorite music service. Please subscribe so you don’t miss any release! In addition to “Next Gen” you can search our ORIGINAL “What the Riff?!?” episodes (1-373) covering 1965 – 1995. We also invite you to follow us and learn more about us @whattheriff on Facebook.

    Disclaimer: What the Riff?!? is a music commentary and review podcast that highlights classic rock music through historical context, personal insights, and artist appreciation. We do not claim ownership of the songs featured, which remain the property of the original artists and rights holders. All music is used under the Fair Use doctrine for purposes of criticism, commentary, and education. We encourage our listeners to support the artists by purchasing and streaming their music legally.

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    Copyright: What the Riff ©2018

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    Latest Episodes:
    1984 - June: Night Ranger “Midnight Madness” Mar 29, 2021
    Show notes

    Night Ranger was a reliable hit machine in the mid-80's and their second studio album Midnight Madness was the one that solidified this reputation. The group originally started as a trio with Jack Blades on bass, Brad Gillis on guitar, and Kelly Keagy on drums. Keyboardist Alan Fitzgerald came out of the group Montrose to join the band, and he recommended guitarist Jeff Watson. The group was originally called Stereo, then changed their name to Ranger. The name was modified to Night Ranger to avoid a trademark infringement with a country band of the same name.

    Night Ranger honed their skills opening for Sammy Hagar (Fitzgerald worked with Hagar in Montrose), Ozzy Osbourne, and ZZ Top. Their popularity began to rise with the release of their first album “Dawn Patrol,” and exposure on MTV, although only one single appeared in the top 40 - “Don't Tell Me You Love Me” peaked at number 40.

    Midnight Madness would move the group from opening act to mainstream success with three singles including the massive hit ballad “Sister Christian,” written about Kelly Keagy's sister Christine. “Sister Christian” hit it's peak at number 5 on the Billboard Hot 100 chart, but was actually set to record back during their "Dawn Patrol" studio sessions. Night Ranger held off on recording it at that time, wanting to establish themselves as a rock group rather than a ballad group.

    "(You Can Still) Rock in America" peaked at number 51 in June, and that is why we're featuring the album for this month although it came out in October 1983.

    Night Ranger has been described as pop metal or glam metal, but it is straightforward 80's rock & roll. One of the things that made Night Ranger unusual is that with their five members they had two lead guitarists, and two lead singers. This may have given Night Ranger a depth of skill that wasn't common in rock groups at the time.

    We hope you have fun remembering this rocking group and album!

    (You Can Still) Rock in America
    This hard rocking anthem would miss the top 40, peaking at 51. The song originated during a tour with Sammy Hagar. The rock magazines were trending towards New Wave, and the covers inspired Jack Blades to write about it. Hey! You can still rock in America!

    Why Does Love Have to Change
    A deeper track, this song is a good example of their dual lead guitars. Jeff Watson and Brad Gillis both were capable of holding the lead. Brad Gillis' training began with a 12-string, and many of their pieces show a crisp picking style. Gillis is the only Night Ranger member to appear at every Night Ranger live performance.

    Let Him Run
    Another deep track, this final song on the album is more of a rock ballad with a 12-string feel. It is about letting someone go in a relationship and moving on. "Let him run, let him see what he has done."

    When You Close Your Eyes
    This fast ballad was a hit at the time, and hearkens back to an early relationship - trying to figure things out. It's wistful but positive at the same thing. The video is classic 80's. "I remember when we learned about love in the back of a Chevrolet, when it felt so good to be young. Feels like yesterday."

    ENTERTAINMENT TRACK:

    Theme from the motion picture “Ghostbusters” by Ray Parker Jr.
    This is the movie where you found out just how dangerous the Stay-Puff Marshmallow Man could be. Don't cross the streams!

    STAFF PICKS:

    Eyes Without a Face by Billy Idol
    Bruce's staff pick starts us off with a hit single inspired by a French horror film from the 1960's. The song itself is about the end of a hopeless love affair. Idol's then-girlfriend Perry Lister sings the French part, "Les yeux sans visage" meaning "eyes without a face."

    Oh Sherrie by Steve Perry
    Brian features Journey front man Steve Perry with his hit single as a solo artist off the album "Street Talk." The song was written about his then girlfriend, Sherrie Swafford, who also appeared in the music video. Many think the success of Perry's solo project was a foreshadowing of his exit from the band, though he remained in Journey for several years afterward.

    Two Tribes by Frankie Goes to Hollywood
    Wayne's staff pick was bigger in Europe than America, and bigger than his hit "Relax" on the continent. The song is an anti-war protest, and the video features portrayals of American President Ronald Reagan and Soviet Chairman Konstantin Chernenko in a fight with onlookers gambling on the fight and eventually joining in.

    I'll Wait by Van Halen
    Rob brings us a fast ballad off the hugely successful album 1984 - the last appearance of Van Halen with David Lee Roth as front man for many years. The song is about getting the girl, and waiting for the right opportunity. An interesting bit of trivia is that Michael McDonald (from the Doobie Bros) collaborated with Van Halen for this track.

    INSTRUMENTAL TRACK:

    Close (to the Edit) by Art of Noise
    New Wave/electronica finishes us out this week. The song takes samples from several Yes song. The Art of Noise had a well known and somewhat controversial video.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1969 - March: Blood, Sweat & Tears “Blood, Sweat & Tears” Mar 22, 2021
    Show notes

    Jazz-rock band Blood, Sweat & Tears waited until their second studio album to eponymously name it Blood, Sweat & Tears. This band would defy convention in many ways. It was a large band, boasting nine full-time members, and adding a tenth in trumpet player Alan Rubin for one song. They also played a complex mix of progressive music that would come to be called "jazz-rock." This album would be the first with David Clayton-Thomas on lead vocals, and would spend seven weeks at the top of the album charts. It would also be a critical success, netting the band a Grammy Award for Album of the Year in 1970.

    Al Kooper, the original band leader and rock legend, started the group. The sound was inspired by the sound of the Buckinghams and Maynard Ferguson. Kooper left after the second album, and David Clayton-Thomas came in as front man. There were over 100 members in Blood, Sweat & Tears over the years, including Bo Bice of "American Idol" fame. The group name came from a Winston Churchill speech.

    Blood, Sweat & Tears was the number 1 album at the time that the Woodstock music festival was held in August of 1969, and at $15,000 they were the highest paid band to appear at Woodstock behind Jimi Hendrix. For some reason, they decided not to get filmed for the gig, and as a result they are not seen in all the documentaries and retrospectives on that historic concert. It is almost as if Blood, Sweat & Tears were erased from history. On top of that, they didn't get their $15,000 at the end of the concert either!

    A couple of other factors cause Blood, Sweat & Tears to be overlooked. Their songs tend to be longer during a time when singles were no longer than 3 minutes for radio. They also toured eastern Europe in 1972 to show off rock and roll music, sponsored by the U.S. State Department. The counter culture considered this a sell out, and many of their Vietnam-era protest fans abandoned Blood, Sweat & Tears because of it.

    Get ready to ride a painted pony and let the spinnin' wheel spin!

    Smiling Phases This very jazzy track is a cover of a song originally done by Steve Winwood and Traffic. The idea is of the song is that you put a smile on no matter what life throws at you. Keep on smiling and moving forward - don't let the obstacles get you down.

    You've Made Me So Very Happy This well known track peaked at number 2, and is a cover of a Motown song done originally by Brenda Holloway in 1967. They tried to do this song with Al Kooper on their first album, but Kooper's voice wasn't well-adapted to it. They tried it at a live show with David Clayton-Thomas, and it worked.

    And When I Die Another cover that peaked at number 2, this song was written by 17 year-old Laura Nyro and was originally performed by Peter, Paul & Mary. Blood, Sweat & Tears picked up this song when Nyro was dating the bass player. Their cover version went to number 2. It is about recognizing the limited time you have on this earth and making the most of it. That's pretty profound lyrics for a 17 year-old!

    Spinning Wheel The big single of the album was this well known hit, peaking at - you guessed it - number 2. It compares life to riding on a carousel. Things come and things go, "what goes up must come down." Enjoy the ride.

    ENTERTAINMENT TRACK:

    Main Theme to the television series “Marcus Welby M.D.” Robert Young of "Father Knows Best" fame would star in this long-running series that would take on several controversies during its 7-year run. The pilot for the series aired in March of 1969.

    STAFF PICKS:

    Day after Day (It's Slippin' Away) by Shango Rob starts our staff picks with this calypso one-hit wonder. It is known as a novelty act about how the earthquakes in California will cause the whole coast to slide into the Pacific - "you better get ready to tie up the boat in Idaho!"

    Everyday People by Sly & The Family Stone Brian features a big hit from the fusion group Sly & The Family Stone. Everyone is essentially the same and we need to learn to live together. The group was known for combining musical styles and its members' ethnic diversity during a time of racial tensions.

    Time of the Season by The Zombies Bruce's staff pick was a surprise hit by the group led by keyboardist Rod Argent and vocalist Colin Blunstone. It took about a year to catch on before hitting number 3 on the Billboard Hot 100 in March 1969. It has become sort of a counterculture anthem in pop culture, and is frequently used in Vietnam-era scenes and flashbacks.

    Rock Me by Steppenwolf Wayne's staff pick is a deeper cut, though it hit the charts and peaked at number 10 at the time. Lead singer John Kay wrote this one. It has a deeper meaning as a kind of protest song. Canadian band Steppenwolf was nominated to the Rock & Roll Hall of Fame in 2017, though they didn't make it in.

    INSTRUMENTAL TRACK:

    Variations On a Theme by Erik Satie (1st Movement) by Blood, Sweat & Tears We're once again double dipping on our featured album. Blood, Sweat & Tears had a number of instrumental pieces on their albums, and this one is the opening track.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1994 - September: Blues Traveler “four” Mar 15, 2021
    Show notes

    Blues Traveler formed as a high school garage band in Princeton, New Jersey in 1987, and their fourth studio album, aptly named four, was their true breakout album.

    Blues Traveler is composed of guitarist Chan Kinchla, bassist Bobby Sheehan, drummer Brendan Hill, and front man, harmonica player, and primary songwriter John Popper. Sheehan would die in 1999 and be replaced by Tad Kinchla. The group would add Ben Wilson on keyboards in 2000. This group is hard to define from a genre standpoint, as they have a little prog rock, a little psychedelic, a little funk, and surprisingly for a band originating in New Jersey, a little Southern rock. The name was inspired by a character from the movie "Ghostbusters." They were called Blues Band at the time, and became Blues Traveler after getting the idea from Gozer the Traveler.

    The group moved to New York where they shared an apartment with their high school friend Chris Barron. Barron, Popper and Hill were briefly in a band called The Trucking Company. After Popper and Hill left The Trucking Company to focus on Blues Traveler the group changed their name - to the Spin Doctors.

    Like the Grateful Dead, Blues Traveler is known as a jam band, and they encourage fans to record their live performances. They also started the H.O.R.D.E. festival (Horizons of Rock Developing Everywhere).

    The album four is a great showcase of the talents of this band, and there is a lot of variety in the tracks. We think you'll be "hooked" on this funk/rock/psychedelic jam session.

    Hook This is the second single from the album, and it peaked at number 23 on the Billboard Hot 100. The song is a tongue in cheek critique of the music industry. A "hook" is a riff or phrase in music that becomes a sort of earworm in your mind. The lyrics make the case that the artist can basically sing anything as long as the hook is good. In fact, the chord progression is built on Pachelbel's Cannon in D, one of the oldest music hooks around.

    Stand A funky deep cut, Stand is about making a decision to move forward despite obstacles. Popper wrote this song shortly after a motorcycle accident had him on stage performing in a wheelchair with the band. Despite the difficulty of both being overweight and recovering from injury, John Popper pressed on. By the way, Paul Shaffer of David Letterman Show fame is playing keyboards on this piece.

    Look Around A softer deep cut, this track is about carrying on after setbacks and heartbreak, and not giving up. "If you want peace then live alone. If you want to hide then find a stage. Each a brief but perfect home to accommodate your rage."

    Run-Around This is the big hit from the album. The song is about being stuck in the friend zone, and was inspired by a crush John Popper had on a female bass player who briefly worked with the band. The video is a great parody of "The Wizard of Oz," where Blues Traveler is secretly playing a set behind a curtain while a more photogenic band is on stage.

    ENTERTAINMENT TRACK:

    Main Theme from the television series The Magic School Bus The children's educational series featured teacher Ms. Frizzle (voiced by Lily Tomlin)

    STAFF PICKS:

    Stay (I Missed You) by Lisa Loeb The movie Reality Bites had a killer soundtrack, and this may be the most famous song from the film. Brian tells about how Lisa Loeb was brought to the film soundtrack by actor Ethan Hawke while she was unsigned to a recording contract.

    All I Wanna Do by Sheryl Crow Rob's staff pick is from Crow's debut album, and this single was on the charts this month. The lyrics originate from a poem called "Fun" by Wyn Cooper. The lyrics chronicle what life might look like from a bar stool, sitting around drinking all day. Sheryl Crow became a celebrity after the release of this album entitled "Tuesday Night Music Club."

    Seether by Veruca Salt Wayne takes the tempo up with this rocking staff pick. Nina Gordon and Louise Post front this alternate rock band, and sing about rage and animalistic instincts that build up over time. "Can't fight the seether, I can't see her till I'm foaming at the mouth."

    Lucas With the Lid Off by Lucas Bruce brings us a track from Danish rapper Lucas Secon built on a tune from Benny Goodman's "When Buddha Smiles," originally penned in 1935. The video was a complex shot done in one continuous take with no edits, cuts, or enhancement.

    INSTRUMENTAL TRACK:

    L.A. by Widespread Panic Jam band Widespread Panic takes us out on this podcast with this instrumental track.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1968 - December: The Beatles “The White Album” Mar 08, 2021
    Show notes

    By the time the ninth studio album was put out, The Beatles had achieved astounding critical and popular success. Their only double-album was self-titled. However it has become known as The White Album because, unlike the color and art of the prior Sargent Peppers album, this one was entirely without color, white, with simply the name "The Beatles" on the cover. Much of the songs on the album were created while the band was on a Transcendental Meditation retreat in India, and that influence can be felt in the scaled down, often acoustic feel of the songs.

    The band was also beginning to fragment, and arguments or hurt feelings would cause some of the songs to be recorded by just part of the group. Yoko Ono would become a constant presence with Lennon in the studio, contributing to the tension.

    Despite the iconic status the album achieved virtually from its release, there were still detractors. Some criticized songs like ”Back in the U.S.S.R.” to be too sympathetic of communism and accused the group of trying to brainwash American youth. Those on the left found the non-activist message of songs like “Revolution” to be a betrayal of leftist ideology during a period of intense social upheaval. And perhaps most famously, Charles Manson claimed inspiration for his violence in many songs from the album.

    Today, The White Album is rightfully considered one of the greatest albums of the rock era. We hope this podcast will encourage you to explore the album more fully.

    Back In the U.S.S.R. Mike Love of The Beach Boys was one of the participants in the Transcendental Meditation retreat. McCartney was encouraged by Mike Love to create a Soviet version of "California Girls." with this song. The name of the song was inspired by Chuck Berry's "Back In The U.S.A." McCartney plays drums on this single, as Ringo Starr briefly quit during this time.

    Dear Prudence The inspiration for this Lennon-penned song is Prudence Farrow, Mia Farrow's sister, who was also at the TM retreat. Prudence took the meditation so seriously that she fell into a catatonic state, which obviously worried the entire group. The song was written to lift her spirits. McCartney also played drums on this song in Starr's absence.

    While My Guitar Gently Weeps George Harrison matured greatly as a songwriter on this album, and this is one of his more famous contributions. Lennon and McCartney were not enthusiastic about including this song, but relented when Harrison brought his friend Eric Clapton in to play (uncredited) on this song. The members of the Beatles were at each others throats at the time, and Clapton's presence exerted a calming influence on the band. This was also the first song in which Ringo Starr played drums after his return to the group.

    Helter Skelter After reading an interview of Pete Townshend in which he described a Who track, Paul McCartney was inspired to write the "loudest, nastiest, sweatiest rock number we could." This track is infamously associated with Charles Manson and the Tate-LaBianca murders.

    ENTERTAINMENT TRACK:

    “Baby What You Want Me to Do” by Elvis Presley This month saw the release of Elvis's TV Comeback Special, "If I Can Dream." It was the highest rated show for the year of 1968.

    STAFF PICKS:

    “Hooked on a Feeling” by B.J. Thomas Bruce gets the staff picks started this week with a song made famous by the motion picture "Guardians of the Galaxy." Written by Mark James, B.J. Thomas did the original in 1968. The track would be covered by Jonathan King in 1971, and then by Blue Swede in 1974, the Blue Swede cover being the one with which most are familiar.

    “Cinnamon” by Derek Rob's upbeat staff pick was designed so that singer Johnny Cymbal could avoid being pigeonholed as a novelty singer. As a result, he went by the name, “Derek” for this release — which was his brother's name, Derek Cymbal.

    “I Got a Line on You” by Spirit Wayne's pick is another upbeat track, this one from the Spirit album "The Family That Plays Together." The album got its name because lead guitarist was playing with his stepfather as drummer. Jay Ferguson was also in this band, who wrote the score for the American version of the television series "The Office." This track peaked at number 25.

    “Kentucky Woman” by Deep Purple Brian features an unusual cover of Neil Diamond's 1967 original in a style that some call the first heavy metal song. The song was on the psychedelic and Arthurian album entitled "The Book of Taliesyn."

    INSTRUMENTAL TRACK:

    “Joy of a Toy” by Soft Machine This prog rock/psychedelic instrumental takes us out this week.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1980 - September: Pat Benatar “Crimes of Passion” Mar 01, 2021
    Show notes

    Patricia Mae Giraldo, better known as Pat Benatar, became one of the most prominent female rock stars when she made her debut in 1979. Her most successful studio album was this second album, Crimes of Passion, which would benefit from play on rock stations around the country and the new music video media spearheaded by MTV.

    Benatar had actually abandoned early dreams of a singing career, choosing to pursue health (actually sex education) at Stony Brook University, rather than music at Juliard. She dropped out of Stony Brook after a year, married Dennis Benatar, and worked as a bank teller in Virginia while he was stationed at Fort Lee. Her interest in singing was rekindled after attending a Liza Minnelli concert. She had some local success in Richmond and in New York where she and Dennis moved in the mid-70's, — but the real breakthrough would happen in Halloween 1977 when she performed in a spandex costume. Shortly thereafter she was signed by Chrysalis Records. She ended up divorcing Dennis Benatar thereafter, but would keep his last name as her professional name.

    While Pat Benatar achieved strong success on her debut album with the hit "Heartbreaker." Crimes of Passion would make Benatar a household name. The album would spend five consecutive weeks at number 2 on the album charts in January 1981, and would net Benatar a Grammy Award for "Best Female Rock Vocal Performance" of 1980. Pat Benatar would appear on the cover of the October 1980 issue of Rolling Stone along with her guitarist and future husband, Neil Giraldo.

    We think you will enjoy this excellent album. At least we will do our best to hit you with our best shot!

    Hit Me with Your Best Shot This song is the second single off the album, but the biggest hit, and her first entry into the top 10. The song was written by Canadian musician, songwriter, and producer Eddie Schwartz, inspired by a therapy session he participated in that involved hitting pillows. This is a true rock anthem.

    Little Paradise This deeper cut leads off side two of the album, and was written by guitarist and soon-to-be husband of Pat Benatar, Neil Giraldo. To us, it feels a little more like Ted Nugent or southern rock.

    You Better Run The first single released from the album is a cover of a song originally performed by The Young Rascals. Although this song missed the top 40 (peaking at number 42 on the Billboard Hot 100), it would become the second music video ever broadcast on MTV after the Buggles' "Video Killed the Radio Star."

    Hell Is for Children This emotional song was written by Benatar, Giraldo, and bassist Roger Capps and is Neil Giraldo's favorite song. Pat Benatar was inspired to write this song by a series in New York about abused children. Later on Benatar and Giraldo would actually create foundation for abused children

    ENTERTAINMENT TRACK:

    Main theme from the television series “Cosmos” This popular PBS series premiered in September 1980, and would make Carl Sagan a household name.

    STAFF PICKS:

    “Introduction/Lola” by the Kinks Brian's starts our staff picks off with a live version of the 1970's hit about an encounter between a young man and the cross-dressing Lola. In the song the guy meets Lola in Soho, London, but the inspiration was a result of Kinks manager Robert Wace spent an evening in Paris dancing with a cross-dresser.

    “Games Without Frontiers” by Peter Gabriel Wayne's staff pick takes its name from a European TV show, "Jeus Sans Frontieres" where people from different places would play games of skill while wearing strange costumes. The British version of this game show was called "It's a Knockout," and that title also makes it into the song. The song's lyrics are a commentary on war and negotiations between countries being like children on a playground. Kate Bush contributes backing vocals in this song.

    “The Legend of Wooley Swamp” by the Charlie Daniels Band Bruce takes us on a spooky trip to the Wooley Swamp where the ghost of miser Lucious Clay torments the spirits of his killers, the Cable Boys. Today Wooley Swamp is the name of a farm campground and RV park near Raleigh.

    “Turn It On Again” by Genesis Rob finishes off our staff picks with the first single off Genesis' album "Duke," written by band member Mike Rutherford. It is about a man who doesn't do anything but watch TV, and begins to think of the TV personalities as his friends. The song has a complex time signature, with much of the song in 13/8.

    INSTRUMENTAL TRACK:

    "Dinorah, Dinorah" by George Benson We're turning to a jazz instrumental by R&B and Jazz artist George Benson to finish off this week's podcast. It was off his 1980 album, "Give Me the Night."

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1965 - November: Smokey Robinson and the Miracles “Going to a Go-Go” Feb 22, 2021
    Show notes

    When Berry Gordy's Motown Record Corporation began, the first group signed was The Miracles, also known as Smokey Robinson and the Miracles from 1965 to 1972. The group was also the first of Motown's million-selling recording artists, and the first Motown act to appear on American Bandstand. The group would have a nineteen-year run on the American music charts, with over fifty hits, sixteen within the top 20 of the Billboard Hot 100.

    Smokey Robinson led the group from its start in 1955 as “The Five Chimes” until he retired from the group in 1972 to take a larger tole as Motown's vice president. Other members included Robinson's wife Claudette, Ronald White, Marv Tarplin, Pete Moore, and Bobby Rogers. In addition to their chart success, Smokey Robinson and the Miracles would have a profound affect on rock and roll, with many of the Miracles' hits being covered by groups like the Zombies, the Who, the Rolling Stones, the Hollies, and the Beatles.

    Robinson, whose first name is William, got the name “Smokey” from his uncle. Young William Robinson loved cowboy movies, and his uncle started calling him “Smokey Joe” as a cowboy name. Everyone called him that until he was about 12 years old, at which time he dropped the “Joe” part.

    Going to a Go-Go is the first Miracles album to use the name “Smokey Robinson and the Miracles.” It is also the only studio album by the group to chart in the top 10 of Billboards 200 albums chart, peaking at number 8. Smokey Robinson produced the album, and wrote or co-wrote all but one of the songs on it.

    We're sure you will enjoy this blast from the past.

    Ooo, Baby Baby The Funk Brothers provide the instrumentals for this pleading song about a man who cheated on his woman and begs forgiveness. It was listed as number 266 on Rolling Stone Magazine's list of “The 500 Greatest Songs of All Time.”

    Tracks of My Tears This iconic song is another of “The 500 Greatest Songs of All Time,” coming in at number 50. The song itself is about putting on a good face for others after a breakup. “Baby take a good look at my face, you'll see my smile looks out of place. Yeah, just look closer, it's easy to trace the tracks of my tears.”

    My Girl Has Gone Marv Tarplin plays a 12-string guitar on this song that tries to put a positive spin on a breakup. “Don't you cry, hold your head up high. Don't give up, give love one more try, ‘cause there’s a right girl for every guy.”

    Going to a Go-Go The up-temp dance song was covered by the Rolling Stones on their 1982 album “Still Life.” Miracles member and co-writer Bobby Rogers said that the song was inspired by the success of the “go-go” clubs that were popular throughout the United States in the 1960's.

    ENTERTAINMENT TRACK:

    The theme from the television series “Combat!” This drama series started in black and white and switched to color during its run from 1962 to 1967, and focused on a World War II American squad fighting Germans in France.

    STAFF PICKS:

    Everyone's Gone to the Moon by Jonathan King Bruce's staff pick was written and sung by Jonathan King while he was an undergraduate at Cambridge. He went on to become a record producer, songwriter, and entrepreneur. He discovered the band Genesis in 1967 and produced their first album, “From Genesis to Revelation.”

    I'm A Man by The Yardbirds Rob brings us a most politically incorrect tune, originally performed by Bo Diddley in 1955. The Yardbirds covered it this year after Jeff Beck replaced Eric Clapton as guitar.

    May the Bird of Paradise (Fly Up Your Nose) by “Little” Jimmy Dickens Brian's staff pick features 4' 11" tall Jimmy Dickens. The reference was used frequently by Johnny Carson, and the song chronicles some events in the life of a cheapskate.

    It Ain't Me Babe by The Turtles Wayne finishes up the staff picks with a cover of a Bob Dylan song. The song is about a boy telling a girl that he is not the one who will meet her every need. This is the biggest hit of the first album by The Turtles.

    INSTRUMENTAL TRACK:

    Cleo's Back by Junior Walker & the All Stars We close out this week's podcast with an instrumental from another Motown group.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1981 - February: Rush “Moving Pictures” Feb 15, 2021
    Show notes

    With the release of Moving Pictures, Canadian power trio Rush moved to their highest level of commercial success. Bassist and lead singer Geddy Lee, guitarist Alex Lifeson, and percussionist extraordinaire Neil Peart were established at the top of the prog rock genre, and this eighth studio album would be their most successful studio release in their career, becoming so when it crossed the quadruple platinum level of sales.

    The band had originally planned to release a live album at the conclusion of their tour for "Permanent Waves," but Neil Peart encouraged them to change direction towards a new studio release based upon interesting material they were creating during sound checks on tour. The album itself was more accessible than some of their early work. While most songs would clock in at over 4 minutes (and "The Camera Eye" was over 10 minutes long), the pieces were still more radio-friendly than longer pieces like Hemispheres and 2112. The music and lyrics cover topics like travel, individualism, and fame.

    The album cover art consists of a group of movers transporting canvas art (moving pictures), onlookers who are crying at seeing the art (moving pictures), and a film crew recording the entire scene (making moving pictures).

    There is simply no bad track on this album, and Bruce found it difficult to determine which songs to feature. We encourage you to purchase or download Moving Pictures for your repertoire if you don't already have it.

    Red Barchetta
    Although not released as a single, this is a fan favorite, and one of their most accomplished lyric stories. Neil Peart's lyrics were inspired from a short story by Richard S. Foster called "A Nice Morning Drive," written in the November 1973 issue of Road and Track magazine. It is about a country drive during a time in the future when cars had been outlawed by "The Motor Law."

    Limelight
    This piece reflects Peart's mixed feelings about fame, and is the second single from the album. Many times Lee and Lifeson would interact with the public while Peart would remain away from the crowds. Some of the lyrics reflect a line from Shakespeare's "As You Like It," as does the title of their first life album, "All the World's a Stage."

    Vital Signs
    The last track on side 2 takes a more reggae feel, similar to The Police. It also has more in common with more synth-heavy pieces which would appear on subsequent Rush albums like Signals and Grace Under Pressure. The music is about individuality and conformity, a theme often recurring in Rush's catalogue.

    Tom Sawyer
    Undoubtedly, this is the most famous Rush song. It was written by Rush in collaboration with lyricist Pye Dubois of the band Max Webster, and pays homage to the free-spirited individualist confidently striding through the world. Although the first single, the leading track to the album, and the most successful song, Tom Sawyer peaked on the Billboard Hot 100 at number 44. Most concerts late in their career would open with this song.

    ENTERTAINMENT TRACK:

    Main Theme from the television series Diff'rent Strokes
    This comedy series addressed many social issues, and would take a more serious tone with a 2-part episode addressing pedophilia in this month.

    STAFF PICKS:

    Turn Me Loose by Loverboy
    Brian's staff pick stays with the Canadian bands, featuring the first breakout hit by Loverboy from their debut album. While the band appreciated the success, they were less pleased with the S&M community, who adopted it as a kind of "theme song" of their practitioners.

    Miss Sun by Boz Scaggs
    Rob brings us a song first recorded in 1977 by a group of session musicians who would become Toto, and those musicians worked on the Scaggs version as well. The Toto musicians participated in Scaggs' ciritical and commercial hit album "Silk Degrees" in 1976. Miss Sun peaked at number 14 in February. It has a jazzy chord progression.

    People Who Died by The Jim Carroll Band
    Wayne's staff pick features a punk-infused song from Jim Carroll, whose biography inspired the film "The Basketball Diaries." The movie deals with Carroll's heroin addiction. The song mentions the name of a number of Carroll's friends and acquaintances who had passed away. Jim Carroll himself died in 2009.

    I Ain't Gonna Stand for It by Stevie Wonder
    Bruce's staff pick highlights a country-oriented song by R&B legend Stevie Wonder. Wonder plays piano and drums on this song, and is joined by backing vocalists Charlie and Ronnie Wilson of The Gap Band. You may also be familiar with a cover of the song done by Eric Clapton in 2001.

    INSTRUMENTAL TRACK:

    YYZ by Rush
    We sneak in one more from Moving Pictures with this instrumental homage to the Toronto airport. The initial percussion is Morse code for the letters YYZ - the three-letter code for Toronto.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1967 - June: The Hollies “The Hollies’ Greatest Hits” Feb 08, 2021
    Show notes

    One of the last British Invasion groups of the 1960s, and one of the few grroups that never disbanded, was Manchester's own The Hollies. Alan Clarke and Graham Nash founded the group, and after a few iterations joined with Vic Steele (lead guitar), Eric Haydock (bass), and Don Rathbone (drums) in a group known as the Deltas. They would first be known as The Hollies at a Manchester gig in December 1962, taking the name from both the Christmas season and in admiration of Buddy Holly. By 1967, Steele had been replaced by Tony Hicks, and Rathbone by Bobby Elliott. Eric Haydock would be replaced by Ernie Calvert in 1966.

    The Hollies' Greatest Hits was released in May 1967 after their fifth studio album, though they had only achieved major U.S. success in 1966. This album showcases their three-part harmonies and the sound reminiscent of many early 60's British Invasion bands. They did covers and songs from other writers at first - a common practice in bands at the time - before becoming comfortable writing their own material.

    Though The Hollies had many decades more music and hits to come, Graham Nash would depart a few months after this Greatest Hits collection was released to join his new band, Crosby, Stills & Nash. This collection is a good representation of the early days of this iconic band.

    Bus Stop This was the first U.S. top 10 hit by the group, released in June 1966. Songwriter Graham Gouldman wrote this piece using opening lyrics first written by his father, playwright Hyme Gouldman. Graham Gouldman would later be a member of the band 10cc.

    On a Carousel Clarke, Nash, and Hicks penned this song. These three would form the core of the songwriting for The Hollies after they began writing on their own. Previous hits were from Graham Gouldman or covers. It was originally released in February 1967 as a single, and captures the spirit of young love.

    Look Through Any Window This one hit the charts as a single in the US in September 1965, and was their first top 40 hit. “Look through any window, yeah, what do you see? Smiling faces all around, rushin' through the busy town.”

    Stop, Stop, Stop Released in the US by Imperial records in October 1966, this track has a distinctive sound with a banjo as lead instrument and employing a tape delay to give it an eastern feel. It was inspired when the band was taken to a strip club for the first time. “Stop, stop stop all the dancing. Give me time to breathe.”

    ENTERTAINMENT TRACK:

    Theme from the motion picture “To Sir With Love” Sidney Poitier stars and singer Lulu contributes this song (and makes her film debut) in this drama about social and racial issues in an inner city school.

    STAFF PICKS:

    “Creeque Alley” by The Mamas & The Papas Rob kicks off the staff picks with an autobiographical piece on how The Mamas & The Papas formed. The line “and no one's getting fat 'cept Mama Cass” could refer to Cass Elliott's weight, ...or to her financial situation, as she was making more money than the rest of the band!

    “I Got Rhythm” by The Happenings Bruce takes us way back with a show tune originally composed by George and Ira Gershwin in 1930. The Happenings were known for playing classic songs in a sunshine pop style. “I Got Rhythm” would make it to number 3 on the US charts with this version.

    “From the Underworld” by The Herd Wayne's staff pick features a 17 year old Peter Frampton! This song was the first UK hit by the group, and was inspired by the story of Orpheus and his flight from Hades. The psychedelic tune was payed on Pirate Radio in the UK, where radio broadcasts were conducted from ship to avoid the BBC.

    “Girl, You’ll Be a Woman Soon” by Neil Diamond Brian's pick is a hit from Neil Diamond addressing the female fans at his concerts directly. Diamond was a sex symbol at the time, and his audience skewed female, as demonstrated by the apparel thrown up on stage.

    LAUGH TRACK:

    “Ding Dong the Witch Is Dead” by The Fifth Estate This may be more novelty than comedy, but your ears do no deceive you. That's right, this song from "The Wizard of Oz" made it into the charts this month via this cover by The Fifth Estate.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1993 - February: R.E.M. ”Automatic for the People” Feb 01, 2021
    Show notes

    By the time that R.E.M. put out their eighth studio album, the band had been a major factor in alternative rock for a decade. Automatic for the People takes a step back from the faster paced music of earlier albums and creates a more pensive, mellow feel with themes of loss and nostalgia for times gone by. Guitarist Peter Buck, bass and keyboardist Mike Mills, drummer Bill Berry, and front man Michael Stipe present a more acoustic landscape with this critically and commercially successful album.

    Many of the songs on this album originated during sessions for the previous album, “Out of Time,” recorded at Prince's Paisley Park Studios. The recording was done in multiple locations including Seattle, New Orleans, Miami, Atlanta, and of course R.E.M.'s home town of Athens, Georgia. The band formed from UGA students in 1980 and was one of the earliest alternative rock groups on the scene. R.E.M. lead the charge of the Athens-based music scene.

    The album name is a motto originated at Weaver D's Delicious Fine Foods in Athens, Georgia. At one point the album was going to be called "Star." The album cover sports a photograph of a star-shaped sign from the Sinbad hotel in Miami, not far from the studio where some of the tracks were recorded. This album would produce six singles, and reached number 2 on the U.S. Billboard 200 Album charts.

    While originally released in October 1992, we're featuring it in May 1993 when "The Sidewinder Sleeps Tonite" single was released in February 1993, the third single from the album. We hope you like this trip back to college rock in the early 90's.

    Ignoreland
    Although this track was not released as a single, it still made it into the charts. The high energy song finds Michael Stipe throwing out crazy lyrics and phrases about politics, mostly raging against Republicans Ronald Reagan and George H.W. Bush.

    Try Not to Breathe
    Michael Stipe was writing about his grandmother as she was dying in this folksy track in 3/4 time. The title originated from a session where Peter Buck had the guitar mic near his mouth. The engineer said he was making too much noise, and Buck replied, "OK, take two. I'll try not to breathe." Stipe thought it made a nice title!

    Monty Got a Raw Deal
    Another folk oriented track, this one is about the actor Montgomery Clift, who starred in The Misfits, From Here to Eternity, and A Place in the Sun. The lyrics were meant as a contemplation on movies versus reality. Guitarist Peter Buck plays a Greek stringed instrument called a bouzouki on this song.

    Night Swimming
    This soft ballad is almost a chant with its repeating, circular melody. John Paul Jones of Led Zeppelin fame is credited with the string arrangement. If the piano sounds familiar, it might be because Mike Mills recorded the piano using the same instrument that Derek and the Dominos used to record "Layla" many years prior to this. "Every streetlight reveals a picture in reverse..."

    ENTERTAINMENT TRACK:

    “Pennsylvania Polka” by Frankie Yankovic & His Yanks
    The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. ;-)

    STAFF PICKS:

    Walk On the Ocean by Toad the Wet Sprocket
    Brian's staff pick starts us off with the group named from a Monty Python skit. Lead singer Glen Phillips wrote the lyrics in about 5 minutes as a “stream of consciousness” without any real meaning. He had images of water on his mind after a trip to the ocean in Washington state, but nothing beyond that.

    Mr. Wendal by Arrested Development
    Bruce brings us a little southern hip hop from Atlanta's own Arrested Development. The song tells about an encounter with the homeless Mr. Wendal and about what the rapper learns from a non-materialistic person versus what society says.

    I Am the Bullgod by Kid Rock
    Wayne's staff pick brings up the energy with a rocking song from Detroit's Robert James Ritchie, aka Kid Rock. This is off his second independent album, and would be re-released on a major label years later. It is a good example of the blend between rap and heavy metal that was making its appearance at the time.

    Courage (for Hugh MacLennan) by The Tragically Hip
    Rob's closes out the staff picks with a hit from Canadian band The Tragically Hip - off their third studio album. The reference to Hugh MacLennan is a shout-out to the author of a 1959 novel entitled "The Watch that Ends the Night." Lines from that novel are paraphrased in the last verse of the song.

    INSTRUMENTAL TRACK:

    New Orleans Instrumental No. 1 by R.E.M.
    Rob does a little double dipping this week to finish off the episode with an instrumental track from this week's album pick. R.E.M. recorded this in New Orleans in a place that was supposedly haunted.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1977 - May: The Sex Pistols “Never Mind the Bollocks, Here’s the Sex Pistols” Jan 25, 2021
    Show notes

    We've profiled albums from bands which were a mess in real life before, but it would be hard to identify a more "bad boy" oriented group than the Sex Pistols. We'll also not be profiling any other Sex Pistols studio album…because Never Mind the Bollocks, Here's the Sex Pistols is their sole studio album. The Sex Pistols put out a number of singles ahead of the album, so while the full album was released in October of 1977, their single "God Save the Queen" was released in May of 1977. The Sex Pistols defined Punk Rock in a way that would influence the entire genre for decades.

    Members of the group were Glen Matlock on bass, Steve Jones on guitar, Paul Cook on drums and Johnny Rotten (who got the nickname for his bad teeth) on lead vocals. Sid Vicious would come in on bass after Matlock split with the group.

    The members didn't get along with each other, didn't get along with the media, the public, or pretty much anyone. They had already had an obscenity-laden interview on television in December 1976 which kept the tabloids busy for days afterward, and "God Save the Queen" continued their infamous image with its broadside against conformity and the crown.

    The popularity of the Sex Pistols was a reflection of the underlying resentment towards the tough times in England during the late 70s. Their enduring popularity is a reflection of the punk movement the Sex Pistols helped to found in this short-lived group and album.

    God Save the Queen Also known as "No Future," with lyrics like "God Save the Queen, she ain't no human being," it is not surprising that the BBC refused to play the song. Despite this, it went to number 2 on the charts in the UK. The Sex Pistols leased a boat just before the Queen's Jubilee (25-year anniversary) and played off it past Westminster Abbey and Parliament. They were arrested as they exited the boat.

    Submission This deeper cut takes a different pace than your normal punk song, but plays on words. "I'm on a submarine mission for you baby." Not as submissive as it appears at first, is it? Their manager wanted them to do a bondage-type song, but the band never was known to take instructions very well, and so created this pun on the word as a result.

    Pretty Vacant This third single was one of the first songs written by the group. The track is a rant about appearances masking a lack of substance. "I'm so pretty, you're so pretty...pretty vacant...and we don't care." The music of the Sex Pistols remains loud, and uses simple power chords.

    Anarchy in the UK The Sex Pistol's first single released is iconic. "Don't know what I want, but I know how to get it. I want to destroy the passerby."

    ENTERTAINMENT TRACK:

    The theme from the television series “The Brady Bunch” We apologize for the abrupt change! "The Brady Bunch Hour" variety show had its last airing in May 1977.

    STAFF PICKS:

    Calling Dr. Love by Kiss Brian's staff pick starts us with more cowbell! Gene Simmons takes lead vocals on a song inspired by a short from "The Three Stooges," entitled "Men in Black," where they were calling various Doctors. Katey Sagal (from Married...With Children) is a backing vocalist on this song.

    Heard It In a Love Song by The Marshall Tucker Band Bruce brings us the highest charting single from Spartanburg, South Carolina's own. The Marshall Tucker Band got their name from a door key to the warehouse whey had rented for rehearsal, which had the name "Marshall Tucker" inscribed on it. Later they found out that the key belonged to a blind piano tuner who had tuned a piano in the rented space just before their arrival.

    Lonely Boy by Andrew Gold Rob's staff pick was on the charts for about two months, and tells a story about a family raising a boy who is the center of their world until his little sister comes along. Linda Ronstadt contributes to the vocals in this track. Andrew Gold had a close association with Ronstadt.

    Couldn't Get It Right by Climax Blues Band Wayne gets his groove on with a two-hit wonder from an English band. The band wrote the song "from absolutely nowhere" after their label couldn't find a standout song for the single from their album. The lyrics were inspired by the band searching for the "Holiday Inn" sign for their motel after a show on their tour in America.

    INSTRUMENTAL TRACK:

    Cruise Control by the Dixie Dregs We finish off this week with a long instrumental from the prog rock band the Dixie Dregs. This is likely their most famous song, and is covered by a lot of bands.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


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